Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Instruments and instrumental music"

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Bernabei, M. and Bontadi, J. and Rossi Rognoni, G. (2009) La datation par la dendrochronologie des instruments à cordes de la collection Cherubini, Florence/Dendrochronological dating of the Cherubini stringed instruments collection, Florence. In: Journée d'Etude: Dater l'Instrument de Musique/Study Day: Dating Musical Instruments, 6 June 2009, Paris.

Bernabei, M. and Bontadi, J. and Rossi Rognoni, G. (2010) A dendrochronological investigation of stringed instruments from the collection of the Cherubini Conservatory in Florence, Italy. Journal of Archaeological Science, 37 (1) pp. 192-200. ISSN 0305-4403 (print) 1095-9238 (online)

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Charlston, T. (2011) The Barony Hall Organ and its wider context. The Organ, 90 (356) pp. 22-26. ISSN 0030-4883 (print)

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359) pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2018) Clavichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 136-138. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2010) Concealed within? Liturgical organ music in the Selosse manuscript. The Organ, 89 (353) pp. 15-20. ISSN 0030-4883 (print)

Charlston, T. (2010) Edition review: Bach: Vier Zeugnisse für Präfekten des Thomanerchores (1743–1749): Faksimile und Transkription, ed. Andreas Glöckner. The Organ, 89 (351) p. 61. ISSN 0030-4883 (print)

Charlston, T. (2021) Edmund Hooper (c. 1553–1621): 5 Keyboard Pieces performed on clavichord, Flemish harpsichord and chamber organ by Terence Charlston with ‘Some notes on the clavichord and the virginalists’. [Website]

Charlston, T. (2018) Fingering (1) keyboard instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 227-231. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2020) Grove Music Online article: Evans, David. Oxford University Press, Oxford.

Charlston, T. (2018) Harpsichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 287-292. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2) pp. 30-35. ISSN 2049-1514

Charlston, T. (2018) Obituary: David Evans, harpsichord maker who paved the way for a revival in the instrument’s fortunes. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2018) Spinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 581-582. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Temperament. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 603-605. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Virginal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 674-675. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2014) The harmonious Thuringian: music from the early years of Bach and Handel. [Audio]

Charlston, T. (2006) An introduction to Restoration keyboard music I: Matthew Locke. Harpsichord & Fortepiano, 10 (2) pp. 26-36. ISSN 0953-0797 (print)

Charlston, T. (2006) An introduction to Restoration keyboard music II: Bryne, Roberts and Moss. Harpsichord & Fortepiano, 11 (1) pp. 14-27. ISSN 0953-0797 (print)

Charlston, T. (2019) The true art of not giving up the clavichord. The British Clavichord Society Newsletter (74) pp. 44-45. ISSN 1359-5105 (print)

Chen, A. (2022) Synthrumentation, revisited: towards a new method of additively synthesising speech in acoustic instrumental contexts. Masters thesis, Royal College of Music.

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Fioravanti, M. and Martinelli, N. and Pignatelli, O. and Rossi Rognoni, G. (2009) Un exemple d’approche interdisciplinaire dans l’étude des instruments de musique : cas des deux « viola » du Quintetto Mediceo (1690) par Antonio Stradivari/An example of interdisciplinary approach to the study of musical instruments: the case of the two violas of the Quintetto Mediceo (1690) by Antonio Stradivari. In: Journ�e d'Etude: Dater l'Instrument de Musique/Study Day: Dating Musical Instruments, 6 June 2009, Paris.

