Items where Subject is "Composition"
Up a level- Library of Congress Subject Areas (2341)
- Composition (289)
B
Bowden, M. (2010) Airs no oceans keep. [Composition]
Bowden, M. (2014) Beldam. [Composition]
Bowden, M. (2014) Channel rose. [Composition]
Bowden, M. (2009) Drift. [Composition]
Bowden, M. (2004) Far to the northward lying. [Composition]
Bowden, M. (2015) Five memos. [Composition]
Bowden, M. (2012) Heartland. [Composition]
Bowden, M. (2011) Lines written a few miles below. [Composition]
Bowden, M. (2004) Low over the railroad. [Composition]
Bowden, M. (2011) Lyra. [Composition]
Bowden, M. (2020) Outside. [Composition]
Bowden, M. (2012) Parable. [Composition]
Bowden, M. (2011) Prelude a l’apres-midi d’un faune [Debussy arr. Bowden]. [Composition]
Bowden, M. (2002) Quartet. [Composition]
Bowden, M. (2018) Sapiens. [Composition]
Bowden, M. (2007) Stealing poison. [Composition]
Bowden, M. (2005) Sudden light. [Composition]
Bowden, M. (2018) Three interludes. [Composition]
Bowden, M. (2008) Tirlun. [Composition]
Bowden, M. (2012) Viriditas. [Composition]
Bowden, M. (2021) Voices on the air. [Composition]
Bowden, M. (2015) We have found a better land. [Composition]
Bowden, M. (2021) Wych elm. [Composition]
Bowden, M. (2017) The breaking wheel. [Composition]
Bowden, M. (2007) The dawn halts. [Composition]
Bowden, M. (2013) The mare’s tale. [Composition]
Bowden, M. (2008) The song of Rhiannon, from the Mabinogion. [Composition]
Bowden, M. (2008) The soul candle. [Composition]
Bowden, M. (2014) A violence of gifts. [Composition]
C
Chen, A. (2022) Synthrumentation, revisited: towards a new method of additively synthesising speech in acoustic instrumental contexts. Masters thesis, Royal College of Music.
Cole, J. (2017) 13 verses. [Composition]
Cole, J. (2024) 20 Breaths. [Composition] (Unpublished)
Cole, J. (2017) 50 Florentine breaths. [Composition]
Cole, J. (1999) Cracked whispers. [Composition] (Unpublished)
Cole, J. (2013) Djimbala. [Composition]
Cole, J. (2010) Finding marking erasing. [Composition] (Unpublished)
Cole, J. (2020) Hidden corners. [Composition]
Cole, J. (2021) Lucier clock. [Composition] (Unpublished)
Cole, J. (2013) Menhir. [Composition]
Cole, J. (2013) Nudanadanu. [Composition] (Unpublished)
Cole, J. (2016) Prose pieces I: inside out. [Composition] (Unpublished)
Cole, J. (2021) Prose pieces II: outside in. [Composition] (Unpublished)
Cole, J. (2010) Quorum. [Composition] (Unpublished)
Cole, J. (2022) Resonances for GGS. [Composition] (Unpublished)
Cole, J. (2021) Revelries. [Composition] (Unpublished)
Cole, J. (2020) Templum. [Composition]
Cole, J. (2016) A book of melodies. [Composition] (Unpublished)
Cole, J. (2019) A passing moment. [Composition]
D
Devaney, K. (2014) Cities, stars & haze. [Composition]
Devaney, K. (2012) Death over a guess. [Composition]
Devaney, K. (2024) Distant friends. [Composition]
Devaney, K. (2021) False start. [Composition]
Devaney, K. (2016) Fanfare for Gosport. [Composition]
Devaney, K. (2015) Gore Point. [Composition]
