Items where Division is "Musicology" and Year is 2021

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Barlow, H. and Herbert, T. (2021) Introduction: listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17 (3) pp. 343-357. ISSN 1479-4098 (print), 2044-8414 (online)

Brooks, J. and Thormählen, W. (2021) Introduction: making music matter in historic houses. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

C

Charlston, T. (2021) Edmund Hooper (c. 1553–1621): 5 Keyboard Pieces performed on clavichord, Flemish harpsichord and chamber organ by Terence Charlston with ‘Some notes on the clavichord and the virginalists’. [Website]

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Dalgleish, M. and Whitfield, S. K. (2021) Sound objects: exploring procedural audio for theatre. In: Innovation in Music: Future Opportunities. Routledge. ISBN 9780367363376 (hardback) 9780367363352 (paperback) 9780429345388 (e-book)

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Fuchs, S. (2021) Seeing more clearly. Nineteenth-Century Music Review, 18 (1) pp. 109-120. ISSN 1479-4098 (print), 2044-8414 (online)

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Herbert, T. (2021) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review, 17 (3) pp. 427-444. ISSN 1479-4098 (print), 2044-8414 (online)

Hewett, I. (2021) The vanishing discipline: the threat to musicology. Search: Journal for New Music and Culture, 12 pp. 1-17.

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Lawson, C. (2021) Recreating history? The early clarinet in theory and practice. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 228-254. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book), ISSN 1071-9989, v. 179

Loges, N. (2021) Clara Schumann’s legacy as a teacher. In: Clara Schumann Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, pp. 271-291. ISBN 9781108489843 (hardback) 9781108779531 (e-book)

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1) pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Epistemologische Zyklen durchbrechen: Geschichte, Theorie und Aufführung in Schuberts Winterreise [Breaking epistemological cycles: history, theory, and performance in Schubert’s Winterreise]. Zeitschrift der Gesellschaft für Musiktheorie, 18 pp. 309-326. ISSN 1862-6742 (online)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

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Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950, lecture concert, Wigmore Hall, 21 September 2021. [Performance]

Meyn, N. (2021) Between two worlds: discovering the music of Robert Kahn (1865-1951). Classical Music ISSN 0961-2696 (print) 2632-8208 (online)

Meyn, N. (2021) Marginalised in our cultural memory: migrant musicians from Nazi-occupied Europe in Britain. In: First Annual Midlands Music Research Network Conference, 19-20 April 2021, Online. (Unpublished)

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Pearson, I. E. (2021) Discovering Robert Kahn. Clarinet & Saxophone, 46 (2) ISSN 0260-390X

Pearson, I. E. (2021) The clarinet in opera before 1830: instrument and genre come of age. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 93-119. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book) ISSN 1071-9989, v. 179

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Querns Langley, K. E. (2021) Reconstructing the tenor ‘pharyngeal voice’: a historical and practical investigation. Doctoral thesis, Royal College of Music.

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Reich, N. B. and Loges, N. (2021) Grove Music Online article: Schumann [née Wieck], Clara (Josephine). Oxford University Press, Oxford.

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Smith, R. L. (2021) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) 9781800100466 (e-book)

Smith, R. L. (2021) The original staging of Carmen: the 1875 mise-en-scène with English translation. Carmen Abroad Website.

Snyder, B. (2021) Mátyás Seiber - traveller between worlds. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Stirling, C. (2021) Night cubes: revisiting UK sound art’s popular and club histories. Flash Art

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Thormählen, W. (2021) Telling stories, sounding faith: exhibiting religion in historic house museums. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge, Abingdon and New York. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

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Wistreich, R. (2021) Colonialism, capitalism, and the invention of Early Music. In: Forum für Aufführungspraxis, 1 December 2021, Staatliche Hochschule für Musik, Trossingen, Germany. (Unpublished)

Wistreich, R. (2021) ‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe. In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University). (Unpublished)

Wolf, S. and Asare, M. and Berman, R. and Eng, R. and Glover, E. M. and Savran, D. and Stitt, G. and Webster, B. and Whitfield, S. K. (2021) What do we do with the musical theater canon? In: Troubling Traditions: Canonicity, Theatre, and Performance in the US. Routledge. ISBN 9780367468323 (hardback) 9780367468309 (paperback) 9781003031413 (e-book)

Woolley, A. and Windram, H. F. and Charlston, T. (2021) English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources, vol. 2: London, Lambeth Palace Library, MS 1040. Norsk Musikforlag, Oslo.

Wright, D. C. H. (2021) Book review: 'Sir Henry Wood: champion of J. S. Bach' by Hannah French. Bach: Journal of the Riemenschneider Bach Institute, 52 (1) pp. 104-109. ISSN 0005-3600 (print) 2767-4843 (online)

Š

Štšura, M. (2021) Translating twenty-first-century orchestral scores for the piano: transcription, reduction and performability. Doctoral thesis, Royal College of Music.