Items where Subject is "Music aesthetics"

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Adlington, R. (2008) Book review: 'Music of the twentieth century: a study of its elements and structure' by Ton de Leeuw. Music & Letters, 89 (3) pp. 460-462. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (1997) Book review: 'Shaping time: music, the brain, and performance' by David Epstein. Music Analysis, 16 (1) pp. 155-171. ISSN 0262-5245 (print) 1468-2249 (online)

Adlington, R. (2001) Book review: Singing Archaeology: Philip Glass's 'Akhnaten' by J Richardson; Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass by K Potter; Jonathan Harvey by A Whittall. Music & Letters, 82 (3) pp. 487-491. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2001) Counting time, countering time: Louis Andriessen’s De Tijd. Indiana Theory Review, 22 (1) pp. 1-35. ISSN 0271-8022 (print) 2474-7777 (online)

Adlington, R. (2002) 'Good lodging': Harrison Birtwistle's reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Arthurian Studies . Boydell & Brewer, Martlesham, pp. 127-143. ISBN 9780859917674 (hardback) 9781846150968 (e-book)

Adlington, R. (1996) Harrison Birtwistle's recent music. Tempo (196) pp. 2-8. ISSN 0040-2982 (print) 1478-2286 (online)

Adlington, R. (2003) In the shadows of song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Routledge. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2009) Introduction: avant-garde music and the sixties. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 3-14. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2004) Louis Andriessen: De Staat. Routledge. ISBN 9781138400566 (hardback) 9780754609254 (paperback) 9781351218863 (e-book)

Adlington, R. (2003) Moving beyond motion: metaphors for changing sound. Journal of the Royal Musical Association, 128 (2) pp. 297-318. ISSN 0269-0403 (print) 1471-6933 (online)

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Adlington, R. (1994) Review: Brian Ferneyhough: Carceri d'Invenzione III, Terrain. The Musical Times, 135 (1817) pp. 450-451. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (2001) Taking soundings: music, non-music and Slave Pianos. In: Slave Pianos: A Diagnosis, 1998-2001. Revolver, Frankfurt, pp. 7-15. ISBN 978-3-934823-17-4

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (2016) The crises of sense: listening to Berio’s Un re in ascolto. In: Le Théâtre Musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 9782336303871

Adlington, R. (2000) The music of Harrison Birtwistle. Music in the Twentieth Century . Cambridge University Press, Cambridge. ISBN 9780521630825 (hardback) 9780521027809 (paperback)

Adlington, R. (1999) The music of Rebecca Saunders: into the sensuous world. The Musical Times, 140 (1868) pp. 48-56. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Alessandri, E. (2014) Evaluating recorded performance: an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings. Doctoral thesis, Royal College of Music.

Alessandri, E. and Eiholzer, H. and Cervino, A. and Senn, O. and Williamon, A. (2011) Investigating critical practice. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Alessandri, E. and Eiholzer, H. and Williamon, A. (2013) Between producers and consumers: critics’ role in guiding listeners’ choices. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). ISSN 1664-1078

Asaba, Y. (2019) ‘Folds of the heart’: performing life-experience, emotion, and empathy in Japanese tango music culture. Ethnomusicology Forum, 28 (1) pp. 45-65. ISSN 1741-1912 (print) 1741-1920 (online)

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Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

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Camlin, D. A. (2017) Music in three dimensions: an integrative perspective on the aesthetic, praxial and social dimensions of music. In: International Society for Music Education World Conference, 25-29 July 2016, Glasgow.

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and J. S. Bach’s Fugue in E major BWV 878/2. Part I. Clavichord International, 23 (2) pp. 39-48. ISSN 1387-0882

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.

Cole, J. (2007) Music and architecture: confronting the boundaries between space and sound. [Video]

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Falconer, E. (2022) The case for Casella: towards new methods of understanding and interpreting the Italian Modernist pianist-composer. Doctoral thesis, Royal College of Music.