Devaney, K. (2013) Hadal zone. [Composition]
Devaney, K. (2022) Heads of composition perspectives on the role of composition teaching in UK music conservatoires composition department. Music Education Research, 24 (5) pp. 611-624. ISSN 1461-3808 (print) 1469-9893 (online)
Devaney, K. (2012) How normal is your sex life? [Composition]
Devaney, K. (2012) In memory. [Composition]
Devaney, K. (2013) Inkocosmos. [Composition]
Devaney, K. (2023) Investigating how composing teaching and assessment in English secondary school classrooms reinforce myths about composers and their creative practices. British Journal of Music Education, 40 (1) pp. 3-19. ISSN 0265-0517 (print) 1469-2104 (online)
Devaney, K. (2013) Letters. [Composition]
Devaney, K. (2011) Moons of Jupiter. [Composition]
Devaney, K. (2013) Nebula and pulsar. [Composition]
Devaney, K. (2014) Nocturne. [Composition]
Devaney, K. (2025) Pedagogies in composing. In: Debates in Music Teaching (2nd edition). Routledge. ISBN 9781032574837 (hardback), 9781032574820 (paperback), 9781003439578 (e-book)
Devaney, K. (2015) Root. [Composition]
Devaney, K. (2024) SPINE. [Composition]
Devaney, K. (2015) Seven short songs. [Composition]
Devaney, K. (2015) Sixteen tower blocks. [Composition]
Devaney, K. (2023) Soar. [Composition]
Devaney, K. (2016) Star cluster. [Composition]
Devaney, K. (2012) Submerge. [Composition]
Devaney, K. (2023) Teaching and assessing composing in English secondary schools: an investigation into music teacher confidence. In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)
Devaney, K. (2014) Tiny creatures in long grass. [Composition]
Devaney, K. (2018) Urban nature. [Composition]
Devaney, K. (2019) ‘Waiting for the wow factor’: perspectives on computer technology in classroom composing. Journal of Music, Technology & Education, 12 (2) pp. 121-139. ISSN 1752-7066 (print) 1752-7074 (online)
Devaney, K. (2016) [as if on a pivot]. [Composition]
Devaney, K. (2014) A bright sound. [Composition]
Devaney, K. (2016) The craft. [Composition]
Devaney, K. and Evans, N. and Fautley, M. and Ziegenmeyer, A. (2023) Chapter interlude IV: ways to teach composing. In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)
Devaney, K. and Fautley, M. and Grow, J. and Ziegenmeyer, A. (2023) Conclusion. In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)
Devaney, K. and Fautley, M. and Grow, J. and Ziegenmeyer, A. (2023) Introduction. In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)
Devaney, K. and Grow, J. (2023) Chapter interlude V: considering gender, equality, diversity, and inclusion in teaching composing. In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)
Devaney, K. and Ziegenmeyer, A. and Hughes, N. (2023) Chapter interlude VII: the role of digital technology in classroom composing. In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)
F
Fautley, M. and Anderson, A. and Kinsella, V. and Devaney, K. and Whittaker, A. (2021) Sound and Music Go Compose project 2020: research report. Project Report. Birmingham City University.
