Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Vocal music"

Article

Adlington, R. (2002) Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard. Music & Letters, 83 (2) pp. 319-321. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Fuchs, S. (2018) Animating antiquity in the Vision animée. Cambridge Opera Journal, 30 (2-3) pp. 115-137. ISSN 0954-5867 (print) 1474-0621 (online)

Fuchs, S. (2015) Book review: 'Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century' by Mary Simonson, Oxford University Press. Notes: Quarterly Journal of the Music Library Association, 71 (3) pp. 522-525. ISSN 0027-4380 (print) 1534-150X (online)

Fuchs, S. (2017) Book review: 'Giacomo Puccini and His World' eds. Arman Schwartz and Emanuele Senici, Princeton University Press. Music & Letters, 98 (4) pp. 683-685. ISSN 0027-4224 (print) 1477-4631 (online)

Guillaumier, C. (2023) Le tsar en scène et hors scène. Avant Scène Opéra, 333

Guillaumier, C. (2015) Review of ‘Multi-mediated Dostoevsky: transposing novels into opera, film, and drama' by Alexander Burry. Slavic and East European Journal, 59 (2) pp. 296-298. ISSN 0037-6752

Hewett, I. (1997) Interview: Jonathan Miller. BBC Music Magazine, Winter (1997) pp. 40-43. ISSN 0966-7180 (print)

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1) pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Epistemologische Zyklen durchbrechen: Geschichte, Theorie und Aufführung in Schuberts Winterreise [Breaking epistemological cycles: history, theory, and performance in Schubert’s Winterreise]. Zeitschrift der Gesellschaft für Musiktheorie, 18 pp. 309-326. ISSN 1862-6742 (online)

Mival, W. (1989) Der Meister und Margarita. Tempo (170) pp. 37-38. ISSN 0040-2982 (print) 1478-2286 (online)

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. The Musical Times, 139 (1861) pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Book review: 'Massenet: a chronicle of his life and times' by Demar Irvine. Music & Letters, 77 (3) pp. 476-478. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799) p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. The Musical Times, 136 (1831) pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1997) Good, bad and...: review of 'Ambroise Thomas: un compositeur lyrique au XIXe siècle' by Georges Masson. The Musical Times, 138 (1857) p. 32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5 pp. 2-18. ISSN 0395-1200

Smith, R. L. (2019) O Camponês cultivado em Paris. Chabrier: L’Étoile, Teatro Nacional de São Carlos, Lisbon pp. 17-25.

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. The Musical Times, 139 (1896) pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Whitfield, S. K. (2018) Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017). New Theatre Quarterly, 34 (2) pp. 196-197. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2018) Book review: Marc Edward Shaw and Holly Welker (eds.), Singing and dancing to The Book of Mormon: critical essays on the Broadway musical (Rowman & Littlefield, 2016). Studies in Theatre and Performance, 38 (3) pp. 350-352. ISSN 1468-2761 (print) 2040-0616 (online)

Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2020) Disrupting heteronormative temporality through Queer dramaturgies: Fun Home, Hadestown and A Strange Loop. Arts, 9 (2) (69). ISSN 2076-0752 (online)

Whitfield, S. K. (2016) ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices. Studies in Musical Theatre, 10 (2) pp. 163-176. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2020) A space has been made: bisexual+ stories in musical theatre. Theatre Topics, 30 (2) E5-E12. ISSN 1054-8378 (print) 1086-3346 (online)

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817) pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2019) Review article: Inventing how we sing it now: Oxbridge choirs and the ‘tradition’ of modern Cathedral music. Journal of the Royal College of Organists, 13 ISSN 0969-1642

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880) pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

Book Section

Adlington, R. (2002) 'Good lodging': Harrison Birtwistle's reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Arthurian Studies . Boydell & Brewer, Martlesham, pp. 127-143. ISBN 9780859917674 (hardback) 9781846150968 (e-book)

Adlington, R. (2019) Introduction: why ‘new music theatre’ now? In: New Music Theatre in Europe: Transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Fuchs, S. (2023) Emma Calvé: a diva’s campagne de propagande. In: Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great War. Routledge, New York. ISBN 9781032387352 (hardback) 9781003346517 (e-book)

Fuchs, S. (2019) The castrato as creator: Velluti’s voice in the London sheet-music market. In: London Voices 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago, pp. 71-91. ISBN 9780226670188

Fuchs, S. and Lacombe, H. (2022) Le tournant technologique de l’écoute: 1870–1914. In: Histoire de l’Opéra Française: De la Belle Epoque au Monde Globalisé. Fayard, Paris, pp. 62-69. ISBN 9782213709918

