Items where Subject is "M Music and Books on Music > ML Literature on music > History and criticism > Composition and performance"

A

Adlington, R. (2008) Book review: 'Music of the twentieth century: a study of its elements and structure' by Ton de Leeuw. Music & Letters, 89 (3). pp. 460-462. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2002) Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard. Music & Letters, 83 (2). pp. 319-321. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (1997) Book review: 'Shaping time: music, the brain, and performance' by David Epstein. Music Analysis, 16 (1). pp. 155-171. ISSN 0262-5245 (print) 1468-2249 (online)

Adlington, R. (2001) Book review: Singing Archaeology: Philip Glass's 'Akhnaten' by J Richardson; Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass by K Potter; Jonathan Harvey by A Whittall. Music & Letters, 82 (3). pp. 487-491. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2013) Composing dissent: avant-garde music in 1960s Amsterdam. Oxford University Press, Oxford. ISBN 9780199981014 (hardback) 9780199346202 (e-book)

Adlington, R. (2001) Counting time, countering time: Louis Andriessen’s De Tijd. Indiana Theory Review, 22 (1). pp. 1-35. ISSN 0271-8022 (print) 2474-7777 (online)

Adlington, R. (2020) Curating difference. In: Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Adlington, R. (2013) Expressive revolutions: '1968' and music in the Netherlands. In: Music and Protest in 1968. Music since 1900 . Cambridge University Press, Cambridge, pp. 12-28. ISBN 9781107007321 (hardback) 9781107504318 (paperback) 9781107240001 (e-book)

Adlington, R. (2002) 'Good lodging': Harrison Birtwistle's reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Arthurian Studies . Boydell & Brewer, Martlesham, pp. 127-143. ISBN 9780859917674 (hardback) 9781846150968 (e-book)

Adlington, R. (1996) Harrison Birtwistle's recent music. Tempo (196). pp. 2-8. ISSN 0040-2982 (print) 1478-2286 (online)

Adlington, R. (2003) In the shadows of song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Routledge. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2005) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3). pp. 381-417. ISSN 0277-9269 (print) 1533-8347 (online)

Adlington, R. (2004) Louis Andriessen: De Staat. Routledge. ISBN 9781138400566 (hardback) 9780754609254 (paperback) 9781351218863 (e-book)

Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)

Adlington, R. (2003) Moving beyond motion: metaphors for changing sound. Journal of the Royal Musical Association, 128 (2). pp. 297-318. ISSN 0269-0403 (print) 1471-6933 (online)

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Adlington, R. (1994) Review: Brian Ferneyhough: Carceri d'Invenzione III, Terrain. The Musical Times, 135 (1817). pp. 450-451. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (2001) Taking soundings: music, non-music and Slave Pianos. In: Slave Pianos: A Diagnosis, 1998-2001. Revolver, Frankfurt, pp. 7-15. ISBN 978-3-934823-17-4

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1). pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (2003) A conversation with Harrison Birtwistle. In: Aspects of British Music of the 1990s. Routledge, pp. 111-118. ISBN 9780754630418 (hardback) 9781138258419 (paperback) 9781315096803 (e-book)

Adlington, R. (2016) The crises of sense: listening to Berio’s Un re in ascolto. In: Le Théâtre Musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 9782336303871

Adlington, R. (2000) The music of Harrison Birtwistle. Music in the Twentieth Century . Cambridge University Press, Cambridge. ISBN 9780521630825 (hardback) 9780521027809 (paperback)

Adlington, R. (1999) The music of Rebecca Saunders: into the sensuous world. The Musical Times, 140 (1868). pp. 48-56. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2). pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Adlington, R. and Fuller, S. (2005) Editorial. Twentieth-Century Music, 2 (1). pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

Asaba, Y. (2019) ‘Folds of the heart’: performing life-experience, emotion, and empathy in Japanese tango music culture. Ethnomusicology Forum, 28 (1). pp. 45-65. ISSN 1741-1912 (print) 1741-1920 (online)

Asaba, Y. (2017) Review of 'Tracing Tangueros: Argentine Tango Instrumental Music' by K Link, & K Wendland. Music & Letters, 98 (3). pp. 498-500. ISSN 0027-4224 (print) 1477-4631 (online)

Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24. pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)

C

Charlston, T. (2018) Arpeggiando; Arpeggio; Birnbaum, Johann Abraham; Brunold, Paul; Chambonnières, Jacques Champion, Sieur de; Denis, Jean. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Frescobaldi, Girolamo Alessandro; Gasparini; Moscheles, Ignaz (Isaac); Neidhardt, Johann Georg; Suzuki, Masaaki. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2). pp. 30-35. ISSN 2049-1514

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2018) Preluding. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 509-510. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Chen, A. (2022) Synthrumentation, revisited: towards a new method of additively synthesising speech in acoustic instrumental contexts. Masters thesis, Royal College of Music.

