Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Composition and performance"

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Number of items at this level: 162.

C

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2). pp. 30-35. ISSN 2049-1514

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

G

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback)

H

Herbert, T. (2018) Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46 (2). pp. 343-345. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. (2019) Solo and ensemble brass instrument recordings. Early Music, 47 (2). pp. 277-280. ISSN 0306-1078 (print) 1741-7260 (online)

Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868). pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Adès Conducts Adès, review: a thrilling tour-de-force from Britain's weirdest composer. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2000) Behind the beard (review article). The Musical Times, 141 (1870). pp. 61-63. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Book review: 'Anton von Webern' by Malcolm Hayes. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Arvo Pärt' by Paul Hillier. TLS: Times Literary Supplement (4934). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Béla Bartók' by Kenneth Chalmers. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1998) Book review: 'Finding the key: selected writings of Alexander Goehr' ed. Derrick Puffet. BBC Music Magazine, 6 (7). p. 83. ISSN 0966-7180 (print)

Hewett, I. (2001) Book review: 'Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass' by Keith Potter. TLS: Times Literary Supplement (5104). p. 20. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Górecki' by Adrian Thomas. TLS: Times Literary Supplement (4934). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Hindemith, Hartmann and Henze' by Guy Rickards. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Book review: 'Poulenc' by Roger Nichols: why it's time to start taking this composer seriously. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11). p. 21. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1). p. 18. ISSN 0966-7180 (print)

Hewett, I. (2000) Book review: 'The music of silence: a composer's testament' by John Tavener (ed. Brian Keeble). TLS: Times Literary Supplement (5068). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The practice of performance: studies in musical interpretation' ed. John Rink. TLS: Times Literary Supplement (4894). p. 8. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2003) Composer in interview: Robin Holloway. Tempo, 57 (226). pp. 11-20. ISSN 0040-2982 (print) 1478-2286 (online)

Hewett, I. (2020) Davies, Sir Peter Maxwell (Max). In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Hewett, I. (1997) Different strains (recording review). The Musical Times, 138 (1848). pp. 20-23. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2007) Karlheinz Stockhausen (obituary). Guardian. ISSN 0261-3077 (print) 1756-3224 (online)

Hewett, I. (1996) Manning the guns (recording review). The Musical Times, 137 (1835). pp. 38-39. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1999) Mistaken identity (guest editorial). The Musical Times, 140 (1866). pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Recording review: Kitgut: 'Tis too late to be wise': irresistible string quartets, from Purcell to Haydn. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Strange meeting (recording review). The Musical Times, 137 (1836). pp. 27-28. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Taking the catastrophe out of Beethoven's most catastrophic concert, plus the best of March's classical concerts. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Yodelling, jokes and thrilling energy: how Haydn transformed the symphony. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2010) A music beyond time. In: Iannis Xenakis: architect, composer, visionary. The Drawing Papers (88). The Drawing Center, New York, pp. 17-33. ISBN 978-0942324570

Hewett, I. (1997) A musical bestiary. BBC Music Magazine, 6 (4). pp. 31-36. ISSN 0966-7180 (print)

Hewett, I. and Allison, J. (2019) A beautiful son et lumiere journey through the mind of Leonardo, plus the best of April’s classical concerts. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

L

Loges, N. (2020) Detours on a Winter’s Journey: Schubert’s Winterreise D.911 in nineteenth-century concerts. Journal of the American Musicological Society. ISSN 0003-0139 (print) 1547-3848 (online) (In Press)

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. (2019) Händels Musik und Programmgestaltung in Londons Kristallpalast, 1859–1874 [Programming Handel’s music at the Crystal Palace, 1859–1874]. Göttinger Händel-Beiträge, 20. pp. 61-76. ISSN 0177-7319 (print) 2197-330X (online)

Loges, N. and Clark, T. (2019) Thinking across disciplines: audience responses to Clara Schumann’s Dichterliebe at the Wigmore Hall. Participations: Journal of Audience and Reception studies, 16 (2). pp. 38-67. ISSN 1749-8716

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German song onstage: Lieder performance in the nineteenth and early twentieth centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

M

Meyn, N. (2019) Musical migrants: refugee musicians from Nazi Germany and Austria in Britain. In: German Research Seminar, 6 February 2019, King's College London. (Unpublished)

Meyn, N. (2017) Researching forbidden music regained. In: Leo Smit Stichting, 2017, Amsterdam. (Unpublished)

Meyn, N. Singing a song in a foreign land. [Website]

Meyn, N. (2014) Singing a song in a foreign land: a celebration of music by émigré composers. In: Symposium, 21-23 February 2014, Royal College of Music, London. (Unpublished)

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)

S

Smith, R. L. (2011) 'Aimer ainsi': rekindling the lamp in Pelléas. In: Rethinking Debussy. Oxford University Press, Oxford, pp. 76-95. ISBN 9780199755639 (hardback) 9780199755646 (paperback)