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

Johnson Quinn, A. and Whitfield, S. K. (2024) Musical ghosts: re-instating Elsie April in historical narratives of the British musical. In: The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions . Routledge, Abingdon. ISBN 9780367456764 (In Press)

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (1989) Motives and symbols. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 78-106. ISBN 9780521314466 (paperback)

Smith, R. L. (1989) Tonalities of darkness and light. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 107-139. ISBN 9780521314466 (paperback)

Smith, R. L. (1989) The play and its playwright. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 1-29. ISBN 9780521314466 (paperback)

Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London Voices, 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

Whitfield, S. K. (2024) Flowers for Mrs Harris: Covid-19, women's work, and the musical's 'some kind of bliss'. In: Contemporary British Musicals: ‘Out of the Darkness’. Bloomsbury: Methuen Drama, London. ISBN 9781350268050 (hardback) 9781350268036 (paperback) 9781350268043 (e-book)

Whitfield, S. K. (2017) 'For the first time in forever': locating Frozen as a feminist Disney musical. In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen Drama (Bloomsbury), London. ISBN 9781474234177 (hardback) 9781474234160 (paperback) 9781474234191 (e-book)

Whitfield, S. K. (2017) ‘You wanna hear the real story?’ (Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys. In: Twenty-First Century Musicals: From Stage to Screen. Routledge, London. ISBN 9781138648906 (hardback) 9781138648890 (paperback) 9781315626123 (e-book)

Wistreich, R. (2018) Singing. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 576-580. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2018) Vocal performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 676-681. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2023) The elite singing voice. In: The Museum of Renaissance Music: A History in 100 Exhibits. Brepols, Turnhout, pp. 423-425. ISBN 978-2-503-58856-8 (paperback) 978-2-503-58857-5 (e-book)

Conference or Workshop Item

Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá Sans Frontières: Musicians and Migration in a Globalised World, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Whitfield, S. K. (2019) Black performance practice as British musical theatre 1900–1950: digitising and recovering a lost timeline. In: IFTR, Digital Humanities Working Group, 2019, New York Public Library. (Unpublished)

Wistreich, R. (2018) Historically informed singing: fantasy, reality - or an irrelevance? In: National Early Music Forum, 21 October 2018, Brighton. (Unpublished)

Wistreich, R. (2021) ‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe. In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University). (Unpublished)

Book

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) 9781787446236 (e-book)

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

Smith, R. L. (2021) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) 9781800100466 (e-book)

Whitfield, S. K. (2018) Boublil and Schönberg’s Les Misérables. The Fourth Wall . Routledge. ISBN 9781138094383 (paperback) 9781315106090 (e-book)

Edited book

Smith, R. L. and Rowden, C., eds. (2020) Carmen abroad: Bizet's opera on the global stage. Cambridge University Press, Cambridge. ISBN 9781108481618 (hardback) 9781108674515 (e-book)

Nichols, R. and Smith, R. L., eds. (1989) Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge. ISBN 9780521314466 (paperback)

Loges, N. and Tunbridge, L., eds. (2020) German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Adlington, R., ed. (2019) New music theatre in Europe: transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Whitfield, S. K., ed. (2019) Reframing the musical: race, culture and identity. Methuen Drama, Bloomsbury. ISBN 9781352005325 (hardback) 9781352004397 (paperback) 9781352004403 (e-book)

Thesis

Low, J. (2020) A pianist’s perspective on song transposition, focusing on Robert Schumann’s Liederreihe nach Kerner Op. 35. Masters thesis, Royal College of Music.

Querns Langley, K. E. (2021) Reconstructing the tenor ‘pharyngeal voice’: a historical and practical investigation. Doctoral thesis, Royal College of Music.

Performance

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950, lecture concert, Wigmore Hall, 21 September 2021. [Performance]

Broadcast

Guillaumier, C. (2020) Prokofiev operas (Music Matters, BBC Radio 3). [Broadcast]

Mival, W. (2014) BBC Radio 3 opera guides: operas by Richard Strauss. [Broadcast]

Other

Meyn, N. and Heller-Jones, C. (2018) Love of Lieder: tracing the Jewish journey through 19th and 20th century German song [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Psalm 113 Op. 40 for choir and orchestra. Musikproduktion Höflich, Munich.

Roper, J. (2018) Preface to vocal score: Jenö Hubay: The Luthier of Cremona (with German and French libretto). Musikproduktion Höflich, Munich.

Smith, R. L. (2021) The original staging of Carmen: the 1875 mise-en-scène with English translation. Carmen Abroad Website.