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Griffiths, R. and Herbert, T. and Rees, S. P. (2022) Instrumental traditions after 1650. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 144-170. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

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Herbert, T. (2018) Cornett. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 151-152. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2024) The Cyfarthfa Band in its period of grace. In: Cyfarthfa Castle 1825-2025: A People's History. Merthyr and District Historical Society, Merthyr Tydfil. (In Press)

Herbert, T. (2018) Military music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 409-411. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2023) Military musical instruments and the culture of perfection in the long nineteenth century. In: Shaping Sound and Society: The Cultural Study of Musical Instruments. Routledge Research in Music . Routledge, Abingdon. ISBN 9780367417550 (hardback) 9780367816070 (e-book)

Herbert, T. (2018) Serpent. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 572-573. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2018) Trombone. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 630-632. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2018) Tuba and ophicleide. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 636-638. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2024) The earliest source for the S-shaped trumpet – its provenance, material context and relevance. Historic Brass Society Journal ISSN 1045-4616 (print) 1943-5215 (online) (In Press)

Hlavacsek, T. (2024) The piano music of Carl Goldmark (1830–1915). Doctoral thesis, Royal College of Music.

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Lawson, C. (2014) Book review: "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1) ISSN 2166-8205

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2) pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (1996) Chalumeau. In: Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Bärenreiter and Metzler, Kassel. ISBN 3761811101 and 3476410099

Lawson, C. (2001) Chalumeau. In: The New Grove Dictionary of Music and Musicians (2nd edition). Macmillan, London. ISBN 0333608003

Lawson, C. (1984) Chalumeau. In: The New Grove Dictionary of Musical Instruments. Macmillan, London. ISBN 0943818052

Lawson, C. (2018) Clarinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 130-133. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (1983) Graupner and the chalumeau. Early Music, 11 (2) pp. 209-216. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2000) Lefèvre’s Méthode de Clarinette (1802): the Paris Conservatoire at work. In: The French Experience from Republic to Monarchy, 1792-1824: New Dawns in Politics, Knowledge and Culture. Palgrave Macmillan, London, pp. 140-154. ISBN 978-0-333-77265-2 (hardback) 978-1-349-41569-4 (paperback) 978-1-4039-3274-7 (e-book)

Lawson, C. (2012) Musical history: historical music. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 25-30. ISBN ISBN 978 0 907635 59 8

Lawson, C. (2018) Oboe. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 445-448. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (1981) The chalumeau in eighteenth-century music. Studies in British Musicology . Ann Arbor: UMI Research Press. ISBN 9780835712460 (hardback)

Lawson, C. (1997) An indescribable sweetness of expression: Haydn and the clarinet. Haydn Society Journal of Great Britain, 17 pp. 2-10. ISSN 1350-1267 (print)

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Nardacci, F. (2024) New perspectives on the Italian instrumental music renaissance over the long nineteenth century. Doctoral thesis, Royal College of Music.

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Oliva, M. (2018) Electronic instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 211-212. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

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Pearson, I. E. (2021) The clarinet in opera before 1830: instrument and genre come of age. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 93-119. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book) ISSN 1071-9989, v. 179

Pearson, I. E. (2020) The growing repute of the clarinet: interrogating traditional tunes and popular airs in late eighteenth-century tutors. In: Traditional Tunes and Popular Airs Conference: Exploring Musical Resemblance, 10-11 October 2020, Cecil Sharp House, London. (Unpublished)

Pearson, I. E. and Rice, A. R. (2024) Instructions for the clarinet: an illumination of musical taste in Georgian London. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 22 (43) ISSN 1722-3954 (print) 2421-6933 (online) (In Press)

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Roper, J. (2015) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture (1879). In: Exoticism, Orientalism and National Identity in Musical Theatre: International Musicological Conference on the Centenary of the Death of Karl Goldmark, 11-12 December 2015, Budapest. (Unpublished)

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Aus Jugendtagen Op. 53. Musikproduktion Höflich, Munich.

Roper, J. (2015) Preface to score: Károly (Karl) Goldmark: Penthesilea. Musikproduktion Höflich, Munich.

