Items where Division is "Musicology" and Year is 2016

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Number of items: 14.

B

Belina, A. and Scott, D. B. (2016) The business of opera. Ashgate Interdisciplinary Studies in Opera . Routledge, UK. ISBN 9781315614267

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

H

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

L

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: Une Amitie Professionelle in 'Fortune de Francis Poulenc'. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Loges, N. (2016) Review of Brahms among friends: listening, performance and the rhetoric of allusion, by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2). pp. 316-320. ISSN 2044-8414

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

R

Roper, J. (2016) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (1-2). pp. 295-324. ISSN 1788-6244

S

Smith, R. L. (2016) Book review: Bizet, by Hugh Macdonald (The Master Musicians series), OUP, 2014. Notes, 73 (1). pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2016) Book review: Erik Satie: A Parisian composer and his world, by Caroline Potter, Boydell & Brewer, 2016. H-France Review, 16 (210). ISSN 1553-9172

Smith, R. L. (2016) Book review: The Cambridge Companion to French music, edited by Simon Trezise, CUP, 2014. H-France Review, 16 (68). ISSN 1553-9172

T

Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.

W

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. (2016) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Other. Routledge, Abingdon and New York.

Wistreich, R. and Richards, J. (2016) The anatomy of the renaissance voice. In: The Edinburgh Companion to the Critical Medical Humanities. Edinburgh University Press, Edinburgh, pp. 276-293. ISBN Hardback: 9781474400046

This list was generated on Wed Jul 17 03:03:32 2019 BST.