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Article

Hewett, I. (1999) Absent father (review article). Musical Times, 140 (1868). pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2000) Behind the beard (review article). Musical Times, 141 (1870). pp. 61-63. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Book review: 'Anton von Webern' by Malcolm Hayes. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Arvo Pärt' by Paul Hillier. TLS: Times Literary Supplement (4934). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Béla Bartók' by Kenneth Chalmers. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1998) Book review: 'Finding the key: selected writings of Alexander Goehr' ed. Derrick Puffet. BBC Music Magazine, 6 (7). p. 83. ISSN 0966-7180 (print)

Hewett, I. (2001) Book review: 'Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass' by Keith Potter. TLS: Times Literary Supplement (5104). p. 20. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Górecki' by Adrian Thomas. TLS: Times Literary Supplement (4934). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Hindemith, Hartmann and Henze' by Guy Rickards. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11). p. 21. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1). p. 18. ISSN 0966-7180 (print)

Hewett, I. (2000) Book review: 'The music of silence: a composer's testament' by John Tavener (ed. Brian Keeble). TLS: Times Literary Supplement (5068). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The practice of performance: studies in musical interpretation' ed. John Rink. TLS: Times Literary Supplement (4894). p. 8. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2003) Composer in interview: Robin Holloway. Tempo, 57 (226). pp. 11-20. ISSN 0040-2982 (print) 1478-2286 (online)

Hewett, I. (1997) Different strains (recording review). Musical Times, 138 (1848). pp. 20-23. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2007) Karlheinz Stockhausen (obituary). Guardian. ISSN 0261-3077 (print) 1756-3224 (online)

Hewett, I. (1996) Manning the guns (recording review). Musical Times, 137 (1835). pp. 38-39. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1999) Mistaken identity (guest editorial). Musical Times, 140 (1866). pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Recording review: Kitgut: 'Tis too late to be wise': irresistible string quartets, from Purcell to Haydn. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Strange meeting (recording review). Musical Times, 137 (1836). pp. 27-28. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1997) A musical bestiary. BBC Music Magazine, 6 (4). pp. 31-36. ISSN 0966-7180 (print)

Hewett, I. and Allison, J. (2019) A beautiful son et lumiere journey through the mind of Leonardo, plus the best of April’s classical concerts. Daily Telegraph. ISSN 0307-1235 (print)

Loges, N. (2019) Händels Musik und Programmgestaltung in Londons Kristallpalast, 1859–1874 [Programming Handel’s music at the Crystal Palace, 1859–1874]. Göttinger Händel-Beiträge, 20. pp. 61-76. ISSN 0177-7319 (print) 2197-330X (online)

Loges, N. and Clark, T. (2019) Thinking across disciplines: audience responses to Clara Schumann’s Dichterliebe at the Wigmore Hall. Participations: Journal of Audience and Reception studies, 16 (2). pp. 38-67. ISSN 1749-8716

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. Musical Times, 139 (1861). pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Agostino Agazzari and music at Siena Cathedral 1597-1641' by Colleen Reardon. Musical Times, 135 (1821). p. 714. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. Musical Times, 132 (1782). p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli' by Michael Talbot. Musical Times, 135 (1821). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1990) Book review: 'Darius Milhaud' by Paul Collaer, edited and translated by Jane Hohfeld Galante. Music & Letters, 71 (1). pp. 134-135. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1). pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Early recordings and musical style: changing tastes in instrumental performance' by Robert Philip. Early Music, 21 (3). pp. 473-474. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1981) Book review: 'Ernest Chausson: the man and his music' by Ralph Scott Grover. Music & Letters, 62 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Francesco Geminiani' by Enrico Careri. Musical Times, 135 (1815). p. 290. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Book review: 'Images: the piano music of Claude Debussy' by Paul Roberts. BBC Music Magazine, 4 (9). p. 19. ISSN 0966-7180 (print)