Rossi Rognoni, G. (2004) Alcune fonti sulla produzione liutaria in Toscana nel XIX secolo [Some sources relating to violin making in Tuscany in the 19th century]. In: Liuteria in Toscana. I liutai del Novecento. Cremonabooks, Cremona, pp. 33-45. ISBN 9788883590559

Rossi Rognoni, G. (2011) Alle origini dell’organologia storica italiana: il dibattito nei periodici tra Otto e Novecento [On the origins of historic organology in Italy: the debate in periodicals between the nineteenth and twentieth centuries]. In: La critica musicale in Italia nella prima metà del Novecento. Musica in Atto (7). Marsilio Editori, Venice, pp. 141-166. ISBN 9788831712545

Rossi Rognoni, G. (2018) Barrel Organ; Hurdy-Gurdy. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2002) Bartolomeo Cristofori: la spinette ovali del 1690/Bartolomeo Cristofori's 1690 oval spinet. In: Bartolomeo Cristofori: la spinetta ovale del 1690 - studi e ricerche/The 1690 oval spinet - study and research. Sillabe, Livorno, pp. 10-31. ISBN 9788883471438

Rossi Rognoni, G. (2021) Carl Engel (1818–1882): ‘the highest authority in Europe upon the development of musical instruments’. In: European, British, and American Musical Instrument Collectors, 1850–1940. The Histories of Material Culture and Collecting, 1700-1950 . Routledge, Abingdon. ISBN 9781032105093 (hardback) (In Press)

Rossi Rognoni, G. (1997) Catalogue entries pp. 420-432 and pp. 528-529. In: Musei e Gallerie di Milano: Museo degli Strumenti Musicali. Electa, Milan. ISBN 978-8843546817

Rossi Rognoni, G. (2006) Catalogue entry. In: Il DNA degli Amati: una dinastia di liutai a Cremona/The Amati's DNA: a dynasty of stringed instrument makers in Cremona. Consorzio Liutai Antonio Stradivari, Cremona, p. 161. ISBN 9788889839102

Rossi Rognoni, G. (2005) Catalogue entry. In: Maria de' Medici: una principessa fiorentina sul trono di Francia [Maria de' Medici: a Florentine princess on the throne of France]. Sillabe, Florence, pp. 200-201. ISBN 978888347729-4

Rossi Rognoni, G. (2000) Catalogue entry. In: Dipingere la musica: strumenti in posa nell'arte del Cinque e Seicento [Painting music: musical instruments in the art of the sixteenth and seventeenth centuries]. Skira, Milan, p. 261. ISBN 9788881188536

Rossi Rognoni, G. (2000) Catalogue entry. In: Lo 'spettacolo maraviglioso': Il Teatro della Pergola, l'opera a Firenze. Ufficio Centrale per i Beni Archivistici, Florence, pp. 156-158. ISBN 978-88-8304-240-9

Rossi Rognoni, G. (2018) Classification of instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 133-136. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2006) Conservazione e ri-uso: il controllo dello stato di salute del ‘Cannone’/Conservation and re-use: checking on the state of the ‘Cannone’s’ health. In: International Conference on Violin Making: Restoration and Conservation of the violin Guarneri ‘del Gesù’ (1743) known as ‘Cannone’, 14 October 2004, Genova.

Rossi Rognoni, G. (2018) Copies of instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 149-150. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2018) Engel, Carl; Galpin, Francis William; Mahillon, Victor-Charles; Sachs, Curt; Hipkins, Alfred James; Tolbecque, Auguste; Trichet, Pierre. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2001) Gli strumenti granducali: storia di una collezione/The grand-ducal instruments: the history of a collection. In: La musica alla corte dei granduchi: guida alla mostra/Music at the grand-ducal court: guide to the exhibition. Giunti, Florence, pp. 19-25. ISBN 9788809021853

Rossi Rognoni, G. (2000) Gli strumenti musicali [Musical instruments]. In: Per un regale evento: spettacoli nuziali e opera in musica alla corte dei Medici [For a royal event: wedding shows and opera in music at the Medici court]. Centro Di/Biblioteca Nazionale Centrale, Florence, pp. 193-201. ISBN 9788883660993

Rossi Rognoni, G. (2021) I brevetti italiani a pianoforti nella seconda metà del XIX secolo [Italian patents to pianos in the 19th century]. In: Il Pianoforte in Italia. LIM, Lucca. ISBN 9788855431071

Rossi Rognoni, G. (1999) Il Conservatorio e gli strumenti innovati di Rampone e Orsi [The Conservatorio and the innovative instruments of Rampone and Orsi]. In: Milano musicale: 1861-1897. Libreria Musicale Italiana, Lucca, pp. 373-391. ISBN 9788870962390

Rossi Rognoni, G. (2004) Il Museo degli Strumenti Musicali della Galleria dell'Accademia di Firenze [The Museo degli Strumenti Musicali of the Galleria dell'Accademia in Florence]. Hortus Musicus, 5 (18) pp. 124-127.