Cole, J. (2007) Music and architecture: confronting the boundaries between space and sound. [Video]

F

Falconer, E. (2022) The case for Casella: towards new methods of understanding and interpreting the Italian Modernist pianist-composer. Doctoral thesis, Royal College of Music.

G

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) Prokofiev operas (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2015) Review of ‘Multi-mediated Dostoevsky: transposing novels into opera, film, and drama' by Alexander Burry. Slavic and East European Journal, 59 (2). pp. 296-298. ISSN 0037-6752

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) 9781787446236 (e-book)

H

Herbert, T. (2020) Bands as musical subcultures: cultures, practices, and influences. In: Practice in Context: Perspectives on Historically Informed Practices in Post-Classical Music. Oxford University Press, New York. (In Press)

Herbert, T. (2018) Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46 (2). pp. 343-345. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. (2018) Musica Reservata. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 427. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2019) Solo and ensemble brass instrument recordings. Early Music, 47 (2). pp. 277-280. ISSN 0306-1078 (print) 1741-7260 (online)

Hesketh, K. (2022) Ex uno plures: composing for solo instruments. In: The Cambridge Companion to Composition. Cambridge University Press, Cambridge. (In Press)

Hesketh, K. (2011) The backbone of night: mechanisms of evolution in Henri Dutilleux's 'Ainsi la nuit'. Contemporary Music Review, 29 (5). pp. 463-483. ISSN 0749-4467 (print) 1477-2256 (online)

Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868). pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Adès Conducts Adès, review: a thrilling tour-de-force from Britain's weirdest composer. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2000) Behind the beard (review article). The Musical Times, 141 (1870). pp. 61-63. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Book review: 'Anton von Webern' by Malcolm Hayes. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Arvo Pärt' by Paul Hillier. TLS: Times Literary Supplement (4934). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Béla Bartók' by Kenneth Chalmers. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1998) Book review: 'Finding the key: selected writings of Alexander Goehr' ed. Derrick Puffet. BBC Music Magazine, 6 (7). p. 83. ISSN 0966-7180 (print)

Hewett, I. (2001) Book review: 'Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass' by Keith Potter. TLS: Times Literary Supplement (5104). p. 20. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Górecki' by Adrian Thomas. TLS: Times Literary Supplement (4934). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Hindemith, Hartmann and Henze' by Guy Rickards. TLS: Times Literary Supplement (4862). p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Book review: 'Poulenc' by Roger Nichols: why it's time to start taking this composer seriously. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11). p. 21. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1). p. 18. ISSN 0966-7180 (print)

Hewett, I. (2000) Book review: 'The music of silence: a composer's testament' by John Tavener (ed. Brian Keeble). TLS: Times Literary Supplement (5068). p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The practice of performance: studies in musical interpretation' ed. John Rink. TLS: Times Literary Supplement (4894). p. 8. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2003) Composer in interview: Robin Holloway. Tempo, 57 (226). pp. 11-20. ISSN 0040-2982 (print) 1478-2286 (online)

Hewett, I. (2020) Davies, Sir Peter Maxwell (Max). In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Hewett, I. (1997) Different strains (recording review). The Musical Times, 138 (1848). pp. 20-23. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2007) Karlheinz Stockhausen (obituary). Guardian. ISSN 0261-3077 (print) 1756-3224 (online)

Hewett, I. (1996) Manning the guns (recording review). The Musical Times, 137 (1835). pp. 38-39. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1999) Mistaken identity (guest editorial). The Musical Times, 140 (1866). pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Recording review: Kitgut: 'Tis too late to be wise': irresistible string quartets, from Purcell to Haydn. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Strange meeting (recording review). The Musical Times, 137 (1836). pp. 27-28. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Taking the catastrophe out of Beethoven's most catastrophic concert, plus the best of March's classical concerts. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Yodelling, jokes and thrilling energy: how Haydn transformed the symphony. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2016) The essay: Brian Eno's Music for Airports. [Broadcast]

Hewett, I. (2010) A music beyond time. In: Iannis Xenakis: Architect, Composer, Visionary. The Drawing Papers (88). The Drawing Center, New York, pp. 17-33. ISBN 978-0942324570

Hewett, I. (1997) A musical bestiary. BBC Music Magazine, 6 (4). pp. 31-36. ISSN 0966-7180 (print)

Hewett, I. and Allison, J. (2019) A beautiful son et lumiere journey through the mind of Leonardo, plus the best of April’s classical concerts. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hirst, L. and Wright, D. C. H. (2000) Alternative voices: contemporary vocal techniques. In: The Cambridge Companion to Singing. Cambridge Companions to Music (26). Cambridge University Press, Cambridge, pp. 192-203. ISBN 9780521627092 (paperback) 9781139796972 (e-book)

