Richard Wistreich

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  1. Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1). pp. 1-12. ISSN 02691213
  2. Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1). pp. 22-26. ISSN 0306-1078
  3. Tregear, P. and Johansen, G. and Jorgensen, H. and Sloboda, J. and Tulve, H. and Wistreich, R. (2016) Conservatoires in society: institutional challenges and possibilities for change. Arts & Humanities in Higher Education, 15 (3-4). pp. 276-292. ISSN 14740222
  4. Wistreich, R. (2017) ‘Inclosed in this tabernacle of flesh’: body, soul, and the singing voice. Journal of the Northern Renaissance, 9. n/a. ISSN 1759-3085 (In Press)
  5. Wistreich, R. (2016) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Other. Routledge, Abingdon and New York.
  6. Wistreich, R. and Whenham, J., eds. (2011) The Cambridge Companion to Monteverdi. Cambridge University Press, Cambridge. ISBN 978-0-521-87525-7
  7. Wistreich, Richard, ed. (2010) Monteverdi. The Baroque Composers . Routledge, Abingdon. ISBN 9780754629023
  8. Wistreich, R. and Richards, J. (2016) The anatomy of the renaissance voice. In: The Edinburgh Companion to the Critical Medical Humanities. Edinburgh University Press, Edinburgh, pp. 276-293. ISBN Hardback: 9781474400046
  9. Wistreich, R. (2015) High, middle, and low: singing monteverdi. In: Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Brepols, Turnhout, pp. 65-83. ISBN 978-2-503-53568-5
  10. Wistreich, R. (2009) Of mars I sing: Monteverdi voicing virility. In: Masculinity and Western Musical Practice. Ashgate, Farnham, pp. 67-94. ISBN 9780754662396