Items where Year is 2012

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Number of items: 24.


Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40. pp. 471-493. ISSN 0305-7356


Ginsborg, J. and Spahn, C. and Williamon, A. (2012) Health promotion in higher music education. In: Music, Health, and Wellbeing. Oxford University Press, Oxford, pp. 356-366. ISBN 9780199686827


Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4). pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Hesketh, K. (2012) Forms entangled, shapes collided. [Composition]


Kittos, H. (2012) Dancechase (2011, rev. 2012). [Composition]

Kittos, H. (2012) Intermezzo. [Composition]


Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1). pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1). pp. 36-44. ISSN 0001-6233

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3). pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge history of musical performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)


Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach Songs with Clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 13595105


Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1). pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1). pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8


Turnage, M.-A. (2012) Speranza. [Composition]


Williamon, A. and Perkins, R. and Ritchie, L. and Thompson, S. (2012) Premiers pas en musique: étude de l’engagement des enfants vis-à-vis de la musique (Musical beginnings: a study of children’s engagement with music). In: Musique et Sciences de l’Esprit (Music and the Sciences of the Mind). Académie Royale de Belgique, Brussels, pp. 123-137. ISBN 978-2-8031-0299-0

Wistreich, R. (2012) 'Il soprano […] è veramente l'ornamento di tutte l'altre parti': sopranos, castratos, falsettists and the performance of late Renaissance Italian secular music. In: Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Schott Campus . Schott Music, Mainz, pp. 65-78. ISBN 9783795707934

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1). pp. 1-12. ISSN 02691213

Wistreich, R. (2012) Vocal performance in the seventeenth century. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 398-420. ISBN 9781139025966

This list was generated on Wed Nov 13 03:03:35 2019 GMT.