Items where Year is 2020

Smith, R. L. and Rowden, C., eds. (2020) Carmen abroad: Bizet's opera on the global stage. Cambridge University Press, Cambridge. ISBN 9781108481618 (hardback) 9781108674515 (e-book)

Adlington, R. and Buch, E., eds. (2020) Finding democracy in music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Loges, N. and Tunbridge, L., eds. (2020) German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

McAllister, R. and Guillaumier, C., eds. (2020) Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Adlington, R. (2020) Curating difference. In: Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Antonini Philippe, R. and Kosirnik, C. and Vuichoud, N. and Clark, T. and Williamon, A. and McPherson, G. E. (2020) Conservatory musicians’ temporal organization and self-regulation processes in preparing for a music exam. Frontiers in Psychology, 11 (89). ISSN 1664-1078

Araújo, L. and Wasley, D. and Redding, E. and Atkins, L. and Perkins, R. and Ginsborg, J. and Williamon, A. (2020) Fit to perform: a profile of higher education music students’ physical fitness. Frontiers in Psychology, 11 (298). ISSN 1664-1078

Araújo, L. and Wasley, D. and Redding, E. and Atkins, L. and Perkins, R. and Ginsborg, J. and Williamon, A. (2020) Music students’ physical fitness. [Video]

Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24 pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)

Ascenso, S. and Perkins, R. and Williamon, A. (2020) Musicians' mental health. [Video]

Austen, C. (2020) 'I’m not injured, this is just my life': an exploration of the experiences of conservatoire students with chronic playing-related musculoskeletal disorders. Masters thesis, Royal College of Music.

Barton, D. C. M. (2020) The autonomy of private instrumental teachers: its effect on valid knowledge construction, curriculum design, and quality of teaching and learning. Doctoral thesis, Royal College of Music.

Betts, N. (2020) The personal and social impact of non-accredited music education in prison: a transformative mixed methods approach to research in custodial settings. Masters thesis, Royal College of Music.

Bohm-Duchen, M. and Meyn, N. (2020) RNCM Holocaust Memorial Lecture: belonging and not belonging. In: The Sir John Manduell Research Forum Series, 29 January 2020, Forman Lecture Theatre, Royal Northern College of Music. (Unpublished)

Bowden, M. (2020) Outside. [Composition]

Camlin, D. A. and Caulfield, L. and Perkins, R. (2020) Capturing the magic: a three-way dialogue on the impact of music on people and society. International Journal of Community Music, 13 (2) pp. 157-172. ISSN 1752-6299 (print) 1752-6302 (online)

Camlin, D. A. and Daffern, H. and Zeserson, K. (2020) Group singing as a resource for the development of a healthy public: a study of adult group singing. Humanities & Social Sciences Communications, 7 (60) ISSN 2662-9992 (online)

Casey, E. (2020) Exploring the perceived impact of extensive training in the Alexander technique on the day-to-day lives of professional musicians. Masters thesis, Royal College of Music.

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2020) Grove Music Online article: Evans, David. Oxford University Press, Oxford.

Charlston, T. (2020) Patterns of play: Orlando Gibbons, Simon Lohet, and J. S. Bach’s Fugue in E Major BWV 878/2. Part II. Clavichord International, 24 (1) pp. 7-14. ISSN 1387-0882

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2020) Prelude. [Composition] (Unpublished)

Charlston, T. (2020) Three duets for mezzo-soprano and baritone. [Composition] (Unpublished)

Charlston, T. (2020) A complete recording of the contents of Royal College of Music, London, Manuscript 2093 with additional keyboard pieces by Gerhard Diesineer and John Moss. [Audio]

Cole, J. (2020) Hidden corners. [Composition]

Cole, J. (2020) Templum. [Composition]

Dalgleish, M. and Whitfield, S. K. (2020) Sound objects: towards procedural audio for and as theatre. In: Innovation in Music Conference, 5-7 December 2019, London. (Unpublished)

Delgado, I. (2020) How can musicians make music with people with dementia?: an investigation of musician-led musical practices for those living with dementia. Masters thesis, Royal College of Music.

Demos, A. P. and Lisboa, T. and Begosh, K. T. and Logan, T. and Chaffin, R. (2020) A longitudinal study of the development of expressive timing. Psychology of Music, 48 (1) pp. 50-66. ISSN 0305-7356 (print) 1741-3087 (online)

Détári, A. and Egermann, H. and Bjerkeset, O. and Vaag, J. (2020) Psychosocial work environment among musicians and in the general workforce in Norway. Frontiers in Psychology, 11 (1315). ISSN 1664-1078

Fonte, V. (2020) Reconsidering memorisation in the context of non-tonal piano music. Doctoral thesis, Royal College of Music.

