Items where Division is "Musicology" and Year is 2017

A

Asaba, Y. (2017) Review of 'Tracing Tangueros: Argentine Tango Instrumental Music' by K Link, & K Wendland. Music & Letters, 98 (3) pp. 498-500. ISSN 0027-4224 (print) 1477-4631 (online)

C

Curran, T. and Meyn, N. (2017) Peter Gellhorn (1912-2004): Biography. RCM Editions, London.

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Fuchs, S. (2017) Book review: 'Giacomo Puccini and His World' eds. Arman Schwartz and Emanuele Senici, Princeton University Press. Music & Letters, 98 (4) pp. 683-685. ISSN 0027-4224 (print) 1477-4631 (online)

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Garnham, A. M. (2017) The first international concert season of the European Broadcasting Union. The Musical Times, 158 (1940) pp. 7-17. ISSN 0027-4666 (print) 2397-5318 (online)

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Hewett, I. (2017) All in a chord I: Beethoven: the Eroica Symphony. [Broadcast]

Hewett, I. (2017) All in a chord II: Wagner: Tristan und Isolde. [Broadcast]

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Broadcast]

Hewett, I. (2017) All in a chord IV: Stravinsky: The Rite of Spring. [Broadcast]

Hewett, I. (2017) All in a chord V: Terry Riley: In C. [Broadcast]

L

Lawson, C. (2017) Book review: 'Composers' intentions?: lost traditions of musical performance' by Andrew Parrott. Performance Practice Review, 21 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2017) Clarinet charms [review of Philipp Jakob Riotte, Clarinet Concerto in C minor, op.36, ed. Martin Harlow]. Early Music, 45 (3) pp. 480-481. ISSN 0306-1078 (print) 1741-7260 (online)

Loges, N. (2017) BBC Radio 3 record review: buiding a library: Schumann: Liederkreis Op.24. [Broadcast]

Loges, N. (2017) BBC Radio 3 record review: building a library: Richard Wagner: Wesendonck Lieder. [Broadcast]

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1) pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2017) Brahms and his poets: a handbook. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783272365 (hardback) 9781783275021 (paperback) 9781787441552 (e-book)

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Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá Sans Frontières: Musicians and Migration in a Globalised World, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Meyn, N. (2017) Researching forbidden music regained. In: Leo Smit Stichting, 2017, Amsterdam. (Unpublished)

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Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to Music: People, Practices and Experiences, 24-25 October 2015, Royal College of Music.

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Roper, J. (2017) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (3-4) pp. 295-324. ISSN 1788-6244

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Aus Jugendtagen Op. 53. Musikproduktion Höflich, Munich.

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Psalm 113 Op. 40 for choir and orchestra. Musikproduktion Höflich, Munich.

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Smith, R. L. (2017) Book review: 'Debussy’s Pelléas et Mélisande: the staging by Albert Carré' by Michela Niccolai, translated by Lesley Wright. H-France Review, 17 (169) ISSN 1553-9172

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Solomon, A. (2017) Telemann and the Baroque flute: a true synthesis explored through his solo flute fantasias. In: Nanyang Academy of Fine Arts, 20 October 2017, Singapore. (Unpublished)

Solomon, A. (2017) Telemann: prolífico compositor, sagaz editor [Telemann: prolific composer, shrewd editor]. Scherzo (334) pp. 76-79. ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Telemann’s collection of instrumental works. Scherzo, 334 ISSN 0213-4802 (print) 2387-0257 (online)

Stirling, C. (2017) Crowds, cordons, and computers: rethinking density through London’s grime scene. In: Re-thinking Density: Art, Culture and Urban Practices. Publication Series of the Academy of Fine Arts Vienna . Sternberg Press, London, pp. 212-231. ISBN 978-3-95679-362-2 (paperback)

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Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2017) 'For the first time in forever': locating Frozen as a feminist Disney musical. In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen Drama (Bloomsbury), London. ISBN 9781474234177 (hardback) 9781474234160 (paperback) 9781474234191 (e-book)

Whitfield, S. K. (2017) ‘You wanna hear the real story?’ (Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys. In: Twenty-First Century Musicals: From Stage to Screen. Routledge, London. ISBN 9781138648906 (hardback) 9781138648890 (paperback) 9781315626123 (e-book)

Wistreich, R. (2017) ‘Inclosed in this tabernacle of flesh’: body, soul, and the singing voice. Journal of the Northern Renaissance, 8 ISSN 1759-3085

Wright, D. C. H. (2017) Hailing Hurlstone: review of ‘William Hurlstone: Croydon’s forgotten musical genius’ by Christopher Redwood. The Musical Times, 158 (1938) pp. 112-113. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939) pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)