Items where Year is 2016

Article

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). ISSN 1664-1078

Araújo, L. and Cruz, J. and Almeida, L. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27 pp. 1-19. ISSN 1359-8139 (Print) 1469-834X (Online)

Biasutti, M. and Concina, E. and Wasley, D. and Williamon, A. (2016) Music regulators in two string quartets: a comparison of communicative behaviors between low- and high-stress performance conditions. Frontiers in Psychology, 7 (1229). ISSN 1664-1078

Burrai, F. and Hasan, W. and Fancourt, D. and Luppi, M. and Di Somma, S. (2016) A randomized controlled trial of listening to recorded music for heart failure patients: study protocol. Holistic Nursing Practice, 30 pp. 102-115. ISSN 0887-9311 (print) 1550-5138 (online)

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

Demos, A. P. and Lisboa, T. and Chaffin, R. (2016) Flexibility of expressive timing in repeated musical performances. Frontiers in Psychology, 7 (1490). ISSN 1664-1078

Fancourt, D. and Burton, T. M. W. and Williamon, A. (2016) The razor's edge: Australian rock music impairs men's performance when pretending to be a surgeon. Medical Journal of Australia, 205 pp. 515-518. ISSN 1326-5377

Fancourt, D. and Perkins, R. and Ascenso, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2016) Effects of group drumming interventions on anxiety, depression, social resilience and inflammatory immune response among mental health service users. PLOS ONE, 11 (3) pp. 1-16. ISSN 1932-6203 (online)

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132 pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631) pp. 1-13.

Guillaumier, C. (2016) Reflection as creative process: perspectives, challenges and practice. Arts and Humanities in Higher Education, 15 (3-4) pp. 353-363. ISSN 1474-0222 (print) 1741-265X (online)

Henley, J. (2016) How musical are primary generalist student teachers? Music Education Research, 19 (4) pp. 470-484. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 70 pp. 65-76. ISSN 0771-6788

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2) pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28 pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Hewett, I. (2016) How Western music conquered the world. Daily Telegraph ISSN 0307-1235

Hewett, I. (2016) The path to total purity. Prospect Magazine pp. 76-79. ISSN 1359-5024 (print) 2059-6731 (online)

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1) pp. 8-14.

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1) pp. 3-5. ISSN 0306-1078 (print) 1741-7260 (online)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2) pp. 316-320. ISSN 1479-4098 (print), 2044-8414 (online)

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11) pp. 1-17.

Pitt, J. and Hargreaves, D. J. (2016) Attitudes towards and perceptions of the rationale for parent–child group music making with young children. Music Education Research, 19 (3) pp. 292-308. ISSN 1461-3808 (print) 1469-9893 (online)

Sanfilippo, K. R. M. and Spiro, N. (2016) Conference report: the Third Nordoff Robbins Plus conference ‘Exploring music in therapeutic and community settings’. Approaches: An Interdisciplinary Journal of Music Therapy, 9 (1) pp. 159-163. ISSN 2459-3338

Schober, M. F. and Spiro, N. (2016) Listeners' and performers' shared understanding of jazz improvisations. Frontiers in Psychology, 7 (1629). ISSN 1664-1078

Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes: Quarterly Journal of the Music Library Association, 73 (1) pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210) ISSN 1553-9172

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68) ISSN 1553-9172

Spiro, N. and Himberg, T. (2016) Analysing change in music therapy interactions of children with communication difficulties. Philosophical Transactions of the Royal Society B: Biological Sciences, 371 (1693) pp. 1-11. ISSN 0962-8436

Stirling, C. (2016) ‘Beyond the dance floor’? Gendered publics and creative practices in electronic dance music. Contemporary Music Review, 35 (1) pp. 130-149. ISSN 0749-4467 (print) 1477-2256 (online)

Stirling, C. (2016) Sound art/street life: tracing the social and political effects of sound installations in London. Journal of Sonic Studies, 11 ISSN 2212–6252

Tregear, P. and Johansen, G. and Jorgensen, H. and Sloboda, J. and Tulve, H. and Wistreich, R. (2016) Conservatoires in society: institutional challenges and possibilities for change. Arts & Humanities in Higher Education, 15 (3-4) pp. 276-292. ISSN 14740222

Whitfield, S. K. (2016) ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices. Studies in Musical Theatre, 10 (2) pp. 163-176. ISSN 1750-3159 (print) 1750-3167 (online)

Book Section

Adlington, R. (2016) The crises of sense: listening to Berio’s Un re in ascolto. In: Le Théâtre Musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 9782336303871

Aufegger, L. and Wasley, D. and Williamon, A. (2016) Facing the music: investigating the psychophysiology of musical performance. In: Art in Motion III: Performing Under Pressure. Peter Lang, Frankfurt, pp. 77-92. ISBN 978-3-631-67172-6

Guillaumier, C. and Slater, R. and Argondizza, P. (2016) Recontextualised learning through embedded creativity: developing a module that applies historically informed performance practice to Baroque music. In: Creative Teaching for Creative Learning in Higher Music Education. SEMPRE Studies in the Psychology of Music . Routledge, Abingdon, pp. 186-197. ISBN 9781472455918 (hardback) 9781138504998 (paperback) 9781315574714 (e-book)

