Items where Division is "Musicology" and Year is 2018
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Article
Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)
Asaba, Y. (2018) The arrival of tango in Japan: allure, fear, and morality in early twentieth century Japan. The Japan Society Proceedings, 155 pp. 106-123. ISSN 0952-2050
Belina, A. (2018) Settling the score: celebrating the women erased from the musical canon. The Guardian Classical Music Blog
Bowen, D. K. and Buys, K. and Dart, M. and Sharp, D. (2018) Assessing the sound of a woodwind instrument that cannot be played. Applied Acoustics, 143 (n/a) pp. 84-99. ISSN 0003-682X
Charlston, T. (2018) Obituary: David Evans, harpsichord maker who paved the way for a revival in the instrument’s fortunes. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)
Fuchs, S. (2018) Animating antiquity in the Vision animée. Cambridge Opera Journal, 30 (2-3) pp. 115-137. ISSN 0954-5867 (print) 1474-0621 (online)
Herbert, T. (2018) Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46 (2) pp. 343-345. ISSN 0306-1078 (print) 1741-7260 (online)
Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024
Hewett, I. (2018) Why young people have fallen in love with jazz. Daily Telegraph ISSN 0307-1235
Kawabata, M. (2018) Book review: 'The music of Joseph Joachim' by Katharina Uhde. Studia Musicologica, 59 (3-4) pp. 453-459. ISSN 1788-6244
Loges, N. (2018) Julius Stockhausen’s early performances of Franz Schubert’s Die schöne Müllerin. 19th-Century Music, 41 (3) pp. 206-224. ISSN 0148-2076 (print) 1533-8606 (online)
Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3) p. 9. ISSN 2627-6984
Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3) pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)
Whitfield, S. K. (2018) Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017). New Theatre Quarterly, 34 (2) pp. 196-197. ISSN 0266-464X (print) 1474-0613 (online)
Whitfield, S. K. (2018) Book review: Marc Edward Shaw and Holly Welker (eds.), Singing and dancing to The Book of Mormon: critical essays on the Broadway musical (Rowman & Littlefield, 2016). Studies in Theatre and Performance, 38 (3) pp. 350-352. ISSN 1468-2761 (print) 2040-0616 (online)
Wright, D. C. H. (2018) Review of 'Players’ work time: a history of the British Musicians’ Union, 1893–2013' by John Williamson and Martin Cloonan. Popular Music, 37 (1) pp. 134-136. ISSN 0261-1430 (print) 1474-0095 (online)
Book Section
Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)
Charlston, T. (2018) Arpeggiando; Arpeggio; Birnbaum, Johann Abraham; Brunold, Paul; Chambonnières, Jacques Champion, Sieur de; Denis, Jean. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Clavichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 136-138. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Fingering (1) keyboard instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 227-231. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Frescobaldi, Girolamo Alessandro; Gasparini; Moscheles, Ignaz (Isaac); Neidhardt, Johann Georg; Suzuki, Masaaki. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Harpsichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 287-292. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Preluding. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 509-510. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Spinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 581-582. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Temperament. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 603-605. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Charlston, T. (2018) Virginal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 674-675. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Gouk, P. and Kennaway, J. and Prins, J. and Thormählen, W. (2018) Introduction: historical and contemporary perspectives on music, mind and well-being. In: The Routledge Companion to Music, Mind and Well-Being. Routledge Music Companions . Routledge, Abingdon. ISBN 9781138057760 (hardback) 9781315164717 (e-book)
Herbert, T. (2018) Cornett. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 151-152. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Herbert, T. (2018) Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: The Routledge Companion to the Study of Local Musicking. Routledge Music Companions . Routledge, Abingdon, UK. ISBN 9781138920118 (hardback) 9781315687353 (e-book)
Herbert, T. (2018) Military music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 409-411. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Herbert, T. (2018) Musica Reservata. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 427. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Herbert, T. (2018) Serpent. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 572-573. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Herbert, T. (2018) Trombone. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 630-632. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Herbert, T. (2018) Tuba and ophicleide. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 636-638. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Kawabata, M. (2018) In search of ‘something-other-than-perfect’ violin virtuosity. In: Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology/Göttinger Studien zur Musikwissenschaft (10). Olms Weidmann, Hildesheim, pp. 241-262. ISBN 978-3-487-15662-0 (paperback)
