Modularity, technology, and geometry in compositional practice: a portfolio of original compositions

Taylor-West, L. (2023) Modularity, technology, and geometry in compositional practice: a portfolio of original compositions. Doctoral thesis, Royal College of Music.

Abstract

This project, comprising of twelve original compositions and accompanying commentary, explores several key concepts that play a significant role in my creative practice, including the deconstruction and reassembly of materials; non-linear media; geometric construction of musical patterns; interactive audience elements; technology; and probability. Discussed across four chapters, these concepts lead to the development of unique compositional techniques and processes that feature heavily in my work. Chapter one focusses on deconstruction and non-linearity, from ensemble-led modularity to large-scale prerecorded compositions for radio. Chapter two is a study of how random elements and audience interaction can be facilitated through the use of technology, and takes examples from my generative audiovisual artworks. Chapters three and four cover geometry: introducing the mathematical concepts of perfect balance and aperiodic order, and discussing their use in my installations and compositions for orchestra. Throughout the project, a consideration of performance spaces and the audience experience is maintained, and the variety of ways a technique might be applied across different settings is explored.

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