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) Prokofiev operas (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) 9781787446236 (e-book)

Herbert, T. (2020) Bands as musical subcultures: cultures, practices, and influences. In: Practice in Context: Perspectives on Historically Informed Practices in Post-Classical Music. Oxford University Press, New York. (In Press)

Hewett, I. (2020) Adès Conducts Adès, review: a thrilling tour-de-force from Britain's weirdest composer. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Between Englishness and modernism: the critical reception of Tippett’s operas. Journal of Music Criticism, 4 pp. 1-28. ISSN 2532-9995 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Book review: 'Poulenc' by Roger Nichols: why it's time to start taking this composer seriously. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Davies, Sir Peter Maxwell (Max). In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Hewett, I. (2020) ‘Frankly, the economics are horrendous’: what future for classical music after lockdown? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) La Traviata was a 'fiasco' and Great Expectations flopped: the masterpieces that started as first-night disasters. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Recording review: Kitgut: 'Tis too late to be wise': irresistible string quartets, from Purcell to Haydn. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Sorry, Remainers – Ode To Joy is not, and has never been, an EU anthem. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Taking the catastrophe out of Beethoven's most catastrophic concert, plus the best of March's classical concerts. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) What's the best way to hear Chopin? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Yodelling, jokes and thrilling energy: how Haydn transformed the symphony. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Holt, S. (2020) Cloud shadow. [Composition]

Holt, S. (2020) Six studies after Messerschmidt. [Composition]

Johns, S. (2020) Prokofiev: Piano Sonatas 6, 7, and 8 (Steven Osborne). [Audio]

Karni-Cohen, T. and Waddell, G. and Williamon, A. (2020) Specialist support for performers: general practitioner (GP). [Video]

Kay, A. (2020) Études part II. [Composition] (Unpublished)

Kittos, H. (2020) stRay. [Composition] (Unpublished)

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2) pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Lee, S. L. and Pearce, E. and Ajnakina, O. and Johnson, S. and Lewis, G. and Mann, F. and Pitman, A. and Solmi, F. and Sommerlad, A. and Steptoe, A. and Tymoszuk, U. and Lewis, G. (2020) The association between loneliness and depressive symptoms among adults aged 50 years and older: a 12-year population-based cohort study. The Lancet Psychiatry ISSN 2215-0366 (print) 2215-0374 (online)

Lisboa, T. and Jónasson, P. and Johnson, C. and Waddell, G. and Williamon, A. (2020) A guide to effective online music lessons. [Video]

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Low, J. (2020) A pianist’s perspective on song transposition, focusing on Robert Schumann’s Liederreihe nach Kerner Op. 35. Masters thesis, Royal College of Music.

Lucas, N. (2020) Informing performance of Prokofiev's piano music: researching the musical score. Masters thesis, Royal College of Music.

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2020) Prince Albert and Anglo-German connections in 19th-century music. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers, 13 (1) pp. 197-212. ISSN 1438-2091 (print) 1868-9426 (online)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. and Heher, H. (2020) Egon Wellesz: Drei Lieder Op. 24. RCM Editions, London.

Meyn, N. and Stanhope, L. and Bower, B. and Freyhan, M. (2020) Hans Gál: What a Life! RCM Editions, London.

Mival, W. (2020) BBC Radio 3 record review: Proms composer: Rachmaninov. [Broadcast]

Morgan, F. (2020) Common cents: the experiences of low-income students in high-profile conservatoires. Masters thesis, Royal College of Music.

Paolantonio, P. and Cavalli, S. and Biasutti, M. and Pedrazzani, C. and Williamon, A. (2020) Art for ages: the effects of group music making on the wellbeing of nursing home residents. Frontiers in Psychology, 11 (575161). ISSN 1664-1078

Pearson, I. E. (2020) The growing repute of the clarinet: interrogating traditional tunes and popular airs in late eighteenth-century tutors. In: Traditional Tunes and Popular Airs Conference: Exploring Musical Resemblance, 10-11 October 2020, Cecil Sharp House, London. (Unpublished)

Peistaraite, U. and Clark, T. (2020) Emotion regulation processes can benefit self-regulated learning in classical musicians. Frontiers in Psychology, 11 (568760). ISSN 1664-1078

Perkins, R. and Fancourt, D. and Williamon, A. (2020) Making music. In: The Routledge Companion to Health Humanities. Routledge Literature Companions . Routledge, Abingdon, pp. 317-323. ISBN 9781138579903 (hardback) 9780429469060 (e-book)

Perkins, R. and Mason-Bertrand, A. and Fancourt, D. and Baxter, L. and Williamon, A. (2020) How participatory music engagement supports mental wellbeing: a meta-ethnography. Qualitative Health Research, 30 (12) pp. 1924-1940. ISSN 1049-7323 (print) 1552-7557 (online)

Pitt, J. (2020) Communicating through musical play: combining speech and language therapy practices with those of early childhood music education – the SALTMusic approach. Music Education Research, 22 (1) pp. 68-86. ISSN 1461-3808 (print) 1469-9893 (online)

Ryan, F. and Cordeaux, C. and Waddell, G. and Williamon, A. (2020) COVID-19 risk assessment guidelines. [Video]

