Items where Subject is "Music Psychology"

A

Aiello, R. and Williamon, A. (2002) Memory. In: The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning. Oxford University Press, Oxford, pp. 167-181. ISBN 9780195138108

Alessandri, E. and Eiholzer, H. and Williamon, A. (2013) Between producers and consumers: critics’ role in guiding listeners’ choices. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). ISSN 1664-1078

Antonini Philippe, R. and Kosirnik, C. and Vuichoud, N. and Clark, T. and Williamon, A. and McPherson, G. E. (2020) Conservatory musicians’ temporal organization and self-regulation processes in preparing for a music exam. Frontiers in Psychology, 11 (89). ISSN 1664-1078

Antonini Philippe, R. and Kosirnik, C. and Vuichoud, N. and Williamon, A. and Crettaz von Roten, F. (2019) Understanding wellbeing among college music students and amateur musicians in Western Switzerland. Frontiers in Psychology, 10 (820). ISSN 1664-1078

Araújo, L. and Wasley, D. and Perkins, R. and Atkins, L. and Redding, E. and Ginsborg, J. and Williamon, A. (2017) Fit to perform: an investigation of higher education music students’ perceptions, attitudes, and behaviors toward health. Frontiers in Psychology, 8 (1558). ISSN 1664-1078

Araújo, L. and Wasley, D. and Perkins, R. and Atkins, L. and Redding, E. and Ginsborg, J. and Williamon, A. (2018) Music students' perceptions, attitudes and behaviours toward health. [Video]

Araújo, L. and Wasley, D. and Redding, E. and Atkins, L. and Perkins, R. and Ginsborg, J. and Williamon, A. (2020) Music students’ physical fitness. [Video]

Ascenso, S. (2022) Musicians’ wellbeing: a cross-sectional investigation within the framework of Positive Psychology. Doctoral thesis, Royal College of Music.

Ascenso, S. and Perkins, R. (2013) ‘The more the merrier’? Understanding the wellbeing of professional musicians in collaborative and solo work settings. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Ascenso, S. and Perkins, R. and Atkins, L. and Fancourt, D. and Williamon, A. (2018) Promoting well-being through group drumming with mental health service users and their carers. International Journal of Qualitative Studies on Health and Well-being, 13 (1) pp. 1-15. ISSN 1748-2631

Ascenso, S. and Perkins, R. and Williamon, A. (2020) Musicians' mental health. [Video]

Ascenso, S. and Perkins, R. and Williamon, A. (2018) Resounding meaning: a PERMA wellbeing profile of classical musicians. Frontiers in Psychology, 9 (1895). ISSN 1664-1078

Ascenso, S. and Williamon, A. and Perkins, R. (2017) Understanding the wellbeing of professional musicians through the lens of positive psychology. Psychology of Music, 45 (1) pp. 65-81. ISSN 0305-7356 (print) 1741-3087 (online)

Aufegger, L. (2016) The investigation of musicians’ physiological and psychological responses to performance stress. Doctoral thesis, Royal College of Music.

Aufegger, L. and Wasley, D. and Williamon, A. (2016) Facing the music: investigating the psychophysiology of musical performance. In: Art in Motion III: Performing Under Pressure. Peter Lang, Frankfurt, pp. 77-92. ISBN 978-3-631-67172-6

B

Biasutti, M. and Concina, E. and Wasley, D. and Williamon, A. (2013) Behavioral coordination among chamber musicians: a study of visual synchrony and communication in two string quartets. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Bradford, N. (2021) What is the effect of active music participation on well-being among adults with Down's syndrome? Doctoral thesis, Royal College of Music.

