Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > By region or country"

Article

Adlington, R. (2007) Organizing labor: composers, performers, and “the renewal of musical practice” in the Netherlands, 1969–72. The Musical Quarterly, 90 (3-4) pp. 539-577. ISSN 0027-4631 (print) 1741-8399 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Asaba, Y. (2019) ‘Folds of the heart’: performing life-experience, emotion, and empathy in Japanese tango music culture. Ethnomusicology Forum, 28 (1) pp. 45-65. ISSN 1741-1912 (print) 1741-1920 (online)

Asaba, Y. (2018) The arrival of tango in Japan: allure, fear, and morality in early twentieth century Japan. The Japan Society Proceedings, 155 pp. 106-123. ISSN 0952-2050

Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24 pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)

Fuchs, S. (2015) Book review: 'Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century' by Mary Simonson, Oxford University Press. Notes: Quarterly Journal of the Music Library Association, 71 (3) pp. 522-525. ISSN 0027-4380 (print) 1534-150X (online)

Garnham, A. M. (2024) The Dartington Summer School of Music. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Hewett, I. (1996) Book review: 'American pioneers: Ives to Cage and beyond' by Alan Rich. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1) p. 18. ISSN 0966-7180 (print)

Hewett, I. (1998) Melodies for the lost domain. BBC Music Magazine pp. 54-57. ISSN 0966-7180 (print)

Meyn, N. (2019) Discovering the music of Robert Kahn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2023) Eric Sanders. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2021) ‘Music, Migration and Mobility’: an ongoing research project at the Royal College of Music. Music & Practice, 9 ISSN 1893-9562 (online)

Meyn, N. (2020) Prince Albert and Anglo-German connections in 19th-century music. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers, 13 (1) pp. 197-212. ISSN 1438-2091 (print) 1868-9426 (online)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Pearson, I. E. and Rice, A. R. (2024) Instructions for the clarinet: an illumination of musical taste in Georgian London. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 22 (43) ISSN 1722-3954 (print) 2421-6933 (online) (In Press)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. The Musical Times, 132 (1782) p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1) pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1992) Book review: 'Music in late Renaissance and early Baroque Italy' by Tim Carter. The Musical Times, 133 (1796) p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Book review: 'Paris: the Musical Kaleidoscope 1870–1925' by Elaine Brody. Music & Letters, 70 (2) pp. 276-277. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799) p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Notes for a book: review of 'Italian violin music of the seventeenth century' by Willi Apel, edited by Thomas Binkley. The Musical Times, 132 (1779) pp. 248-249. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2024) Review: Parody, promotion, Paris. The Musical Times, 165 (1966) pp. 103-108. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. The Musical Times, 139 (1896) pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) A rich vineyard: review of 'The Italian 'trio' sonata: from its origins until Corelli' by Peter Allsop. The Musical Times, 133 (1796) p. 526. ISSN 0027-4666 (print) 2397-5318 (online)

Snyder, B. (2021) Mátyás Seiber - traveller between worlds. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Thormählen, W. (2022) Recording review: 'Heritage: the music of Madrid in the time of Goya' Cuarteto Quiroga (Cobra 0067). Eighteenth-Century Music, 19 (1) pp. 79-81. ISSN 1478-5706 (print) 1478-5714 (online)

Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2023) Líza Fuchsová. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Musical migrants at Wigmore Hall in the 1940s. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Oda Slobodskaya. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2024) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Royal Musical Association Research Chronicle pp. 1-15. ISSN 1472-3808 (print), 2167-4027 (online)

Wright, D. C. H. (2001) Altered states: review of 'Making music modern: New York in the 1920s' by Carol J. Oja; 'America's musical life: a history' by Richard Crawford. The Musical Times, 142 (1877) pp. 62-63. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2023) Book review: 'Debating English Music in the Long Nineteenth Century' by John Ling (Boydell & Brewer, 2021). NABMSA Reviews, 10 (2) pp. 8-11. ISSN 2377-2573

