Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Instruments and instrumental music"

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B

Bernabei, M. and Bontadi, J. and Rossi Rognoni, G. (2009) La datation par la dendrochronologie des instruments à cordes de la collection Cherubini, Florence/Dendrochronological dating of the Cherubini stringed instruments collection, Florence. In: Journée d'Etude: Dater l'Instrument de Musique/Study Day: Dating Musical Instruments, 6 June 2009, Paris.

Bernabei, M. and Bontadi, J. and Rossi Rognoni, G. (2010) A dendrochronological investigation of stringed instruments from the collection of the Cherubini Conservatory in Florence, Italy. Journal of Archaeological Science, 37 (1) pp. 192-200. ISSN 0305-4403 (print) 1095-9238 (online)

C

Charlston, T. (2011) The Barony Hall Organ and its wider context. The Organ, 90 (356) pp. 22-26. ISSN 0030-4883 (print)

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359) pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2018) Clavichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 136-138. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2010) Concealed within? Liturgical organ music in the Selosse manuscript. The Organ, 89 (353) pp. 15-20. ISSN 0030-4883 (print)

Charlston, T. (2010) Edition review: Bach: Vier Zeugnisse für Präfekten des Thomanerchores (1743–1749): Faksimile und Transkription, ed. Andreas Glöckner. The Organ, 89 (351) p. 61. ISSN 0030-4883 (print)

Charlston, T. (2021) Edmund Hooper (c. 1553–1621): 5 Keyboard Pieces performed on clavichord, Flemish harpsichord and chamber organ by Terence Charlston with ‘Some notes on the clavichord and the virginalists’. [Website]

Charlston, T. (2018) Fingering (1) keyboard instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 227-231. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2020) Grove Music Online article: Evans, David. Oxford University Press, Oxford.

Charlston, T. (2018) Harpsichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 287-292. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2) pp. 30-35. ISSN 2049-1514

Charlston, T. (2018) Obituary: David Evans, harpsichord maker who paved the way for a revival in the instrument’s fortunes. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2018) Spinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 581-582. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Temperament. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 603-605. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Virginal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 674-675. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2014) The harmonious Thuringian: music from the early years of Bach and Handel. [Audio]

Charlston, T. (2006) An introduction to Restoration keyboard music I: Matthew Locke. Harpsichord & Fortepiano, 10 (2) pp. 26-36. ISSN 0953-0797 (print)

Charlston, T. (2006) An introduction to Restoration keyboard music II: Bryne, Roberts and Moss. Harpsichord & Fortepiano, 11 (1) pp. 14-27. ISSN 0953-0797 (print)

Charlston, T. (2019) The true art of not giving up the clavichord. The British Clavichord Society Newsletter (74) pp. 44-45. ISSN 1359-5105 (print)

Chen, A. (2022) Synthrumentation, revisited: towards a new method of additively synthesising speech in acoustic instrumental contexts. Masters thesis, Royal College of Music.

F

Fioravanti, M. and Martinelli, N. and Pignatelli, O. and Rossi Rognoni, G. (2009) Un exemple d’approche interdisciplinaire dans l’étude des instruments de musique : cas des deux « viola » du Quintetto Mediceo (1690) par Antonio Stradivari/An example of interdisciplinary approach to the study of musical instruments: the case of the two violas of the Quintetto Mediceo (1690) by Antonio Stradivari. In: Journ�e d'Etude: Dater l'Instrument de Musique/Study Day: Dating Musical Instruments, 6 June 2009, Paris.

G

Griffiths, R. and Herbert, T. and Rees, S. P. (2022) Instrumental traditions after 1650. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 144-170. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

H

Herbert, T. (2018) Cornett. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 151-152. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2018) Military music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 409-411. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2023) Military musical instruments and the culture of perfection in the long nineteenth century. In: Shaping Sound and Society: The Cultural Study of Musical Instruments. Routledge Research in Music . Routledge, Abingdon. ISBN 9780367417550 (hardback) 9780367816070 (e-book)

Herbert, T. (2018) Serpent. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 572-573. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2018) Trombone. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 630-632. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2018) Tuba and ophicleide. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 636-638. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

L

Lawson, C. (2014) Book review: "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1) ISSN 2166-8205

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2) pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (1996) Chalumeau. In: Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Bärenreiter and Metzler, Kassel. ISBN 3761811101 and 3476410099

Lawson, C. (2001) Chalumeau. In: The New Grove Dictionary of Music and Musicians (2nd edition). Macmillan, London. ISBN 0333608003

Lawson, C. (1984) Chalumeau. In: The New Grove Dictionary of Musical Instruments. Macmillan, London. ISBN 0943818052