Burrai, F. and Hasan, W. and Fancourt, D. and Luppi, M. and Di Somma, S. (2016) A randomized controlled trial of listening to recorded music for heart failure patients: study protocol. Holistic Nursing Practice, 30 pp. 102-115. ISSN 0887-9311 (print) 1550-5138 (online)

C

Chaffin, R. and Lisboa, T. and Logan, T. and Begosh, K. T. (2010) Preparing for memorized cello performance: the role of performance cues. Psychology of Music, 38 (1) pp. 3-30. ISSN 0305-7356 (print) 1741-3087 (online)

Chanwimalueang, T. and Aufegger, L. and Adjei, T. and Wasley, D. and Cruder, C. and Mandic, D. P. and Williamon, A. (2017) Reacting to audition stress. [Video]

Chanwimalueang, T. and Aufegger, L. and Adjei, T. and Wasley, D. and Cruder, C. and Mandic, D. P. and Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4) pp. 1-14. ISSN 1932-6203

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and J. S. Bach’s Fugue in E major BWV 878/2. Part I. Clavichord International, 23 (2) pp. 39-48. ISSN 1387-0882

Clark, T. and Lisboa, T. (2013) Training for sustained performance: moving toward long-term musician development. Medical Problems of Performing Artists, 28 pp. 159-168. ISSN 0885-1158

Clark, T. and Lisboa, T. and Williamon, A. (2014) Learning to be an instrumental musician. In: Advanced Musical Performance: Investigations in Higher Education Learning. SEMPRE Studies in the Psychology of Music . Ashgate, London, pp. 287-300. ISBN 9781409436898

Clark, T. and Lisboa, T. and Williamon, A. (2014) An investigation into musicians' thoughts and perceptions during performance. Research Studies in Music Education, 36 (1) pp. 19-37. ISSN 1321-103X (print) 1834-5530 (online)

Clark, T. and Williamon, A. (2015) Applications within performance psychology. In: Performance Psychology: A Scientific Guide Across Perception, Action, Cognition, and Emotion. Academic Press, London, pp. 45-63. ISBN 9780128033777 (hardcover) 9780128033913 (e-book)

Clark, T. and Williamon, A. (2009) Developing evidence-based interventions to enhance performance. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

Clark, T. and Williamon, A. (2011) Evaluation of a mental skills training program for musicians. Journal of Applied Sport Psychology, 23 pp. 342-359. ISSN 1041-3200 (print) 1533-1571 (online)

Clark, T. and Williamon, A. (2009) Imaging the music: a context-specific method for assessing imagery ability. In: International Symposium on Performance Science 2009, New Zealand.

Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40 pp. 471-493. ISSN 0305-7356 (print) 1741-3087 (online)

Clark, T. and Williamon, A. and Aksentijevic, A. (2011) Musical imagery and imagination: the function, measurement and application of imagery skills for performance. In: Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception. Oxford University Press, Oxford, pp. 351-365. ISBN 9780199568086

Clark, T. and Williamon, A. and Lisboa, T. (2007) The phenomenology of performance: exploring musicians' perceptions and experiences. In: International Symposium on Performance Science 2007, 22-23 November 2007, Portugal.

Corcoran, C. and Spiro, N. (2021) Score-dependency: over-reliance on performing music from notation reduces aural pitch replication skills. Journal of Interdisciplinary Music Studies, 10 pp. 73-98.

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2017) Profiling musicians' pain. [Video]

D

Demos, A. P. and Lisboa, T. and Begosh, K. T. and Logan, T. and Chaffin, R. (2020) A longitudinal study of the development of expressive timing. Psychology of Music, 48 (1) pp. 50-66. ISSN 0305-7356 (print) 1741-3087 (online)

Demos, A. P. and Lisboa, T. and Chaffin, R. (2016) Flexibility of expressive timing in repeated musical performances. Frontiers in Psychology, 7 (1490). ISSN 1664-1078

F

Fancourt, D. (2017) Arts in health: designing and researching interventions. Oxford University Press, Oxford. ISBN 9780198792079 (paperback)

Fancourt, D. (2014) An introduction to the psychoneuroimmunology of music: history, future collaboration and a research agenda. Psychology of Music, 44 pp. 168-182. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Aufegger, L. and Williamon, A. (2017) The satisfaction and stress of singing professionally. [Video]