G
Gozzi, G. (2011) Dépression atmosphérique. [Composition]
Gozzi, G. (2024) Earworm variations. [Composition]
Gozzi, G. (2013) Electric interference. [Composition]
Gozzi, G. (2019) Homo sapiens, all-too-sapiens. [Composition]
Gozzi, G. (2021) Improvised composition project. [Composition]
Gozzi, G. (2015) Ink on canvas. [Composition]
Gozzi, G. (2016) La porte de l’enfer. [Composition]
Gozzi, G. (2014) Narcissus. [Composition]
Gozzi, G. (2017) Neutrinos visiting. [Composition]
Gozzi, G. (2012) Radio interference. [Composition]
Gozzi, G. (2019) “Se ‘l mie rozzo martello i duri sassi forma. . .”. [Composition]
Gozzi, G. (2015) Spazi della memoria di un vecchio. [Composition]
Gozzi, G. (2018) Time loom. [Composition]
Gozzi, G. (2018) The large, the little and Pablo in the middle. [Composition]
Gozzi, G. (2017) The mind is the cave. [Composition]
Gozzi, G. (2013) 儀式 ritual. [Composition]
Gozzi, G. (2016) À travers le verre du temps. [Composition]
Gozzi, G. (2020) The underwater life of a bass clarinet. [Composition]
H
Hesketh, K. (2021) Along dark paths (Per opaca viarum). [Composition]
Hesketh, K. (2004) Angels we have heard on high [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2014) Au gré des ondes [Dutilleux arr. Hesketh]. [Composition]
Hesketh, K. (2014) Barbiglio (derivato). [Composition]
Hesketh, K. (2015) Because I could not stop for death. [Composition]
Hesketh, K. (2010) Bethlehem down. [Composition] (In Press)
Hesketh, K. (2021) Carmina tempore viri (songs in time of virus). [Composition]
Hesketh, K. (2002) Cautionary tales. [Composition]
Hesketh, K. (2004) Christmas tree carol. [Composition]
Hesketh, K. (2012) Chronicles of the time (lamentations from Macbeth). [Composition]
Hesketh, K. (2005) Come to the manger [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2016) Concerto salmigondis. [Composition]
Hesketh, K. (2012) Danceries (set II) [version for brass band]. [Composition]
Hesketh, K. (2002) Dei destini incrociati. [Composition]
Hesketh, K. (2007) Diaghilev dances [version for chamber orchestra]. [Composition]
Hesketh, K. (2011) Diatoms (I-IV): the four horsemen. [Composition]
Hesketh, K. (2006) Ein Lichtspiel. [Composition]
Hesketh, K. (2008) Elegy. [Composition]
Hesketh, K. (2014) Entanglements (dance scenes). [Composition]
Hesketh, K. (2009) Enter, Spring. [Composition]
Hesketh, K. (2024) Ex uno plures: strategies of linear expansion. In: The Cambridge Companion to Composition. Cambridge Companions . Cambridge University Press, Cambridge, pp. 42-61. ISBN 9781108831697 (hardback) 9781108926997 (paperback) 9781108917933 (online)
Hesketh, K. (2013) Fugue and toccata [Ravel arr. Hesketh]. [Composition]
Hesketh, K. (2005) Gabo's opus. [Composition]
Hesketh, K. (2011) Gabriel's message [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2005) Gallery carol. [Composition]
Hesketh, K. (2011) God rest ye, merry gentlemen [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2007) Graven image. [Composition]
Hesketh, K. (2010) Hark! the herald angels sing [Mendelssohn arr. Hesketh]. [Composition]
Hesketh, K. (2009) Head in the clouds: three songs of nature. [Composition]
Hesketh, K. (2011) Heu, heu, heu...eine kleine ausschweifende Feier. [Composition]
Hesketh, K. (2015) Hände: das Leben und die Liebe eines Zärtlichen Geschlechts. [Composition]
Hesketh, K. (2003) I sing of a maiden. [Composition]
Hesketh, K. (2014) IMMH. [Composition]
