Items where Division is "Musicology" and Year is 2025

Book Section

Herbert, T. (2025) Bands as musical subcultures: cultures, practices, and influences. In: Practice in Context: Historically Informed Practices in Nineteenth-Century Instrumental Music. Oxford University Press, New York, pp. 84-100. ISBN 9780197571354 (hardback) 9780197571385 (e-book) (In Press)

Herbert, T. (2025) The Cyfarthfa Band in its period of grace. In: Cyfarthfa Castle and Park 1825-2025: A People's History. Merthyr and District Historical Society, Merthyr Tydfil, pp. 79-89. ISBN 978-1-7391627-2-6 (hardback) 978-1-7391627-3-3 (softback)

Hewett, I. and Cole, J. and Zolinsky, A. (2025) Personal realities I: what makes an artist? In: Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London. Routledge. ISBN 9781032251066 (hardback) 9781032251059 (paperback) 9781003281573 (e-book)

Lawson, C. (2025) Introduction: tracing conservatoire values past, present, and future. In: Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London. Routledge. ISBN 9781032251066 (hardback) 9781032251059 (paperback) 9781003281573 (e-book)

Pearson, I. E. (2025) Dialogues with musical histories: learning from the past. In: Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London. Routledge, pp. 124-133. ISBN 9781032251066 (hardback) 9781032251059 (paperback) 9781003281573 (e-book)

Whitfield, S. K. (2025) Putting bisexuals in the room where it happens: Hamilton fandom’s struggle for bisexual+ representation. In: Theatre Fandom: Engaged Audiences in the Twenty-first Century. University of Iowa Press, pp. 149-160. ISBN 9781685970123 (paperback) 9781685970130 (e-book)

Whitfield, S. K. (2025) Woman wanted theatre cleaner (8-12 daily): the missing literature of the empty mopped stage. In: British Working-Class and Radical Writing Since 1700. University of London Press. ISBN 9781913739065 (hardback) 9781913739072 (paperback) 9781913739089 (PDF) (In Press)

Thesis

Crespo O'Donoghue, N. (2025) Pablo Sarasate across theory and practice: synthesising old and new sources. Doctoral thesis, Royal College of Music.

Goodman, B. (2025) Cultural fusion in piano compositions by composers who immigrated to Israel from the Soviet Union and the former Soviet Union. Doctoral thesis, Royal College of Music.

Lipka, J. M. (2025) César Franck’s early piano works: documenting the implicit. Doctoral thesis, Royal College of Music.

Meyer, S. (2025) A mi violín corneta: the stylistic development of Argentine tango violinists and the social acceptance of tango, 1910–1935. Doctoral thesis, Royal College of Music.

Dataset

Puchkovskaia, A. and Guillaumier, C. and Perc, L. (2025) Marion Scott professional networks dataset 1906-1953. [Dataset]