Knotted Tongues

Hesketh, Kenneth (2014) Knotted Tongues. [Composition]

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Abstract

For orchestra. Duration: 15 minutes. "Knotted Tongues forms a link in the continuation of a latent cycle of my works that contemplates the idea of the ‘unreliable machine’, itself based on the theory of the 'beast-machine' by René Descartes (1637) which expounds the idea that the body is no more than a wonderfully complex machine. Most bodies are likely to malfunction, fracture and decay through some self-initiated internal change or mutation, and are, therefore, unreliable. / Taking this idea into the musical domain, the formal shape of the work progresses via musical 'states' or blocks that rupture, rather than by organic, motivically-related development. The debris of exhausted states form or allow a subsequent state to arise. Assonance is preferred to repetition of material. Foreground material competes with dense note saturations only to become tangled and ensnared. Phrases rapidly and energetically propel themselves forward, but are subsequently stymied, halted or caught in loops of repetition. / Whence the title? It is a reference to Benson Bobrick's book on the history (often barbaric) and treatment of stammering, the fear of which the author summarises by the memorable phrase 'the anticipation of the glottal catastrophe'. / Knotted Tongues was commissioned and premiered by the Seattle Symphony Orchestra under Ludovic Morlot." © Kenneth Hesketh

Item Type: Composition
Additional Information: Premiered on the 26th of October, 2012, at the Benaroya Hall, Seattle, USA, by the Seattle Symphony Orchestra, conducted by Ludovic Morlot.
Uncontrolled Keywords: contemporary, classical, composition, orchestra
Subjects: M Music and Books on Music > Music
Division: Composition
Depositing User: Andrew Chen
Date Deposited: 08 Jul 2017 22:51
Last Modified: 08 Jul 2017 22:51
URI: http://researchonline.rcm.ac.uk/id/eprint/203

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