Items where Subject is "M Music and Books on Music > ML Literature on music > Philosophical and societal aspects of music. Physics and acoustics of music. Physiological aspects of music > Social and political aspects of music"

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Adlington, R. (2008) 1968 and new music in the Netherlands. In: Musikkulturen in der Revolte: Studien zu Rock, Avantgarde und Klassik im Umfeld von "1968" [Music Cultures in the Revolt: Studies on Rock, Avant-garde and Classical in the Context of "1968"]. Franz Steiner Verlag, Stuttgart, pp. 103-114. ISBN 978-3-515-09461-0

Adlington, R. (2013) Communisms, communist musics. In: Red Strains: Music and Communism Outside the Communist Bloc. British Academy/Oxford University Press, London, pp. 1-20. ISBN 9780197265390 (hardback) 9780191760440 (e-book)

Adlington, R. (2013) Composing dissent: avant-garde music in 1960s Amsterdam. Oxford University Press, Oxford. ISBN 9780199981014 (hardback) 9780199346202 (e-book)

Adlington, R. (2020) Curating difference. In: Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Adlington, R. (2009) Forms of opposition at the “Politiek‐Demonstratief Experimenteel” concert. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 56-77. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2009) Introduction: avant-garde music and the sixties. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 3-14. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2019) Introduction: why ‘new music theatre’ now? In: New Music Theatre in Europe: Transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R. (2005) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3). pp. 381-417. ISSN 0277-9269 (print) 1533-8347 (online)

Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)

Adlington, R. (2019) Music together, music apart: on democratic communities. Journal of the Royal Musical Association, 144 (1). pp. 191-204. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2007) Organizing labor: composers, performers, and “the renewal of musical practice” in the Netherlands, 1969–72. The Musical Quarterly, 90 (3-4). pp. 539-577. ISSN 0027-4631 (print) 1741-8399 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2009) Tuning in and dropping out: the disturbance of the Dutch premiere of Stockhausen's Stimmung. Music & Letters, 90 (1). pp. 94-112. ISSN 0027-4224 (print) 1477-4631 (online)

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Betts, N. (2020) The personal and social impact of non-accredited music education in prison: a transformative mixed methods approach to research in custodial settings. Masters thesis, Royal College of Music.

Brooks, J. and Thormählen, W. (2021) Introduction: making music matter in historic houses. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

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Camlin, D. A. (2018) Assessing quality in socially engaged musical performances. In: Reflective Conservatoire Conference 2018: Artists as Citizens, 20-23 February 2018, Guildhall School of Music & Drama. (Unpublished)

Camlin, D. A. (2017) Beyond binaries. In: Music and Ideas: What Do Excellence and Inclusion Really Mean?, 21 September 2017, Royal College of Music, London. (Unpublished)

Camlin, D. A. (2023) Community music and the civic imagination. In: Listen to your Neighbourhood: Musik als Medium kultureller und Sozialer Arbeit. Beltz Juventa, pp. 10-21. ISBN 978-3-7799-7012-5

Camlin, D. A. (2022) Encounters with participatory music. In: The Chamber Musician in the Twenty-First Century. MDPI, Basel, pp. 43-72. ISBN 978-3-03897-562-5 (hardback) 978-3-03897-563-2 (PDF)

Camlin, D. A. (2021) Mind the gap! In: Community Music at the Boundaries. Wilfrid Laurier University Press, Waterloo, Ontario, Canada. ISBN 9781771124577 (paperback)

Camlin, D. A. (2017) Music in three dimensions: an integrative perspective on the aesthetic, praxial and social dimensions of music. In: International Society for Music Education World Conference, 25-29 July 2016, Glasgow.

Camlin, D. A. (2021) Organizational dynamics in community ensembles. In: Together in Music: Coordination, Expression, Participation. Oxford University Press, Oxford. ISBN 9780198860761 (hardback)

Camlin, D. A. (2021) Recovering our humanity - what’s love (and music) got to do with it? In: Authentic Connection: Music, Spirituality, and Wellbeing. Music and Spirituality (13). Peter Lang, Oxford. ISBN 9781800791596 (paperback)

Camlin, D. A. (2017) Whatever you say I am, that’s what I’m not: developing dialogical and dissensual ways of conceiving of and talking about community music. In: International Seminar of the ISME Commission on Community Music Activity, 19-23 July 2016, Edinburgh.

Camlin, D. A. and Caulfield, L. and Perkins, R. (2020) Capturing the magic: a three-way dialogue on the impact of music on people and society. International Journal of Community Music, 13 (2). pp. 157-172. ISSN 1752-6299 (print) 1752-6302 (online)

Camlin, D. A. and Daffern, H. and Zeserson, K. (2020) Group singing as a resource for the development of a healthy public: a study of adult group singing. Humanities & Social Sciences Communications, 7 (60). ISSN 2662-9992 (online)

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Henley, J. and Cohen, M. L. (2014) Constructing personal narratives around key musical events: redefining identities and attitudes within and outside of prison music. In: CMA XIV Listening to the world: Experiencing and Connecting the Knowledge from Community Music, 15-18 July 2014, Salvador, Brazil.