Hesketh, K. (2006) In dulci jubilo [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2018) In ictu oculi - three meditations. [Composition]
Hesketh, K. (2008) Infernal ride [version for brass band]. [Composition]
Hesketh, K. (2003) Infernal ride [version for symphonic wind band]. [Composition]
Hesketh, K. (2015) Inscription-transformation. [Composition]
Hesketh, K. (2018) Inscrizione (derivata) (a lie to the dying). [Composition]
Hesketh, K. (2014) Knotted tongues (2012 rev. 2014). [Composition]
Hesketh, K. (2009) La morte meditata (Death meditated upon). [Composition]
Hesketh, K. (2005) Les grandes plaines du jour. [Composition]
Hesketh, K. (2007) Like the sea, like time. [Composition]
Hesketh, K. (2018) Men rejoice! [Phillips arr. Hesketh]. [Composition]
Hesketh, K. (2016) Mini-prélude en éventail [Dutilleux arr. Hesketh]. [Composition]
Hesketh, K. (2006) Music of a distant drum: songs from medieval Arabic, Persian and Hebrew texts. [Composition]
Hesketh, K. (2004) Netsuke (2001, rev. 2004). [Composition]
Hesketh, K. (2013) Notte oscura [version for piano four hands]. [Composition]
Hesketh, K. (2009) Now well may we merthis make. [Composition]
Hesketh, K. (2015) Nowell sing we both all and sum. [Composition]
Hesketh, K. (2022) Nox ruit…hic locus est (derivata). [Composition]
Hesketh, K. (2010) O come all ye faithful [Wade arr. Hesketh]. [Composition]
Hesketh, K. (2008) Of a rose sing we. [Composition]
Hesketh, K. (2016) Of time and disillusionment. [Composition]
Hesketh, K. (2010) Once in royal David's city [Gauntlett arr. Hesketh]. [Composition]
Hesketh, K. (2014) Oracles and chimeras. [Composition]
Hesketh, K. (2008) PatterSongs. [Composition]
Hesketh, K. (2006) Poetic conceits. [Composition]
Hesketh, K. (2009) Point forms (after Kandinsky). [Composition]
Hesketh, K. (2003) Polygon window (perpetuum immobile). [Composition]
Hesketh, K. (2003) Polygon window (perpetuum immobile) [reduced version]. [Composition]
Hesketh, K. (2011) Pour Henri. [Composition]
Hesketh, K. (2004) Recit and aria [version for soprano and piano]. [Composition]
Hesketh, K. (2010) Rumpole and Father Christmas: after the short story by John Mortimer. [Composition]
Hesketh, K. (2015) SPIKE (I & II). [Composition]
Hesketh, K. (2014) San Francisco night [Dutilleux arr. Hesketh]. [Composition]
Hesketh, K. (2019) Sarabande et cortège [Dutilleux arr. Hesketh]. [Composition]
Hesketh, K. (2007) Shimmerwords and idle songs (selected poems of the Tang Dynasty). [Composition]
Hesketh, K. (2011) Sisyphus’ punishment (Die Bestrafung des Sisyphos). [Composition]
Hesketh, K. (2004) Sleep holy babe [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2009) Small tales, tall tales: a Grimm sequence. [Composition]
Hesketh, K. (2019) Sonate for oboe [Dutilleux arr. Hesketh]. [Composition]
Hesketh, K. (2019) Sonatine for flute [Dutilleux arr. Hesketh]. [Composition]
Hesketh, K. (2007) Theatre of attractions. [Composition]
Hesketh, K. (2005) Threats and declamations. [Composition]
Hesketh, K. (2014) Three movements from Theatrum [two piano version]. [Composition]
Hesketh, K. (2005) Three pieces in the shape of a shoe. [Composition]
Hesketh, K. (2008) Through magic casements. [Composition]
Hesketh, K. (2009) Torturous instruments (1998, rev. 2009). [Composition]
Hesketh, K. (2004) Two lapels and a pocket (suite no. 1 from The Overcoat). [Composition]
Hesketh, K. (2018) Uncoiling the river. [Composition]