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. The Musical Times, 139 (1861). pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Agostino Agazzari and music at Siena Cathedral 1597-1641' by Colleen Reardon. The Musical Times, 135 (1821). p. 714. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. The Musical Times, 132 (1782). p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli' by Michael Talbot. The Musical Times, 135 (1821). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1990) Book review: 'Darius Milhaud' by Paul Collaer, edited and translated by Jane Hohfeld Galante. Music & Letters, 71 (1). pp. 134-135. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1). pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Early recordings and musical style: changing tastes in instrumental performance' by Robert Philip. Early Music, 21 (3). pp. 473-474. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1981) Book review: 'Ernest Chausson: the man and his music' by Ralph Scott Grover. Music & Letters, 62 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Francesco Geminiani' by Enrico Careri. The Musical Times, 135 (1815). p. 290. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Book review: 'Images: the piano music of Claude Debussy' by Paul Roberts. BBC Music Magazine, 4 (9). p. 19. ISSN 0966-7180 (print)

Smith, R. L. (1976) Book review: 'Messiaen' by Robert Sherlaw Johnson and 'Messiaen' by Roger Nichols. Music & Letters, 57 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Saint-Saëns and the organ' by Rollin Smith. Music & Letters, 75 (3). pp. 475-477. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Satie the Composer' by Robert Orledge. Music & Letters, 72 (3). pp. 470-472. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1990) Book review: 'The Music of Arthur Honegger' by Geoffrey K. Spratt. Music & Letters, 71 (2). pp. 281-282. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The musical language of Gabriel Fauré' by Robin Tait. Music & Letters, 72 (4). pp. 646-647. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The operas of Charles Gounod' by Steven Huebner. Music & Letters, 72 (3). pp. 465-467. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Vivaldi: voice of the Baroque' by H. C. Robbins Landon; 'The master musicians: Vivaldi' by Michael Talbot. The Musical Times, 135 (1812). p. 99. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book/edition review: 'The art of the unmeasured prelude for harpsichord' by Colin Tilney. Early Music, 21 (1). pp. 131-134. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. The Musical Times, 136 (1831). pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2012) D'un opéra à l'autre: de Rodrigue à Pelléas [From one opera to the other: from Rodrigue to Pelléas]. In: Pelléas et Mélisande cent ans après: Études et documents. Symétrie Recherche . Symétrie, Lyon, pp. 17-40. ISBN 978-2-914373-85-2

Smith, R. L. (1981) Debussy and the Pre-Raphaelites. 19th-Century Music, 5 (2). pp. 95-109. ISSN 0148-2076 (print) 1533-8606 (online)

Smith, R. L. (1973) Debussy and the art of the cinema. Music & Letters, 54 (1). pp. 61-70. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1999) Debussy on performance: sound and unsound ideals. In: Debussy in performance. Yale University Press, New Haven, pp. 3-27. ISBN 0300076266 (hardback)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5. pp. 2-18. ISSN 0395-1200

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy studies. Cambridge composer studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (1992) Magic bells: review of 'Le jardin retrouvé: the music of Frédéric Mompou' by Wilfrid Mellers. The Musical Times, 133 (1788). p. 77. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) More Fauré than Ferneyhough. The Musical Times, 133 (1797). pp. 555-557. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Motives and symbols. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 78-106. ISBN 9780521314466 (paperback)

Smith, R. L. (1993) Ohana on Ohana: an English interview. Contemporary Music Review, 8 (1). pp. 123-129. ISSN 0749-4467 (print) 1477-2256 (online)

Smith, R. L. (1997) Penetrating tribute: review of 'Schubert, Müller and Die schöne Müllerin' by Susan Youens. The Musical Times, 138 (1850). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2000) Ravel's operatic spectacles: L'heure and L'enfant. In: The Cambridge Companion to Ravel. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 188-210. ISBN 9780521648561 (paperback) 9781139796996 (e-book)

Smith, R. L. (1988) Rodrigue et Chimène: genèse, histoire, problèmes d'édition [Rodrigue et Chimène: genesis, history, and problems of editing]. Cahiers Debussy, 12-13. pp. 67-81. ISSN 0395-1200

Smith, R. L. (1997) See, hear: review of 'L'impressionnisme et la musique' by Michel Fleury. The Musical Times, 138 (1856). pp. 26-29. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Sister of perpetual indulgence. The Musical Times, 135 (1822). pp. 740-744. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2014) Style, performance practice, and reception in the Prelude, chorale and fugue: placing and performing César Franck. In: Perspectives on the Performance of French Piano Music. Routledge, Abingdon, pp. 105-123. ISBN 9781409400646 (hardback) 9781138269699 (paperback) 9781315600239 (e-book)