J

Johns, S. (2021) A day in the life of a classical record producer. [Video]

K

Kawabata, M. (2018) Book review: 'The music of Joseph Joachim' by Katharina Uhde. Studia Musicologica, 59 (3-4). pp. 453-459. ISSN 1788-6244

L

Lawson, C. (2018) Albrechtsberger, Johann Georg; Backofen, Johann Georg Heinrich; Baines, Anthony (Cuthbert); Blasius, (Mathieu-) Frédéric; Devienne, François; Eisel, Johann Philipp; Fingering (3): wind instruments; Fröhlich, (Franz) Joseph; Grenser family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2014) Book review: "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1). ISSN 2166-8205

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2). pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2018) Historically informed performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 305-308. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2018) Hogwood, Christopher (Jarvis Haley); Kenyon, Sir Nicholas Roger; Klosé, Hyacinthe-Eléonore; Lalandi, Lina; Lefèvre, Jean Xavier; Levin, Robert (David); Müller, Iwan; Norrington, Sir Roger (Arthur Carver); Ozi, Etienne. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2021) Recreating history? The early clarinet in theory and practice. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 228-254. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book), ISSN 1071-9989, v. 179

Lawson, C. (2018) Rehearsal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 528-529. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2018) Riemann, (Karl Wilhelm Julius) Hugo; Royal Conservatory of The Hague; Sax, Adolphe (Antoine-Joseph); Stadler, Anton Paul; The Hanover Band; Vanderhagen, Amand (Jean François Joseph); Vogl, Johann Michael; Willman, Thomas Lindsay. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Loges, N. (2017) BBC Radio 3 record review: buiding a library: Schumann: Liederkreis Op.24. [Broadcast]

Loges, N. (2017) BBC Radio 3 record review: building a library: Richard Wagner: Wesendonck Lieder. [Broadcast]

Loges, N. (2019) BBC Radio 3 record review: building a library: Schubert: Schwanengesang. [Broadcast]

Loges, N. (2018) BBC Radio 3: Music Matters: Natasha Loges & Stephan Loges on 'Brahms and his Poets' book. [Broadcast]

Loges, N. (2018) Bülow, Hans von. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 101. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Loges, N. (2018) Davies, Fanny. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 170. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1). pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Epistemologische Zyklen durchbrechen: Geschichte, Theorie und Aufführung in Schuberts Winterreise [Breaking epistemological cycles: history, theory, and performance in Schubert’s Winterreise]. Zeitschrift der Gesellschaft für Musiktheorie, 18. pp. 309-326. ISSN 1862-6742 (online)

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

Loges, N. (2019) Händels Musik und Programmgestaltung in Londons Kristallpalast, 1859–1874 [Programming Handel’s music at the Crystal Palace, 1859–1874]. Göttinger Händel-Beiträge, 20. pp. 61-76. ISSN 0177-7319 (print) 2197-330X (online)

Loges, N. and Clark, T. (2019) Thinking across disciplines: audience responses to Clara Schumann’s Dichterliebe at the Wigmore Hall. Participations: Journal of Audience and Reception studies, 16 (2). pp. 38-67. ISSN 1749-8716

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Low, J. (2020) A pianist’s perspective on song transposition, focusing on Robert Schumann’s Liederreihe nach Kerner Op. 35. Masters thesis, Royal College of Music.

Lucas, N. (2020) Informing performance of Prokofiev's piano music: researching the musical score. Masters thesis, Royal College of Music.

M

Meyn, N. (2021) Between two worlds: discovering the music of Robert Kahn (1865-1951). Classical Music. ISSN 0961-2696 (print) 2632-8208 (online)

Meyn, N. (2023) Encounters with the émigré experience: discovering the chamber music and songs of Peter Gellhorn. 'Music and Exile: from 1933 to the Present Day' Yearbook of the Research Centre for German and Austrian Exile Studies, 22. pp. 217-236. ISSN 1388-3720 (print) 1875-8118 (online)

Meyn, N. (2021) Marginalised in our cultural memory: migrant musicians from Nazi-occupied Europe in Britain. In: First Annual Midlands Music Research Network Conference, 19-20 April 2021, Online. (Unpublished)

Meyn, N. (2021) ‘Music, Migration and Mobility’: an ongoing research project at the Royal College of Music. Music & Practice, 9. ISSN 1893-9562 (online)

Meyn, N. (2019) Musical migrants: refugee musicians from Nazi Germany and Austria in Britain. In: German Research Seminar, 6 February 2019, King's College London. (Unpublished)

Meyn, N. (2017) Researching forbidden music regained. In: Leo Smit Stichting, 2017, Amsterdam. (Unpublished)

Meyn, N. (2013) Singing a song in a foreign land. [Website]

Meyn, N. (2014) Singing a song in a foreign land: a celebration of music by émigré composers. In: Symposium, 21-23 February 2014, Royal College of Music, London. (Unpublished)