Smith, R. L. (1976) Book review: 'Messiaen' by Robert Sherlaw Johnson and 'Messiaen' by Roger Nichols. Music & Letters, 57 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Saint-Saëns and the organ' by Rollin Smith. Music & Letters, 75 (3). pp. 475-477. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Satie the Composer' by Robert Orledge. Music & Letters, 72 (3). pp. 470-472. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1990) Book review: 'The Music of Arthur Honegger' by Geoffrey K. Spratt. Music & Letters, 71 (2). pp. 281-282. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The musical language of Gabriel Fauré' by Robin Tait. Music & Letters, 72 (4). pp. 646-647. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The operas of Charles Gounod' by Steven Huebner. Music & Letters, 72 (3). pp. 465-467. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Vivaldi: voice of the Baroque' by H. C. Robbins Landon; 'The master musicians: Vivaldi' by Michael Talbot. Musical Times, 135 (1812). p. 99. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book/edition review: 'The art of the unmeasured prelude for harpsichord' by Colin Tilney. Early Music, 21 (1). pp. 131-134. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. Musical Times, 136 (1831). pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1981) Debussy and the Pre-Raphaelites. 19th-Century Music, 5 (2). pp. 95-109. ISSN 0148-2076 (print) 1533-8606 (online)

Smith, R. L. (1973) Debussy and the art of the cinema. Music & Letters, 54 (1). pp. 61-70. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5. pp. 2-18. ISSN 0395-1200

Smith, R. L. (1992) Magic bells: review of 'Le jardin retrouvé: the music of Frédéric Mompou' by Wilfrid Mellers. Musical Times, 133 (1788). p. 77. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) More Fauré than Ferneyhough. Musical Times, 133 (1797). pp. 555-557. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Ohana on Ohana: an English interview. Contemporary Music Review, 8 (1). pp. 123-129. ISSN 0749-4467 (print) 1477-2256 (online)

Smith, R. L. (1997) Penetrating tribute: review of 'Schubert, Müller and Die schöne Müllerin' by Susan Youens. Musical Times, 138 (1850). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1988) Rodrigue et Chimène: genèse, histoire, problèmes d'édition [Rodrigue et Chimène: genesis, history, and problems of editing]. Cahiers Debussy, 12-13. pp. 67-81. ISSN 0395-1200

Smith, R. L. (1997) See, hear: review of 'L'impressionnisme et la musique' by Michel Fleury. Musical Times, 138 (1856). pp. 26-29. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Sister of perpetual indulgence. Musical Times, 135 (1822). pp. 740-744. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. Musical Times, 139 (1863). pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) A fund of discoveries: review of 'Marc-Antoine Charpentier' (Oxford studies of composers) by H. Wiley Hitchcock. Musical Times, 132 (1775). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1990) The tunesmith: review of 'Tomaso Albinoni, the Venetian composer and his world' by Michael Talbot. Musical Times, 131 (1774). p. 655. ISSN 0027-4666 (print) 2397-5318 (online)

Solomon, A. (2017) Telemann: prolífico compositor, sagaz editor [Telemann: prolific composer, shrewd editor]. Scherzo (334). pp. 76-79. ISSN 0213-4802 (print) 2387-0257 (online)

