Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > By period"

A

Adlington, R. (2008) Book review: 'Music of the twentieth century: a study of its elements and structure' by Ton de Leeuw. Music & Letters, 89 (3) pp. 460-462. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2002) Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard. Music & Letters, 83 (2) pp. 319-321. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2013) Composing dissent: avant-garde music in 1960s Amsterdam. Oxford University Press, Oxford. ISBN 9780199981014 (hardback) 9780199346202 (e-book)

Adlington, R. (2013) Expressive revolutions: '1968' and music in the Netherlands. In: Music and Protest in 1968. Music since 1900 . Cambridge University Press, Cambridge, pp. 12-28. ISBN 9781107007321 (hardback) 9781107504318 (paperback) 9781107240001 (e-book)

Adlington, R. (2003) In the shadows of song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Routledge. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2009) Introduction: avant-garde music and the sixties. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 3-14. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Adlington, R. (2007) Organizing labor: composers, performers, and “the renewal of musical practice” in the Netherlands, 1969–72. The Musical Quarterly, 90 (3-4) pp. 539-577. ISSN 0027-4631 (print) 1741-8399 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (2003) A conversation with Harrison Birtwistle. In: Aspects of British Music of the 1990s. Routledge, pp. 111-118. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Adlington, R. and Johnson, J. (2014) Editorial: twentieth-century music – ten years on. Twentieth-Century Music, 11 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

Asaba, Y. (2022) Demarcating status: tango music and dance in Japan, 1913-1940. In: Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910-40. Studies in Popular Culture . Manchester University Press, Manchester, pp. 154-176. ISBN 9781526156259 (hardback) 9781526156242 (e-book)

B

Bohm-Duchen, M. and Meyn, N. (2020) RNCM Holocaust Memorial Lecture: belonging and not belonging. In: The Sir John Manduell Research Forum Series, 29 January 2020, Forman Lecture Theatre, Royal Northern College of Music. (Unpublished)

F

Fuchs, S. (2015) Book review: 'Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century' by Mary Simonson, Oxford University Press. Notes: Quarterly Journal of the Music Library Association, 71 (3) pp. 522-525. ISSN 0027-4380 (print) 1534-150X (online)

Fuchs, S. (2023) Emma Calvé: a diva’s campagne de propagande. In: Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great War. Routledge, New York. ISBN 9781032387352 (hardback) 9781003346517 (e-book)

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Garnham, A. M. (2022) Britten and the radio. In: Benjamin Britten in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 78-85.

Garnham, A. M. (2024) The Dartington Summer School of Music. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Garnham, A. M. (2011) Hans Keller and internment: the development of an emigré musician 1938-48. Hans Keller Archive . Boydell & Brewer, Martlesham. ISBN 9780955608773 (hardback) 9780955608780 (paperback)

H

Herbert, T. (2018) Military music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 409-411. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2022) Traditions and interventions: popular music 1840–1940. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 291-314. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. and Harper, S. and Hill, S. (2022) Postscript: contemporary Wales, devolution and digitisation. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 355-365. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1) p. 18. ISSN 0966-7180 (print)

Hewett, I. (2001) Different strains (guest editorial). The Musical Times, 142 (1876) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hlavacsek, T. (2024) The piano music of Carl Goldmark (1830–1915). Doctoral thesis, Royal College of Music.

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Lawson, C. (2018) Riemann, (Karl Wilhelm Julius) Hugo; Royal Conservatory of The Hague; Sax, Adolphe (Antoine-Joseph); Stadler, Anton Paul; The Hanover Band; Vanderhagen, Amand (Jean François Joseph); Vogl, Johann Michael; Willman, Thomas Lindsay. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

M

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950, lecture concert, Wigmore Hall, 21 September 2021. [Performance]

Meyn, N. (2019) Discovering the music of Robert Kahn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2023) Eric Sanders. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2021) Marginalised in our cultural memory: migrant musicians from Nazi-occupied Europe in Britain. In: First Annual Midlands Music Research Network Conference, 19-20 April 2021, Online. (Unpublished)

Meyn, N. (2021) ‘Music, Migration and Mobility’: an ongoing research project at the Royal College of Music. Music & Practice, 9 ISSN 1893-9562 (online)

Meyn, N. (2024) Music, migration and mobility: the story of émigré musicians from Nazi Europe in Britain. In: How Bitter the Savour is of Other’s Bread? International Conference on European Political Refugees in the UK from 1800, 15 November 2024, British Library. (Unpublished)

Meyn, N. (2023) Music, migration and mobility: émigré musicians from Nazi Europe. [Website]

Meyn, N. (2020) Prince Albert and Anglo-German connections in 19th-century music. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers, 13 (1) pp. 197-212. ISSN 1438-2091 (print) 1868-9426 (online)

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. and Holden, M. (2023) Music, migration, and mobility: the story of émigré musicians from Nazi Europe in Britain. [Show/Exhibition]

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Nardacci, F. (2024) New perspectives on the Italian instrumental music renaissance over the long nineteenth century. Doctoral thesis, Royal College of Music.