Sanfilippo, K. R. M. and Spiro, N. and Molina-Solana, M. and Lamont, A. (2020) Do the shuffle: exploring reasons for music listening through shuffled play. PLOS ONE, 15 (2) ISSN 1932-6203 (online)

Scarlato, D. (2020) Il talento del calabrone. [Composition]

Scarlato, D. (2020) Intolerance. [Composition]

Scarlato, D. (2020) Old world cities. [Composition]

Scarlato, D. (2020) A life reset. [Composition]

Scarlato, D. (2020) The migrant's tale. [Composition]

Schiavio, A. and Küssner, M. B. and Williamon, A. (2020) Music teachers’ perspectives and experiences of ensemble and learning skills. Frontiers in Psychology, 11 (291). ISSN 1664-1078

Shepheard, R. and Cordeaux, C. and Waddell, G. and Williamon, A. (2020) Hearing conservation guidance for the performing arts. [Video]

Shepheard, R. and Waddell, G. and Williamon, A. (2020) Specialist support for performers: audiologist. [Video]

Smith, R. L. (2020) Le cas Debussy: layers of resonance from literature into music. In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh, pp. 624-631. ISBN 9780748693122 (hardback) 9780748693146 (e-book: ePub) 9780748693139 (e-book: PDF)

Smith, R. L. (2020) Marketing Madame Chaminade: soap, smells and sheet music. In: Conference: Musical Women in Europe in the Long Nineteenth Century, 24-26 February 2020, Royal Northern College of Music, Manchester. (Unpublished)

Solomon, A. (2020) The Spohr Collection: historical flutes. [Audio]

Stirling, C. (2020) Sonic methodologies in urban studies. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, London, pp. 115-139. ISBN 9781501338755 (hardback)

Thormählen, W. (2020) Feel-good tunes: music aesthetics, performance and well-being in the eighteenth century. In: Lifestyle and Medicine in the Enlightenment: The Six Non-Naturals in the Long Eighteenth Century. Routledge Studies in the History of Science, Technology and Medicine . Routledge, Abingdon. ISBN 9781138610705 (hardback) 9780429465642 (e-book)

Tsiris, G. and Spiro, N. and Coggins, O. and Zubala, A. (2020) The Impact Areas Questionnaire (IAQ): a music therapy service evaluation tool. Voices: A World Forum for Music Therapy, 20 (2) ISSN 1504-1611 (online)

Turnage, M.-A. (2020) Awake. [Composition]

Turnage, M.-A. (2020) Concertino. [Composition]

Turnage, M.-A. (2020) Last song for Olly [reduced version] (2018, arr. 2020). [Composition]

Turnage, M.-A. (2020) Of nature's light. [Composition]

Turnage, M.-A. (2020) Silenced. [Composition]

Turnage, M.-A. (2020) Songs of sleep and regret. [Composition]

Turnage, M.-A. (2020) Split apart. [Composition]

Turnage, M.-A. (2020) Up for grabs. [Composition]

Turnage, M.-A. (2020) A jolly good knees up. [Composition]

Tymoszuk, U. and Perkins, R. and Fancourt, D. and Williamon, A. (2020) Cross‑sectional and longitudinal associations between receptive arts engagement and loneliness among older adults. Social Psychiatry and Psychiatric Epidemiology, 55 (7) pp. 891-900. ISSN 0933-7954 (print) 1433-9285 (online)

Tymoszuk, U. and Perkins, R. and Spiro, N. and Williamon, A. and Fancourt, D. (2020) Longitudinal associations between short-term, repeated, and sustained arts engagement and well-being outcomes in older adults. The Journals of Gerontology: Series B, 75 (7) pp. 1609-1619. ISSN 1079-5014 (print) 1758-5368 (online)

Upjohn, S. and Waddell, G. and Williamon, A. (2020) Specialist support for performers: physiotherapist. [Video]

Waddell, G. (2020) Being a healthy musician. Upbeat

Waddell, G. and Williamon, A. (2020) Healthy performer trailer. [Video]

Whitfield, S. K. (2020) Disrupting heteronormative temporality through Queer dramaturgies: Fun Home, Hadestown and A Strange Loop. Arts, 9 (2) (69). ISSN 2076-0752 (online)

Whitfield, S. K. (2020) A space has been made: bisexual+ stories in musical theatre. Theatre Topics, 30 (2) E5-E12. ISSN 1054-8378 (print) 1086-3346 (online)

Williamon, A. and Antonini Philippe, R. (2020) Wellbeing in and through performance: perspectives from sports and music. Frontiers in Psychology, 11 (399). ISSN 1664-1078

Wright, D. C. H. (2020) Book review: 'Mary Gladstone and the Victorian salon: music, literature, liberalism' by Phyllis Weliver. Journal of the American Musicological Society, 73 (2) pp. 420-425. ISSN 0003-0139 (print) 1547-3848 (online)

Wright, D. C. H. (2020) Book review: 'Music in their time: the memoirs and letters of Dora and Hubert Foss' ed. Stephen Lloyd, Diana Sparkes, & Brian Sparkes. The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)