Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > By region or country"

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Group by: Creators | Item Type
Number of items at this level: 34.

Article

Hewett, I. (1996) Book review: 'American pioneers: Ives to Cage and beyond' by Alan Rich. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1). p. 18. ISSN 0966-7180 (print)

Hewett, I. (1998) Melodies for the lost domain. BBC Music Magazine. pp. 54-57. ISSN 0966-7180 (print)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. The Musical Times, 132 (1782). p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1). pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1992) Book review: 'Music in late Renaissance and early Baroque Italy' by Tim Carter. The Musical Times, 133 (1796). p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Book review: 'Paris: the Musical Kaleidoscope 1870–1925' by Elaine Brody. Music & Letters, 70 (2). pp. 276-277. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Notes for a book: review of 'Italian violin music of the seventeenth century' by Willi Apel, edited by Thomas Binkley. The Musical Times, 132 (1779). pp. 248-249. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. Musical Times, 139 (1896). pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) A rich vineyard: review of 'The Italian 'trio' sonata: from its origins until Corelli' by Peter Allsop. The Musical Times, 133 (1796). p. 526. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Altered states: review of 'Making music modern: New York in the 1920s' by Carol J. Oja; 'America's musical life: a history' by Richard Crawford. The Musical Times, 142 (1877). pp. 62-63. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Book review: 'Music and performance culture in nineteenth-century Britain: essays in honour of Nicholas Temperley' by Bennett Zon; 'Music and theology in nineteenth-century Britain' by Martin V. Clarke. Victorian Studies, 57 (1). pp. 173-176. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2010) Book review: 'Music and the making of middle-class culture: a comparative history of nineteenth-century Leipzig and Birmingham' by Antje Pieper; 'Thomas Tallis and his music in Victorian England' by Suzanne Cole. Victorian Studies, 52 (2). pp. 329-332. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882). pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879). pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939). pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923). pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Book Section

Loges, N. (2020) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. (In Press)

Smith, R. L. (2002) Francis Poulenc outre-Manche: séjours, concerts, réception [Francis Poulenc across the Channel: sojourns, concerts, and reception]. In: Francis Poulenc et la voix: texte et contexte. Université de Saint-Étienne, Saint-Étienne, pp. 11-21. ISBN 2-941373-02-3

Stakelum, M. (2013) 'James Culwick', 'Victor Herbert', 'Kodály Method', 'Suzuki Method', 'Association of Irish Choirs', 'Culwick Choral Society' and 'St James Gate Choir'. In: The Encyclopaedia of Music in Ireland. University College Dublin Press, Dublin. ISBN 9781906359782 (hardback)

Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London voices, 1820–1840: vocal performers, practices, histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

Thormählen, W. (2015) Vom Hören und Singen: Musik als Medium der Sensibilisierung. In: Emotionen, Wissen und Aufklärung: Gefühlskulturen im Großbritannien des 18. Jahrhunderts. Deutsche Gesellschaft für die Erforschung des Achtzehnten Jahrhunderts (39 (2)). Wallstein Verlag, Göttingen, pp. 221-232. ISBN 978-3-8353-1697-3

Conference or Workshop Item

Bohm-Duchen, M. and Meyn, N. (2020) RNCM Holocaust Memorial Lecture: belonging and not belonging. In: The Sir John Manduell Research Forum Series, 29 January 2020, Forman Lecture Theatre, Royal Northern College of Music. (Unpublished)

Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá sans frontières: musicians and migration in a globalised world, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Meyn, N. (2015) Exile estates and music restitution. In: Symposium, 31 May 2015, Royal College of Music, London. (Unpublished)

Meyn, N. (2019) Mendelssohn, Albert and Anglo-German connections in 19th century music. In: Two Centuries of Anglo-German Correspondences, 26-28 June 2019, London. (Unpublished)

Meyn, N. (2019) Musical migrants: refugee musicians from Nazi Germany and Austria in Britain. In: German Research Seminar, 6 February 2019, King's College London. (Unpublished)

Meyn, N. (2018) Singing a song in a foreign land. In: Association of Anglican Musicians Conference, 11-14 June 2018, San Antonio, Texas. (Unpublished)

Meyn, N. (2014) Singing a song in a foreign land: a celebration of music by émigré composers. In: Symposium, 21-23 February 2014, Royal College of Music, London. (Unpublished)

Meyn, N. (2019) The legacy of Jewish musicians who emigrated to the UK from Nazi-Europe. In: Musica Judaica Symposium: Jewish music between oral and written traditions, 14-15 July 2019, Clarendon Institute, Oxford. (Unpublished)

Website

Meyn, N. Singing a song in a foreign land. [Website]

Other

Meyn, N. (2018) Music for 'Through Lotte's Lens' directed by Tony Britten. Capriol Films.

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)

This list was generated on Mon Oct 19 03:04:45 2020 BST.