Wright, D. C. H. (1992) 1992 Prom premières. Tempo (183). pp. 33-34. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1990) At the threshold of eternity: Robert Saxton on disc. Musical Times, 131 (1769). pp. 363-364. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Autonomy: review of 'Stravinsky: the music box and the nightingale' by Daniel Albright. Musical Times, 131 (1773). p. 601. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Charles Seeger: a life in American music' by Ann M. Pescatello. Musical Times, 134 (1803). p. 270. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Creative sources for the music of Toru Takemitsu' by Noriko Ohtake. Musical Times, 134 (1805). p. 399. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Book review: 'Francis Poulenc' by Wilfrid Mellers. Tempo (189). pp. 33-35. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book review: 'Harvard composers: Walter Piston and his students, from Elliott Carter to Frederic Rzewski' by Howard Pollack. Musical Times, 134 (1804). p. 340. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Book review: 'New music 89' ed. Michael Finnissy and Roger Wright. Musical Times, 131 (1789). p. 367. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Samuel Barber: the composer and his music' by Barbara B. Heyman. Musical Times, 134 (1800). p. 91. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Sorabji: a critical celebration' ed. Paul Rapoport. Musical Times, 134 (1805). p. 397. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Book review: 'The art of stealing time' by Louis Andriessen, ed. Mirjam Zegers, trans. Clare Yates, and 'The music of Louis Andriessen' ed. Maja Trochimczyk. Tempo, 57 (225). pp. 60-61. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book reviews: 'New tonality' ed. Paul Moravec and 'What's the matter with today's experimental music? Organized sound too rarely heard' by Leigh Landy. Tempo (185). pp. 36-37. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2015) Business studies: review of 'Michael Costa: England's first conductor: the revolution in musical performance in England, 1830–1880' by John Goulden. Musical Times, 156 (1932). pp. 107-109. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1995) CD reviews: music by Colin Matthews and John Lambert. Musical Times, 136 (1833). p. 607. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Clicks, clocks & claques. Musical Times, 135 (1817). pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. Musical Times, 135 (1813). pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Covalent bond: review of 'Sir George Dyson: his life and music' by Paul Spicer. Musical Times, 155 (1929). pp. 91-97. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Critical challenge: review of 'Stocktakings from an apprenticeship' by Pierre Boulez, translated by Stephen Walsh. Musical Times, 133 (1795). pp. 464-465. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Cry of the earth. Musical Times, 133 (1793). pp. 339-341. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Dead and gone? Review of 'The music of John Ireland' by Fiona Richards. Musical Times, 142 (1874). pp. 58-59. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. Musical Times, 144 (1882). pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Expanding covers. Musical Times, 133 (1795). pp. 452-453. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Ferneyhough at fifty. Musical Times, 134 (1801). pp. 125-128. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. Musical Times, 143 (1879). pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) In the doll's house: review of 'Sviatoslav Richter: notebooks and conversations' by Bruno Monsaingeon, translated by Stewart Spencer. Musical Times, 142 (1875). pp. 77-78. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) John Woolrich: expanding continuities. Musical Times, 131 (1772). pp. 540-541. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The London Sinfonietta 1968–2004: a perspective. Twentieth-Century Music, 2 (1). pp. 109-136. ISSN 1478-5722 (print) 1478-5730 (online)

Wright, D. C. H. (1993) Looking for Barbara Kolb. Musical Times, 134 (1799). pp. 9-12. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Louis Andriessen: polity, time, speed, substance. Tempo (187). pp. 7-14. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Maxims past and present (music review). Musical Times, 134 (1810). pp. 693-695. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. Musical Times, 154 (1923). pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Networking: review article. Musical Times, 144 (1883). pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1988) New British. Musical Times, 129 (1750). p. 671. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Opening windows: review of 'American experimental music, 1890-1940' by David Nicholls. Musical Times, 133 (1789). p. 130. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Pay check: review of 'Elgar's earnings' by John Drysdale. Musical Times, 154 (1925). pp. 91-99. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Portraits (review article). Musical Times, 131 (1771). pp. 485-486. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Post factum: review of 'The collected letters of Peter Warlock (Philip Heseltine)' edited by Barry Smith. Musical Times, 147 (1895). pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1997) Praxis makes perfect: review of 'Analytical strategies and musical interpretation' ed. Craig Ayrey and Mark Everist. Musical Times, 138 (1853). p. 35. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1991) Proms 2: Peter Paul Nash. Tempo (179). pp. 55-56. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2000) Proms: Louis Andriessen's 'Trilogy of the Last Day'. Tempo (211). pp. 30-31. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2001) Robert Saxton in the 1990s. Tempo (215). pp. 2-6. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1991) Russian spring. Tempo (177). pp. 45-46. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2008) Sacred and profane: review of 'Edmund Rubbra: symphonist' by Leo Black and 'The innumerable dance: the life and work of William Alwyn' by Adrian Wright. Musical Times, 149 (1905). pp. 103-106. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Situating Stainer: review of 'John Stainer: a life in music' by Jeremy Dibble. Musical Times, 149 (1903). pp. 95-103. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2004) Take two: review of 'Performing music in the age of recording' by Robert Philip. Musical Times, 145 (1889). pp. 98-100. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Turgid encounters: review of 'American composers: dialogues on contemporary music' by Edward Strickland. Musical Times, 133 (1795). p. 462. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1996) Unscrambling myths: review of 'Shostakovitch studies' ed. David Fanning. Musical Times, 137 (1846). p. 29. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. Musical Times, 143 (1880). pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Virgin music: review of 'New sounds: the Virgin guide to new music' by John Schaefer. Musical Times, 131 (1772). pp. 547-548. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Weir to now? Musical Times, 134 (1806). pp. 432-437. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) A style too far? (Recording review). Musical Times, 134 (1802). pp. 215-217. ISSN 0027-4666 (print) 2397-5318 (online)