Hewett, I. (1996) Book review: 'Classical music and postmodern knowledge' by Laurence Kramer. BBC Music Magazine, 4 (6). p. 23. ISSN 0966-7180 (print)

Hewett, I. (2020) La Traviata was a 'fiasco' and Great Expectations flopped: the masterpieces that started as first-night disasters. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Sorry, Remainers – Ode To Joy is not, and has never been, an EU anthem. Daily Telegraph. ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2021) The vanishing discipline: the threat to musicology. Search: Journal for New Music and Culture, 12. pp. 1-17.

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Lawson, C. (2011) Nourishment, body and soul: modern performers, diverse tastes. In: Educated Tastes: Food, Drink, and Connoisseur Culture. At Table . University of Nebraska Press, Lincoln, Nebraska, pp. 215-236. ISBN 978-0-8032-1935-9 (paperback) 978-0-8032-3813-8 (e-book)

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Mather, B. and Camlin, D. A. (2017) Situational pedagogy in community music: developing a pedagogical approach which accounts for and responds to the changing needs of music learners and music learning situations. In: International Seminar of the ISME Commission on Community Music Activity, 19-23 July 2016, Edinburgh.

Meyn, N. (2015) Exile estates and music restitution. In: Symposium, 31 May 2015, Royal College of Music, London. (Unpublished)

Meyn, N. (2018) Singing a song in a foreign land. In: Association of Anglican Musicians Conference, 11-14 June 2018, San Antonio, Texas. (Unpublished)

Meyn, N. and Heller-Jones, C. (2018) Love of Lieder: tracing the Jewish journey through 19th and 20th century German song [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Morgan, F. (2020) Common cents: the experiences of low-income students in high-profile conservatoires. Masters thesis, Royal College of Music.

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Perkins, R. and Kaye, S. and Zammit, B. B. and Mason-Bertrand, A. and Spiro, N. and Williamon, A. (2022) How arts engagement supported social connectedness during the first year of the COVID-19 pandemic in the UK: findings from the HEartS Survey. Public Health, 207. pp. 1-6. ISSN 0033-3506

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Rossi Rognoni, G. (2019) Organology and the others: a political perspective. Journal of the American Musical Instrument Society, 44. pp. 7-17. ISSN 0362-3300

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Smith, R. L. (2021) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) 9781800100466 (e-book)

Smith, R. L. (2020) Marketing Madame Chaminade: soap, smells and sheet music. In: Conference: Musical Women in Europe in the Long Nineteenth Century, 24-26 February 2020, Royal Northern College of Music, Manchester. (Unpublished)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. The Musical Times, 139 (1896). pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Stirling, C. (2016) ‘Beyond the dance floor’? Gendered publics and creative practices in electronic dance music. Contemporary Music Review, 35 (1). pp. 130-149. ISSN 0749-4467 (print) 1477-2256 (online)

Stirling, C. (2017) Crowds, cordons, and computers: rethinking density through London’s grime scene. In: Re-thinking Density: Art, Culture and Urban Practices. Publication Series of the Academy of Fine Arts Vienna . Sternberg Press, London, pp. 212-231. ISBN 978-3-95679-362-2 (paperback)

Stirling, C. (2021) Night cubes: revisiting UK sound art’s popular and club histories. Flash Art.

Stirling, C. (2020) Sonic methodologies in urban studies. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, London, pp. 115-139. ISBN 9781501338755 (hardback)

Stirling, C. (2018) Sound, affect, politics. In: The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions . Routledge, Abingdon, pp. 54-67. ISBN 9781138854253 (hardback) 9780367659745 (paperback) 9781315722191 (e-book)

Stirling, C. (2019) Voice memos from the dancefloor. [Audio]

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Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. Göttingen Händel-Beiträge, 15. pp. 144-160. ISSN 0177-7319 (print) 2197-330X (online)

Tregear, P. and Johansen, G. and Jorgensen, H. and Sloboda, J. and Tulve, H. and Wistreich, R. (2016) Conservatoires in society: institutional challenges and possibilities for change. Arts & Humanities in Higher Education, 15 (3-4). pp. 276-292. ISSN 14740222

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Wright, D. C. H. (2020) Book review: 'Mary Gladstone and the Victorian salon: music, literature, liberalism' by Phyllis Weliver. Journal of the American Musicological Society, 73 (2). pp. 420-425. ISSN 0003-0139 (print) 1547-3848 (online)

Wright, D. C. H. (2009) Catalyst for change: review of 'The triumph of music: composers, musicians and their audiences, 1700 to the present' by Tim Blanning. The Musical Times, 150 (1909). pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. The Musical Times, 135 (1813). pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879). pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Networking: review article. The Musical Times, 144 (1883). pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2022) Review article: People power: 'The art of appreciation: music and middlebrow culture in modern Britain' by Kate Guthrie. The Musical Times, 163 (1960). pp. 87-102. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Sir Frederick Bridge and the musical furtherance of the 1902 imperial project. In: Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 115-130. ISBN 9780754652083 (hardback) 9781315094281 (e-book)