Items where Year is 2012

Group by: Creators | Item Type | No Grouping

Number of items: 71.

Article

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359) pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2) pp. 30-35. ISSN 2049-1514

Clark, T. and Redding, E. (2012) The relationship between postural stability and dancers' past and future lower-limb injuries. Medical Problems of Performing Artists, 27 (4) pp. 197-204. ISSN 0885-1158 (print) 1938-2766 (online)

Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40 pp. 471-493. ISSN 0305-7356 (print) 1741-3087 (online)

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4) pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1) pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1) pp. 36-44. ISSN 0001-6233

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3) pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1) pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1) pp. 34-38. ISSN 2049-1514

Ritchie, L. and Williamon, A. (2012) Self-efficacy as a predictor of musical performance quality. Psychology of Aesthetics, Creativity, and the Arts, 6 (4) pp. 334-340. ISSN 1931-3896 (print) 1931-390X (online)

Wasley, D. and Taylor, A. and Backx, K. and Williamon, A. (2012) Influence of fitness and physical activity on cardiovascular reactivity to musical performance. Work: A Journal of Prevention, Assessment & Rehabilitation, 41 (1) pp. 27-32. ISSN 1051-9815 (print) 1875-9270 (online)

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1) pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Book Section

Ginsborg, J. and Spahn, C. and Williamon, A. (2012) Health promotion in higher music education. In: Music, Health, and Wellbeing. Oxford University Press, Oxford, pp. 356-366. ISBN 9780199686827

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2012) Musical history: historical music. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 25-30. ISBN ISBN 978 0 907635 59 8

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Mival, W. (2012) Case study: Karlheinz Stockhausen: Gruppen für drei Orchester. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 798-814. ISBN 9780521896115 (hardback) 9781139025966 (e-book)

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Perkins, R. (2012) Rethinking ‘career’ for music students: identity and vision. In: Life in the Real World: How to Make Music Graduates Employable. New Directions in the Humanities . Common Ground Research Networks, pp. 11-26. ISBN 978-1-61229-078-2 (paperback) 978-1-61229-079-9 (PDF)

Rossi Rognoni, G. (2012) La lira nel Rinascimento: una riscoperta? [The lyre in the Renaissance: a rediscovery?]. In: Il dolce potere delle corde: Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento. Gabinetto disegni e stampe degli Uffizi: Inventario generale delle stampe (98). Leo S. Olschki, Florence, pp. 25-33. ISBN 9788822261830

Smith, R. L. (2012) D'un opéra à l'autre: de Rodrigue à Pelléas [From one opera to the other: from Rodrigue to Pelléas]. In: Pelléas et Mélisande Cent Ans Après: Études et Documents. Symétrie Recherche . Symétrie, Lyon, pp. 17-40. ISBN 978-2-914373-85-2

Stakelum, M. (2012) An analysis of verbal responses to music in a group of adult non-specialists. In: Music Education Volume III: Music Teaching and Learning. Major Themes in Education . Routledge, Abingdon, pp. 397-424. ISBN 9780415693356 (hardback)

Williamon, A. and Perkins, R. and Ritchie, L. and Thompson, S. (2012) Premiers pas en musique: étude de l’engagement des enfants vis-à-vis de la musique [Musical beginnings: a study of children’s engagement with music]. In: Musique et Sciences de l’Esprit (Music and the Sciences of the Mind). Académie Royale de Belgique, Brussels, pp. 123-137. ISBN 978-2-8031-0299-0

Wistreich, R. (2012) 'Il soprano e veramente l’ornamento di tutte l’altre parti': soprani, castrati, falsettisti and the performance of late Renaissance Italian secular music. In: Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Schott Campus . Schott Music, Mainz, pp. 71-85. ISBN 9783795707934

Wistreich, R. (2012) Vocal performance in the seventeenth century. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 398-420. ISBN 9781139025966

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2012) The music exams of the Society for the Encouragement of Arts, Manufactures and Commerce, 1859–1919. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 161-180. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Conference or Workshop Item

Stakelum, M. (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland. (Unpublished)

Stakelum, M. and Baker, D. (2012) Music and primary schools: conceptions of musical ability held by primary teachers. In: 30th ISME World Conference on Music Education, 15-20 July 2012, Thessaloniki, Greece. (Unpublished)

Book

Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Edited book

Lawson, C. and Stowell, R., eds. (2012) The Cambridge history of musical performance. The Cambridge History of Music . Cambridge University Press, Cambridge. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wistreich, R., ed. (2012) Musical materials and cultural spaces. Society for Renaissance Studies, ISSN 026-1213.