Items where Division is "Musicology" and Year is 2016

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Number of items: 19.


Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1). pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (2016) The crises of sense: listening to Berio’s Un re in ascolto. In: Le Théâtre Musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 9782336303871


Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.


Guillaumier, C. (2016) Stalin's music prize (Music Matters, BBC Radio 3). [Broadcast]


Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 70. pp. 65-76. ISSN 0771-6788

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2). pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28. pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Hewett, I. (2016) The essay: Brian Eno's Music for Airports. [Broadcast]


Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2). pp. 316-320. ISSN 2044-8414

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)


Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes: Quarterly Journal of the Music Library Association, 73 (1). pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210). ISSN 1553-9172

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68). ISSN 1553-9172


Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.


Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. and Richards, J. (2016) The anatomy of the Renaissance voice. In: The Edinburgh Companion to the Critical Medical Humanities. Edinburgh University Press, Edinburgh, pp. 276-293. ISBN 9781474400046 (hardback) 9781474414555 (e-book)

Wright, D. C. H. (2016) Novello, John Stainer and commercial opportunities in the nineteenth-century British amateur music market. In: The Idea of Art Music in a Commercial World, 1800-1930. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783270651

This list was generated on Tue Mar 21 03:06:34 2023 GMT.