Henley, J. (2016) Young offenders. In: The Routledge Companion to Music, Technology, and Education. Routledge, Farnham, pp. 192-207. ISBN 9781138921382

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

Perkins, R. (2016) Bourdieu applied in the analysis of conservatoire learning cultures. In: Bourdieu and the Sociology of Music Education. Routledge. ISBN 9781472448293 (hardback) 9780367597337 (paperback) 9781315569819 (e-book)

Spiro, N. and Gold, N. and Rink, J. (2016) Musical motives in performance: a study of absolute timing patterns. In: Mathemusical Conversations: Mathematics and Computation in Music Performance and Composition. Lecture Notes Series, Institute for Mathematical Sciences, National University of Singapore (32). World Scientific, Singapore, pp. 109-128. ISBN 978-981-3140-09-7 (hardback) 978-981-3140-11-0 (e-book)

Wistreich, R. and Richards, J. (2016) The anatomy of the Renaissance voice. In: The Edinburgh Companion to the Critical Medical Humanities. Edinburgh University Press, Edinburgh, pp. 276-293. ISBN 9781474400046 (hardback) 9781474414555 (e-book)

Wright, D. C. H. (2016) Novello, John Stainer and commercial opportunities in the nineteenth-century British amateur music market. In: The Idea of Art Music in a Commercial World, 1800-1930. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783270651

Conference or Workshop Item

Camlin, D. A. (2016) Libraries gave us power. In: International Centre for Community Music Student Research Conference, November 2016, York St. John University, York. (Unpublished)

Feshareki, S. and Hewett, I. (2016) Still Point: an unknown precursor of today's electronic music. In: Alternative Histories of Electronic Music, 14-16 April 2016, Science Museum Research Centre, London. (Unpublished)

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Book

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Edited book

Stakelum, M. and Barrios Manzano, P. and Gómez-Ullate, U., eds. (2016) Musical culture and education (thematic issue of Music Education Research journal vol. 18 issue 4). Music Education Research 18 (4). Taylor & Francis.

Belina, A. and Scott, D. B., eds. (2016) The business of opera. Ashgate Interdisciplinary Studies in Opera . Routledge, Abingdon. ISBN 9781472429452 (hardback) 9781315614267 (e-book)

Thesis

Aufegger, L. (2016) The investigation of musicians’ physiological and psychological responses to performance stress. Doctoral thesis, Royal College of Music.

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.

Composition

Cole, J. (2016) 14 pianos. [Composition] (Unpublished)

Cole, J. (2016) Prose pieces I: inside out. [Composition] (Unpublished)

Cole, J. (2016) A book of melodies. [Composition] (Unpublished)

Fujikura, D. (2016) GO. [Composition]

Fujikura, D. (2016) My letter to the world [orchestral version]. [Composition]

Fujikura, D. (2016) Pitter-patter. [Composition]

Hesketh, K. (2016) Concerto salmigondis. [Composition]

Hesketh, K. (2016) Mini-prélude en éventail [Dutilleux arr. Hesketh]. [Composition]

Hesketh, K. (2016) Of time and disillusionment. [Composition]

Holt, S. (2016) Joy beast. [Composition]

Holt, S. (2016) Surcos. [Composition]

Kittos, H. (2016) ADRIFT. [Composition]

Kittos, H. (2016) Dyades. [Composition]

Kittos, H. (2016) Prosforo (2001, rev. 2011 and 2016). [Composition]

Mival, W. (2016) On the ringstreet (1996, rev. 2016). [Composition]

Scarlato, D. (2016) El ocaso del socialismo mágico. [Composition]

Scarlato, D. (2016) La tregua di natale [the Christmas truce]. [Composition] (Unpublished)

Scarlato, D. (2016) Rhapsody of memories. [Composition] (Unpublished)

Scarlato, D. (2016) Thala my love. [Composition]

Scarlato, D. and Timossi, S. (2016) Insight. [Composition]

Turnage, M.-A. (2016) Col. [Composition]

Turnage, M.-A. (2016) Prussian blue. [Composition]

Turnage, M.-A. (2016) Seven pint-sized pieces. [Composition]

Turnage, M.-A. (2016) Shroud. [Composition]

Turnage, M.-A. (2016) Winter's edge. [Composition]

Audio

Charlston, T. (2016) Adieu m'amour: music from the time of Agincourt. [Audio]

Johns, S. (2016) Bach: Sonatas & Partitas (Kyung Wha Chung). [Audio]

Johns, S. (2016) C. P. E. Bach: Flute Concertos (Emmanuel Pahud). [Audio]

Solomon, A. and Charlston, T. (2016) Telemann: Concertos & Cantata Ihr Völker Hört. [Audio]

Broadcast

Guillaumier, C. (2016) Stalin's music prize (Music Matters, BBC Radio 3). [Broadcast]

Hewett, I. (2016) The essay: Brian Eno's Music for Airports. [Broadcast]

Mival, W. (2016) BBC Radio 3 record review: building a library: Mahler: Symphony No. 5. [Broadcast]

Edition

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, London.

Other

Hewett, E. and Corp, R. (2016) Research Repository Policies. Royal College of Music London. (Unpublished)