Rossi Rognoni, G. (2009) Il sistema di catalogazione e documentazione degli strumenti musicali del Dipartimento degli Strumenti Musicali della Galleria dell’Accademia di Firenze con alcune considerazioni sull’elaborazione di una scheda di censimento nazionale [The cataloguing and documentation system of the Musical Instruments Department of the Galleria dell’Accademia in Florence; including comments on datasheet format development for the national census]. Philomusica on-line, 8 (3) pp. 97-117. ISSN 1826-9001 (online)

Rossi Rognoni, G. (2018) Instrument collections (historical). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 328-329. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Rossi Rognoni, G. (2007) Italian musical instruments in Europe: the dynamics of an exodus. In: Marvels of Sound and Beauty: Italian Baroque Musical Instruments. Giunti, Florence, pp. 49-60. ISBN 978-88-09-05395-3

Rossi Rognoni, G. (2008) La definizione dell'organologia come disciplina attraverso i primi cataloghi museali (1866-1911) [The development of organology as a discipline through early museum catalogues]. Annali: Arte, musica e spettacolo, Università degli Studi di Firenze, 9 pp. 155-171.

Rossi Rognoni, G. (2012) La lira nel Rinascimento: una riscoperta? [The lyre in the Renaissance: a rediscovery?]. In: Il dolce potere delle corde: Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento. Gabinetto disegni e stampe degli Uffizi: Inventario generale delle stampe (98). Leo S. Olschki, Florence, pp. 25-33. ISBN 9788822261830

Rossi Rognoni, G. (2001) La musica alla corte granducale/Music at the grand-ducal court. In: La musica alla corte dei granduchi: guida alla mostra/Music at the grand-ducal court: guide to the exhibition. Giunti, Florence, pp. 33-103. ISBN 9788809021853

Rossi Rognoni, G. (2002) La spinetta ovale di Bartolomeo Cristofori del 1690: un progetto di ricerca su uno strumento recentemente riscoperto [Bartolomeo Cristofori's oval spinet from 1690: a research project on a recently rediscovered instrument]. Hortus Musicus pp. 10-12.

Rossi Rognoni, G. (2008) La spinetta ovale di Bartolomeo Cristofori del 1690: un progetto di ricerca su uno strumento recentemente riscoperto/The 1690 spinetta ovale by Bartolomeo Cristofori: a research project on a recently rediscovered instrument. In: Restauro e conservazione degli strumenti musicali antichi: la spinetta ovale di Bartolomeo Cristofori [Restoration and conservation of early musical instruments: the spinetta ovale by Bartolomeo Cristofori]. Nardini, Florence, pp. 101-112.

Rossi Rognoni, G. (2003) Le botteghe fiorentine di strumenti musicali [Florentine musical instrument workshops]. In: Arti fiorentine: La grande storia dell'Artigianato. Giunti, Florence, pp. 132-149. ISBN 9788809029231

Rossi Rognoni, G. (2000) Per la lettura della schede [Toward a reading of files]. In: La collezione granducale del Conservatorio Cherubini. La musica e i suoi strumenti (1). Giunti, Florence. ISBN 9788809021846

Rossi Rognoni, G. (2010) Per uno studio degli strumenti a corde nella Toscana del XVIII secolo [Towards a study of string instruments in Tuscany in the 18th century]. Per archi : Rivista di storia e cultura degli strumenti ad arco, 5 pp. 63-85. ISSN 1825-9421 (print) 2421-096X (online)

Rossi Rognoni, G. (2006) Produzione, commercio e diffusione di strumenti musicali a Firenze intorno al 1770 [Production, trade and diffusion of musical instruments in Florence around 1770]. In: Mozart a Firenze: qui si deve vivere o morire (catalogue of the exhibition, Florence, Biblioteca Nazionale Centrale, 22 September – 21 October 2006). Vallecchi, Florence, pp. 46-50.

