Items where Subject is "Musical Instruments"

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Number of items at this level: 142.

B

Bailey, N. and South, A. and Pearson, I. E. and Dunlop, R. and Bok, H. and Nimmo, K. (2015) Developing a microtonal clarinet via wind controller and 3D printing. In: ClarinetFest, 22 - 26 July 2015, Madrid. (Unpublished)

Bowen, K. D. (2018) Assessing the sound of a woodwind instrument that cannot be played. In: International Conference of Students of Systematic Musicology 2018, June 6-8, 2018, Belo Horizonte, Brazil.

Bowen, K. D. and Buys, K. and Dart, M. and Sharp, D. (2018) Assessing the sound of a woodwind instrument that cannot be played. Applied Acoustics, 143 (n/a). pp. 84-99. ISSN 0003-682X

C

Charlston, T. (2018) Curating counterpoint: the lyrical imagination and the performance of Johann Jacob Froberger's legacy. [Video]

Charlston, T. (2019) David Evans 1936–2018: an appreciation. Harpsichord & Fortepiano, 23 (1). pp. 13-18.

Charlston, T. (2015) English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources, volume 1: London, Royal College of Music library, MS 2093. Norsk Musicforlag. ISBN 9788270937073

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and Johann Sebastian Bach’s E major Fugue from book two of the Well-Tempered Clavier, BWV 878/2. Part I. Clavichord International, 23 (2). pp. 39-48. ISSN 1387-0882

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, T. (2009) An instrument in search of its repertoire? The Theewes claviorgan and its use in the performance of sixteenth- and seventeenth-century keyboard music. Journal of the Royal College of Organists, 3. pp. 24-41. ISSN 0969-1642

Crowell, G. and Charlston, T. (2018) An interview with Terence Charlston. Clavichord International, 22 (2). pp. 38-44. ISSN 1387-0882

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2017) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice, 18 (1). pp. 53-66. ISSN 1533-2500

D

Dudgeon, R. T. and Eastop, P. and Herbert, T. and Wallace, J. (1997) Playing, learning and teaching brass. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 193-206. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

F

Feshareki, S. (2019) A quest to find ‘real': September 2014 – February 2017. Doctoral thesis, Royal College of Music.

Fioravanti, M. and Di Giulio, G. and Signorini, G. and Rossi Rognoni, G. and Sodini, N. and Tromba, G. and Zanini, F. (2017) Non-invasive wood identification of historical musical bows. IAWA Journal (International Association of Wood Anatomists), 38 (3). pp. 285-296. ISSN 0928-1541 (E-ISSN 2294-1932)

H

Hair, G. and Pearson, I. E. and Morrison, A. and Bailey, N. and McGilvray, D. and Parncutt, R. (2007) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1. pp. 99-126. ISSN 1755-4934 (online)

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70. pp. 65-76. ISSN 0771-6788

Herbert, T. (1991) Bands: the brass band movement in the 19th and 20th centuries. [Edited book]

Herbert, T. (1997) Brass bands and other vernacular brass traditions. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 177-192. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Herbert, T. (2011) Brass instruments. Oxford Bibliographies Online.

Herbert, T. (2000) The British brass band: a musical and social history. [Edited book]

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1. pp. 92-113.

Herbert, T. (2011) Review of 'A history of the trombone' by David M. Guion. American Musical Instrument Society Newsletter, 40 (2). pp. 12-14. ISSN 0160-2365

Herbert, T. (2005) Review of 'Berlioz's orchestration treatise: a translation and commentary' by Hugh MacDonald. Historic Brass Society Newsletter, 18. p. 23. ISSN 1045-4594

Herbert, T. (1997) Review of 'First philharmonic: a history of the Royal Philharmonic Society' by Cyril Erhlich. Historic Brass Society Newsletter, 10. pp. 34-35. ISSN 1045-4594

Herbert, T. (1995) Review of 'French music for low brass: an annotated bibliography' by J. Mark Thompson and Jeffrey Jon Lemke. Historic Brass Society Newsletter, 8. p. 86. ISSN 1045-4594

Herbert, T. (1995) Review of 'Hoffnung: his biography' by Annetta Hoffnung. Historic Brass Society Newsletter, 7. pp. 43-44. ISSN 1045-4594

Herbert, T. (2005) Review of 'Musical instruments: history, technology, and performance of instruments of Western music' by Murray Campbell, Clive Greated, and Arnold Myers. Historic Brass Society Newsletter, 18. pp. 22-23. ISSN 1045-4594

