Items where Division is "Musicology" and Year is 1999
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Adlington, R. (1999) The music of Rebecca Saunders: into the sensuous world. The Musical Times, 140 (1868) pp. 48-56. ISSN 0027-4666 (print) 2397-5318 (online)
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Herbert, T. (1999) Farmer's contribution to the study of military music. In: Henry George Farmer: A Bibliography. Glasgow University Library Studies . Glasgow University Library, Glasgow. ISBN 978-0852616901
Herbert, T. (1999) Review of 'The civic muse: music and musicians in Siena during the Middle Ages and the Renaissance' by Frank A. D'Accone. Historic Brass Society Journal, 11 pp. 195-196. ISSN 1045-4616 (print) 1943-5215 (online)
Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-Century British Music Studies. Music in Nineteenth-Century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)
Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12 pp. 13-17. ISSN 1045-4594
Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868) pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)
Hewett, I. (1999) Mistaken identity (guest editorial). The Musical Times, 140 (1866) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)
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Lawson, C. and Stowell, R. (1999) The historical performance of music: an introduction. Cambridge Handbooks to the Historical Performance of Music . Cambridge University Press, Cambridge. ISBN 9780521621939 (hardback) 9780521627382 (paperback) 9780511481710 (e-book)
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Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3) pp. 56-59. ISSN 0361-5553
Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4) pp. 605-611. ISSN 0176-6511
Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2) pp. 8-13.
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Smith, R. L. (1999) Debussy on performance: sound and unsound ideals. In: Debussy in Performance. Yale University Press, New Haven, pp. 3-27. ISBN 0300076266 (hardback)