Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Vocal music"

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Number of items at this level: 25.

G

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback)

H

Hewett, I. (1997) Interview: Jonathan Miller. BBC Music Magazine, Winter (1997). pp. 40-43. ISSN 0966-7180 (print)

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

L

Loges, N. (2020) Detours on a Winter’s Journey: Schubert’s Winterreise D.911 in nineteenth-century concerts. Journal of the American Musicological Society. ISSN 0003-0139 (print) 1547-3848 (online) (In Press)

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

M

Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá sans frontières: musicians and migration in a globalised world, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Meyn, N. and Heller-Jones, C. (2018) Love of Lieder: tracing the Jewish journey through 19th and 20th century German song [study course]. Liberal Jewish Synagogue, London. (Unpublished)

S

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. The Musical Times, 139 (1861). pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2020) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) (In Press)

Smith, R. L. (1996) Book review: 'Massenet: a chronicle of his life and times' by Demar Irvine. Music & Letters, 77 (3). pp. 476-478. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. The Musical Times, 136 (1831). pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1997) Good, bad and...: review of 'Ambroise Thomas: un compositeur lyrique au XIXe siècle' by Georges Masson. The Musical Times, 138 (1857). p. 32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5. pp. 2-18. ISSN 0395-1200

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy studies. Cambridge composer studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (1989) Motives and symbols. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 78-106. ISBN 9780521314466 (paperback)

Smith, R. L. (1989) Tonalities of darkness and light. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 107-139. ISBN 9780521314466 (paperback)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. Musical Times, 139 (1896). pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) The play and its playwright. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 1-29. ISBN 9780521314466 (paperback)

T

Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London voices, 1820–1840: vocal performers, practices, histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

W

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817). pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2020) Review article: Inventing how we sing it now: Oxbridge choirs and the ‘tradition’ of modern Cathedral music. Journal of the Royal College of Organists. ISSN 0969-1642 (In Press)

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880). pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

This list was generated on Sun Jul 12 03:04:44 2020 BST.