Items where Year is 2012

Lawson, C. and Stowell, R., eds. (2012) The Cambridge history of musical performance. The Cambridge History of Music . Cambridge University Press, Cambridge. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wistreich, R., ed. (2012) Musical materials and cultural spaces. Society for Renaissance Studies, ISSN 026-1213.

Bowden, M. (2012) Heartland. [Composition]

Bowden, M. (2012) Parable. [Composition]

Bowden, M. (2012) Viriditas. [Composition]

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359) pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2) pp. 30-35. ISSN 2049-1514

Clark, T. and Redding, E. (2012) The relationship between postural stability and dancers' past and future lower-limb injuries. Medical Problems of Performing Artists, 27 (4) pp. 197-204. ISSN 0885-1158 (print) 1938-2766 (online)

Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40 pp. 471-493. ISSN 0305-7356 (print) 1741-3087 (online)

Cole, J. (2012) Giri kur dab. [Composition]

Cole, J. (2012) Nadanu. [Composition] (Unpublished)

Cole, J. (2012) Un-veiled litanies. [Composition] (Unpublished)

Devaney, K. (2012) Death over a guess. [Composition]

Devaney, K. (2012) How normal is your sex life? [Composition]

Devaney, K. (2012) In memory. [Composition]

Devaney, K. (2012) Submerge. [Composition]

Driver, D. (2012) C. P. E. Bach: Keyboard Sonatas vol. 2. [Audio]

Driver, D. (2012) Erik Chisholm: Piano Concertos. [Audio]

Driver, D. (2012) Saint-Saëns: Piano Concerto no. 5, op. 103. [Audio]

Ginsborg, J. and Spahn, C. and Williamon, A. (2012) Health promotion in higher music education. In: Music, Health, and Wellbeing. Oxford University Press, Oxford, pp. 356-366. ISBN 9780199686827

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4) pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Hesketh, K. (2012) Chronicles of the time (lamentations from Macbeth). [Composition]

Hesketh, K. (2012) Danceries (set II) [version for brass band]. [Composition]

Hesketh, K. (2012) Forms entangled, shapes collided. [Composition]

Hesketh, K. (2012) Horae (pro Clara). [Composition]

Hesketh, K. (2012) Rêverie [Debussy arr. Hesketh]. [Composition]

Hesketh, K. (2012) Élégie [Debussy arr. Hesketh]. [Composition]

Holt, S. (2012) Ellsworth 2. [Composition]

Holt, S. (2012) Escaramuza. [Composition]

Holt, S. (2012) Migas (book 1). [Composition]

Kittos, H. (2012) Intermezzo. [Composition]

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1) pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2012) Musical history: historical music. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 25-30. ISBN ISBN 978 0 907635 59 8

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1) pp. 36-44. ISSN 0001-6233

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3) pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Mival, W. (2012) And singing say and saying sing – the private devotions for the hours of prayer of John Cosin. [Composition] (Unpublished)

Mival, W. (2012) BBC Radio 3 record review: building a library: Rachmaninov: Symphony No. 2. [Broadcast]

Mival, W. (2012) Case study: Karlheinz Stockhausen: Gruppen für drei Orchester. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 798-814. ISBN 9780521896115 (hardback) 9781139025966 (e-book)

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1) pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1) pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Perkins, R. (2012) Rethinking ‘career’ for music students: identity and vision. In: Life in the Real World: How to Make Music Graduates Employable. New Directions in the Humanities . Common Ground Research Networks, pp. 11-26. ISBN 978-1-61229-078-2 (paperback) 978-1-61229-079-9 (PDF)

Ritchie, L. and Williamon, A. (2012) Self-efficacy as a predictor of musical performance quality. Psychology of Aesthetics, Creativity, and the Arts, 6 (4) pp. 334-340. ISSN 1931-3896 (print) 1931-390X (online)

Rossi Rognoni, G. (2012) La lira nel Rinascimento: una riscoperta? [The lyre in the Renaissance: a rediscovery?]. In: Il dolce potere delle corde: Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento. Gabinetto disegni e stampe degli Uffizi: Inventario generale delle stampe (98). Leo S. Olschki, Florence, pp. 25-33. ISBN 9788822261830

Scarlato, D. (2012) Don't be afraid, the clown's afraid too. [Composition] (Unpublished)

Scarlato, D. (2012) Salty Sarah. [Composition]

Scarlato, D. (2012) The sound of clashing scabbards. [Composition]

Smith, R. L. (2012) D'un opéra à l'autre: de Rodrigue à Pelléas [From one opera to the other: from Rodrigue to Pelléas]. In: Pelléas et Mélisande Cent Ans Après: Études et Documents. Symétrie Recherche . Symétrie, Lyon, pp. 17-40. ISBN 978-2-914373-85-2

Solomon, A. (2012) Bach: Organ Trio Sonatas (arranged for multiple instruments). [Audio]

Stakelum, M. (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland. (Unpublished)

Stakelum, M. (2012) An analysis of verbal responses to music in a group of adult non-specialists. In: Music Education Volume III: Music Teaching and Learning. Major Themes in Education . Routledge, Abingdon, pp. 397-424. ISBN 9780415693356 (hardback)

Stakelum, M. and Baker, D. (2012) Music and primary schools: conceptions of musical ability held by primary teachers. In: 30th ISME World Conference on Music Education, 15-20 July 2012, Thessaloniki, Greece. (Unpublished)

Turnage, M.-A. (2012) At sixes and sevens. [Composition]

Turnage, M.-A. (2012) Falling apart. [Composition]

Turnage, M.-A. (2012) Frieze. [Composition]

Turnage, M.-A. (2012) Speranza. [Composition]

Wasley, D. and Taylor, A. and Backx, K. and Williamon, A. (2012) Influence of fitness and physical activity on cardiovascular reactivity to musical performance. Work: A Journal of Prevention, Assessment & Rehabilitation, 41 (1) pp. 27-32. ISSN 1051-9815 (print) 1875-9270 (online)

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)

Williamon, A. and Perkins, R. and Ritchie, L. and Thompson, S. (2012) Premiers pas en musique: étude de l’engagement des enfants vis-à-vis de la musique [Musical beginnings: a study of children’s engagement with music]. In: Musique et Sciences de l’Esprit (Music and the Sciences of the Mind). Académie Royale de Belgique, Brussels, pp. 123-137. ISBN 978-2-8031-0299-0

Wistreich, R. (2012) 'Il soprano e veramente l’ornamento di tutte l’altre parti': soprani, castrati, falsettisti and the performance of late Renaissance Italian secular music. In: Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Schott Campus . Schott Music, Mainz, pp. 71-85. ISBN 9783795707934

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1) pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Wistreich, R. (2012) Vocal performance in the seventeenth century. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 398-420. ISBN 9781139025966

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2012) The music exams of the Society for the Encouragement of Arts, Manufactures and Commerce, 1859–1919. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 161-180. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)