Smith, R. L. (1989) Tonalities of darkness and light. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 107-139. ISBN 9780521314466 (paperback)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. The Musical Times, 139 (1863). pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) A fund of discoveries: review of 'Marc-Antoine Charpentier' (Oxford studies of composers) by H. Wiley Hitchcock. The Musical Times, 132 (1775). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) The play and its playwright. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 1-29. ISBN 9780521314466 (paperback)

Smith, R. L. (1990) The tunesmith: review of 'Tomaso Albinoni, the Venetian composer and his world' by Michael Talbot. The Musical Times, 131 (1774). p. 655. ISSN 0027-4666 (print) 2397-5318 (online)

Solomon, A. (2019) New discoveries from the archives of the Mission Churches in the Amazon. In: Frankfurt Hochschule public lecture, 30-31 January 2019, Frankfurt Hochschule. (Unpublished)

Solomon, A. (2017) Telemann: prolífico compositor, sagaz editor [Telemann: prolific composer, shrewd editor]. Scherzo (334). pp. 76-79. ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Telemann’s collection of instrumental works. Scherzo, 334. ISSN 0213-4802 (print) 2387-0257 (online)

T

Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4). pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2018) Callcott, John Wall (encyclopaedia article in Die Musik in Geschichte und Gegenwart). Bärenreiter, J. B. Metzler, Répertoire International de Littérature Musicale.

Thormählen, W. (2008) Edition review: C. P. E. Bach: the complete works series V, vol. 5.1, works for special occasions I ed. Ulrich Leisinger. Eighteenth-Century Music, 5 (1). pp. 123-125. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2008) Edition review: Franz Clement: Violin Concerto in D major (1805) ed. Clive Brown. Eighteenth-Century Music, 5 (2). pp. 255-257. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1). pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2003) Georg Muffat—a document for the French manner? Early Music, 31 (1). pp. 110-116. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2003) Konvention als Kritik? Mozarts 'klavier sonate mit begleitung einer Violin' KV 526 [Convention as criticism? Mozart’s piano sonata with violin accompaniment K.526]. Acta Mozartiana, 50 (1-2). pp. 23-36. ISSN 0001-6233

Thormählen, W. (2006) Kritik zum Vergnügen: Mozarts Spiel mit kompositorischen Konventionen in seiner Klavier sonata mit begleitung einer Violin KV 526 [Criticism for fun: Mozart's play with compositional conventions in his Piano sonata accompanied by a violin, K.526]. In: Neues musikwissenschaftliches Jahrbuch. Wißner-Verlag, Augsburg, pp. 147-167. ISBN 978-3896395511

Thormählen, W. (2011) Recording review article: ‘Kleinmeister’ music—a conflict of interests? Early Music, 39 (4). pp. 655-658. ISSN 0306-1078 (print) 1741-7260 (online)

W

Wistreich, R. (2007) Monteverdi in performance. In: The Cambridge companion to Monteverdi. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 261-279. ISBN 9780521875257 (hardback) 9780521697989 (paperback) 9781139798631 (e-book)

Wright, D. C. H. (1992) 1992 Prom premières. Tempo (183). pp. 33-34. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1990) At the threshold of eternity: Robert Saxton on disc. The Musical Times, 131 (1769). pp. 363-364. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Autonomy: review of 'Stravinsky: the music box and the nightingale' by Daniel Albright. The Musical Times, 131 (1773). p. 601. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Charles Seeger: a life in American music' by Ann M. Pescatello. Musical Times, 134 (1803). p. 270. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Creative sources for the music of Toru Takemitsu' by Noriko Ohtake. The Musical Times, 134 (1805). p. 399. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Book review: 'Francis Poulenc' by Wilfrid Mellers. Tempo (189). pp. 33-35. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book review: 'Harvard composers: Walter Piston and his students, from Elliott Carter to Frederic Rzewski' by Howard Pollack. The Musical Times, 134 (1804). p. 340. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Book review: 'New music 89' ed. Michael Finnissy and Roger Wright. The Musical Times, 131 (1789). p. 367. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Samuel Barber: the composer and his music' by Barbara B. Heyman. The Musical Times, 134 (1800). p. 91. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Sorabji: a critical celebration' ed. Paul Rapoport. The Musical Times, 134 (1805). p. 397. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Book review: 'The art of stealing time' by Louis Andriessen, ed. Mirjam Zegers, trans. Clare Yates, and 'The music of Louis Andriessen' ed. Maja Trochimczyk. Tempo, 57 (225). pp. 60-61. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book reviews: 'New tonality' ed. Paul Moravec and 'What's the matter with today's experimental music? Organized sound too rarely heard' by Leigh Landy. Tempo (185). pp. 36-37. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2015) Business studies: review of 'Michael Costa: England's first conductor: the revolution in musical performance in England, 1830–1880' by John Goulden. The Musical Times, 156 (1932). pp. 107-109. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1995) CD reviews: music by Colin Matthews and John Lambert. The Musical Times, 136 (1833). p. 607. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817). pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. The Musical Times, 135 (1813). pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Covalent bond: review of 'Sir George Dyson: his life and music' by Paul Spicer. The Musical Times, 155 (1929). pp. 91-97. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Critical challenge: review of 'Stocktakings from an apprenticeship' by Pierre Boulez, translated by Stephen Walsh. The Musical Times, 133 (1795). pp. 464-465. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Cry of the earth. The Musical Times, 133 (1793). pp. 339-341. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Dead and gone? Review of 'The music of John Ireland' by Fiona Richards. The Musical Times, 142 (1874). pp. 58-59. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882). pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Expanding covers. The Musical Times, 133 (1795). pp. 452-453. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Ferneyhough at fifty. The Musical Times, 134 (1801). pp. 125-128. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879). pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Grove Music Online article: Matthews, Colin. Oxford University Press, Oxford.

