Items where Division is "Musicology" and Year is 2022

A

Asaba, Y. (2022) Demarcating status: tango music and dance in Japan, 1913-1940. In: Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910-40. Studies in Popular Culture . Manchester University Press, Manchester, pp. 154-176. ISBN 9781526156259 (hardback) 9781526156242 (e-book)

B

Bowen, D. K. (2022) The bass clarinet in bassoon form: its history, repertoire and acoustics. Doctoral thesis, Royal College of Music.

C

Charlston, T. (2022) Ernst Wilhelm Wolf, ed. Ryan Layne Whitney, collected solo keyboard sonatas, 3 vols (2021), Lulu.com. Harpsichord & Fortepiano, 27 (1) pp. 31-32. ISSN 0953-0797 (print)

Charlston, T. (2022) The Orgelbüchlein as pedal clavichord music. Harpsichord & Fortepiano, 27 (1) pp. 11-15. ISSN 0953-0797 (print)

Charlston, T. (2022) Re-editing the English virginalists: The Fitzwilliam Virginal Book, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2020. 3 volumes. My Lady Nevells Booke, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2021. Parthenia and Parthenia In-Violata, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2021. Journal of the Royal College of Organists ISSN 0969-1642

F

Falconer, E. (2022) The case for Casella: towards new methods of understanding and interpreting the Italian Modernist pianist-composer. Doctoral thesis, Royal College of Music.

Fuchs, S. and Lacombe, H. (2022) Le tournant technologique de l’écoute: 1870–1914. In: Histoire de l’Opéra Française: De la Belle Epoque au Monde Globalisé. Fayard, Paris, pp. 62-69. ISBN 9782213709918

G

Garnham, A. M. (2022) Britten and the radio. In: Benjamin Britten in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 78-85.

Griffiths, R. and Herbert, T. and Rees, S. P. (2022) Instrumental traditions after 1650. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 144-170. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

H

Herbert, T. (2022) Music in Welsh history. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 1-24. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. (2022) Traditions and interventions: popular music 1840–1940. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 291-314. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. and Harper, S. and Hill, S. (2022) Postscript: contemporary Wales, devolution and digitisation. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 355-365. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

S

Snyder, B. (2022) The Anglo-Austrian Music Society. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

T

Thormählen, W. (2022) Music and emotions. In: The Routledge History of Emotions in the Modern World. Routledge Histories . Routledge, Abingdon, pp. 345-359. ISBN 9780367902438 (hardback) 9781003023326 (e-book)

Thormählen, W. (2022) Recording review: 'Heritage: the music of Madrid in the time of Goya' Cuarteto Quiroga (Cobra 0067). Eighteenth-Century Music, 19 (1) pp. 79-81. ISSN 1478-5706 (print) 1478-5714 (online)

W

Windram, H. F. and Charlston, T. and Tomita, Y. and Howe, C. J. (2022) A phylogenetic analysis of two Preludes from J. S. Bach’s Well-Tempered Clavier II. Early Music, 50 (3) pp. 373-393. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2022) Music, history, materiality: where we are coming from. In: Materialising Musical Instruments, 8-9 December 2022, Royal College of Music. (Unpublished)

Wright, D. C. H. (2022) Review article: People power: 'The art of appreciation: music and middlebrow culture in modern Britain' by Kate Guthrie. The Musical Times, 163 (1960) pp. 87-102. ISSN 0027-4666 (print) 2397-5318 (online)