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Garnham, A. M. (2013) Britten and Keller: letters and life. In: Britten: Essays, Letters and Opera Guides. Hans Keller Archive . Boydell & Brewer, Martlesham, pp. 224-316. ISBN 9780956600745 (hardback) 9780956600752 (paperback)

Garnham, A. M. (2003) Hans Keller and the BBC: the musical conscience of British broadcasting 1959-1979 [reissued 2017]. Routledge. ISBN 9781138721838 (hardback) 9781138721814 (paperback) 9781315194042 (e-book)

Giraldo, S. and Waddell, G. and Nou, I. and Ortega, A. and Mayor, O. and Perez, A. and Williamon, A. and Ramirez, R. (2019) Automatic assessment of tone quality in violin music performance. Frontiers in Psychology, 10 (334). ISSN 1664-1078

Guillaumier, C. (2011) Ambiguous modernism: the early orchestral works of Sergei Prokofiev. Tempo, 65 (256) pp. 25-37. ISSN 0040-2982 (print) 1478-2286 (online)

Guillaumier, C. (2010) Prokofiev, opera and theatre: a case study of The Gambler. Musicorum, 8 pp. 67-101.

Guillaumier, C. (2011) War and Peace and Prokofiev's late operatic aesthetic. Three Oranges Journal, 21 pp. 20-25. ISSN 1472-9946

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Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Herbert, T. (2018) Musica Reservata. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 427. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9 pp. 64-65. ISSN 1045-4594

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22 pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868) pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Adès Conducts Adès, review: a thrilling tour-de-force from Britain's weirdest composer. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2017) All in a chord I: Beethoven: the Eroica Symphony. [Broadcast]

Hewett, I. (2017) All in a chord II: Wagner: Tristan und Isolde. [Broadcast]

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Broadcast]

Hewett, I. (2017) All in a chord IV: Stravinsky: The Rite of Spring. [Broadcast]

Hewett, I. (2017) All in a chord V: Terry Riley: In C. [Broadcast]

Hewett, I. (2001) All too human? The Musical Times, 142 (1876) pp. 43-47. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Between Englishness and modernism: the critical reception of Tippett’s operas. Journal of Music Criticism, 4 pp. 1-28. ISSN 2532-9995 (online)

Hewett, I. (1998) Book review: 'Finding the key: selected writings of Alexander Goehr' ed. Derrick Puffet. BBC Music Magazine, 6 (7) p. 83. ISSN 0966-7180 (print)

Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11) p. 21. ISSN 0966-7180 (print)

Hewett, I. (2000) Book review: 'The music of silence: a composer's testament' by John Tavener (ed. Brian Keeble). TLS: Times Literary Supplement (5068) p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2003) Composer in interview: Robin Holloway. Tempo, 57 (226) pp. 11-20. ISSN 0040-2982 (print) 1478-2286 (online)

Hewett, I. (2019) Describing the indescribable: how people talk about new music. In: Royal Musical Association Music and Philosophy Study Group Conference, 11-12 July 2019, Kings College, London. (Unpublished)

Hewett, I. (2001) Different strains (guest editorial). The Musical Times, 142 (1876) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1997) Different strains (recording review). The Musical Times, 138 (1848) pp. 20-23. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2015) Europe. In: The Other Classical Musics: Fifteen Great Traditions. Boydell & Brewer, Martlesham, Suffolk, pp. 216-245. ISBN 9781843837268 (hardback) 9781782045359 (e-book)

Hewett, I. (2007) Karlheinz Stockhausen (obituary). Guardian ISSN 0261-3077 (print) 1756-3224 (online)

Hewett, I. (1998) Melodies for the lost domain. BBC Music Magazine pp. 54-57. ISSN 0966-7180 (print)

