Items where Author is "Adlington, R."

Article

Adlington, R. (2019) Music together, music apart: on democratic communities. Journal of the Royal Musical Association, 144 (1) pp. 191-204. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. and Johnson, J. (2014) Editorial: twentieth-century music – ten years on. Twentieth-Century Music, 11 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

Adlington, R. (2009) Tuning in and dropping out: the disturbance of the Dutch premiere of Stockhausen's Stimmung. Music & Letters, 90 (1) pp. 94-112. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2008) Book review: 'Music of the twentieth century: a study of its elements and structure' by Ton de Leeuw. Music & Letters, 89 (3) pp. 460-462. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Adlington, R. (2007) Organizing labor: composers, performers, and “the renewal of musical practice” in the Netherlands, 1969–72. The Musical Quarterly, 90 (3-4) pp. 539-577. ISSN 0027-4631 (print) 1741-8399 (online)

Adlington, R. and Fuller, S. (2005) Editorial. Twentieth-Century Music, 2 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

Adlington, R. (2005) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3) pp. 381-417. ISSN 0277-9269 (print) 1533-8347 (online)

Adlington, R. (2003) Moving beyond motion: metaphors for changing sound. Journal of the Royal Musical Association, 128 (2) pp. 297-318. ISSN 0269-0403 (print) 1471-6933 (online)

Adlington, R. (2002) Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard. Music & Letters, 83 (2) pp. 319-321. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2001) Book review: Singing Archaeology: Philip Glass's 'Akhnaten' by J Richardson; Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass by K Potter; Jonathan Harvey by A Whittall. Music & Letters, 82 (3) pp. 487-491. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2001) Counting time, countering time: Louis Andriessen’s De Tijd. Indiana Theory Review, 22 (1) pp. 1-35. ISSN 0271-8022 (print) 2474-7777 (online)

Adlington, R. (1999) The music of Rebecca Saunders: into the sensuous world. The Musical Times, 140 (1868) pp. 48-56. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (1997) Book review: 'Shaping time: music, the brain, and performance' by David Epstein. Music Analysis, 16 (1) pp. 155-171. ISSN 0262-5245 (print) 1468-2249 (online)

Adlington, R. (1996) Harrison Birtwistle's recent music. Tempo (196) pp. 2-8. ISSN 0040-2982 (print) 1478-2286 (online)

Adlington, R. (1995) Arnold Whittall: a bibliography. Music Analysis, 14 (2/3) pp. 141-160. ISSN 0262-5245 (print) 1468-2249 (online)

Adlington, R. (1994) Review: Brian Ferneyhough: Carceri d'Invenzione III, Terrain. The Musical Times, 135 (1817) pp. 450-451. ISSN 0027-4666 (print) 2397-5318 (online)

Book Section

Adlington, R. (2020) Curating difference. In: Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Adlington, R. (2019) Introduction: why ‘new music theatre’ now? In: New Music Theatre in Europe: Transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)

Adlington, R. (2016) The crises of sense: listening to Berio’s Un re in ascolto. In: Le Théâtre Musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 9782336303871

Adlington, R. (2013) Communisms, communist musics. In: Red Strains: Music and Communism Outside the Communist Bloc. British Academy/Oxford University Press, London, pp. 1-20. ISBN 9780197265390 (hardback) 9780191760440 (e-book)

Adlington, R. (2013) Expressive revolutions: '1968' and music in the Netherlands. In: Music and Protest in 1968. Music since 1900 . Cambridge University Press, Cambridge, pp. 12-28. ISBN 9781107007321 (hardback) 9781107504318 (paperback) 9781107240001 (e-book)

Adlington, R. (2009) Introduction: avant-garde music and the sixties. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 3-14. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2009) Forms of opposition at the “Politiek‐Demonstratief Experimenteel” concert. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 56-77. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2008) 1968 and new music in the Netherlands. In: Musikkulturen in der Revolte: Studien zu Rock, Avantgarde und Klassik im Umfeld von "1968" [Music Cultures in the Revolt: Studies on Rock, Avant-garde and Classical in the Context of "1968"]. Franz Steiner Verlag, Stuttgart, pp. 103-114. ISBN 978-3-515-09461-0

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Adlington, R. (2003) In the shadows of song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Routledge. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2003) A conversation with Harrison Birtwistle. In: Aspects of British Music of the 1990s. Routledge, pp. 111-118. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2002) 'Good lodging': Harrison Birtwistle's reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Arthurian Studies . Boydell & Brewer, Martlesham, pp. 127-143. ISBN 9780859917674 (hardback) 9781846150968 (e-book)

Adlington, R. (2001) Taking soundings: music, non-music and Slave Pianos. In: Slave Pianos: A Diagnosis, 1998-2001. Revolver, Frankfurt, pp. 7-15. ISBN 978-3-934823-17-4

Book

Adlington, R. (2023) Musical models of democracy. Oxford University Press, Oxford. ISBN 9780197658819 (hardback) 9780197658840 (online)

Adlington, R. (2013) Composing dissent: avant-garde music in 1960s Amsterdam. Oxford University Press, Oxford. ISBN 9780199981014 (hardback) 9780199346202 (e-book)

Adlington, R. (2004) Louis Andriessen: De Staat. Routledge. ISBN 9781138400566 (hardback) 9780754609254 (paperback) 9781351218863 (e-book)

Adlington, R. (2000) The music of Harrison Birtwistle. Music in the Twentieth Century . Cambridge University Press, Cambridge. ISBN 9780521630825 (hardback) 9780521027809 (paperback)

Edited book

Adlington, R. and Buch, E., eds. (2020) Finding democracy in music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Adlington, R., ed. (2019) New music theatre in Europe: transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R., ed. (2013) Red strains: music and communism outside the communist bloc. British Academy/Oxford University Press, London. ISBN 9780197265390 (hardback) 9780191760440 (e-book)

Adlington, R., ed. (2009) Sound commitments: avant-garde music and the sixties. Oxford University Press, Oxford. ISBN 9780195336658 (paperback) 9780199868551 (e-book)