Book Section

Hewett, I. (2020) Davies, Sir Peter Maxwell (Max). In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Hewett, I. (2010) A music beyond time. In: Iannis Xenakis: architect, composer, visionary. The Drawing Papers (88). The Drawing Center, New York, pp. 17-33. ISBN 978-0942324570

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

Smith, R. L. (2011) 'Aimer ainsi': rekindling the lamp in Pelléas. In: Rethinking Debussy. Oxford University Press, Oxford, pp. 76-95. ISBN 9780199755639 (hardback) 9780199755646 (paperback)

Smith, R. L. (2012) D'un opéra à l'autre: de Rodrigue à Pelléas [From one opera to the other: from Rodrigue to Pelléas]. In: Pelléas et Mélisande cent ans après: Études et documents. Symétrie Recherche . Symétrie, Lyon, pp. 17-40. ISBN 978-2-914373-85-2

Smith, R. L. (1999) Debussy on performance: sound and unsound ideals. In: Debussy in performance. Yale University Press, New Haven, pp. 3-27. ISBN 0300076266 (hardback)

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy studies. Cambridge composer studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (1989) Motives and symbols. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 78-106. ISBN 9780521314466 (paperback)

Smith, R. L. (2000) Ravel's operatic spectacles: L'heure and L'enfant. In: The Cambridge Companion to Ravel. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 188-210. ISBN 9780521648561 (paperback) 9781139796996 (e-book)

Smith, R. L. (2014) Style, performance practice, and reception in the Prelude, chorale and fugue: placing and performing César Franck. In: Perspectives on the Performance of French Piano Music. Routledge, Abingdon, pp. 105-123. ISBN 9781409400646 (hardback) 9781138269699 (paperback) 9781315600239 (e-book)

Smith, R. L. (1989) Tonalities of darkness and light. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 107-139. ISBN 9780521314466 (paperback)

Smith, R. L. (1989) The play and its playwright. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 1-29. ISBN 9780521314466 (paperback)

Wistreich, R. (2007) Monteverdi in performance. In: The Cambridge companion to Monteverdi. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 261-279. ISBN 9780521875257 (hardback) 9780521697989 (paperback) 9781139798631 (e-book)

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Book

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) (In Press)

Edited book

Nichols, R. and Smith, R. L., eds. (1989) Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge. ISBN 9780521314466 (paperback)

Smith, R. L., ed. (1997) Debussy studies. Cambridge composer studies . Cambridge University Press, Cambridge. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

McAllister, R. and Guillaumier, C., eds. (2020) Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback) (In Press)

Video

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Website

Meyn, N. Singing a song in a foreign land. [Website]

This list was generated on Thu Feb 27 03:04:17 2020 GMT.