Hewett, I. (2017) Notes from the edge/Thomas Adès: almost a great composer. Prospect Magazine pp. 71-73. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (2019) Recordings. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 357-366. ISBN 9781107163416 (hardback) 9781316681374 (e-book)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. The Musical Times, 135 (1817) pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. The Musical Times, 136 (1823) pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Strange meeting (recording review). The Musical Times, 137 (1836) pp. 27-28. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1993) Terrors of the earth. The Musical Times, 134 (1806) pp. 438-440. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024

Hewett, I. (2016) The essay: Brian Eno's Music for Airports. [Broadcast]

Hewett, I. (2016) The path to total purity. Prospect Magazine pp. 76-79. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1998) A tract for the times. The Musical Times, 139 (1863) pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hexel, V. (2019) Johannes factotum: Jóhann Jóhannsson. In: Double Lives: Film Composers in the Concert Hall. Routledge, Abingdon. ISBN 9780367028879

Hexel, V. (2014) Understanding contextual agents and their impact on recent Hollywood film music practice. Doctoral thesis, Royal College of Music.

Hexel, V. (2018) The film and media creators' guide to music. Routledge, Abingdon. ISBN 9781138055728

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

Hlavacsek, T. (2024) The piano music of Carl Goldmark (1830–1915). Doctoral thesis, Royal College of Music.

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Illean Finnis, L. (2021) Vanishing points: a personal approach to non-tempered tuning. Doctoral thesis, Royal College of Music.

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Kawabata, M. (2004) The Concerto that wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1 (1) pp. 67-114. ISSN 1479-4098 (print), 2044-8414 (online)

Kawabata, M. (2014) How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12 (1) ISSN 1535-1807 (online)

Kawabata, M. (2018) In search of ‘something-other-than-perfect’ violin virtuosity. In: Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology/Göttinger Studien zur Musikwissenschaft (10). Olms Weidmann, Hildesheim, pp. 241-262. ISBN 978-3-487-15662-0 (paperback)

Kawabata, M. (2015) Playing the “unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34 (1) pp. 31-50. ISSN 0141-1896 (print) 1547-7304 (online)

Kawabata, M. (2007) Violinists 'singing': Paganini, operatic voices, and virtuosity. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 5 (9) pp. 7-39. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2) pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2000) The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music: A Journal of Gender and Culture, 4 pp. 18-39. ISSN 1090-7505 (print) 1553-0612 (online)

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Lawson, C. (2008) "Attractively packaged but unripe fruit": the UK's commercialization of musical history in the 1980s. Performance Practice Review, 13 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2017) Book review: 'Composers' intentions?: lost traditions of musical performance' by Andrew Parrott. Performance Practice Review, 21 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (1998) Brahms: Clarinet Quintet. Cambridge Music Handbooks . Cambridge University Press, Cambridge. ISBN 9780521581936 (hardback) 9780521588317 (paperback)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2011) Nourishment, body and soul: modern performers, diverse tastes. In: Educated Tastes: Food, Drink, and Connoisseur Culture. At Table . University of Nebraska Press, Lincoln, Nebraska, pp. 215-236. ISBN 978-0-8032-1935-9 (paperback) 978-0-8032-3813-8 (e-book)

Lindström, E. and Juslin, P. N. and Bresin, R. and Williamon, A. (2003) ‘Expressivity comes from within your soul’: a questionnaire study of music students’ perspectives on expressivity. Research Studies in Music Education, 20 (1) pp. 23-47. ISSN 1321-103X (print) 1834-5530 (online)

Liu, Y. (2019) An exploration towards the enrichment of a personal musical language in musical composition. Doctoral thesis, Royal College of Music.

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1) pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Loges, N. (2004) The notion of personae in Brahms's "Bitteres zu sagen denkst du": op. 32, no. 7: a literary key to musical performance? In: Music and Literature in German Romanticism. Studies in German Literature, Linguistics, and Culture (85). Camden House, Rochester, NY, pp. 183-202. ISBN 9781571132581 (hardback) 9781571136459 (e-book)

Lucas, N. (2020) Informing performance of Prokofiev's piano music: researching the musical score. Masters thesis, Royal College of Music.