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Mival, W. (2013) BBC Proms plus intro: Rachmaninov: Symphony No. 2. [Broadcast]

Mival, W. (2014) BBC Radio 3 opera guides: operas by Richard Strauss. [Broadcast]

Mival, W. (2020) BBC Radio 3 record review: Proms composer: Rachmaninov. [Broadcast]

Mival, W. (2019) BBC Radio 3 record review: Proms composer: Richard Strauss. [Broadcast]

Mival, W. (2009) BBC Radio 3 record review: building a library: Bruckner: Symphony No. 5. [Broadcast]

Mival, W. (2008) BBC Radio 3 record review: building a library: Debussy: La Mer. [Broadcast]

Mival, W. (2017) BBC Radio 3 record review: building a library: Mahler's Symphony No. 2 'Resurrection'. [Broadcast]

Mival, W. (2019) BBC Radio 3 record review: building a library: Mahler's Third Symphony. [Broadcast]

Mival, W. (2016) BBC Radio 3 record review: building a library: Mahler: Symphony No. 5. [Broadcast]

Mival, W. (2012) BBC Radio 3 record review: building a library: Rachmaninov: Symphony No. 2. [Broadcast]

Mival, W. (2014) BBC Radio 3 record review: building a library: Ravel: La Valse. [Broadcast]

Mival, W. (2018) BBC Radio 3 record review: building a library: Richard Strauss's Till Eulenspiegels lustige Streiche. [Broadcast]

Mival, W. (2007) BBC Radio 3 record review: building a library: Richard Strauss: Metamorphosen. [Broadcast]

Mival, W. (2009) BBC Radio 3 record review: building a library: Schoenberg: Pelleas und Melisande. [Broadcast]

Mival, W. (2018) BBC Radio 3 record review: building a library: Schumann's Symphony No. 4. [Broadcast]

Mival, W. (2008) BBC Radio 3 record review: building a library: Scriabin: Le Poème de l’extase. [Broadcast]

Mival, W. (2015) BBC Radio 3 record review: building a library: Scriabin: Prometheus. [Broadcast]

Mival, W. (2011) BBC Radio 3 record review: building a library: Strauss: Alpine Symphony. [Broadcast]

Mival, W. (2013) BBC Radio 3 record review: building a library: Stravinsky: The Firebird Suite. [Broadcast]

Mival, W. (2021) BBC Radio 3 record review: building a library: Tchaikovsky's Fifth Symphony. [Broadcast]

Mival, W. (2012) Case study: Karlheinz Stockhausen: Gruppen für drei Orchester. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 798-814. ISBN 9780521896115 (hardback) 9781139025966 (e-book)

Mival, W. (1989) Der Meister und Margarita. Tempo (170). pp. 37-38. ISSN 0040-2982 (print) 1478-2286 (online)

Mival, W. (1998) Der gerettete Alberich. Tempo (205). p. 17. ISSN 0040-2982 (print) 1478-2286 (online)

Mival, W. (1995) Höller's 'Pensées'. Tempo (193). p. 43. ISSN 0040-2982 (print) 1478-2286 (online)

Mival, W. (2008) Scriabin's world. [Broadcast]

P

Pearson, I. E. (2018) Academy of Ancient Music (twentieth century); Berr, Frédéric; English Baroque Soloists; Florilegium; Gardiner, John Eliot. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Pearson, I. E. (2021) Discovering Robert Kahn. Clarinet & Saxophone, 46 (2). ISSN 0260-390X

Pearson, I. E. (2018) Lawson, Colin; Orchestra of the Age of Enlightenment; Orchestra of the Eighteenth Century; Orchestre Révolutionnaire et Romantique; Stowell, Robin. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Pearson, I. E. (2021) The clarinet in opera before 1830: instrument and genre come of age. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 93-119. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book) ISSN 1071-9989, v. 179

Q

Querns Langley, K. E. (2021) Reconstructing the tenor ‘pharyngeal voice’: a historical and practical investigation. Doctoral thesis, Royal College of Music.

R

Reich, N. B. and Loges, N. (2021) Grove Music Online article: Schumann [née Wieck], Clara (Josephine). Oxford University Press, Oxford.

Robson, B. (2021) Howells revisited. Clarinet & Saxophone, 46 (3). pp. 22-25. ISSN 0260-390X

Roper, J. (2017) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (3-4). pp. 295-324. ISSN 1788-6244

Roper, J. (2015) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture (1879). In: Exoticism, Orientalism and National Identity in Musical Theatre: International Musicological Conference on the Centenary of the Death of Karl Goldmark, 11-12 December 2015, Budapest. (Unpublished)

Roper, J. (2014) Performing Ligeti’s Violin Concerto: a work for the present day. In: György Ligeti and the Future of Maverick Modernity Conference, 14-15 July 2014, Maccagno, Italy. (Unpublished)

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Aus Jugendtagen Op. 53. Musikproduktion Höflich, Munich.