Rossi Rognoni, G. (2007) Strumenti italiani in Europa: le dinamiche di una diaspora [Italian musical instruments in Europe: The dynamics of an exodus]. In: Meraviglie sonore: strumenti musicali del barocco italiano. Giunti, Florence, pp. 49-60. ISBN 978-8809053946

Rossi Rognoni, G. (2011) Strumenti musicali e Angeli musicanti nel Tabernacolo dei Linaioli: una proposta di interpretazione [Musical instruments and musician angels in the Tabernacle of the Linaioli: a proposal for interpretation]. In: Il Tabernacolo dei Linaioli del Beato Angelico restaurato. Edifir, Florence, pp. 39-44. ISBN 978-88-7970-503-5

Rossi Rognoni, G. (2007) The origins of the Tuscan school of "liutai" in the sixteenth and seventeenth centuries. In: Musikinstrumentenbau-Zentren im 16. Jahrhundert [Musical instrument making centers in the 16th century]. Musikalische Aufführungspraxis in nationalen Dialogen (2). Kloster Michaelstein, Germany, pp. 105-113. ISBN 978-3-89512-133-3

Rossi Rognoni, G. and Rocchetti, G. (1998) Gli strumenti musicali premiati dall'Istituto Lombardo di Scienze, Lettere e Arti nel XIX secolo [Musical instruments awarded by the Lombard Institute of Sciences, Letters and Arts in the 19th century]. In: Liuteria musica e cultura. Associazione Liutaria Italiana, Cremona, pp. 5-21. ISBN 9788870962116

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Smith, R. L. (1992) Book review: 'Accompaniment on theorbo and harpsichord: Denis Delair's treatise of 1690' translation and commentary by Charlotte Mattax. The Musical Times, 133 (1797) p. 575. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Notes for a book: review of 'Italian violin music of the seventeenth century' by Willi Apel, edited by Thomas Binkley. The Musical Times, 132 (1779) pp. 248-249. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. The Musical Times, 139 (1863) pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Solomon, A. (2018) Flute. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 240-245. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2018) Hotteterre family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 313-314. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2018) Recorder. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 526-528. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2017) Telemann and the Baroque flute: a true synthesis explored through his solo flute fantasias. In: Nanyang Academy of Fine Arts, 20 October 2017, Singapore. (Unpublished)

Solomon, A. (2018) The extraordinary ‘royal flute’ – a musical instrument or work of art? In: Musical Instruments Unwrapped: Joint Conference of the Social History Curators Group and the Musical Instruments Resource Network, 12 November 2018, University of Edinburgh. (Unpublished)

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Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4) pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1) pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

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Verschuren, W. (2023) Giants of the dulcian family: an exploration of the doppelfagott and the fagotcontra in music of the sixteenth and seventeenth centuries. Doctoral thesis, Royal College of Music.

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Wade-Matthews, M. and Mival, W. (2002) Muziekinstrumenten: de geschiedenis van de muziek en het orkest. Veltman Uitgevers, Utrecht. ISBN 978-90-5920-058-6

Wistreich, R. (2022) Music, history, materiality: where we are coming from. In: Materialising Musical Instruments, 8-9 December 2022, Royal College of Music. (Unpublished)

Wistreich, R. and Rossi Rognoni, G. (2024) Expanding perspectives: materialising musical instruments. Journal of Musicological Research pp. 1-19. ISSN 0141-1896 (print) 1547-7304 (online)

Wong, M. H. Y. (2023) Arrangements as a creative tool towards the performance of J. S. Bach’s Six Sonatas and Partitas for Solo Violin BWV 1001–1006. Doctoral thesis, Royal College of Music.