Items where Subject is "M Music and Books on Music > ML Literature on music"

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Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2013) A discourse of styles: contrasting gigue types in the A Minor Jig from the Purcell Partial Autograph, GB-Lbl, MS Mus. 1. In: Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ashgate Historical Keyboard Series . Routledge, London. ISBN 9781409464266 (hardback) 9781138271944 (paperback) 9781315589596 (e-book)

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

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Fenlon, I. and Wistreich, R. (2019) Introduction. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 1-23. ISBN 9780511675874

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Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Hewett, I. (1998) Into the daylight. The Musical Times, 139 (1864) pp. 50-52. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1998) A tract for the times. The Musical Times, 139 (1863) pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

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Loges, N. (2017) Brahms and his poets: a handbook. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783272365 (hardback) 9781783275021 (paperback) 9781787441552 (e-book)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2) pp. 137-168. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3) pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2014) Review of 'Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions' by Robert Pascall (Routledge, 2013). Ad Parnassum, 12 (23)

Loges, N. (2005) Singing Lieder with a foreign accent: Brahms's Slavic Songs. Indiana Theory Review, 26 pp. 73-103.

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Paskins, H. and Hamilton, K. and Loges, N. (2014) Brahms and his arrangers. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 178-220. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Pearson, I. E. (2018) Oral tradition. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 448-451. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

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Richards, J. and Wistreich, R. (2019) Introduction: voicing text 1500-1700. Huntington Library Quarterly (special issue), 82 (1) pp. 3-16. ISSN 1544-399X (online) 0018-7895 (print)

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Smith, R. L. (1993) Book review: 'Francis Poulenc: echo and source: selected correspondence 1915–1963' translated and edited by Sidney Buckland. Music & Letters, 74 (1) pp. 126-128. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Musics, signs, images: liber amicorum François Lesure' edited by Joël-Marie Fauquet. Notes: Quarterly Journal of the Music Library Association, 48 (2) pp. 503-505. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2006) Elsewhere and erstwhile: review of 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser and 'Interpreting the musical past: early music in nineteenth-century France' by Katherine Ellis. The Musical Times, 147 (1896) pp. 93-101. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2006) French operatic spectacle in the twentieth century. In: French Music Since Berlioz. Routledge, Abingdon. ISBN 9780754602828 (hardback) 9781138273450 (paperback) 9781315093895 (e-book)

Smith, R. L. (2018) Saint-Saëns, (Charles-) Camille. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 560-561. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2007) Taming two Spanish women: reflections on editing opera. In: Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure. Ashgate, Farnham, Surrey. ISBN 9780754653929 (hardback) 9781138262980 (paperback) 9781315096469 (e-book)

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Wistreich, R. (2015) High, middle, and low: singing Monteverdi. In: Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Brepols, Turnhout, pp. 65-83. ISBN 978-2-503-53568-5

Wistreich, R. (2017) ‘Inclosed in this tabernacle of flesh’: body, soul, and the singing voice. Journal of the Northern Renaissance, 8 ISSN 1759-3085

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. Analecta Musicologica, 49 pp. 138-150. ISSN 0569-9827

Wistreich, R. (2009) Of mars I sing: Monteverdi voicing virility. In: Masculinity and Western Musical Practice. Ashgate, Farnham, pp. 67-94. ISBN 9780754662396

Wistreich, R. (2007) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Routledge, Abingdon. ISBN 9780754654148 (hardback) 9781138263000 (paperback) 9781315547657 (e-book)