Wright, D. C. H. (2001) Grove Music Online article: Saxton, Robert. Oxford University Press, Oxford.

Wright, D. C. H. (2001) Grove Music Online article: Weir, Judith. Oxford University Press, Oxford.

Wright, D. C. H. (2001) Grove Music Online article: Woolrich, John. Oxford University Press, Oxford.

Wright, D. C. H. (2017) Hailing Hurlstone: review of ‘William Hurlstone: Croydon’s forgotten musical genius’ by Christopher Redwood. The Musical Times, 158 (1938). pp. 112-113. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) In the doll's house: review of 'Sviatoslav Richter: notebooks and conversations' by Bruno Monsaingeon, translated by Stewart Spencer. The Musical Times, 142 (1875). pp. 77-78. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) John Woolrich: expanding continuities. The Musical Times, 131 (1772). pp. 540-541. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The London Sinfonietta 1968–2004: a perspective. Twentieth-Century Music, 2 (1). pp. 109-136. ISSN 1478-5722 (print) 1478-5730 (online)

Wright, D. C. H. (1993) Looking for Barbara Kolb. The Musical Times, 134 (1799). pp. 9-12. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Louis Andriessen: polity, time, speed, substance. Tempo (187). pp. 7-14. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939). pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Maxims past and present (music review). The Musical Times, 134 (1810). pp. 693-695. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923). pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2003) Networking: review article. The Musical Times, 144 (1883). pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1988) New British. The Musical Times, 129 (1750). p. 671. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Opening windows: review of 'American experimental music, 1890-1940' by David Nicholls. The Musical Times, 133 (1789). p. 130. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Pay check: review of 'Elgar's earnings' by John Drysdale. The Musical Times, 154 (1925). pp. 91-99. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Portraits (review article). The Musical Times, 131 (1771). pp. 485-486. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Post factum: review of 'The collected letters of Peter Warlock (Philip Heseltine)' edited by Barry Smith. The Musical Times, 147 (1895). pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1997) Praxis makes perfect: review of 'Analytical strategies and musical interpretation' ed. Craig Ayrey and Mark Everist. The Musical Times, 138 (1853). p. 35. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1991) Proms 2: Peter Paul Nash. Tempo (179). pp. 55-56. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2000) Proms: Louis Andriessen's 'Trilogy of the Last Day'. Tempo (211). pp. 30-31. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2001) Robert Saxton in the 1990s. Tempo (215). pp. 2-6. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1991) Russian spring. Tempo (177). pp. 45-46. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2008) Sacred and profane: review of 'Edmund Rubbra: symphonist' by Leo Black and 'The innumerable dance: the life and work of William Alwyn' by Adrian Wright. The Musical Times, 149 (1905). pp. 103-106. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Situating Stainer: review of 'John Stainer: a life in music' by Jeremy Dibble. The Musical Times, 149 (1903). pp. 95-103. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2004) Take two: review of 'Performing music in the age of recording' by Robert Philip. The Musical Times, 145 (1889). pp. 98-100. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Turgid encounters: review of 'American composers: dialogues on contemporary music' by Edward Strickland. The Musical Times, 133 (1795). p. 462. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1996) Unscrambling myths: review of 'Shostakovitch studies' ed. David Fanning. The Musical Times, 137 (1846). p. 29. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880). pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Virgin music: review of 'New sounds: the Virgin guide to new music' by John Schaefer. The Musical Times, 131 (1772). pp. 547-548. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Weir to now? The Musical Times, 134 (1806). pp. 432-437. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) A style too far? (Recording review). The Musical Times, 134 (1802). pp. 215-217. ISSN 0027-4666 (print) 2397-5318 (online)

This list was generated on Sun Jul 12 03:04:26 2020 BST.