Items where Author is "Pearson, I. E."

Pearson, I. E. and Rice, A. R. (2024) Instructions for the clarinet: an illumination of musical taste in Georgian London. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 22 (43) ISSN 1722-3954 (print) 2421-6933 (online) (In Press)

Pearson, I. E. (2021) Discovering Robert Kahn. Clarinet & Saxophone, 46 (2) ISSN 0260-390X

Pearson, I. E. (2021) The clarinet in opera before 1830: instrument and genre come of age. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 93-119. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book) ISSN 1071-9989, v. 179

Meyn, N. and Pearson, I. E. and Sun, E. and Driver, D. (2021) Robert Kahn: Leaves from the tree of life. [Audio]

Pearson, I. E. (2020) The growing repute of the clarinet: interrogating traditional tunes and popular airs in late eighteenth-century tutors. In: Traditional Tunes and Popular Airs Conference: Exploring Musical Resemblance, 10-11 October 2020, Cecil Sharp House, London. (Unpublished)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3) pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)

Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2018) Iconography. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 317-319. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2018) Oral tradition. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 448-451. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2018) Academy of Ancient Music (twentieth century); Berr, Frédéric; English Baroque Soloists; Florilegium; Gardiner, John Eliot. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Pearson, I. E. (2018) Lawson, Colin; Orchestra of the Age of Enlightenment; Orchestra of the Eighteenth Century; Orchestre Révolutionnaire et Romantique; Stowell, Robin. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Pearson, I. E. (2018) Übersichblasen-Untersichblasen [reed above/below]. In: Lexikon der Holzblasinstrumente: Oboe, Klarinette, Saxophon und Fagott – Baugeschichte und Spielpraxis – Komponisten und ihre Werke – Interpreten. Laaber, Laaber, Germany, pp. 747-748. ISBN 978-3-89007-866-3

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to Music: People, Practices and Experiences, 24-25 October 2015, Royal College of Music.

Bailey, N. and South, A. and Pearson, I. E. and Dunlop, R. and Bok, H. and Nimmo, K. (2015) Developing a microtonal clarinet via wind controller and 3D printing. In: ClarinetFest, 22 - 26 July 2015, Madrid. (Unpublished)

Pearson, I. E. (2014) Research degrees in the conservatoire context: reconciling practice and theory. In: Research and Research Education in Music Performance and Pedagogy. Landscapes: the Arts, Aesthetics, and Education, 11 . Springer, Switzerland, pp. 65-76. ISBN 9789400774353

Hair, G. and Morrison, A. and Pearson, I. E. (2013) Ecstasy and enlightenment. [Audio]

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1) pp. 36-44. ISSN 0001-6233

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1) pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1) pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2011) Celebrating the past: treasures from the RCM collections [Gresham College lecture]. [Video]

Pearson, I. E. (2009) Review of 'The Clarinet' by Eric Hoeprich. The Galpin Society Journal, 62 pp. 292-293. ISSN 0072-0127

Pearson, I. E. (2007) The voice of heroic love: historical clarinets at the Royal College of Music, London. In: The Clarinet and Woodwind Colloquium 2007, 22-24 June 2007, Edinburgh University. (Unpublished)

Pearson, I. E. (2007) Ferdinando Sebastiani, Gennaro Bosa and the clarinet in nineteenth-century Naples. The Galpin Society Journal, 60 pp. 203-214. ISSN 0072-0127

Hair, G. and Pearson, I. E. and Morrison, A. and Bailey, N. and McGilvray, D. and Parncutt, R. (2007) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1 pp. 99-126. ISSN 1755-4934 (online)

Pearson, I. E. (2006) 18、19世纪美术作品中黑管哨片的位置 [18th- and 19th-century iconographical representations of clarinet reed position]. In: Music in Art: International Journal for Music Iconography: special Chinese edition. Changjiang Wenyi Chubanshe, Wuhan, pp. 143-154. ISBN 7-5354-3155-0

Pearson, I. E. (2002) Lefévre's sonatas for clarinet: a historical perspective. Clarinet & Saxophone, 27 (2) pp. 20-22. ISSN 0260-390X

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part II. The Clarinet, 28 (4) pp. 66-69. ISSN 0361-5553

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part I. The Clarinet, 28 (3) pp. 48-52. ISSN 0361-5553

Pearson, I. E. (2000) Playing historical clarinets. In: The Early Clarinet: A Practical Guide. Cambridge Handbooks to the Historical Performance of Music . Cambridge University Press, Cambridge, pp. 41-62. ISBN 9780521624596 (hardback) 9780521624664 (paperback) e-book (9780511059780)

Pearson, I. E. (2000) Eighteenth- and nineteenth-century iconographical representations of clarinet reed position. Music in Art: International Journal for Music Iconography,, 25 pp. 87-95. ISSN 1522-7464 (print) 2169-9488 (online)

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4) pp. 605-611. ISSN 0176-6511

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3) pp. 56-59. ISSN 0361-5553

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2) pp. 8-13.

Pearson, I. E. (1998) Delicacy, sentimentality and intimacy: the chalumeau as 'signifier'. ClarinetFest 1998

Pitfield, S. and Pearson, I. E. (1998) An interview with Colin Lawson. The Clarinet, 25 (3) pp. 56-59. ISSN 0361-5553