Fancourt, D. and Burton, T. M. W. and Williamon, A. (2016) The razor's edge: Australian rock music impairs men's performance when pretending to be a surgeon. Medical Journal of Australia, 205 pp. 515-518. ISSN 1326-5377

Fancourt, D. and Perkins, R. (2018) Could listening to music during pregnancy be protective against postnatal depression and poor wellbeing post birth? Longitudinal associations from a preliminary prospective cohort study. BMJ Open, 8 (7) pp. 1-8. ISSN 2044-6055

Fancourt, D. and Perkins, R. (2019) Creative interventions for symptoms of postnatal depression: a process evaluation of implementation. Arts & Health, 11 (1) pp. 38-53. ISSN 1753-3015 (print) 1753-3023 (online)

Fancourt, D. and Perkins, R. (2017) Does attending community music interventions lead to changes in wider musical behaviours? The effect of mother-infant singing classes on musical behaviours amongst mothers with symptoms of postnatal depression. Psychology of Music, 47 (1) pp. 132-143. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Perkins, R. (2017) Maternal engagement with music up to nine months post-birth: findings from a cross-sectional study in England. Psychology of Music, 46 (2) pp. 238-251. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Perkins, R. (2018) The effects of mother-infant singing on emotional closeness, affect, anxiety, and stress hormones. Music & Science, 1 pp. 1-10. ISSN 2059-2043

Feshareki, S. (2019) A quest to find ‘real': September 2014 – February 2017. Doctoral thesis, Royal College of Music.

Fonte, V. (2020) Reconsidering memorisation in the context of non-tonal piano music. Doctoral thesis, Royal College of Music.

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Ginsborg, J. and Spahn, C. and Williamon, A. (2012) Health promotion in higher music education. In: Music, Health, and Wellbeing. Oxford University Press, Oxford, pp. 356-366. ISBN 9780199686827

Giraldo, S. and Waddell, G. and Nou, I. and Ortega, A. and Mayor, O. and Perez, A. and Williamon, A. and Ramirez, R. (2019) Automatic assessment of tone quality in violin music performance. Frontiers in Psychology, 10 (334). ISSN 1664-1078

Gregg, M. J. and Clark, T. (2007) Theoretical and practical applications of mental imagery. In: International Symposium on Performance Science 2007, 22-23 November 2007, Portugal.

H

Heyman, L. and Perkins, R. and Araújo, L. (2019) Examining the health and well-being experiences of singers in popular music. Journal of Popular Music Education, 3 (2) pp. 173-201. ISSN 2397-6721 (print) 2397-673X (online)

Huang, W. L. (2019) An investigation into Taiwanese music college students' self-management of musical performance anxiety. Doctoral thesis, Royal College of Music.

J

Jónasson, P. and Lisboa, T. (2019) Professional musicians as researchers: leading changes through a study on memorisation. In: Leadership of Pedagogy and Curriculum in Higher Music Education. ISME Global Perspectives in Music Education (2). Routledge, Abingdon. ISBN 9780367077327

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Knight, S. and Spiro, N. and Cross, I. (2017) Look, listen and learn: exploring effects of passive entrainment on social judgements of observed others. Psychology of Music, 45 (1) pp. 99-115. ISSN 0305-7356 (print) 1741-3087 (online)

Küssner, M. B. and Aufegger, L. and Eiholzer, H. and Williamon, A. (2015) Der Performance Simulator: Entwicklung und Evaluation eines Trainingsangebots für Musiker am Royal College of Music (The performance simulator: development and evaluation of a training facility for musicians at the Royal College of Music). In: Jahrbuch der Deutschen Gesellschaft für Musikpsychologie, Band 25 (Yearbook of the German Society for Music Psychology, Vol. 25). Hogrefe, Göttingen, pp. 159-169. ISBN 9783801727345

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Lam, H. C. F. (2024) An investigation of coping, resilience and self-compassion among conservatoire music students in the United Kingdom. Doctoral thesis, Royal College of Music.