Lawson, C. (2018) Albrechtsberger, Johann Georg; Backofen, Johann Georg Heinrich; Baines, Anthony (Cuthbert); Blasius, (Mathieu-) Frédéric; Devienne, François; Eisel, Johann Philipp; Fingering (3): wind instruments; Fröhlich, (Franz) Joseph; Grenser family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Lawson, C. (2018) Clarinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 130-133. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Lawson, C. (2018) Historically informed performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 305-308. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Lawson, C. (2018) Hogwood, Christopher (Jarvis Haley); Kenyon, Sir Nicholas Roger; Klosé, Hyacinthe-Eléonore; Lalandi, Lina; Lefèvre, Jean Xavier; Levin, Robert (David); Müller, Iwan; Norrington, Sir Roger (Arthur Carver); Ozi, Etienne. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Lawson, C. (2018) Oboe. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 445-448. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Lawson, C. (2018) Rehearsal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 528-529. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Lawson, C. (2018) Riemann, (Karl Wilhelm Julius) Hugo; Royal Conservatory of The Hague; Sax, Adolphe (Antoine-Joseph); Stadler, Anton Paul; The Hanover Band; Vanderhagen, Amand (Jean François Joseph); Vogl, Johann Michael; Willman, Thomas Lindsay. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Loges, N. (2018) Bülow, Hans von. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 101. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Loges, N. (2018) Davies, Fanny. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 170. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Oliva, M. (2018) Electronic instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 211-212. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Pearson, I. E. (2018) Academy of Ancient Music (twentieth century); Berr, Frédéric; English Baroque Soloists; Florilegium; Gardiner, John Eliot. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)
Pearson, I. E. (2018) Iconography. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 317-319. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)
Pearson, I. E. (2018) Lawson, Colin; Orchestra of the Age of Enlightenment; Orchestra of the Eighteenth Century; Orchestre Révolutionnaire et Romantique; Stowell, Robin. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Pearson, I. E. (2018) Oral tradition. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 448-451. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)
Pearson, I. E. (2018) Übersichblasen-Untersichblasen [reed above/below]. In: Lexikon der Holzblasinstrumente: Oboe, Klarinette, Saxophon und Fagott – Baugeschichte und Spielpraxis – Komponisten und ihre Werke – Interpreten. Laaber, Laaber, Germany, pp. 747-748. ISBN 978-3-89007-866-3
Smith, R. L. (2018) Bordes, Charles. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 80. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Smith, R. L. (2018) Casadesus, Henri. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 114-115. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Smith, R. L. (2018) Choron, Alexandre (-Étienne). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 127-128. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's Resonance. Eastman Studies in Music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)
Smith, R. L. (2018) Gould, Glenn (Herbert). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 268-269. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Smith, R. L. (2018) Indy, (Paul-Marie-Théodore-) Vincent d’. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 328. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Smith, R. L. (2018) Paris Conservatoire (Conservatoire de Paris). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 470-472. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Smith, R. L. (2018) Saint-Saëns, (Charles-) Camille. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 560-561. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Solomon, A. (2018) Altès, Joseph Henry; Brüggen, Franciscus Jozef; Delusse, Charles; Freillon-Poncein, Jean-Pierre; Ganassi dal Fontego, Sylvestro di; Herreweghe, Philippe; Kirkby, Dame Emma. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Solomon, A. (2018) Flute. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 240-245. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Solomon, A. (2018) Hotteterre family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 313-314. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Solomon, A. (2018) Mahaut, Antoine; Majer, Joseph Friedrich Bernhard Caspar; Neumann, Frederick; Nicholson, Charles; Rockstro, Richard Shepherd; Tromlitz, Johann George; Vandenbroek, Othon-Joseph. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Solomon, A. (2018) Quantz, Joseph Joachim. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 516-517. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Solomon, A. (2018) Recorder. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 526-528. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Stirling, C. (2018) Sound, affect, politics. In: The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions . Routledge, Abingdon, pp. 54-67. ISBN 9781138854253 (hardback) 9780367659745 (paperback) 9781315722191 (e-book)
Stowell, R. and Lawson, C. (2018) Vibrato. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 650-658. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge Companion to Music, Mind, and Well-Being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)
Wistreich, R. (2018) Agricola, Johann Friedrich; Bernhard, Christoph; Brunelli, Antonio; Caccini, Giulio; Conforti, Giovanni Luca; Corri, Domenico; Hiller, Johann Adam; Maffei, Giovanni Camillo; Mancini, Giovanni Battista; Monteverdi, Claudio; Zacconi, Lodovico; Zenobi, Luigi. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R. (2018) Performance practice scholarship. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 476-482. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R. (2018) Singing. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 576-580. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R. (2018) Vocal performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 676-681. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wright, D. C. H. (2018) Mechanized music and the new market for musical journalism. In: French Renaissance Music and Beyond: Studies in Memory of Frank Dobbins. Brepols, Turnhout, pp. 677-687. ISBN 978-2-503-57960-3
Wright, D. C. H. (2018) Royal Academy of Music (London). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 554-555. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wright, D. C. H. (2018) Royal College of Music (London). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 555-556. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Conference or Workshop Item
Bowen, D. K. (2018) Assessing the sound of a woodwind instrument that cannot be played. In: International Conference of Students of Systematic Musicology 2018, June 6-8, 2018, Belo Horizonte, Brazil.
