Items where Year is 2016

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Jump to: A | B | C | D | F | G | H | P | T | V | W
Number of items: 23.

A

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). pp. 1-17. ISSN 1664-1078

Araújo, Liliana S. and Cruz, José Fernando A. and Almeida, Leandro S. (2016) Achieving scientific excellence: An exploratory study of the role of emotional and motivational factors. High Ability Studies, 27. pp. 1-19. ISSN ISSN: 1359-8139 (Print) 1469-834X (Online)

Aufegger, L. and Perkins, R. and Wasley, David and Williamon, A. (2016) Musicians’ perceptions and experiences of using simulation training to develop performance skills. Psychology of Music. ISSN 0305-7356

B

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

C

Charlston, T (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

D

Demos, A. P. and Lisboa, T. and Chaffin, R. (2016) Flexibility of Expressive Timing in Repeated Musical Performances. Frontiers in Psychology.

F

Fancourt, D. and Perkins, R. and Ascenso, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2016) Effects of group drumming interventions on anxiety, depression, social resilience and inflammatory immune response among mental health service users. PLOS ONE, 11 (3). e0151136. ISSN 1932-6203

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631). pp. 1-13.

Fujikura, Dai (2016) my letter to the world (orchestral version). [Composition]

G

Guillaumier, C and Slater, R and Argondizza, P (2016) Recontextualised learning through embedded creativity: Developing a module that applies historically informed performance practice to Baroque music. In: Creative Teaching for Creative Learning in Higher Music Education. SEMPRE Studies in The Psychology of Music . Routledge, Oxford and New York, pp. 186-197. ISBN 978-1-472-45591-8

H

Hewett, E (2016) RCM Open Access Policy. Royal College of Music London. (Unpublished)

Hewett, E and Corp, R (2016) Brief instructions on How to Upload items in RCM Online. Royal College of Music London. (Unpublished)

Hewett, E and Corp, R (2016) Introduction to RCM Online. [Performance] (Unpublished)

Hewett, E and Corp, R (2016) Research Repository Policies. Royal College of Music London. (Unpublished)

P

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11). pp. 1-17.

T

Tregear, P and Johansen, G and Jorgensen, H and Sloboda, J and Tulve, H and Wistreich, R. (2016) Conservatoires in society: Institutional challenges and possibilities for change. Arts & Humanities in Higher Education, 15 (3-4). pp. 276-292. ISSN 14740222

V

Volioti, Georgia and Williamon, A. (2016) Recordings as learning and practising resources for performance: exploring attitudes and behaviours of music students and professionals. Musicae Scientiae.

W

Williamon, A. (2016) Music regulators in two string quartets: a comparison of communicative behaviors between low- and high-stress performance conditions. Frontiers in Psychology, 7 (1229). pp. 1-10. ISSN 1664-1078

Wistreich, R. (2016) ‘Reconstructing Historical Singing: Reality or Fantasy?’. In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. (2016) Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance. Other. Routledge, Abingdon and New York.

Wistreich, R. and Richards, J. (2016) The Anatomy of the Renaissance Voice. In: The Edinburgh Companion to the Critical Medical Humanities. Edinburgh University Press, Edinburgh, pp. 276-293. ISBN Hardback: 9781474400046

This list was generated on Mon Jun 26 03:03:16 2017 BST.