Items where Subject is "M Music and Books on Music > Music aesthetics"

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Number of items at this level: 9.

A

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). pp. 1-17. ISSN 1664-1078

C

Charlston, T (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, Terence (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, Terence (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: Why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 978-90-73029-47-7

L

Loges, N. (2014) The limits of the lied: Brahms’s Magelone-Romanzen Op. 33 from 'Brahms in the Home and the Concert Hall Between Private and Public Performance'. In: Brahms in the Home and the Concert Hall Between Private and Public Performance. Cambridge University Press, Cambridge, UK, pp. 300-323. ISBN 9781107337404

S

Smith, Richard Langham (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante, in 'Historical Interplay in French Music' edited by Deborah Mawer, Routledge, forthcoming. In: Historical Interplay in French Music. Routledge, UK. ISBN 9781472474759 (In Press)

V

Volioti, Georgia and Williamon, A. (2016) Recordings as learning and practising resources for performance: exploring attitudes and behaviours of music students and professionals. Musicae Scientiae.

W

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1). pp. 22-26. ISSN 0306-1078

This list was generated on Wed Dec 13 03:03:17 2017 GMT.