Lawson, C. (2018) Clarinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 130-133. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (1983) Graupner and the chalumeau. Early Music, 11 (2) pp. 209-216. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2000) Lefèvre’s Méthode de Clarinette (1802): the Paris Conservatoire at work. In: The French Experience from Republic to Monarchy, 1792-1824: New Dawns in Politics, Knowledge and Culture. Palgrave Macmillan, London, pp. 140-154. ISBN 978-0-333-77265-2 (hardback) 978-1-349-41569-4 (paperback) 978-1-4039-3274-7 (e-book)

Lawson, C. (2012) Musical history: historical music. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 25-30. ISBN ISBN 978 0 907635 59 8

Lawson, C. (2018) Oboe. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 445-448. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (1981) The chalumeau in eighteenth-century music. Studies in British Musicology . Ann Arbor: UMI Research Press. ISBN 9780835712460 (hardback)

Lawson, C. (1997) An indescribable sweetness of expression: Haydn and the clarinet. Haydn Society Journal of Great Britain, 17 pp. 2-10. ISSN 1350-1267 (print)

N

Nardacci, F. (2024) New perspectives on the Italian instrumental music renaissance over the long nineteenth century. Doctoral thesis, Royal College of Music.

O

Oliva, M. (2018) Electronic instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 211-212. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

P

Pearson, I. E. (2021) The clarinet in opera before 1830: instrument and genre come of age. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 93-119. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book) ISSN 1071-9989, v. 179

Pearson, I. E. (2020) The growing repute of the clarinet: interrogating traditional tunes and popular airs in late eighteenth-century tutors. In: Traditional Tunes and Popular Airs Conference: Exploring Musical Resemblance, 10-11 October 2020, Cecil Sharp House, London. (Unpublished)

R

Roper, J. (2015) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture (1879). In: Exoticism, Orientalism and National Identity in Musical Theatre: International Musicological Conference on the Centenary of the Death of Karl Goldmark, 11-12 December 2015, Budapest. (Unpublished)

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Aus Jugendtagen Op. 53. Musikproduktion Höflich, Munich.

Roper, J. (2015) Preface to score: Károly (Karl) Goldmark: Penthesilea. Musikproduktion Höflich, Munich.

Rossi Rognoni, G. (2004) Alcune fonti sulla produzione liutaria in Toscana nel XIX secolo [Some sources relating to violin making in Tuscany in the 19th century]. In: Liuteria in Toscana. I liutai del Novecento. Cremonabooks, Cremona, pp. 33-45. ISBN 9788883590559

Rossi Rognoni, G. (2011) Alle origini dell’organologia storica italiana: il dibattito nei periodici tra Otto e Novecento [On the origins of historic organology in Italy: the debate in periodicals between the nineteenth and twentieth centuries]. In: La critica musicale in Italia nella prima metà del Novecento. Musica in Atto (7). Marsilio Editori, Venice, pp. 141-166. ISBN 9788831712545

Rossi Rognoni, G. (2018) Barrel Organ; Hurdy-Gurdy. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2002) Bartolomeo Cristofori: la spinette ovali del 1690/Bartolomeo Cristofori's 1690 oval spinet. In: Bartolomeo Cristofori: la spinetta ovale del 1690 - studi e ricerche/The 1690 oval spinet - study and research. Sillabe, Livorno, pp. 10-31. ISBN 9788883471438

Rossi Rognoni, G. (2021) Carl Engel (1829-1881): collector and historian. In: Colonialism, Provenance, and Musical Instrument Collectors, 1850-1940. The Histories of Material Culture and Collecting, 1700-1950 . Routledge, Abingdon. (In Press)

Rossi Rognoni, G. (1997) Catalogue entries pp. 420-432 and pp. 528-529. In: Musei e Gallerie di Milano: Museo degli Strumenti Musicali. Electa, Milan. ISBN 978-8843546817

Rossi Rognoni, G. (2006) Catalogue entry. In: Il DNA degli Amati: una dinastia di liutai a Cremona/The Amati's DNA: a dynasty of stringed instrument makers in Cremona. Consorzio Liutai Antonio Stradivari, Cremona, p. 161. ISBN 9788889839102

Rossi Rognoni, G. (2005) Catalogue entry. In: Maria de' Medici: una principessa fiorentina sul trono di Francia [Maria de' Medici: a Florentine princess on the throne of France]. Sillabe, Florence, pp. 200-201. ISBN 978888347729-4

Rossi Rognoni, G. (2000) Catalogue entry. In: Dipingere la musica: strumenti in posa nell'arte del Cinque e Seicento [Painting music: musical instruments in the art of the sixteenth and seventeenth centuries]. Skira, Milan, p. 261. ISBN 9788881188536

Rossi Rognoni, G. (2000) Catalogue entry. In: Lo 'spettacolo maraviglioso': Il Teatro della Pergola, l'opera a Firenze. Ufficio Centrale per i Beni Archivistici, Florence, pp. 156-158. ISBN 978-88-8304-240-9

Rossi Rognoni, G. (2018) Classification of instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 133-136. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2006) Conservazione e ri-uso: il controllo dello stato di salute del ‘Cannone’/Conservation and re-use: checking on the state of the ‘Cannone’s’ health. In: International Conference on Violin Making: Restoration and Conservation of the violin Guarneri ‘del Gesù’ (1743) known as ‘Cannone’, 14 October 2004, Genova.