Wright, D. C. H. (2014) Book review: 'Music and performance culture in nineteenth-century Britain: essays in honour of Nicholas Temperley' by Bennett Zon; 'Music and theology in nineteenth-century Britain' by Martin V. Clarke. Victorian Studies, 57 (1) pp. 173-176. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2010) Book review: 'Music and the making of middle-class culture: a comparative history of nineteenth-century Leipzig and Birmingham' by Antje Pieper; 'Thomas Tallis and his music in Victorian England' by Suzanne Cole. Victorian Studies, 52 (2) pp. 329-332. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2024) Book review: 'Music in Twentieth-Century Oxford: New Directions' edited by Robin Darwall-Smith and Susan Wollenberg (Boydell Press, 2023). Music & Letters ISSN 0027-4224 (print) 1477-4631 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882) pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879) pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939) pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923) pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Book Section

Adlington, R. (2013) Expressive revolutions: '1968' and music in the Netherlands. In: Music and Protest in 1968. Music since 1900 . Cambridge University Press, Cambridge, pp. 12-28. ISBN 9781107007321 (hardback) 9781107504318 (paperback) 9781107240001 (e-book)

Adlington, R. (2003) In the shadows of song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Routledge. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2003) A conversation with Harrison Birtwistle. In: Aspects of British Music of the 1990s. Routledge, pp. 111-118. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Asaba, Y. (2022) Demarcating status: tango music and dance in Japan, 1913-1940. In: Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910-40. Studies in Popular Culture . Manchester University Press, Manchester, pp. 154-176. ISBN 9781526156259 (hardback) 9781526156242 (e-book)

Fuchs, S. and Lacombe, H. (2022) Le tournant technologique de l’écoute: 1870–1914. In: Histoire de l’Opéra Française: De la Belle Epoque au Monde Globalisé. Fayard, Paris, pp. 62-69. ISBN 9782213709918

Garnham, A. M. (2022) Britten and the radio. In: Benjamin Britten in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 78-85.

Griffiths, R. and Herbert, T. and Rees, S. P. (2022) Instrumental traditions after 1650. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 144-170. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. (2022) Music in Welsh history. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 1-24. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. (2022) Traditions and interventions: popular music 1840–1940. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 291-314. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. and Harper, S. and Hill, S. (2022) Postscript: contemporary Wales, devolution and digitisation. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 355-365. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Johnson Quinn, A. and Whitfield, S. K. (2024) Musical ghosts: re-instating Elsie April in historical narratives of the British musical. In: The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions . Routledge, Abingdon. ISBN 9780367456764 (In Press)

Lawson, C. (1986) Gran Bretagna. In: Musicalia: Enciclopedia y Guia de la Musica Clasica. Salvat, Pamplona, pp. 510-515. ISBN 9788471378729

Lawson, C. (2000) Lefèvre’s Méthode de Clarinette (1802): the Paris Conservatoire at work. In: The French Experience from Republic to Monarchy, 1792-1824: New Dawns in Politics, Knowledge and Culture. Palgrave Macmillan, London, pp. 140-154. ISBN 978-0-333-77265-2 (hardback) 978-1-349-41569-4 (paperback) 978-1-4039-3274-7 (e-book)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

Smith, R. L. (2002) Francis Poulenc outre-Manche: séjours, concerts, réception [Francis Poulenc across the Channel: sojourns, concerts, and reception]. In: Francis Poulenc et la Voix: Texte et Contexte. Université de Saint-Étienne, Saint-Étienne, pp. 11-21. ISBN 2-941373-02-3

Stakelum, M. (2013) 'James Culwick', 'Victor Herbert', 'Kodály Method', 'Suzuki Method', 'Association of Irish Choirs', 'Culwick Choral Society' and 'St James Gate Choir'. In: The Encyclopaedia of Music in Ireland. University College Dublin Press, Dublin. ISBN 9781906359782 (hardback)

Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London Voices, 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

Thormählen, W. (2015) Vom Hören und Singen: Musik als Medium der Sensibilisierung. In: Emotionen, Wissen und Aufklärung: Gefühlskulturen im Großbritannien des 18. Jahrhunderts. Deutsche Gesellschaft für die Erforschung des Achtzehnten Jahrhunderts (39 (2)). Wallstein Verlag, Göttingen, pp. 221-232. ISBN 978-3-8353-1697-3