Lindström, E. and Juslin, P. N. and Bresin, R. and Williamon, A. (2003) ‘Expressivity comes from within your soul’: a questionnaire study of music students’ perspectives on expressivity. Research Studies in Music Education, 20 (1) pp. 23-47. ISSN 1321-103X (print) 1834-5530 (online)

Lisboa, T. and Chaffin, R. and Demos, A. P. (2013) Recording thoughts as an aid to memorization: a case study. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Lisboa, T. and Chaffin, R. and Demos, A. P. (2015) Recording thoughts while memorizing music: a case study. Frontiers in Psychology, 5 (1561). ISSN 1664-1078

Lisboa, T. and Chaffin, R. and Demos, A. P. and Gerling, C. (2013) Flexibility in the use of shared and individual performance cues in duo performance. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Lisboa, T. and Chaffin, R. and Logan, T. (2009) How memory fades: very-long-term recall of Bach. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

Lisboa, T. and Chaffin, R. and Logan, T. (2011) A self-study of practice: words versus action in music problem solving. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Lisboa, T. and Chaffin, R. and Logan, T. and Begosh, K. T. (2007) Variability and automaticity in highly practiced cello performance. In: International Symposium on Performance Science 2007, 22-23 November 2007, Portugal.

Lisboa, T. and Demos, A. P. and Chaffin, R. (2015) Spontaneity in performance: effects of thinking on expressive variation in tempo. In: International Symposium on Performance Science, 2-5 September 2015, Kyoto, Japan.

M

McPherson, G. E. and Williamon, A. (2015) Building gifts into musical talents. In: The Child as Musician: A Handbook of Musical Development (second edition). Oxford University Press, Oxford, pp. 340-360. ISBN 9780198744443

McPherson, G. E. and Williamon, A. (2006) Giftedness and talent. In: The Child as Musician: A Handbook of Musical Development. Oxford University Press, Oxford, pp. 239-256. ISBN 978-0198530329

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Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11) pp. 1-17.

Perkins, R. and Aufegger, L. and Williamon, A. (2015) Learning through teaching: exploring what conservatoire students learn from teaching beginner older adults. International Journal of Music Education, 33 (1) pp. 80-90. ISSN 0255-7614 (print) 1744-795X (online)

Perkins, R. and Fancourt, D. (2018) Effect of singing interventions on symptoms of postnatal depression: a three-arm randomised controlled trial. British Journal of Psychiatry, 212 (2) pp. 119-121. ISSN 0007-1250 (print) 1472-1465 (online)

Perkins, R. and Reid, H. and Araújo, L. and Clark, T. and Williamon, A. (2017) Perceived enablers and barriers to optimal health among music students: a qualitative study in the music conservatoire setting. Frontiers in Psychology, 8 (968). ISSN 1664-1078

Perkins, R. and Yorke, S. and Fancourt, D. (2018) How group singing facilitates recovery from the symptoms of postnatal depression: a comparative qualitative study. BMC Psychology, 6 pp. 1-12. ISSN 2050-7283

Perkins, R. and Yorke, S. and Fancourt, D. (2018) Learning to facilitate arts-in-health programmes: a case study of musicians facilitating creative interventions for mothers with symptoms of postnatal depression. International Journal of Music Education, 36 (4) pp. 644-658. ISSN 0255-7614 (print) 1744-795X (online)

Pitt, J. and Arculus, C. (2018) SALTMusic Research Report. Project Report. Youth Music, Great Yarmouth.