Hesketh, K. (2010) Ungaretti settings. [Composition]
Hesketh, K. (2009) Vecherinka for 6 pianos (in 5 hands). [Composition]
Hesketh, K. (2005) Vecherinka for two pianos (in five hands). [Composition]
Hesketh, K. (2007) Vranjanka [version for orchestra]. [Composition]
Hesketh, K. (2005) Vranjanka [version for wind band]. [Composition]
Hesketh, K. (2013) We three kings of Orient are [Hopkins arr. Hesketh]. [Composition]
Hesketh, K. (2008) What if...? (op[f]er) [version for chamber ensemble]. [Composition]
Hesketh, K. (2010) What if...? (op[f]er) [version for piano four hands]. [Composition]
Hesketh, K. (2008) Whirlegigg [version for brass band]. [Composition]
Hesketh, K. (2003) Whirlegigg [version for symphonic wind band]. [Composition]
Hesketh, K. (2008) Wunderkammer(konzert). [Composition]
Hesketh, K. (2015) The alchymist's journal (variants for brass band). [Composition]
Hesketh, K. (2004) The cloud of unknowing. [Composition]
Hesketh, K. (2005) The doctrine of affections. [Composition]
Hesketh, K. (2007) A festive overture [version for brass band]. [Composition]
Hesketh, K. (2007) The first nowell [traditional arr. Hesketh]. [Composition]
Hesketh, K. (2008) The gilded theatre. [Composition]
Hesketh, K. (2009) A land so luminous (2003, rev. 2009) [version for violin and chamber ensemble]. [Composition]
Hesketh, K. (2009) A land so luminous [version for violin and piano]. [Composition]
Hesketh, K. (2007) A little child there is y-born. [Composition]
Hesketh, K. (2015) The lullaby of the land beyond (in fond memory of Oliver Knussen). [Composition] (Unpublished)
Hesketh, K. (2003) The overcoat. [Composition]
Hesketh, K. (2007) A rhyme for the season. [Composition]
Hesketh, K. (2008) A wassail carol (2002, rev. 2008). [Composition]
Hillier, E. (2022) Composing with timbre: saturation, (dis)integration and space. Doctoral thesis, Royal College of Music.
Ho, A. (2024) Reflecting and reimagining transnational Chinese identity through composition. Doctoral thesis, Royal College of Music.
Hogios, B. and Scarlato, D. (2015) Revelstoke: a kiss in the wind. [Composition]
Holt, S. (2023) Acrobats on a loose wire. [Composition]
Holt, S. (2021) Amistad 2. [Composition]
Holt, S. (2021) Amistad 3. [Composition]
Holt, S. (2021) Amistad 4. [Composition]
Holt, S. (2023) Cachiporra. [Composition]
Holt, S. (2023) Disordered folly. [Composition]
Holt, S. (2023) Elegos. [Composition]
Holt, S. (2023) Four night pieces. [Composition]
Holt, S. (2022) Organ book 1. [Composition]
Holt, S. (2023) Organ book 2. [Composition]
Holt, S. (2024) Organ book 3. [Composition]
Holt, S. (2024) Organ book 4. [Composition]
Holt, S. (2022) The bell. [Composition]
Holt, S. (2021) The sower. [Composition]
K
Kittos, H. (2022) 4 impros. [Composition] (Unpublished)
Kittos, H. (2022) 5 ways to move. [Composition] (Unpublished)
Kittos, H. (2021) ...beloved, pretending to be forgotten... [Composition] (Unpublished)
Kittos, H. (2022) boat-feet-plane-train-bus. [Composition] (Unpublished)
Kittos, H. (2020) stRay. [Composition] (Unpublished)
Kittos, H. (2021) Ètude a X. [Composition] (Unpublished)
P
Partti, H. and Devaney, K. (2023) Addressing gender inequality in and through music composing studies. Nordic Research in Music Education, 4 pp. 48-66. ISSN 2703-8041 (online)
R
Ramos, J. (2024) Technology and composition — an autoethnography on the influence of electronics on orchestration practice. Doctoral thesis, Royal College of Music.