Rossi Rognoni, G. (2018) Copies of instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 149-150. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2018) Engel, Carl; Galpin, Francis William; Mahillon, Victor-Charles; Sachs, Curt; Hipkins, Alfred James; Tolbecque, Auguste; Trichet, Pierre. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2001) Gli strumenti granducali: storia di una collezione/The grand-ducal instruments: the history of a collection. In: La musica alla corte dei granduchi: guida alla mostra/Music at the grand-ducal court: guide to the exhibition. Giunti, Florence, pp. 19-25. ISBN 9788809021853

Rossi Rognoni, G. (2000) Gli strumenti musicali [Musical instruments]. In: Per un regale evento: spettacoli nuziali e opera in musica alla corte dei Medici [For a royal event: wedding shows and opera in music at the Medici court]. Centro Di/Biblioteca Nazionale Centrale, Florence, pp. 193-201. ISBN 9788883660993

Rossi Rognoni, G. (2021) I brevetti italiani a pianoforti nella seconda metà del XIX secolo [Italian patents to pianos in the 19th century]. In: Il Pianoforte in Italia. LIM, Lucca. ISBN 9788855431071

Rossi Rognoni, G. (1999) Il Conservatorio e gli strumenti innovati di Rampone e Orsi [The Conservatorio and the innovative instruments of Rampone and Orsi]. In: Milano musicale: 1861-1897. Libreria Musicale Italiana, Lucca, pp. 373-391. ISBN 9788870962390

Rossi Rognoni, G. (2004) Il Museo degli Strumenti Musicali della Galleria dell'Accademia di Firenze [The Museo degli Strumenti Musicali of the Galleria dell'Accademia in Florence]. Hortus Musicus, 5 (18) pp. 124-127.

Rossi Rognoni, G. (2009) Il sistema di catalogazione e documentazione degli strumenti musicali del Dipartimento degli Strumenti Musicali della Galleria dell’Accademia di Firenze con alcune considerazioni sull’elaborazione di una scheda di censimento nazionale [The cataloguing and documentation system of the Musical Instruments Department of the Galleria dell’Accademia in Florence; including comments on datasheet format development for the national census]. Philomusica on-line, 8 (3) pp. 97-117. ISSN 1826-9001 (online)

Rossi Rognoni, G. (2018) Instrument collections (historical). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 328-329. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2007) Italian musical instruments in Europe: the dynamics of an exodus. In: Marvels of Sound and Beauty: Italian Baroque Musical Instruments. Giunti, Florence, pp. 49-60. ISBN 978-88-09-05395-3

Rossi Rognoni, G. (2008) La definizione dell'organologia come disciplina attraverso i primi cataloghi museali (1866-1911) [The development of organology as a discipline through early museum catalogues]. Annali: Arte, musica e spettacolo, Università degli Studi di Firenze, 9 pp. 155-171.

Rossi Rognoni, G. (2012) La lira nel Rinascimento: una riscoperta? [The lyre in the Renaissance: a rediscovery?]. In: Il dolce potere delle corde: Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento. Gabinetto disegni e stampe degli Uffizi: Inventario generale delle stampe (98). Leo S. Olschki, Florence, pp. 25-33. ISBN 9788822261830

Rossi Rognoni, G. (2001) La musica alla corte granducale/Music at the grand-ducal court. In: La musica alla corte dei granduchi: guida alla mostra/Music at the grand-ducal court: guide to the exhibition. Giunti, Florence, pp. 33-103. ISBN 9788809021853

Rossi Rognoni, G. (2002) La spinetta ovale di Bartolomeo Cristofori del 1690: un progetto di ricerca su uno strumento recentemente riscoperto [Bartolomeo Cristofori's oval spinet from 1690: a research project on a recently rediscovered instrument]. Hortus Musicus pp. 10-12.

Rossi Rognoni, G. (2008) La spinetta ovale di Bartolomeo Cristofori del 1690: un progetto di ricerca su uno strumento recentemente riscoperto/The 1690 spinetta ovale by Bartolomeo Cristofori: a research project on a recently rediscovered instrument. In: Restauro e conservazione degli strumenti musicali antichi: la spinetta ovale di Bartolomeo Cristofori [Restoration and conservation of early musical instruments: the spinetta ovale by Bartolomeo Cristofori]. Nardini, Florence, pp. 101-112.