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Mannion, R. (2019) Mise en Abyme: immersive performance and composition practices through interdisciplinarity, collaboration and music technology. Doctoral thesis, Royal College of Music.

Mantovani, L. (2019) Ferdinand Rebay and the reinvention of guitar chamber music. Doctoral thesis, Royal College of Music.

McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.

Meyn, N. (2009) Uniting the true and the beautiful: music and text in the age of Goethe. In: Study Day, 13 November 2009, Guildhall School of Music and Drama, London. (Unpublished)

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Morrish, N. (2021) Braiding time: in search of sounds from within. Doctoral thesis, Royal College of Music.

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Neergaard, B. (2018) Schumann as aspiring pianist: technique, sonority, and composition. Doctoral thesis, Royal College of Music.

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Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1) pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to Music: People, Practices and Experiences, 24-25 October 2015, Royal College of Music.

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Ramos, J. (2024) Technology and composition — an autoethnography on the influence of electronics on orchestration practice. Doctoral thesis, Royal College of Music.

Razumovskaya, M. (2014) Heinrich Neuhaus: aesthetics and philosophy of an interpretation. Doctoral thesis, Royal College of Music.

Roper, J. (2017) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (3-4) pp. 295-324. ISSN 1788-6244

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Smith, R. L. (2015) Behind Ravel’s Boléro: the repercussions of Wellington’s Victory. In: City of Light: Paris 1900-1950: International Conference, 27-29 May 2015, French Cultural Institute, London. (Unpublished)

Smith, R. L. (1981) Debussy and the Pre-Raphaelites. 19th-Century Music, 5 (2) pp. 95-109. ISSN 0148-2076 (print) 1533-8606 (online)

Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's Resonance. Eastman Studies in Music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)

Smith, R. L. (2024) Debussy’s Impressionism interrogated. In: Debussy in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 59-68. ISBN 9781108472067 (hardback) 9781108561334 (e-book)

Smith, R. L. (2018) Gould, Glenn (Herbert). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 268-269. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Smith, R. L. (2020) Le cas Debussy: layers of resonance from literature into music. In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh, pp. 624-631. ISBN 9780748693122 (hardback) 9780748693146 (e-book: ePub) 9780748693139 (e-book: PDF)

Smith, R. L. (2014) 'Lost expression': the curse of the urtext. In: Public seminar, 4 November 2014, Birmingham Conservatoire. (Unpublished)

Smith, R. L. (2014) Style, performance practice, and reception in the Prelude, chorale and fugue: placing and performing César Franck. In: Perspectives on the Performance of French Piano Music. Routledge, Abingdon, pp. 105-123. ISBN 9781409400646 (hardback) 9781138269699 (paperback) 9781315600239 (e-book)

Solomon, A. (2018) Quantz, Joseph Joachim. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 516-517. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Spiro, N. and Gold, N. and Rink, J. (2010) The form of performance: analyzing pattern distribution in select recordings of Chopin's Mazurka Op. 24 No. 2. Musicae Scientiae, 14 (2) pp. 23-55. ISSN 1029-8649 (print) 2045-4147 (online)

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Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4) pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2008) Edition review: C. P. E. Bach: the complete works series V, vol. 5.1, works for special occasions I ed. Ulrich Leisinger. Eighteenth-Century Music, 5 (1) pp. 123-125. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2008) Edition review: Franz Clement: Violin Concerto in D major (1805) ed. Clive Brown. Eighteenth-Century Music, 5 (2) pp. 255-257. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2003) Georg Muffat—a document for the French manner? Early Music, 31 (1) pp. 110-116. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2015) The muse as hero(ine): gender and creative process in Hildegard von Hohenthal. In: Musikalisches Denken im Labyrinth der Aufklarung: Wilhelm Heinses Hildegard von Hohenthal [Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's Hildegard von Hohenthal]. Southampton-Würzburg Studies in Eighteenth Century Musical Culture . Are Musik Verlag, Mainz, pp. 187-206. ISBN 978-3-924522-50-6