Herbert, T. (1996) Review of 'Nicholas Lanier: Master of the King's Musick' by Michael I. Wilson. Historic Brass Society Journal, 8. p. 124. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1995) Review of 'Records of English court music volume VII (1485-1558)' by Andrew Ashbee. The Galpin Society Journal, 48. pp. 220-221. ISSN 0072-0127

Herbert, T. (1993) Review of 'Records of English court music: volumes III, IV and V' by Andrew Ashbee. The Galpin Society Journal, 46. pp. 175-177. ISSN 0072-0127

Herbert, T. (1997) Review of 'Records of English court music: volumes VIII (1485-1714), and IX (index)' by Andrew Ashbee. The Galpin Society Journal, 50. p. 244. ISSN 0072-0127

Herbert, T. (1997) Review of 'Talks with bandsmen: a popular handbook for brass instrumentalists' by Algernon S. Rose with a new introduction by Arnold Myers. Historic Brass Society Journal, 9. pp. 199-201. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7. pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Review of 'The early horn: a practical guide' by John Humphries. Consort: The journal of The Dolmetsch Foundation, 56. pp. 70-71. ISSN 0268-9111 (print)

Herbert, T. (1996) Review of 'The tuba source book' compiled and edited by R. Winston Morris and Edward R. Goldstein. Historic Brass Society Journal, 8. pp. 124-125. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) Review of 'The wind ensemble and its repertoire: essays on the fortieth anniversary of the Eastman Wind Ensemble' edited by Frank J. Cipolla and Donald Hunsberger. Historic Brass Society Newsletter, 10. pp. 35-36. ISSN 1045-4594

Herbert, T. (1997) 'Sackbut': the early trombone. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 68-83. ISBN 9780521565226 (paper back) 9781139002035 (e-book)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2). pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2005) Susato's colleagues: the trombonists of the Tudor court. In: Tielman Susato and the music of his time: Print culture, compositional technique, and instrumental music in the Renaissance. Bucina: the historic brass society series (5). Pendragon Press, New York, pp. 117-132. ISBN 978-1576471067 (hardback)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22. pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Trombones and the English court c.1480 – c.1680. In: Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik. Michaelsteiner Konferenzberichte . Kloster Michaelstein Musikakademie, Blankenburg, Germany, pp. 51-58. ISBN 978-3895121166

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2). pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (1998) Victorian brass bands: class, taste, and space. In: The place of music. Guilford Press, New York, pp. 104-128. ISBN 9781572303140 (paperback)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4. pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2007) William Waterhouse 1931–2007. Historic Brass Society Journal, 19. pp. 4-5. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2002) Wind instruments. In: A performer's guide to music of the Romantic period. Performer's guides . Associated Board of the Royal Schools of Music, London, pp. 57-69. ISBN 9781860961946

Herbert, T. (1989) The history of the trombone [review article]. The Galpin Society Journal, 42. pp. 148-150.

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23. pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) The origin of the species/L'origine d'un genre/Ursprung einer Gattung. Brass bulletin: Magazine international de cuivres, 97. pp. 38-44. ISSN 0303-3848

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-century British music studies. Music in nineteenth-century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. (1997) The reconstruction of nineteenth-century band repertory: towards a protocol. In: Perspectives in brass scholarship: proceedings of the International Historic Brass Society Symposium Amherst 1995. Bucina: the Historic Brass Society Series (2). Pendragon Press, New York, pp. 193-222. ISBN 978-0945193975 (hardback)

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1). pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1993) The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5. pp. 146-158. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2006) The trombone. The Yale Musical Instrument Series . Yale University Press, London. ISBN 9780300100952 (hardback) 9780300235753 (paperback)

Herbert, T. and Myers, A. (1990) Catalogue of the European wind and percussion instruments in the Cyfarthfa Castle Museum collection. Cyfarthfa Castle Museum and Art Gallery, Merthyr Tydfil, Wales.

Herbert, T. and Myers, A. (1988) Instruments of the Cyfarthfa band. The Galpin Society Journal, 41. pp. 2-10.

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4). pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Myers, A. and Wallace, J. (2018) The Cambridge encyclopedia of brass instruments. [Edited book]

Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12. pp. 13-17. ISSN 1045-4594

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2). pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. and Wallace, J. (2000) Aspects of performance techniques: the brass band and its influence on other brass-playing. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. and Wallace, J. (1997) The Cambridge Companion to brass instruments. [Edited book]

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1). pp. 8-14.