Q

Querns Langley, K. E. (2021) Reconstructing the tenor ‘pharyngeal voice’: a historical and practical investigation. Doctoral thesis, Royal College of Music.

S

Smith, R. L. (1992) Book review: 'Accompaniment on theorbo and harpsichord: Denis Delair's treatise of 1690' translation and commentary by Charlotte Mattax. The Musical Times, 133 (1797) p. 575. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. The Musical Times, 132 (1782) p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Baroque music: a research and information guide' by John H. Baron. The Musical Times, 134 (1804) p. 332. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Early recordings and musical style: changing tastes in instrumental performance' by Robert Philip. Early Music, 21 (3) pp. 473-474. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1992) Book review: 'Music in late Renaissance and early Baroque Italy' by Tim Carter. The Musical Times, 133 (1796) p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Book review: 'Paris: the Musical Kaleidoscope 1870–1925' by Elaine Brody. Music & Letters, 70 (2) pp. 276-277. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799) p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Vivaldi: voice of the Baroque' by H. C. Robbins Landon; 'The master musicians: Vivaldi' by Michael Talbot. The Musical Times, 135 (1812) p. 99. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2015) Pushing the boundaries of the French mélodie: 20 years of Debussy (1882–1902). In: Words into Music: Poets, Composers & Songs: Study Day, 16 October 2015, Wadham College, Oxford. (Unpublished)

Smith, R. L. (2024) Review: Parody, promotion, Paris. The Musical Times, 165 (1966) pp. 103-108. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1997) See, hear: review of 'L'impressionnisme et la musique' by Michel Fleury. The Musical Times, 138 (1856) pp. 26-29. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) The hole truth: review of 'The early Baroque era: from the 16th century to the 1660s' by Curtis Price; 'The late Baroque era: from the 1680s to 1740' by George J. Buelow; 'Baroque music from Monteverdi to Handel' by Nicholas Anderson. The Musical Times, 135 (1821) pp. 707-710. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) A rich vineyard: review of 'The Italian 'trio' sonata: from its origins until Corelli' by Peter Allsop. The Musical Times, 133 (1796) p. 526. ISSN 0027-4666 (print) 2397-5318 (online)

Snyder, B. (2021) Mátyás Seiber - traveller between worlds. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Solomon, A. (2018) Hotteterre family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 313-314. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

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Whitfield, S. K. (2019) Black performance practice as British musical theatre 1900–1950: digitising and recovering a lost timeline. In: IFTR, Digital Humanities Working Group, 2019, New York Public Library. (Unpublished)

Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2023) Líza Fuchsová. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Musical migrants at Wigmore Hall in the 1940s. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Oda Slobodskaya. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2024) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Royal Musical Association Research Chronicle pp. 1-15. ISSN 1472-3808 (print), 2167-4027 (online)

Wistreich, R. (2011) Who sings the cantus? Children as performers of secular music in the early modern period. TroJa. Jahrbuch für Renaissancemusik, 10 pp. 157-176. ISSN 2513-1028

Wistreich, R. (2023) The elite singing voice. In: The Museum of Renaissance Music: A History in 100 Exhibits. Brepols, Turnhout, pp. 423-425. ISBN 978-2-503-58856-8 (paperback) 978-2-503-58857-5 (e-book)

Wistreich, R. (2022) The materiality of Early Modern ensemble music making. In: Royal Musical Association Annual Conference, 7-10 September 2022, Durham. (Unpublished)

Wright, D. C. H. (2001) Altered states: review of 'Making music modern: New York in the 1920s' by Carol J. Oja; 'America's musical life: a history' by Richard Crawford. The Musical Times, 142 (1877) pp. 62-63. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2023) Book review: 'Debating English Music in the Long Nineteenth Century' by John Ling (Boydell & Brewer, 2021). NABMSA Reviews, 10 (2) pp. 8-11. ISSN 2377-2573

Wright, D. C. H. (2010) Book review: 'Music and the making of middle-class culture: a comparative history of nineteenth-century Leipzig and Birmingham' by Antje Pieper; 'Thomas Tallis and his music in Victorian England' by Suzanne Cole. Victorian Studies, 52 (2) pp. 329-332. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2024) Book review: 'Music in Twentieth-Century Oxford: New Directions' edited by Robin Darwall-Smith and Susan Wollenberg (Boydell Press, 2023). Music & Letters ISSN 0027-4224 (print) 1477-4631 (online)

Wright, D. C. H. (2021) Book review: 'Sir Henry Wood: champion of J. S. Bach' by Hannah French. Bach: Journal of the Riemenschneider Bach Institute, 52 (1) pp. 104-109. ISSN 0005-3600 (print) 2767-4843 (online)

Wright, D. C. H. (1993) Book reviews: 'New tonality' ed. Paul Moravec and 'What's the matter with today's experimental music? Organized sound too rarely heard' by Leigh Landy. Tempo (185) pp. 36-37. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879) pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923) pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)