Items where Author is "Charlston, T."

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Article

Windram, H. F. and Charlston, T. and Tomita, Y. and Howe, C. J. (2022) A phylogenetic analysis of two Preludes from J. S. Bach’s Well-Tempered Clavier II. Early Music. ISSN 0306-1078 (print) 1741-7260 (online) (In Press)

Charlston, T. (2020) Patterns of play: Orlando Gibbons, Simon Lohet, and J. S. Bach’s Fugue in E Major BWV 878/2. Part II. Clavichord International, 24 (1). pp. 7-14. ISSN 1387-0882

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and J. S. Bach’s Fugue in E major BWV 878/2. Part I. Clavichord International, 23 (2). pp. 39-48. ISSN 1387-0882

Charlston, T. (2019) Clavichord initiatives at the Royal College of Music, London. The British Clavichord Society Newsletter (74). pp. 41-42. ISSN 1359-5105 (print)

Charlston, T. (2019) The true art of not giving up the clavichord. The British Clavichord Society Newsletter (74). pp. 44-45. ISSN 1359-5105 (print)

Charlston, T. (2019) David Evans 1936–2018: an appreciation. Harpsichord and Fortepiano, 23 (2). pp. 13-18.

Charlston, T. (2018) Obituary: David Evans, harpsichord maker who paved the way for a revival in the instrument’s fortunes. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Crowell, G. and Charlston, T. (2018) An interview with Terence Charlston. Clavichord International, 22 (2). pp. 38-44. ISSN 1387-0882

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 1387-0882

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105 (print)

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1). pp. 8-14.

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4). pp. 515-528. ISSN 0306-1078 (print) 1741-7260 (online)

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 1359-5105 (print)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2). pp. 30-35. ISSN 2049-1514

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359). pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2011) The Barony Hall Organ and its wider context. The Organ, 90 (356). pp. 22-26. ISSN 0030-4883 (print)

Charlston, T. (2010) Concealed within? Liturgical organ music in the Selosse manuscript. The Organ, 89 (353). pp. 15-20. ISSN 0030-4883 (print)

Charlston, T. (2010) Edition review: Bach: Vier Zeugnisse für Präfekten des Thomanerchores (1743–1749): Faksimile und Transkription, ed. Andreas Glöckner. The Organ, 89 (351). p. 61. ISSN 0030-4883 (print)

Charlston, T. (2009) An instrument in search of its repertoire? The Theewes claviorgan and its use in the performance of sixteenth- and seventeenth-century keyboard music. Journal of the Royal College of Organists, 3. pp. 24-41. ISSN 0969-1642

Morgan, R. and Charlston, T. and Rolton, A. (2007) An interview with Terence Charlston and Alexander Rolton. Music Teacher. p. 17. ISSN 0027-4461 (print) 2632-8658 (online)

Charlston, T. (2006) An introduction to Restoration keyboard music II: Bryne, Roberts and Moss. Harpsichord & Fortepiano, 11 (1). pp. 14-27. ISSN 0953-0797 (print)

Charlston, T. (2006) A visit to the GOArt project, Göteborg. The British Clavichord Society Newsletter (36). pp. 13-16. ISSN 1359-5105 (print)

Charlston, T. (2006) An introduction to Restoration keyboard music I: Matthew Locke. Harpsichord & Fortepiano, 10 (2). pp. 26-36. ISSN 0953-0797 (print)

Book Section

Charlston, T. (2018) Arpeggiando; Arpeggio; Birnbaum, Johann Abraham; Brunold, Paul; Chambonnières, Jacques Champion, Sieur de; Denis, Jean. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Clavichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 136-138. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Fingering (1) keyboard instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 227-231. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Frescobaldi, Girolamo Alessandro; Gasparini; Moscheles, Ignaz (Isaac); Neidhardt, Johann Georg; Suzuki, Masaaki. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Preluding. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 509-510. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Spinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 581-582. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Temperament. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 603-605. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Virginal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 674-675. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Harpsichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 287-292. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2013) A discourse of styles: contrasting gigue types in the A Minor Jig from the Purcell Partial Autograph, GB-Lbl, MS Mus. 1. In: Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ashgate Historical Keyboard Series . Routledge, London. ISBN 9781409464266 (hardback) 9781138271944 (paperback) 9781315589596 (e-book)

Composition

Charlston, T. (2020) Prelude. [Composition] (Unpublished)

Charlston, T. (2020) Three duets for mezzo-soprano and baritone. [Composition] (Unpublished)

Charlston, T. (2019) Hommage. [Composition] (Unpublished)

Charlston, T. (2018) Five pieces for two clavichords. [Composition] (Unpublished)

Video

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2018) Curating counterpoint: the lyrical imagination and the performance of Johann Jacob Froberger's legacy. [Video]

Audio

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2020) A complete recording of the contents of Royal College of Music, London, Manuscript 2093 with additional keyboard pieces by Gerhard Diesineer and John Moss. [Audio]

Charlston, T. and Solomon, A. (2019) Bach: Cantatas 106 and 182, Amici Voices and Amici Baroque Players. [Audio]

Charlston, T. and Solomon, A. (2019) Music for a king: chamber works from the court of Frederick the Great. [Audio]

Charlston, T. and Solomon, A. (2017) Handel: German Arias & Trio Sonatas. [Audio]