Roper, J. (2015) Preface to score: Károly (Karl) Goldmark: Penthesilea. Musikproduktion Höflich, Munich.

Roper, J. (2017) Preface to score: Károly (Karl) Goldmark: Psalm 113 Op. 40 for choir and orchestra. Musikproduktion Höflich, Munich.

Roper, J. (2018) Preface to vocal score: Jenö Hubay: The Luthier of Cremona (with German and French libretto). Musikproduktion Höflich, Munich.

S

Smith, R. L. (2011) 'Aimer ainsi': rekindling the lamp in Pelléas. In: Rethinking Debussy. Oxford University Press, Oxford, pp. 76-95. ISBN 9780199755639 (hardback) 9780199755646 (paperback)

Smith, R. L. (2015) Behind Ravel’s Boléro: the repercussions of Wellington’s Victory. In: City of Light: Paris 1900-1950: International Conference, 27-29 May 2015, French Cultural Institute, London. (Unpublished)

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. The Musical Times, 139 (1861). pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Agostino Agazzari and music at Siena Cathedral 1597-1641' by Colleen Reardon. The Musical Times, 135 (1821). p. 714. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. The Musical Times, 132 (1782). p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli' by Michael Talbot. The Musical Times, 135 (1821). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1990) Book review: 'Darius Milhaud' by Paul Collaer, edited and translated by Jane Hohfeld Galante. Music & Letters, 71 (1). pp. 134-135. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1). pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Early recordings and musical style: changing tastes in instrumental performance' by Robert Philip. Early Music, 21 (3). pp. 473-474. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1981) Book review: 'Ernest Chausson: the man and his music' by Ralph Scott Grover. Music & Letters, 62 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Francesco Geminiani' by Enrico Careri. The Musical Times, 135 (1815). p. 290. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Book review: 'Images: the piano music of Claude Debussy' by Paul Roberts. BBC Music Magazine, 4 (9). p. 19. ISSN 0966-7180 (print)

Smith, R. L. (1976) Book review: 'Messiaen' by Robert Sherlaw Johnson and 'Messiaen' by Roger Nichols. Music & Letters, 57 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Saint-Saëns and the organ' by Rollin Smith. Music & Letters, 75 (3). pp. 475-477. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Satie the Composer' by Robert Orledge. Music & Letters, 72 (3). pp. 470-472. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1990) Book review: 'The Music of Arthur Honegger' by Geoffrey K. Spratt. Music & Letters, 71 (2). pp. 281-282. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The musical language of Gabriel Fauré' by Robin Tait. Music & Letters, 72 (4). pp. 646-647. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The operas of Charles Gounod' by Steven Huebner. Music & Letters, 72 (3). pp. 465-467. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Vivaldi: voice of the Baroque' by H. C. Robbins Landon; 'The master musicians: Vivaldi' by Michael Talbot. The Musical Times, 135 (1812). p. 99. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book/edition review: 'The art of the unmeasured prelude for harpsichord' by Colin Tilney. Early Music, 21 (1). pp. 131-134. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. The Musical Times, 136 (1831). pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2012) D'un opéra à l'autre: de Rodrigue à Pelléas [From one opera to the other: from Rodrigue to Pelléas]. In: Pelléas et Mélisande Cent Ans Après: Études et Documents. Symétrie Recherche . Symétrie, Lyon, pp. 17-40. ISBN 978-2-914373-85-2

Smith, R. L. (1981) Debussy and the Pre-Raphaelites. 19th-Century Music, 5 (2). pp. 95-109. ISSN 0148-2076 (print) 1533-8606 (online)

Smith, R. L. (1973) Debussy and the art of the cinema. Music & Letters, 54 (1). pp. 61-70. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1999) Debussy on performance: sound and unsound ideals. In: Debussy in Performance. Yale University Press, New Haven, pp. 3-27. ISBN 0300076266 (hardback)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5. pp. 2-18. ISSN 0395-1200

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (2020) Le cas Debussy: layers of resonance from literature into music. In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh, pp. 624-631. ISBN 9780748693122 (hardback) 9780748693146 (e-book: ePub) 9780748693139 (e-book: PDF)

Smith, R. L. (2014) 'Lost expression': the curse of the urtext. In: Public seminar, 4 November 2014, Birmingham Conservatoire. (Unpublished)

Smith, R. L. (1992) Magic bells: review of 'Le jardin retrouvé: the music of Frédéric Mompou' by Wilfrid Mellers. The Musical Times, 133 (1788). p. 77. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) More Fauré than Ferneyhough. The Musical Times, 133 (1797). pp. 555-557. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Motives and symbols. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 78-106. ISBN 9780521314466 (paperback)