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Volioti, G. and Williamon, A. (2017) Recordings as learning and practising resources for performance: exploring attitudes and behaviours of music students and professionals. Musicae Scientiae, 21 (4) pp. 499-523. ISSN 1029-8649 (print) 2045-4147 (online)

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Waddell, G. (2019) Time to decide: a study of evaluative decision-making in music performance. Doctoral thesis, Royal College of Music.

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1) pp. 22-26. ISSN 0306-1078 (print) 1741-7260 (online)

Wright, D. C. H. (1992) 1992 Prom premières. Tempo (183) pp. 33-34. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1990) At the threshold of eternity: Robert Saxton on disc. The Musical Times, 131 (1769) pp. 363-364. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Autonomy: review of 'Stravinsky: the music box and the nightingale' by Daniel Albright. The Musical Times, 131 (1773) p. 601. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Book review: 'Charles Ives: my father's song' by Stuart Feder. The Musical Times, 133 (1798) p. 628. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Creative sources for the music of Toru Takemitsu' by Noriko Ohtake. The Musical Times, 134 (1805) p. 399. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2021) Book review: 'Sir Henry Wood: champion of J. S. Bach' by Hannah French. Bach: Journal of the Riemenschneider Bach Institute, 52 (1) pp. 104-109. ISSN 0005-3600 (print) 2767-4843 (online)

Wright, D. C. H. (1993) Book review: 'Sorabji: a critical celebration' ed. Paul Rapoport. The Musical Times, 134 (1805) p. 397. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book reviews: 'New tonality' ed. Paul Moravec and 'What's the matter with today's experimental music? Organized sound too rarely heard' by Leigh Landy. Tempo (185) pp. 36-37. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817) pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Critical challenge: review of 'Stocktakings from an apprenticeship' by Pierre Boulez, translated by Stephen Walsh. The Musical Times, 133 (1795) pp. 464-465. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Cry of the earth. The Musical Times, 133 (1793) pp. 339-341. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Dead and gone? Review of 'The music of John Ireland' by Fiona Richards. The Musical Times, 142 (1874) pp. 58-59. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Ferneyhough at fifty. The Musical Times, 134 (1801) pp. 125-128. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Looking for Barbara Kolb. The Musical Times, 134 (1799) pp. 9-12. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Louis Andriessen: polity, time, speed, substance. Tempo (187) pp. 7-14. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Maxims past and present (music review). The Musical Times, 134 (1810) pp. 693-695. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1991) Proms 2: Peter Paul Nash. Tempo (179) pp. 55-56. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2000) Proms: Louis Andriessen's 'Trilogy of the Last Day'. Tempo (211) pp. 30-31. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2001) Robert Saxton in the 1990s. Tempo (215) pp. 2-6. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2008) Sacred and profane: review of 'Edmund Rubbra: symphonist' by Leo Black and 'The innumerable dance: the life and work of William Alwyn' by Adrian Wright. The Musical Times, 149 (1905) pp. 103-106. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Turgid encounters: review of 'American composers: dialogues on contemporary music' by Edward Strickland. The Musical Times, 133 (1795) p. 462. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880) pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Virgin music: review of 'New sounds: the Virgin guide to new music' by John Schaefer. The Musical Times, 131 (1772) pp. 547-548. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Weir to now? The Musical Times, 134 (1806) pp. 432-437. ISSN 0027-4666 (print) 2397-5318 (online)

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Štšura, M. (2021) Translating twenty-first-century orchestral scores for the piano: transcription, reduction and performability. Doctoral thesis, Royal College of Music.