Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Popular music"
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- M Music and Books on Music (1723)
- ML Literature on music (712)
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- Popular music (7)
- History and criticism (522)
- ML Literature on music (712)
- M Music and Books on Music (1723)
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Asaba, Y. (2022) Demarcating status: tango music and dance in Japan, 1913-1940. In: Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910-40. Studies in Popular Culture . Manchester University Press, Manchester, pp. 154-176. ISBN 9781526156259 (hardback) 9781526156242 (e-book)
Asaba, Y. (2019) ‘Folds of the heart’: performing life-experience, emotion, and empathy in Japanese tango music culture. Ethnomusicology Forum, 28 (1) pp. 45-65. ISSN 1741-1912 (print) 1741-1920 (online)
Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24 pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)
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Herbert, T. (2022) Traditions and interventions: popular music 1840–1940. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 291-314. ISBN 9781316511060 (hardback) 9781009036511 (e-book)
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Stirling, C. (2016) ‘Beyond the dance floor’? Gendered publics and creative practices in electronic dance music. Contemporary Music Review, 35 (1) pp. 130-149. ISSN 0749-4467 (print) 1477-2256 (online)
Stirling, C. (2017) Crowds, cordons, and computers: rethinking density through London’s grime scene. In: Re-thinking Density: Art, Culture and Urban Practices. Publication Series of the Academy of Fine Arts Vienna . Sternberg Press, London, pp. 212-231. ISBN 978-3-95679-362-2 (paperback)
Stirling, C. (2019) Voice memos from the dancefloor. [Audio]