Solomon, A. and Charlston, T. (2016) Telemann: Concertos & Cantata Ihr Völker Hört. [Audio]

Charlston, T. (2016) Adieu m'amour: music from the time of Agincourt. [Audio]

Charlston, T. (2015) Mersenne’s clavichord: music from sixteenth- and seventeenth-century France. [Audio]

Solomon, A. and Charlston, T. (2014) Bach: Brandenburg Concertos. [Audio]

Meyn, N. and Charlston, T. (2014) C. P. E. Bach: spiritual songs. [Audio]

Charlston, T. (2014) The harmonious Thuringian: music from the early years of Bach and Handel. [Audio]

Solomon, A. and Charlston, T. (2013) Couperin: Les Nations and Rebel: Caractères de la Danse. [Audio]

Charlston, T. (2010) La chasse royale: keyboard manuscript of Antoine Selosse. [Audio]

Charlston, T. (2009) Carlo Ignazio Monza: harpsichord music. [Audio]

Charlston, T. (2008) William Byrd: for my Ladye Nevell. [Audio]

Charlston, T. (2007) Albertus Bryne: keyboard music. [Audio]

Solomon, A. and Charlston, T. (2003) Bach: Flute and Harpsichord Sonatas vol. 2. [Audio]

Charlston, T. (2003) Early keyboard instruments: the Benton Fletcher collection at Fenton House. [Audio]

Charlston, T. (2003) Matthew Locke: complete keyboard works. [Audio]

Solomon, A. and Charlston, T. (2000) Bach: Flute Sonatas vol. 1. [Audio]

Website

Charlston, T. (2021) Edmund Hooper (c. 1553–1621): 5 Keyboard Pieces performed on clavichord, Flemish harpsichord and chamber organ by Terence Charlston with ‘Some notes on the clavichord and the virginalists’. [Website]

Edition

Woolley, A. and Windram, H. F. and Charlston, T. (2021) English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources, vol. 2: London, Lambeth Palace Library, MS 1040. Norsk Musikforlag, Oslo.

Andersson, B. T. and Charlston, T. (2019) Johan Helmich Roman: Svit i D-dur (Suite in D) "Lilla Drottningholmsmusiken". Swedish Musical Heritage, The Royal Swedish Academy of Music, Stockholm.

Andersson, B. T. and Charlston, T. (2019) Johann Helmich Roman: Bilägers Musiquen (Drottningholmsmusiken). Swedish Musical Heritage, the Royal Swedish Academy of Music, Stockholm.

Windram, H. F. and Charlston, T. (2015) English keyboard music c.1650-1700: a series of facsimiles of manuscript sources vol. 1: London, Royal College of Music Library, MS 2093. Norsk Musikforlag, Oslo. ISBN 9788270937073

Charlston, T. (2015) J. S. Bach: Allegro, 2nd movement from Sonata in E, BWV 1016. Violin Exam Pieces 2016-2019, ABRSM Grade 7 . ABRSM, London.

Charlston, T. (2015) J. S. Bach: Andante, 3rd movement from Sonata in B minor BWV 1014. Violin Exam Pieces 2016–2019, ABRSM Grade 5 . ABRSM, London.

Brown, R. and Charlston, T. (2010) Quantz: Flute Sonatas vol. 1. Uppernote Publications, London.

Brown, R. and Charlston, T. (2010) Quantz: Flute Sonatas vol. 2. Uppernote Publications, London.

Charlston, T. (2009) Carlo Ignazio Monza: Pièces Modernes pour le clavecin. Norskmusikforlag, Oslo. ISBN 978-82-7093-591-8

Charlston, T. (2007) Albertus Bryne: keyboard music for harpsichord and organ. Norskmusikforlag, Oslo. ISBN 978-82-7093-567-3

Charlston, T. (2006) Charles Wesley: Organ Concerto in G minor op. 2 no. 5. Norskmusikforlag, Oslo. ISBN 82-7093-558-1

Charlston, T. (2005) J. S. Bach arr. Terence Charlston: Concerto in D minor for organ (harpsichord) and strings after BWV 35 and 156. Peacock Press, Mytholmroyd, Hebden Bridge. ISBN 1–904846–1016

Charlston, T. (2004) Matthew Locke arr. Terence Charlston: thirteen keyboard pieces for harpsichord and organ. Peacock Press, Mytholmroyd, Hebden Bridge. ISBN 1–904846–0205

Gwilt, R. and Charlston, T. (2003) J. S. Bach: Organ Trio Sonatas vol. 1 transcribed for two violins and continuo. RG Editions, Edition Walhall, Magdeburg, Germany.

Gwilt, R. and Charlston, T. (2003) J. S. Bach: Organ Trio Sonatas vol. 2 transcribed for violin, viola and continuo. RG Editions, Edition Walhall, Magdeburg, Germany.

Gwilt, R. and Charlston, T. (2003) J. S. Bach: Organ Trio Sonatas vol. 3 transcribed for two violins and continuo. RG Editions, Edition Walhall, Magdeburg, Germany.

Other

Charlston, T. (2020) Grove Music Online article: Evans, David. Oxford University Press, Oxford.

This list was generated on Wed Aug 10 03:06:24 2022 BST.