Smith, R. L. (1993) Ohana on Ohana: an English interview. Contemporary Music Review, 8 (1). pp. 123-129. ISSN 0749-4467 (print) 1477-2256 (online)

Smith, R. L. (1997) Penetrating tribute: review of 'Schubert, Müller and Die schöne Müllerin' by Susan Youens. The Musical Times, 138 (1850). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2015) Pushing the boundaries of the French mélodie: 20 years of Debussy (1882–1902). In: Words into Music: Poets, Composers & Songs: Study Day, 16 October 2015, Wadham College, Oxford. (Unpublished)

Smith, R. L. (2000) Ravel's operatic spectacles: L'heure and L'enfant. In: The Cambridge Companion to Ravel. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 188-210. ISBN 9780521648561 (paperback) 9781139796996 (e-book)

Smith, R. L. (1988) Rodrigue et Chimène: genèse, histoire, problèmes d'édition [Rodrigue et Chimène: genesis, history, and problems of editing]. Cahiers Debussy, 12-13. pp. 67-81. ISSN 0395-1200

Smith, R. L. (1997) See, hear: review of 'L'impressionnisme et la musique' by Michel Fleury. The Musical Times, 138 (1856). pp. 26-29. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Sister of perpetual indulgence. The Musical Times, 135 (1822). pp. 740-744. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2014) Style, performance practice, and reception in the Prelude, chorale and fugue: placing and performing César Franck. In: Perspectives on the Performance of French Piano Music. Routledge, Abingdon, pp. 105-123. ISBN 9781409400646 (hardback) 9781138269699 (paperback) 9781315600239 (e-book)

Smith, R. L. (1989) Tonalities of darkness and light. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 107-139. ISBN 9780521314466 (paperback)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. The Musical Times, 139 (1863). pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) A fund of discoveries: review of 'Marc-Antoine Charpentier' (Oxford studies of composers) by H. Wiley Hitchcock. The Musical Times, 132 (1775). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2021) The original staging of Carmen: the 1875 mise-en-scène with English translation. Carmen Abroad Website.

Smith, R. L. (1989) The play and its playwright. In: Claude Debussy: Pelléas et Mélisande. Cambridge Opera Handbooks . Cambridge University Press, Cambridge, pp. 1-29. ISBN 9780521314466 (paperback)

Smith, R. L. (1990) The tunesmith: review of 'Tomaso Albinoni, the Venetian composer and his world' by Michael Talbot. The Musical Times, 131 (1774). p. 655. ISSN 0027-4666 (print) 2397-5318 (online)

Solomon, A. (2018) Altès, Joseph Henry; Brüggen, Franciscus Jozef; Delusse, Charles; Freillon-Poncein, Jean-Pierre; Ganassi dal Fontego, Sylvestro di; Herreweghe, Philippe; Kirkby, Dame Emma. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2018) Mahaut, Antoine; Majer, Joseph Friedrich Bernhard Caspar; Neumann, Frederick; Nicholson, Charles; Rockstro, Richard Shepherd; Tromlitz, Johann George; Vandenbroek, Othon-Joseph. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2019) New discoveries from the archives of the Mission Churches in the Amazon. In: Frankfurt Hochschule public lecture, 30-31 January 2019, Frankfurt Hochschule. (Unpublished)

Solomon, A. (2018) Quantz, Joseph Joachim. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 516-517. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2017) Telemann: prolífico compositor, sagaz editor [Telemann: prolific composer, shrewd editor]. Scherzo (334). pp. 76-79. ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Telemann’s collection of instrumental works. Scherzo, 334. ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Twelve fantasias in 7 questions: Ashley Solomon’s new Telemann disc. Revoice Magazine (5).

Stowell, R. and Lawson, C. (2018) Vibrato. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 650-658. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

T

Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4). pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2018) Callcott, John Wall [encyclopaedia article in Die Musik in Geschichte und Gegenwart]. Bärenreiter, J. B. Metzler, Répertoire International de Littérature Musicale.

Thormählen, W. (2008) Edition review: C. P. E. Bach: the complete works series V, vol. 5.1, works for special occasions I ed. Ulrich Leisinger. Eighteenth-Century Music, 5 (1). pp. 123-125. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2008) Edition review: Franz Clement: Violin Concerto in D major (1805) ed. Clive Brown. Eighteenth-Century Music, 5 (2). pp. 255-257. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1). pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2003) Georg Muffat—a document for the French manner? Early Music, 31 (1). pp. 110-116. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2003) Konvention als Kritik? Mozarts 'klavier sonate mit begleitung einer Violin' KV 526 [Convention as criticism? Mozart’s piano sonata with violin accompaniment K.526]. Acta Mozartiana, 50 (1-2). pp. 23-36. ISSN 0001-6233

