Items where Author is "Whitfield, S. K."

Whitfield, S. K. (2024) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Royal Musical Association Research Chronicle pp. 1-15. ISSN 1472-3808 (print), 2167-4027 (online)

Whitfield, S. K. (2024) Flowers for Mrs Harris: Covid-19, women's work, and the musical's 'some kind of bliss'. In: Contemporary British Musicals: ‘Out of the Darkness’. Bloomsbury: Methuen Drama, London. ISBN 9781350268050 (hardback) 9781350268036 (paperback) 9781350268043 (e-book)

Johnson Quinn, A. and Whitfield, S. K. (2024) Musical ghosts: re-instating Elsie April in historical narratives of the British musical. In: The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions . Routledge, Abingdon. ISBN 9780367456764 (In Press)

Whitfield, S. K. (2023) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities: the Hamburger-Lidka-Fuchsová Database and Datasets. [Dataset]

Whitfield, S. K. (2023) Líza Fuchsová. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Musical migrants at Wigmore Hall in the 1940s. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Oda Slobodskaya. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Wolf, S. and Asare, M. and Berman, R. and Eng, R. and Glover, E. M. and Savran, D. and Stitt, G. and Webster, B. and Whitfield, S. K. (2021) What do we do with the musical theater canon? In: Troubling Traditions: Canonicity, Theatre, and Performance in the US. Routledge. ISBN 9780367468323 (hardback) 9780367468309 (paperback) 9781003031413 (e-book)

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950, lecture concert, Wigmore Hall, 21 September 2021. [Performance]

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

Dalgleish, M. and Whitfield, S. K. (2021) Sound objects: exploring procedural audio for theatre. In: Innovation in Music: Future Opportunities. Routledge. ISBN 9780367363376 (hardback) 9780367363352 (paperback) 9780429345388 (e-book)

Whitfield, S. K. (2020) A space has been made: bisexual+ stories in musical theatre. Theatre Topics, 30 (2) E5-E12. ISSN 1054-8378 (print) 1086-3346 (online)

Whitfield, S. K. (2020) Disrupting heteronormative temporality through Queer dramaturgies: Fun Home, Hadestown and A Strange Loop. Arts, 9 (2) (69). ISSN 2076-0752 (online)

Dalgleish, M. and Whitfield, S. K. (2020) Sound objects: towards procedural audio for and as theatre. In: Innovation in Music Conference, 5-7 December 2019, London. (Unpublished)

Whitfield, S. K., ed. (2019) Reframing the musical: race, culture and identity. Methuen Drama, Bloomsbury. ISBN 9781352005325 (hardback) 9781352004397 (paperback) 9781352004403 (e-book)

Whitfield, S. K. (2019) Black performance practice as British musical theatre 1900–1950: digitising and recovering a lost timeline. In: IFTR, Digital Humanities Working Group, 2019, New York Public Library. (Unpublished)

Ap Siôn, P. and Lovelock, J. and Whitfield, S. K. (2019) Rock & pop, musical theatre and jazz – appraising popular music [companion text to A/AS level music WJEC]. Atebol, Aberystwyth. ISBN 9781913245276

Whitfield, S. K. (2018) Boublil and Schönberg’s Les Misérables. The Fourth Wall . Routledge. ISBN 9781138094383 (paperback) 9781315106090 (e-book)

Whitfield, S. K. (2018) Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017). New Theatre Quarterly, 34 (2) pp. 196-197. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2018) Book review: Marc Edward Shaw and Holly Welker (eds.), Singing and dancing to The Book of Mormon: critical essays on the Broadway musical (Rowman & Littlefield, 2016). Studies in Theatre and Performance, 38 (3) pp. 350-352. ISSN 1468-2761 (print) 2040-0616 (online)

Whitfield, S. K. (2017) ‘You wanna hear the real story?’ (Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys. In: Twenty-First Century Musicals: From Stage to Screen. Routledge, London. ISBN 9781138648906 (hardback) 9781138648890 (paperback) 9781315626123 (e-book)

Whitfield, S. K. (2017) 'For the first time in forever': locating Frozen as a feminist Disney musical. In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen Drama (Bloomsbury), London. ISBN 9781474234177 (hardback) 9781474234160 (paperback) 9781474234191 (e-book)

Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2016) ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices. Studies in Musical Theatre, 10 (2) pp. 163-176. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)