Pras, A. and Schober, M. F. and Spiro, N. (2017) What about their performance do free jazz improvisers agree upon? A case study. Frontiers in Psychology, 8 (966). ISSN 1664-1078

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Ramirez-Melendez, R. and Waddell, G. (2022) Technology enhanced learning of performance. In: The Oxford Handbook of Music Performance, Volume 2. Oxford Handbooks . Oxford University Press, Oxford. ISBN 9780190058869 (hardback) 9780190058876 (e-book) 9780190058883 (e-book)

Ramos, J. (2024) Technology and composition — an autoethnography on the influence of electronics on orchestration practice. Doctoral thesis, Royal College of Music.

Ritchie, L. and Williamon, A. (2011) Measuring distinct types of musical self-efficacy. Psychology of Music, 39 (3) pp. 328-344. ISSN 0305-7356 (print) 1741-3087 (online)

Ritchie, L. and Williamon, A. (2011) Primary school children’s self-efficacy for music learning. Journal of Research in Music Education, 59 (2) pp. 146-161. ISSN 0022-4294 (print) 1945-0095 (online)

Ritchie, L. and Williamon, A. (2012) Self-efficacy as a predictor of musical performance quality. Psychology of Aesthetics, Creativity, and the Arts, 6 (4) pp. 334-340. ISSN 1931-3896 (print) 1931-390X (online)

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Sanfilippo, K. R. M. and Spiro, N. (2016) Conference report: the Third Nordoff Robbins Plus conference ‘Exploring music in therapeutic and community settings’. Approaches: An Interdisciplinary Journal of Music Therapy, 9 (1) pp. 159-163. ISSN 2459-3338

Sanfilippo, K. R. M. and Spiro, N. and Molina-Solana, M. and Lamont, A. (2020) Do the shuffle: exploring reasons for music listening through shuffled play. PLOS ONE, 15 (2) ISSN 1932-6203 (online)

Schober, M. F. and Spiro, N. (2014) Jazz improvisers' shared understanding: a case study. Frontiers in Psychology, 5 (808). ISSN 1664-1078

Schober, M. F. and Spiro, N. (2016) Listeners' and performers' shared understanding of jazz improvisations. Frontiers in Psychology, 7 (1629). ISSN 1664-1078

Spiro, N. and Gold, N. and Rink, J. (2010) The form of performance: analyzing pattern distribution in select recordings of Chopin's Mazurka Op. 24 No. 2. Musicae Scientiae, 14 (2) pp. 23-55. ISSN 1029-8649 (print) 2045-4147 (online)

Spiro, N. and Himberg, T. (2016) Analysing change in music therapy interactions of children with communication difficulties. Philosophical Transactions of the Royal Society B: Biological Sciences, 371 (1693) pp. 1-11. ISSN 0962-8436

Spiro, N. and Schober, M. F. (2014) Perspectives on music and communication: an introduction. Psychology of Music, 42 pp. 771-775. ISSN 0305-7356 (print) 1741-3087 (online)

Spiro, N. and Tsiris, G. and Cripps, C. (2018) “Sounds good, but… what is it?” an introduction to outcome measurement from a music therapy perspective. Approaches: An Interdisciplinary Journal of Music Therapy ISSN 2459-3338

Stakelum, M. (2013) Book review: 'Music and the mind: essays in honour of John Sloboda' ed. Irène Deliège and Jane Davidson. Music Education Research, 15 (1) pp. 125-128. ISSN 1461-3808 (print) 1469-9893 (online)

Stakelum, M. (2013) Book review: 'Musical understandings and other essays on the philosophy of music' by Stephen Davies. Psychology of Music, 41 (1) pp. 133-135. ISSN 0305-7356 (print) 1741-3087 (online)

Stakelum, M. (2011) An analysis of verbal responses to music in a group of adult non-specialists. Music Education Research, 13 (2) pp. 173-197. ISSN 1461-3808 (print) 1469-9893 (online)

Stakelum, M. (2012) An analysis of verbal responses to music in a group of adult non-specialists. In: Music Education Volume III: Music Teaching and Learning. Major Themes in Education . Routledge, Abingdon, pp. 397-424. ISBN 9780415693356 (hardback)

