Items where Year is 2012

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Number of items: 44.

C

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359). pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2). pp. 30-35. ISSN 2049-1514

Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40. pp. 471-493. ISSN 0305-7356 (print) 1741-3087 (online)

D

Driver, D. (2012) C. P. E. Bach: Keyboard Sonatas vol. 2. [Audio]

Driver, D. (2012) Erik Chisholm: Piano Concertos. [Audio]

Driver, D. (2012) Saint-Saëns: Piano Concerto no. 5, op. 103. [Audio]

G

Ginsborg, J. and Spahn, C. and Williamon, A. (2012) Health promotion in higher music education. In: Music, Health, and Wellbeing. Oxford University Press, Oxford, pp. 356-366. ISBN 9780199686827

H

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4). pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Hesketh, K. (2012) Chronicles of the Time (Lamentations from Macbeth). [Composition]

Hesketh, K. (2012) Danceries (set II) (for brass band). [Composition]

Hesketh, K. (2012) The Doctrine of Affections. [Composition]

Hesketh, K. (2012) Forms entangled, shapes collided. [Composition]

Hesketh, K. (2012) Heu, heu, heu...Eine kleine ausschweifende Feier. [Composition]

Holt, S. (2012) Ellsworth 2. [Composition]

Holt, S. (2012) Escaramuza. [Composition]

Holt, S. (2012) Migas Book 1. [Composition]

K

Kittos, H. (2012) Dancechase (2011, rev. 2012). [Composition]

Kittos, H. (2012) Intermezzo. [Composition]

L

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1). pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1). pp. 36-44. ISSN 0001-6233

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3). pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge history of musical performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

M

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 1359-5105 (print)

P

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1). pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1). pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

R

Rossi Rognoni, G. (2012) La lira nel Rinascimento: una riscoperta? [The lyre in the Renaissance: a rediscovery?]. In: Il dolce potere delle corde: Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento. Gabinetto disegni e stampe degli Uffizi: Inventario generale delle stampe (98). Leo S. Olschki, Florence, pp. 25-33. ISBN 9788822261830

S

Smith, R. L. (2012) D'un opéra à l'autre: de Rodrigue à Pelléas [From one opera to the other: from Rodrigue to Pelléas]. In: Pelléas et Mélisande cent ans après: Études et documents. Symétrie Recherche . Symétrie, Lyon, pp. 17-40. ISBN 978-2-914373-85-2

Solomon, A. (2012) Bach: Organ Trio Sonatas (arranged for multiple instruments). [Audio]

Stakelum, M. (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland. (Unpublished)

Stakelum, M. (2012) An analysis of verbal responses to music in a group of adult non-specialists. In: Music Education Volume III: Music Teaching and Learning. Major Themes in Education . Routledge, Abingdon, pp. 397-424. ISBN 9780415693356 (hardback)

Stakelum, M. and Baker, D. (2012) Music and primary schools: conceptions of musical ability held by primary teachers. In: 30th ISME World Conference on Music Education, 15-20 July 2012, Thessaloniki, Greece. (Unpublished)

T

Turnage, M.-A. (2012) Speranza. [Composition]

W

Williamon, A. and Perkins, R. and Ritchie, L. and Thompson, S. (2012) Premiers pas en musique: étude de l’engagement des enfants vis-à-vis de la musique (Musical beginnings: a study of children’s engagement with music). In: Musique et Sciences de l’Esprit (Music and the Sciences of the Mind). Académie Royale de Belgique, Brussels, pp. 123-137. ISBN 978-2-8031-0299-0

Wistreich, R. (2012) 'Il soprano e veramente l’ornamento di tutte l’altre parti': soprani, castrati, falsettisti and the performance of late Renaissance Italian secular music. In: Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Schott Campus . Schott Music, Mainz, pp. 71-85. ISBN 9783795707934

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1). pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Wistreich, R. (2012) Vocal performance in the seventeenth century. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 398-420. ISBN 9781139025966

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2012) The music exams of the Society for the Encouragement of Arts, Manufactures and Commerce, 1859–1919. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 161-180. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

This list was generated on Fri Sep 25 03:03:58 2020 BST.