Rossi Rognoni, G. (2003) Le botteghe fiorentine di strumenti musicali [Florentine musical instrument workshops]. In: Arti fiorentine: La grande storia dell'Artigianato. Giunti, Florence, pp. 132-149. ISBN 9788809029231

Rossi Rognoni, G. (2000) Per la lettura della schede [Toward a reading of files]. In: La collezione granducale del Conservatorio Cherubini. La musica e i suoi strumenti (1). Giunti, Florence. ISBN 9788809021846

Rossi Rognoni, G. (2010) Per uno studio degli strumenti a corde nella Toscana del XVIII secolo [Towards a study of string instruments in Tuscany in the 18th century]. Per archi : Rivista di storia e cultura degli strumenti ad arco, 5 pp. 63-85. ISSN 1825-9421 (print) 2421-096X (online)

Rossi Rognoni, G. (2006) Produzione, commercio e diffusione di strumenti musicali a Firenze intorno al 1770 [Production, trade and diffusion of musical instruments in Florence around 1770]. In: Mozart a Firenze: qui si deve vivere o morire (catalogue of the exhibition, Florence, Biblioteca Nazionale Centrale, 22 September – 21 October 2006). Vallecchi, Florence, pp. 46-50.

Rossi Rognoni, G. (2007) Strumenti italiani in Europa: le dinamiche di una diaspora [Italian musical instruments in Europe: The dynamics of an exodus]. In: Meraviglie sonore: strumenti musicali del barocco italiano. Giunti, Florence, pp. 49-60. ISBN 978-8809053946

Rossi Rognoni, G. (2011) Strumenti musicali e Angeli musicanti nel Tabernacolo dei Linaioli: una proposta di interpretazione [Musical instruments and musician angels in the Tabernacle of the Linaioli: a proposal for interpretation]. In: Il Tabernacolo dei Linaioli del Beato Angelico restaurato. Edifir, Florence, pp. 39-44. ISBN 978-88-7970-503-5

Rossi Rognoni, G. (2007) The origins of the Tuscan school of "liutai" in the sixteenth and seventeenth centuries. In: Musikinstrumentenbau-Zentren im 16. Jahrhundert [Musical instrument making centers in the 16th century]. Musikalische Aufführungspraxis in nationalen Dialogen (2). Kloster Michaelstein, Germany, pp. 105-113. ISBN 978-3-89512-133-3

Rossi Rognoni, G. and Rocchetti, G. (1998) Gli strumenti musicali premiati dall'Istituto Lombardo di Scienze, Lettere e Arti nel XIX secolo [Musical instruments awarded by the Lombard Institute of Sciences, Letters and Arts in the 19th century]. In: Liuteria musica e cultura. Associazione Liutaria Italiana, Cremona, pp. 5-21. ISBN 9788870962116

S

Smith, R. L. (1992) Book review: 'Accompaniment on theorbo and harpsichord: Denis Delair's treatise of 1690' translation and commentary by Charlotte Mattax. The Musical Times, 133 (1797) p. 575. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Notes for a book: review of 'Italian violin music of the seventeenth century' by Willi Apel, edited by Thomas Binkley. The Musical Times, 132 (1779) pp. 248-249. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. The Musical Times, 139 (1863) pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Solomon, A. (2018) Flute. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 240-245. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2018) Hotteterre family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 313-314. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2018) Recorder. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 526-528. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2017) Telemann and the Baroque flute: a true synthesis explored through his solo flute fantasias. In: Nanyang Academy of Fine Arts, 20 October 2017, Singapore. (Unpublished)

Solomon, A. (2018) The extraordinary ‘royal flute’ – a musical instrument or work of art? In: Musical Instruments Unwrapped: Joint Conference of the Social History Curators Group and the Musical Instruments Resource Network, 12 November 2018, University of Edinburgh. (Unpublished)

T

Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4) pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1) pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

V

Verschuren, W. (2023) Giants of the dulcian family: an exploration of the doppelfagott and the fagotcontra in music of the sixteenth and seventeenth centuries. Doctoral thesis, Royal College of Music.

W

Wade-Matthews, M. and Mival, W. (2002) Muziekinstrumenten: de geschiedenis van de muziek en het orkest. Veltman Uitgevers, Utrecht. ISBN 978-90-5920-058-6

Wistreich, R. (2022) Music, history, materiality: where we are coming from. In: Materialising Musical Instruments, 8-9 December 2022, Royal College of Music. (Unpublished)

Wong, M. H. Y. (2023) Arrangements as a creative tool towards the performance of J. S. Bach’s Six Sonatas and Partitas for Solo Violin BWV 1001–1006. Doctoral thesis, Royal College of Music.

This list was generated on Sat Apr 20 03:06:23 2024 BST.