S
Scarlato, D. (2019) Ana. [Composition]
Scarlato, D. (2021) Baseball for the blind. [Composition]
Scarlato, D. (2007) Beyond. [Composition]
Scarlato, D. (2015) Caduceo. [Composition] (Unpublished)
Scarlato, D. (2019) Colours. [Composition]
Scarlato, D. (2007) D.E.A. [Composition] (Unpublished)
Scarlato, D. (2012) Don't be afraid, the clown's afraid too. [Composition] (Unpublished)
Scarlato, D. (2016) El ocaso del socialismo mágico. [Composition]
Scarlato, D. (2013) Fadwa. [Composition] (Unpublished)
Scarlato, D. (2007) Gutbai, Charly. [Composition]
Scarlato, D. (2010) Happy birthday. [Composition]
Scarlato, D. (2011) Ich möchte kein Mann sein [I don't want to be a man]. [Composition] (Unpublished)
Scarlato, D. (2021) Il cane sordo. [Composition] (Unpublished)
Scarlato, D. (2020) Il talento del calabrone. [Composition]
Scarlato, D. (2015) Incognito. [Composition]
Scarlato, D. (2020) Intolerance. [Composition]
Scarlato, D. (2009) La città nel cielo [The city in the sky]. [Composition]
Scarlato, D. (2016) La tregua di natale [the Christmas truce]. [Composition] (Unpublished)
Scarlato, D. (2017) Madame Rubinstein. [Composition] (Unpublished)
Scarlato, D. (2014) Nachtwandler. [Composition] (Unpublished)
Scarlato, D. (2020) Old world cities. [Composition]
Scarlato, D. (2009) Per Sofia. [Composition]
Scarlato, D. (2011) Phaedra. [Composition] (Unpublished)
Scarlato, D. (2003) Piaf…l’hymne à l’amour. [Composition] (Unpublished)
Scarlato, D. (2015) Rapunzel. [Composition] (Unpublished)
Scarlato, D. (2007) Revolutions per minute. [Composition]
Scarlato, D. (2016) Rhapsody of memories. [Composition] (Unpublished)
Scarlato, D. (2012) Salty Sarah. [Composition]
Scarlato, D. (2008) Sight test. [Composition]
Scarlato, D. (2015) Sparks and embers. [Composition]
Scarlato, D. (2016) Thala my love. [Composition]
Scarlato, D. (2014) Touched. [Composition]
Scarlato, D. (2015) Towers. [Composition]
Scarlato, D. (2007) Voci. [Composition]
Scarlato, D. (2021) A le superne rote. [Composition] (Unpublished)
Scarlato, D. (2020) A life reset. [Composition]
Scarlato, D. (2020) The migrant's tale. [Composition]
Scarlato, D. (2013) The sleeping beauty. [Composition] (Unpublished)
Scarlato, D. (2012) The sound of clashing scabbards. [Composition]
Scarlato, D. and Selim, H. (2022) SAFAR Film Festival 2022 trailer: the stories we tell in Arab cinema. [Composition]
Scarlato, D. and Timossi, S. (2016) Insight. [Composition]
T
Taylor-West, L. (2023) Modularity, technology, and geometry in compositional practice: a portfolio of original compositions. Doctoral thesis, Royal College of Music.
Turnage, M.-A. (2020) Awake. [Composition]
Turnage, M.-A. (2021) Cortege for Bernard Haitink. [Composition]
Turnage, M.-A. (2019) Go for it. [Composition]
Turnage, M.-A. (2022) New England etudes. [Composition]
Turnage, M.-A. (2022) ONYX 30. [Composition]
Turnage, M.-A. (2020) Of nature's light. [Composition]
Turnage, M.-A. (2020) Silenced. [Composition]
Turnage, M.-A. (2020) Songs of sleep and regret. [Composition]
Turnage, M.-A. (2019) Time flies. [Composition]
Turnage, M.-A. (2020) Up for grabs. [Composition]
Turnage, M.-A. (2019) Without ceremony. [Composition]
Z
Zhang, H. (2025) Developing hybridised influences inspired by Japanese pop culture and the art of Wassily Kandinsky through collaborative practice. Doctoral thesis, Royal College of Music.
Ziegenmeyer, A. and Devaney, K. (2023) Chapter interlude I: what is composing? In: The Routledge Companion to Teaching Music Composition in Schools: International Perspectives. Routledge Music Companions . Routledge, Abingdon. ISBN 9781032026268 (hardback) 9781003184317 (e-book)