Conference or Workshop Item

Bohm-Duchen, M. and Meyn, N. (2020) RNCM Holocaust Memorial Lecture: belonging and not belonging. In: The Sir John Manduell Research Forum Series, 29 January 2020, Forman Lecture Theatre, Royal Northern College of Music. (Unpublished)

Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá Sans Frontières: Musicians and Migration in a Globalised World, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Meyn, N. (2015) Exile estates and music restitution. In: Symposium, 31 May 2015, Royal College of Music, London. (Unpublished)

Meyn, N. (2021) Marginalised in our cultural memory: migrant musicians from Nazi-occupied Europe in Britain. In: First Annual Midlands Music Research Network Conference, 19-20 April 2021, Online. (Unpublished)

Meyn, N. (2019) Mendelssohn, Albert and Anglo-German connections in 19th century music. In: Two Centuries of Anglo-German Correspondences, 26-28 June 2019, London. (Unpublished)

Meyn, N. (2024) Music, migration and mobility: the story of émigré musicians from Nazi Europe in Britain. In: How Bitter the Savour is of Other’s Bread? International Conference on European Political Refugees in the UK from 1800, 15 November 2024, British Library. (Unpublished)

Meyn, N. (2019) Musical migrants: refugee musicians from Nazi Germany and Austria in Britain. In: German Research Seminar, 6 February 2019, King's College London. (Unpublished)

Meyn, N. (2018) Singing a song in a foreign land. In: Association of Anglican Musicians Conference, 11-14 June 2018, San Antonio, Texas. (Unpublished)

Meyn, N. (2014) Singing a song in a foreign land: a celebration of music by émigré composers. In: Symposium, 21-23 February 2014, Royal College of Music, London. (Unpublished)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Meyn, N. (2019) The legacy of Jewish musicians who emigrated to the UK from Nazi-Europe. In: Musica Judaica Symposium: Jewish Music Between Oral and Written Traditions, 14-15 July 2019, Clarendon Institute, Oxford. (Unpublished)

Smith, R. L. (2015) Behind Ravel’s Boléro: the repercussions of Wellington’s Victory. In: City of Light: Paris 1900-1950: International Conference, 27-29 May 2015, French Cultural Institute, London. (Unpublished)

Smith, R. L. (2015) Pushing the boundaries of the French mélodie: 20 years of Debussy (1882–1902). In: Words into Music: Poets, Composers & Songs: Study Day, 16 October 2015, Wadham College, Oxford. (Unpublished)

Whitfield, S. K. (2019) Black performance practice as British musical theatre 1900–1950: digitising and recovering a lost timeline. In: IFTR, Digital Humanities Working Group, 2019, New York Public Library. (Unpublished)

Book

Adlington, R. (2013) Composing dissent: avant-garde music in 1960s Amsterdam. Oxford University Press, Oxford. ISBN 9780199981014 (hardback) 9780199346202 (e-book)

Garnham, A. M. (2011) Hans Keller and internment: the development of an emigré musician 1938-48. Hans Keller Archive . Boydell & Brewer, Martlesham. ISBN 9780955608773 (hardback) 9780955608780 (paperback)

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

Edited book

Herbert, T. and Clarke, M. V. and Barlow, H., eds. (2022) A history of Welsh music. Cambridge University Press, Cambridge. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Thesis

Hlavacsek, T. (2024) The piano music of Carl Goldmark (1830–1915). Doctoral thesis, Royal College of Music.

Nardacci, F. (2024) New perspectives on the Italian instrumental music renaissance over the long nineteenth century. Doctoral thesis, Royal College of Music.

Show/Exhibition

Meyn, N. and Holden, M. (2023) Music, migration, and mobility: the story of émigré musicians from Nazi Europe in Britain. [Show/Exhibition]

Website

Meyn, N. (2023) Music, migration and mobility: émigré musicians from Nazi Europe. [Website]

Meyn, N. (2013) Singing a song in a foreign land. [Website]

Other

Meyn, N. (2018) Music for 'Through Lotte's Lens' directed by Tony Britten. Capriol Films.

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)