Thormählen, W. (2006) Kritik zum Vergnügen: Mozarts Spiel mit kompositorischen Konventionen in seiner Klavier sonata mit begleitung einer Violin KV 526 [Criticism for fun: Mozart's play with compositional conventions in his Piano sonata accompanied by a violin, K.526]. In: Neues musikwissenschaftliches Jahrbuch. Wißner-Verlag, Augsburg, pp. 147-167. ISBN 978-3896395511

Thormählen, W. (2011) Recording review article: ‘Kleinmeister’ music—a conflict of interests? Early Music, 39 (4). pp. 655-658. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2022) Recording review: 'Heritage: the music of Madrid in the time of Goya' Cuarteto Quiroga (Cobra 0067). Eighteenth-Century Music, 19 (1). pp. 79-81. ISSN 1478-5706 (print) 1478-5714 (online)

W

Williamon, A. (2018) Memory (performing from). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 402-404. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Windram, H. F. and Charlston, T. and Tomita, Y. and Howe, C. J. (2022) A phylogenetic analysis of two Preludes from J. S. Bach’s Well-Tempered Clavier II. Early Music (caac02). ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2018) Agricola, Johann Friedrich; Bernhard, Christoph; Brunelli, Antonio; Caccini, Giulio; Conforti, Giovanni Luca; Corri, Domenico; Hiller, Johann Adam; Maffei, Giovanni Camillo; Mancini, Giovanni Battista; Monteverdi, Claudio; Zacconi, Lodovico; Zenobi, Luigi. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2021) Colonialism, capitalism, and the invention of Early Music. In: Forum für Aufführungspraxis, 1 December 2021, Staatliche Hochschule für Musik, Trossingen, Germany. (Unpublished)

Wistreich, R. (2018) Historically informed singing: fantasy, reality - or an irrelevance? In: National Early Music Forum, 21 October 2018, Brighton. (Unpublished)

Wistreich, R. (2021) ‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe. In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University). (Unpublished)

Wistreich, R. (2007) Monteverdi in performance. In: The Cambridge Companion to Monteverdi. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 261-279. ISBN 9780521875257 (hardback) 9780521697989 (paperback) 9781139798631 (e-book)

Wistreich, R. (2018) Performance practice scholarship. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 476-482. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2018) Singing. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 576-580. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2010) Using the music: musical materials and expert singers’ practices in Monteverdi’s time. Basler Jahrbuch für Historische Musikpraxis, 34. pp. 61-72.

Wistreich, R. (2018) Vocal performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 676-681. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2011) Who sings the cantus? Children as performers of secular music in the early modern period. TroJa. Jahrbuch für Renaissancemusik, 10. pp. 157-176. ISSN 2513-1028

Wistreich, R. (2022) The materiality of Early Modern ensemble music making. In: Royal Musical Association Annual Conference, 7-10 September 2022, Durham. (Unpublished)

Wright, D. C. H. (1992) 1992 Prom premières. Tempo (183). pp. 33-34. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1990) At the threshold of eternity: Robert Saxton on disc. The Musical Times, 131 (1769). pp. 363-364. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Autonomy: review of 'Stravinsky: the music box and the nightingale' by Daniel Albright. The Musical Times, 131 (1773). p. 601. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Charles Seeger: a life in American music' by Ann M. Pescatello. The Musical Times, 134 (1803). p. 270. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Creative sources for the music of Toru Takemitsu' by Noriko Ohtake. The Musical Times, 134 (1805). p. 399. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Book review: 'Francis Poulenc' by Wilfrid Mellers. Tempo (189). pp. 33-35. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book review: 'Harvard composers: Walter Piston and his students, from Elliott Carter to Frederic Rzewski' by Howard Pollack. The Musical Times, 134 (1804). p. 340. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Book review: 'New music 89' ed. Michael Finnissy and Roger Wright. The Musical Times, 131 (1789). p. 367. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Samuel Barber: the composer and his music' by Barbara B. Heyman. The Musical Times, 134 (1800). p. 91. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2021) Book review: 'Sir Henry Wood: champion of J. S. Bach' by Hannah French. Bach: Journal of the Riemenschneider Bach Institute, 52 (1). pp. 104-109. ISSN 0005-3600 (print) 2767-4843 (online)