Stakelum, M. (2007) The relationship between the discursive and the non-discursive in response to recorded music. In: 5th International Research in Music Education (RIME) Conference, 10-14 April 2007, Exeter, UK. (Unpublished)

Stakelum, M. and Baker, D. (2013) The MaPS project: mapping teacher conceptions of musical development. In: Developing the Musician: Perspectives on Practice in Contemporary Settings. SEMPRE Studies in the Psychology of Music . Ashgate, Aldershot, pp. 135-154. ISBN 9781409450177 (hardback) 9781138255920 (paperback) 9781315576855 (e-book)

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Taylor, K. A. C. (2021) An investigation of musicians' goals as motivators and regulators. Doctoral thesis, Royal College of Music.

Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge Companion to Music, Mind, and Well-Being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Age of Romanticism, Revolution and Empire (1780-1920). A Cultural History of the Emotions, 5 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000+). A Cultural History of the Emotions, 6 . Bloomsbury, London, pp. 53-72. ISBN 9781472515063

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2017) Re-positioning music therapy service evaluation: a case of five Nordoff-Robbins music therapy service evaluations in neuro-rehabilitation. Nordic Journal of Music Therapy, 27 (1) pp. 3-27. ISSN Print: 0809-8131 Online: 1944-8260

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Volioti, G. and Williamon, A. (2024) Nurturing the musical imagination: listening to recordings for self-regulated and creative learning. In: Recorded Music in Creative Practices: Mediation, Performance, Education. SEMPRE Studies in The Psychology of Music . Routledge, pp. 157-175. ISBN 9781032040608 (hardback) 9781003190004 (e-book) (In Press)

Volioti, G. and Williamon, A. (2021) Performers’ discourses on listening to recordings. Research Studies in Music Education, 43 (3) pp. 481-497. ISSN 1321-103X (print) 1834-5530 (online)

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Waddell, G. (2015) Book review: 'Expressiveness in music performance: empirical approaches across styles and cultures' ed. D. Fabian, R. Timmers, & E. Schubert. Psychology of Music, 43 pp. 909-912. ISSN 0305-7356 (print) 1741-3087 (online)

Waddell, G. (2019) Time to decide: a study of evaluative decision-making in music performance. Doctoral thesis, Royal College of Music.

Waddell, G. (2022) The end of the music competition? Arco, 48 (4) pp. 16-20.

Waddell, G. and Perkins, R. and Williamon, A. (2019) The Evaluation Simulator: a new approach to training music performance assessment. Frontiers in Psychology, 10 (557). ISSN 1664-1078

Waddell, G. and Perkins, R. and Williamon, A. (2018) Making an impression: error location and repertoire features affect performance quality rating processes. Music Perception, 36 (1) pp. 60-76. ISSN 1533-8312

Waddell, G. and Williamon, A. (2024) Enhanced performance training. In: Music, Technology, Innovation: Industry and Educational Perspectives. Routledge, Abingdon. ISBN 9780367485276 (hardback) 9780367485252 (paperback) 9781003041474 (e-book) (In Press)

Waddell, G. and Williamon, A. (2017) Eye of the beholder: stage entrance behavior and facial expression affect continuous quality ratings in music performance. Frontiers in Psychology, 8 (513). ISSN 1664-1078

Waddell, G. and Williamon, A. (2020) Healthy performer trailer. [Video]

Waddell, G. and Williamon, A. (2017) Measuring the audience. In: Scholarly Research for Musicians. Routledge, Abingdon, pp. 148-155. ISBN 978-1138208896

Waddell, G. and Williamon, A. (2022) Measuring the audience. In: Scholarly Research in Music: Shared and Disciplinary-Specific Practices (Second Edition). Routledge. ISBN 9780367722166 (hardback) 9780367722180 (paperback)

