All in a chord III: Mahler: Symphony No. 10

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Audio]

[img] Audio (All in a Chord broadcast 11th January 2017)
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Abstract

Music is never created in isolation - it's conceived in relation to what's going on around a composer in terms of personal and historical events, new technologies, new ideas and artistic endeavours in other fields. In this series, Ivan Hewett is looking at five very different chords which amply demonstrate the concept that harmony is a reflection of history. Each programme is a bite size portion of rich musical and historical investigation - and each chord has had far reaching influence on other music and is emblematic of its era. 3) MAHLER SYMPHONY NO 10 (broadcast 11 January and 23 August 2017). Contributors: composer David Matthews and psychoanalyst Anthony Cantle. In 1910, the first movement of Mahler's 10th Symphony finally lands on a chord of terrifying dissonance, as he surveyed the wreckage of his personal life. Mahler had discovered his wife was having an affair with the architect Walter Gropius - a discovery which left him distraught. He was in the middle of composing his 10th Symphony and suddenly this cry of anguish appears seemingly out of nowhere in the music. Mahler made a famous visit to see Freud which resulted in a 6 hour walk during which they discussed all of these matters in the context of the newly "discovered" unconscious. The chord in question can't be found anywhere in else music. Perhaps it's just too much to bear. However, what follows this chord is music which suggests resolution, acceptance and great peace.

Item Type: Audio
Uncontrolled Keywords: Chords, musical significance, cultural significance, Mahler, Symphony No. 10
Subjects: Music aesthetics
Music History
Music and society
Division: Musicology
Depositing User: Ms Katharine Liley
Date Deposited: 28 Aug 2019 15:11
Last Modified: 28 Aug 2019 15:11
URI: http://researchonline.rcm.ac.uk/id/eprint/699

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