Recordings

Hewett, I. (2019) Recordings. In: Brahms in context. Composers in context . Cambridge University Press, Cambridge, pp. 357-366. ISBN 9781107163416 (hardback) 9781316681374 (e-book)

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Abstract

The recorded legacy of any composer reckoned to be canonical presents an interesting and revealing set of historical tensions. It has its own narrative, which unfolds in a complicated counterpoint with the story of the performing tradition(s) revealed in live performance. This double narrative is inflected by the changing view of the composer within academe, particularly in matters of performance practice, but not only that. Complicating the picture still further is the stubborn material persistence of the recorded medium itself. Live performances vanish the moment they are over, but LPs and CDs hang around for decades on music-lovers’ shelves, enforcing a loyalty to older ways of thinking and feeling, in critics as much as in ordinary listeners. This means that journals which offer critical reviews of recordings, particularly those aimed at musically sophisticated enthusiasts, are peculiarly revealing.

Item Type: Book Section
Uncontrolled Keywords: Brahms, recorded legacy, performance practice, recording reviews, music criticism
Subjects: Music aesthetics
Division: Musicology
Depositing User: Ms Katharine Liley
Date Deposited: 19 Aug 2019 14:59
Last Modified: 11 Sep 2019 10:56
DOI: https://doi.org/10.1017/9781316681374.036
URI: http://researchonline.rcm.ac.uk/id/eprint/675

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