Warran, K. and Fancourt, D. and Perkins, R. (2019) The experience and perceived impact of group singing for men living with cancer: a phenomenological study. Psychology of Music, 47 (6) pp. 874-889. ISSN 0305-7356 (print) 1741-3087 (online)

Wasley, D. and Williamon, A. and Taylor, A. (2011) A comparison of music performance anxiety to a laboratory stressor. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Wasley, D. and Williamon, A. and Taylor, A. (2011) An investigation into the acute effect of exercise on physiological and psychological responses to musical performance. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Williamon, A. (2002) Memorising music. In: Musical Performance: A Guide to Understanding. Cambridge University Press, Cambridge, pp. 113-126. ISBN 9780521783002

Williamon, A. (2007) The art of musical memory. Studien zur Wertungsforschung, 47 pp. 30-41.

Williamon, A. (2004) A guide to enhancing musical performance. In: Musical Excellence: Strategies and Techniques to Enhance Performance. Oxford University Press, Oxford, pp. 3-18. ISBN 9780198525356 (paperback) 9780191689345 (online)

Williamon, A. (1999) The value of performing from memory. Psychology of Music, 27 (1) pp. 84-95. ISSN 0305-7356 (print) 1741-3087 (online)

Williamon, A. and Aufegger, L. and Eiholzer, H. (2013) Simulating and stimulating performance: designing and validating simulated music performance settings. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

Williamon, A. and Aufegger, L. and Eiholzer, H. (2014) Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance. Frontiers in Psychology, 5 (25). ISSN 1664-1078

Williamon, A. and Aufegger, L. and Wasley, D. and Looney, D. and Mandic, D. P. (2013) Complexity of physiological responses decreases in high-stress musical performance. Journal of the Royal Society Interface, 10 (89) ISSN 1742-5689 (print) 1742-5662 (online)

Williamon, A. and Cossette, I. (2021) Program of the International Symposium on Performance Science 2021. In: International Symposium on Performance Science 2021, 27-30 October 2021, Montréal, Canada.

Williamon, A. and Davidson, J. W. (2002) Exploring co-performer communication. Musicae Scientiae, 6 (1) pp. 53-72. ISSN 1029-8649 (print) 2045-4147 (online)

Williamon, A. and Glasser, S. and McPherson, G. E. (2019) Program of the International Symposium on Performance Science 2019. In: International Symposium on Performance Science 2019, 16 - 20 July 2019, Australia.

Williamon, A. and Perkins, R. and Ritchie, L. and Thompson, S. (2012) Premiers pas en musique: étude de l’engagement des enfants vis-à-vis de la musique [Musical beginnings: a study of children’s engagement with music]. In: Musique et Sciences de l’Esprit (Music and the Sciences of the Mind). Académie Royale de Belgique, Brussels, pp. 123-137. ISBN 978-2-8031-0299-0

Williamon, A. and Thompson, S. (2004) Psychology and the music practitioner. In: The Music Practitioner: Research for the Music Performer, Teacher and Listener. Ashgate, Abingdon, pp. 9-26. ISBN 9781315085807

Williamon, A. and Thompson, S. and Lisboa, T. and Wiffen, C. (2006) Creativity, originality, and value in music performance. In: Musical Creativity: Multidisciplinary Research in Theory and Practice. Psychology Press, London, pp. 161-180. ISBN 978-1841695082

Williamon, A. and Valentine, E. (2000) Quantity and quality of musical practice as predictors of performance quality. British Journal of Psychology, 91 (3) pp. 353-376. ISSN 0007-1269 (print) 2044-8295 (online)

Williamon, A. and Valentine, E. and Valentine, J. (2002) Shifting the focus of attention between levels of musical structure. European Journal of Cognitive Psychology, 14 (4) pp. 493-520. ISSN 2044-5911 (print) 2044-592X (online)

Williamon, A. and Wasley, D. and Burt-Perkins, R. and Ginsborg, J. and Hildebrandt, W. (2009) Profiling musicians’ health, wellbeing, and performance. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

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