Loges, N. (2018) Detours and dead ends on a Winter’s journey: Schubert’s Winterreise, D.911, in public performance. In: 20th Biennial International Conference on Nineteenth-Century Music, 2-4 July 2018, Huddersfield. (Unpublished)
Meyn, N. (2018) Singing a song in a foreign land. In: Association of Anglican Musicians Conference, 11-14 June 2018, San Antonio, Texas. (Unpublished)
Wistreich, R. (2018) Historically informed singing: fantasy, reality - or an irrelevance? In: National Early Music Forum, 21 October 2018, Brighton. (Unpublished)
Book
Whitfield, S. K. (2018) Boublil and Schönberg’s Les Misérables. The Fourth Wall . Routledge. ISBN 9781138094383 (paperback) 9781315106090 (e-book)
Edited book
Lawson, C. and Stowell, R., eds. (2018) The Cambridge Encyclopedia of historical performance in music. Cambridge Encyclopedias . Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Herbert, T. and Myers, A. and Wallace, J., eds. (2018) The Cambridge encyclopedia of brass instruments. Cambridge University Press, Cambridge. ISBN 9781107180000 (hardback) 9781316631850 (paperback) 9781316852941 (e-book)
Hoppe, C. and von Goldbeck, M. and Kawabata, M., eds. (2018) Exploring virtuosities: Heinrich Wilhelm Ernst, nineteenth-century musical practices and beyond. Göttingen Studies in Musicology/Göttinger Studien zur Musikwissenschaft, 10 . Olms Weidmann, Hildesheim. ISBN 978-3-487-15662-0
Gouk, P. and Kennaway, J. and Prins, J. and Thormählen, W., eds. (2018) The Routledge companion to music, mind, and well-being. Routledge Music Companions . Routledge, Abingdon. ISBN 9781138057760 (hardback) 9781315164717 (e-book)
Thesis
Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.
Gibbs, F. J. (2018) The Royal Albert Hall: a case study of an evolving cultural venue. Doctoral thesis, Royal College of Music.
McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.
Neergaard, B. (2018) Schumann as aspiring pianist: technique, sonority, and composition. Doctoral thesis, Royal College of Music.
Scotting, R. (2018) Unknown Senesino: Francesco Bernardi’s vocal profile and dramatic portrayal, 1700-1740. Doctoral thesis, Royal College of Music.
Video
Charlston, T. (2018) Curating counterpoint: the lyrical imagination and the performance of Johann Jacob Froberger's legacy. [Video]
Broadcast
Loges, N. (2018) BBC Radio 3: Music Matters: Natasha Loges & Stephan Loges on 'Brahms and his Poets' book. [Broadcast]
Other
Roper, J. (2018) Preface to vocal score: Jenö Hubay: The Luthier of Cremona (with German and French libretto). Musikproduktion Höflich, Munich.
Thormählen, W. (2018) Callcott, John Wall [encyclopaedia article in Die Musik in Geschichte und Gegenwart]. Bärenreiter, J. B. Metzler, Répertoire International de Littérature Musicale.