Items where Division is "Musicology" and Year is 2020

Smith, R. L. and Rowden, C., eds. (2020) Carmen abroad: Bizet's opera on the global stage. Cambridge University Press, Cambridge. ISBN 9781108481618 (hardback) 9781108674515 (e-book)

Adlington, R. and Buch, E., eds. (2020) Finding democracy in music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Loges, N. and Tunbridge, L., eds. (2020) German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

McAllister, R. and Guillaumier, C., eds. (2020) Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Adlington, R. (2020) Curating difference. In: Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24 pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)

Bohm-Duchen, M. and Meyn, N. (2020) RNCM Holocaust Memorial Lecture: belonging and not belonging. In: The Sir John Manduell Research Forum Series, 29 January 2020, Forman Lecture Theatre, Royal Northern College of Music. (Unpublished)

Charlston, T. (2020) Grove Music Online article: Evans, David. Oxford University Press, Oxford.

Charlston, T. (2020) Patterns of play: Orlando Gibbons, Simon Lohet, and J. S. Bach’s Fugue in E Major BWV 878/2. Part II. Clavichord International, 24 (1) pp. 7-14. ISSN 1387-0882

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2020) A complete recording of the contents of Royal College of Music, London, Manuscript 2093 with additional keyboard pieces by Gerhard Diesineer and John Moss. [Audio]

Dalgleish, M. and Whitfield, S. K. (2020) Sound objects: towards procedural audio for and as theatre. In: Innovation in Music Conference, 5-7 December 2019, London. (Unpublished)

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) Prokofiev operas (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) 9781787446236 (e-book)

Herbert, T. (2020) Bands as musical subcultures: cultures, practices, and influences. In: Practice in Context: Perspectives on Historically Informed Practices in Post-Classical Music. Oxford University Press, New York. (In Press)

Hewett, I. (2020) Adès Conducts Adès, review: a thrilling tour-de-force from Britain's weirdest composer. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Between Englishness and modernism: the critical reception of Tippett’s operas. Journal of Music Criticism, 4 pp. 1-28. ISSN 2532-9995 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Book review: 'Poulenc' by Roger Nichols: why it's time to start taking this composer seriously. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Davies, Sir Peter Maxwell (Max). In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Hewett, I. (2020) ‘Frankly, the economics are horrendous’: what future for classical music after lockdown? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) La Traviata was a 'fiasco' and Great Expectations flopped: the masterpieces that started as first-night disasters. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Recording review: Kitgut: 'Tis too late to be wise': irresistible string quartets, from Purcell to Haydn. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Sorry, Remainers – Ode To Joy is not, and has never been, an EU anthem. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Taking the catastrophe out of Beethoven's most catastrophic concert, plus the best of March's classical concerts. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) What's the best way to hear Chopin? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Yodelling, jokes and thrilling energy: how Haydn transformed the symphony. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2) pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2020) Prince Albert and Anglo-German connections in 19th-century music. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers, 13 (1) pp. 197-212. ISSN 1438-2091 (print) 1868-9426 (online)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. and Heher, H. (2020) Egon Wellesz: Drei Lieder Op. 24. RCM Editions, London.

Meyn, N. and Stanhope, L. and Bower, B. and Freyhan, M. (2020) Hans Gál: What a Life! RCM Editions, London.

Pearson, I. E. (2020) The growing repute of the clarinet: interrogating traditional tunes and popular airs in late eighteenth-century tutors. In: Traditional Tunes and Popular Airs Conference: Exploring Musical Resemblance, 10-11 October 2020, Cecil Sharp House, London. (Unpublished)

Smith, R. L. (2020) Le cas Debussy: layers of resonance from literature into music. In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh, pp. 624-631. ISBN 9780748693122 (hardback) 9780748693146 (e-book: ePub) 9780748693139 (e-book: PDF)

Smith, R. L. (2020) Marketing Madame Chaminade: soap, smells and sheet music. In: Conference: Musical Women in Europe in the Long Nineteenth Century, 24-26 February 2020, Royal Northern College of Music, Manchester. (Unpublished)

Solomon, A. (2020) The Spohr Collection: historical flutes. [Audio]

Stirling, C. (2020) Sonic methodologies in urban studies. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, London, pp. 115-139. ISBN 9781501338755 (hardback)

Thormählen, W. (2020) Feel-good tunes: music aesthetics, performance and well-being in the eighteenth century. In: Lifestyle and Medicine in the Enlightenment: The Six Non-Naturals in the Long Eighteenth Century. Routledge Studies in the History of Science, Technology and Medicine . Routledge, Abingdon. ISBN 9781138610705 (hardback) 9780429465642 (e-book)

Whitfield, S. K. (2020) Disrupting heteronormative temporality through Queer dramaturgies: Fun Home, Hadestown and A Strange Loop. Arts, 9 (2) (69). ISSN 2076-0752 (online)

Whitfield, S. K. (2020) A space has been made: bisexual+ stories in musical theatre. Theatre Topics, 30 (2) E5-E12. ISSN 1054-8378 (print) 1086-3346 (online)

Wright, D. C. H. (2020) Book review: 'Mary Gladstone and the Victorian salon: music, literature, liberalism' by Phyllis Weliver. Journal of the American Musicological Society, 73 (2) pp. 420-425. ISSN 0003-0139 (print) 1547-3848 (online)

Wright, D. C. H. (2020) Book review: 'Music in their time: the memoirs and letters of Dora and Hubert Foss' ed. Stephen Lloyd, Diana Sparkes, & Brian Sparkes. The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)