Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Vocal music"

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Adlington, R. (2002) Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard. Music & Letters, 83 (2). pp. 319-321. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2002) 'Good lodging': Harrison Birtwistle's reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Arthurian Studies . Boydell & Brewer, Martlesham, pp. 127-143. ISBN 9780859917674 (hardback) 9781846150968 (e-book)

Adlington, R. (2019) Introduction: why ‘new music theatre’ now? In: New Music Theatre in Europe: Transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2). pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

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Fuchs, S. (2018) Animating antiquity in the Vision animée. Cambridge Opera Journal, 30 (2-3). pp. 115-137. ISSN 0954-5867 (print) 1474-0621 (online)

Fuchs, S. (2015) Book review: 'Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century' by Mary Simonson, Oxford University Press. Notes: Quarterly Journal of the Music Library Association, 71 (3). pp. 522-525. ISSN 0027-4380 (print) 1534-150X (online)

Fuchs, S. (2017) Book review: 'Giacomo Puccini and His World' eds. Arman Schwartz and Emanuele Senici, Princeton University Press. Music & Letters, 98 (4). pp. 683-685. ISSN 0027-4224 (print) 1477-4631 (online)

Fuchs, S. (2019) The castrato as creator: Velluti’s voice in the London sheet-music market. In: London Voices 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago, pp. 71-91. ISBN 9780226670188

Fuchs, S. and Lacombe, H. (2022) Le tournant technologique de l’écoute: 1870–1914. In: Histoire de l’Opéra Française: De la Belle Epoque au Monde Globalisé. Fayard, Paris, pp. 62-69. ISBN 9782213709918

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Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) Prokofiev operas (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2015) Review of ‘Multi-mediated Dostoevsky: transposing novels into opera, film, and drama' by Alexander Burry. Slavic and East European Journal, 59 (2). pp. 296-298. ISSN 0037-6752

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) 9781787446236 (e-book)

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Hewett, I. (1997) Interview: Jonathan Miller. BBC Music Magazine, Winter (1997). pp. 40-43. ISSN 0966-7180 (print)

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

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Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1). pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Epistemologische Zyklen durchbrechen: Geschichte, Theorie und Aufführung in Schuberts Winterreise [Breaking epistemological cycles: history, theory, and performance in Schubert’s Winterreise]. Zeitschrift der Gesellschaft für Musiktheorie, 18. pp. 309-326. ISSN 1862-6742 (online)

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Low, J. (2020) A pianist’s perspective on song transposition, focusing on Robert Schumann’s Liederreihe nach Kerner Op. 35. Masters thesis, Royal College of Music.

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Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá Sans Frontières: Musicians and Migration in a Globalised World, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Meyn, N. and Heller-Jones, C. (2018) Love of Lieder: tracing the Jewish journey through 19th and 20th century German song [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Mival, W. (2014) BBC Radio 3 opera guides: operas by Richard Strauss. [Broadcast]

Mival, W. (1989) Der Meister und Margarita. Tempo (170). pp. 37-38. ISSN 0040-2982 (print) 1478-2286 (online)

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Querns Langley, K. E. (2021) Reconstructing the tenor ‘pharyngeal voice’: a historical and practical investigation. Doctoral thesis, Royal College of Music.

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Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Psalm 113 Op. 40 for choir and orchestra. Musikproduktion Höflich, Munich.

Roper, J. (2018) Preface to vocal score: Jenö Hubay: The Luthier of Cremona (with German and French libretto). Musikproduktion Höflich, Munich.

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Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. The Musical Times, 139 (1861). pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2021) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) 9781800100466 (e-book)

Smith, R. L. (1996) Book review: 'Massenet: a chronicle of his life and times' by Demar Irvine. Music & Letters, 77 (3). pp. 476-478. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. The Musical Times, 136 (1831). pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1997) Good, bad and...: review of 'Ambroise Thomas: un compositeur lyrique au XIXe siècle' by Georges Masson. The Musical Times, 138 (1857). p. 32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5. pp. 2-18. ISSN 0395-1200

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (1989) Motives and symbols. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 78-106. ISBN 9780521314466 (paperback)

Smith, R. L. (2019) O Camponês cultivado em Paris. Chabrier: L’Étoile, Teatro Nacional de São Carlos, Lisbon. pp. 17-25.

Smith, R. L. (1989) Tonalities of darkness and light. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 107-139. ISBN 9780521314466 (paperback)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. The Musical Times, 139 (1896). pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2021) The original staging of Carmen: the 1875 mise-en-scène with English translation. Carmen Abroad Website.

Smith, R. L. (1989) The play and its playwright. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 1-29. ISBN 9780521314466 (paperback)

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Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London Voices, 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

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Wistreich, R. (2018) Historically informed singing: fantasy, reality - or an irrelevance? In: National Early Music Forum, 21 October 2018, Brighton. (Unpublished)

Wistreich, R. (2021) ‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe. In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University). (Unpublished)

Wistreich, R. (2018) Singing. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 576-580. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2018) Vocal performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 676-681. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817). pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2019) Review article: Inventing how we sing it now: Oxbridge choirs and the ‘tradition’ of modern Cathedral music. Journal of the Royal College of Organists, 13. ISSN 0969-1642

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880). pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)