Ms Emma Hewett

Research & Knowledge Exchange Manager


Royal College of Music

Research Management, Knowledge Exchange, Public Engagement, Editing, Marketing, Event organisation

Emma began her career in television facilities and outside broadcast, moving into broadcast television at Channel 4, then as an actor's agent looking after clients such as Tony Robinson, Robson Green and Miriam Margolyes. She changed direction at this point in her career to work in charity fundraising, and then onto the Higher Education Sector. She worked at SOAS (University of London), for the East of England university consortium i10, and at the University of Essex before moving in September 2015 to the Royal College of Music.

BA in Creative Arts, Music & Inter Arts Studies, Bretton Hall College (University of Leeds) Certificate in Television & Video Production, ViewNorth, Leeds

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Latest Additions

  1. Hewett, E. and Corp, R. (2016) Brief instructions on how to upload items in RCM Online. Royal College of Music London. (Unpublished)
  2. Hewett, E. and Corp, R. (2016) Introduction to RCM Online. [Performance] (Unpublished)
  3. Hewett, E. and Corp, R. (2016) Research Repository Policies. Royal College of Music London. (Unpublished)
  4. Hewett, E. (2016) RCM Open Access Policy. Royal College of Music London. (Unpublished)
  5. Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.
  6. Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735
  7. Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: Une Amitie Professionelle in 'Fortune de Francis Poulenc'. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3
  8. Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270. ISSN 1359-5024
  9. Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to music: people, practices and experiences, 24-25 October 2015, Royal College of Music.
  10. Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2