Wright, D. C. H. (1993) Book review: 'Sorabji: a critical celebration' ed. Paul Rapoport. The Musical Times, 134 (1805). p. 397. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Book review: 'The art of stealing time' by Louis Andriessen, ed. Mirjam Zegers, trans. Clare Yates, and 'The music of Louis Andriessen' ed. Maja Trochimczyk. Tempo, 57 (225). pp. 60-61. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book reviews: 'New tonality' ed. Paul Moravec and 'What's the matter with today's experimental music? Organized sound too rarely heard' by Leigh Landy. Tempo (185). pp. 36-37. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2015) Business studies: review of 'Michael Costa: England's first conductor: the revolution in musical performance in England, 1830–1880' by John Goulden. The Musical Times, 156 (1932). pp. 107-109. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1995) CD reviews: music by Colin Matthews and John Lambert. The Musical Times, 136 (1833). p. 607. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817). pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. The Musical Times, 135 (1813). pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Covalent bond: review of 'Sir George Dyson: his life and music' by Paul Spicer. The Musical Times, 155 (1929). pp. 91-97. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Critical challenge: review of 'Stocktakings from an apprenticeship' by Pierre Boulez, translated by Stephen Walsh. The Musical Times, 133 (1795). pp. 464-465. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Cry of the earth. The Musical Times, 133 (1793). pp. 339-341. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Dead and gone? Review of 'The music of John Ireland' by Fiona Richards. The Musical Times, 142 (1874). pp. 58-59. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882). pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Expanding covers. The Musical Times, 133 (1795). pp. 452-453. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Ferneyhough at fifty. The Musical Times, 134 (1801). pp. 125-128. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879). pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Grove Music Online article: Matthews, Colin. Oxford University Press, Oxford.

Wright, D. C. H. (2001) Grove Music Online article: Saxton, Robert. Oxford University Press, Oxford.

Wright, D. C. H. (2001) Grove Music Online article: Weir, Judith. Oxford University Press, Oxford.

Wright, D. C. H. (2001) Grove Music Online article: Woolrich, John. Oxford University Press, Oxford.

Wright, D. C. H. (2017) Hailing Hurlstone: review of ‘William Hurlstone: Croydon’s forgotten musical genius’ by Christopher Redwood. The Musical Times, 158 (1938). pp. 112-113. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) In the doll's house: review of 'Sviatoslav Richter: notebooks and conversations' by Bruno Monsaingeon, translated by Stewart Spencer. The Musical Times, 142 (1875). pp. 77-78. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) John Woolrich: expanding continuities. The Musical Times, 131 (1772). pp. 540-541. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The London Sinfonietta 1968–2004: a perspective. Twentieth-Century Music, 2 (1). pp. 109-136. ISSN 1478-5722 (print) 1478-5730 (online)

Wright, D. C. H. (1993) Looking for Barbara Kolb. The Musical Times, 134 (1799). pp. 9-12. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Louis Andriessen: polity, time, speed, substance. Tempo (187). pp. 7-14. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939). pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Maxims past and present (music review). The Musical Times, 134 (1810). pp. 693-695. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923). pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2003) Networking: review article. The Musical Times, 144 (1883). pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1988) New British. The Musical Times, 129 (1750). p. 671. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Opening windows: review of 'American experimental music, 1890-1940' by David Nicholls. The Musical Times, 133 (1789). p. 130. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Pay check: review of 'Elgar's earnings' by John Drysdale. The Musical Times, 154 (1925). pp. 91-99. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Portraits (review article). The Musical Times, 131 (1771). pp. 485-486. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Post factum: review of 'The collected letters of Peter Warlock (Philip Heseltine)' edited by Barry Smith. The Musical Times, 147 (1895). pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1997) Praxis makes perfect: review of 'Analytical strategies and musical interpretation' ed. Craig Ayrey and Mark Everist. The Musical Times, 138 (1853). p. 35. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1991) Proms 2: Peter Paul Nash. Tempo (179). pp. 55-56. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2000) Proms: Louis Andriessen's 'Trilogy of the Last Day'. Tempo (211). pp. 30-31. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2001) Robert Saxton in the 1990s. Tempo (215). pp. 2-6. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1991) Russian spring. Tempo (177). pp. 45-46. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2008) Sacred and profane: review of 'Edmund Rubbra: symphonist' by Leo Black and 'The innumerable dance: the life and work of William Alwyn' by Adrian Wright. The Musical Times, 149 (1905). pp. 103-106. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Situating Stainer: review of 'John Stainer: a life in music' by Jeremy Dibble. The Musical Times, 149 (1903). pp. 95-103. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2004) Take two: review of 'Performing music in the age of recording' by Robert Philip. The Musical Times, 145 (1889). pp. 98-100. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Turgid encounters: review of 'American composers: dialogues on contemporary music' by Edward Strickland. The Musical Times, 133 (1795). p. 462. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1996) Unscrambling myths: review of 'Shostakovitch studies' ed. David Fanning. The Musical Times, 137 (1846). p. 29. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880). pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Virgin music: review of 'New sounds: the Virgin guide to new music' by John Schaefer. The Musical Times, 131 (1772). pp. 547-548. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Weir to now? The Musical Times, 134 (1806). pp. 432-437. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) A style too far? (Recording review). The Musical Times, 134 (1802). pp. 215-217. ISSN 0027-4666 (print) 2397-5318 (online)