Hoeprich, T. E. and Lawson, C. (1980) Chalumeau and clarinet. Early Music, 8 (3). pp. 366-368. ISSN 0306-1078 (print) 1741-7260 (online)

K

Kawabata, M. (2007) Violinists 'singing': Paganini, operatic voices, and virtuosity. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 5 (9). pp. 7-39. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83. pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2). pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue.

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23). pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

L

Lawson, C. (2008) "Attractively packaged but unripe fruit": the UK's commercialization of musical history in the 1980s. Performance Practice Review, 13 (1). ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (1994) Beethoven and the development of wind instruments. In: Performing Beethoven. Cambridge Studies in Performance Practice (4). Cambridge University Press, Cambridge, pp. 70-88. ISBN 0521416442 (hardback) 9780521023740 (paperback)

Lawson, C. (1993) Book review: 'The Baroque clarinet' by Albert Rice. Music & Letters, 74 (1). pp. 73-75. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2008) Book review: 'The Clarinet' by Eric Hoeprich. Performance Practice Review, 13 (1). pp. 1-5. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2005) Book review: 'The birth of the orchestra: history of an institution, 1650–1815' by John Spitzer and Neal Zaslaw. Music & Letters, 86 (4). pp. 629-633. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2005) Book review: 'The clarinet in the classical period' by Albert R. Rice. Music & Letters, 86 (2). pp. 290-293. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2011) The British clarinet school: legacy and legend. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Lawson, C. (1995) The Cambridge companion to the clarinet. [Edited book]

Lawson, C. (1980) Das Chalumeau-Repertoire: ein kurzer Uberblick [The chalumeau repertoire: a brief overview]. Tibia: Magazin für Freunde alter und neuer Bläsermusik, 5 (1). pp. 18-21.

Lawson, C. (2001) Die C-Klarinette [The clarinet in C]. Rohrblatt, 16 (3). pp. 116-118. ISSN 0944-0291

Lawson, C. (2013) Historical accuracy versus practical expediency: early instruments in the digital age. Early Music, 41 (1). pp. 27-29. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1996) Mozart: Clarinet Concerto. Cambridge music handbooks . Cambridge University Press, Cambridge. ISBN 9780521473842 (hardback) 9780521479295 (paperback) 9781139166737 (e-book)

Lawson, C. (2001) Playing early clarinets: the lure of history and the myth of authenticity. Musical Performance: An International Journal, 3 (1). pp. 23-29. ISSN 1026-2687

Lawson, C. (1995) Playing historical clarinets. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 134-149. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2009) Recreating history: a clarinettist's retrospective. In: The Cambridge Companion to Recorded Music. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 263-266. ISBN 9780521865821 (hardback) 9780521684613 (paperback) 9781139798372 (e-book)

Lawson, C. (1995) Single reeds before 1750. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambride University Press, Cambridge, pp. 1-15. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1989) Single-reed instruments in the music of Vivaldi. Chigiana: Rassegna annuale di studi musicologici, 41 (21). pp. 185-196. ISSN 0069-3391

Lawson, C. (1981) Telemann and the chalumeau. Early Music, 9 (3). pp. 312-319. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2002) Wind instruments. In: A performer's guide to music of the Classical period. Associated Board of the Royal Schools of Music, London, pp. 65-74. ISBN 978-1860961939 (paperback)

Lawson, C. (1983) The authentic clarinet: tone and tonality. Musical Times, 124 (1684). pp. 357-358. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (1987) The basset clarinet revived. Early Music, 15 (4). pp. 487-502. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1992) The chalumeau in the works of Fux. In: Johann Joseph Fux and the Music of the Austro-Italian Baroque. Routledge, London, pp. 78-94. ISBN 9780859678322 (hardback) 9781138260498 (paperback) 9781315092287 (e-book)

Lawson, C. (1979) The chalumeau: independent voice or poor relation? Early Music, 7 (3). pp. 351-354. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1995) The clarinet family: introduction - clarinets in B♭ and A. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 33-38. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1995) The clarinet family: the C clarinet. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 40-42. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1974) The early chalumeau duets. The Galpin Society Journal, 27. pp. 125-129. ISSN 0072-0127

Lawson, C. (1995) The early clarinet in theory and practice. Leading Notes: Journal of the National Early Music Association, 10. pp. 6-9.

Lawson, C. (2000) The early clarinet: a practical guide. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge. ISBN 9780521624596 (hardback) 9780521624664 (paperback) 9780511059780 (e-book)

Lawson, C. (2005) The early clarinet: historical icon or postmodern invention? In: The versatile clarinet. Routledge, Abingdon, pp. 5-14. ISBN 9780415973175 (hardback) 9781138986701 (paperback) 9780203958728 (e-book)

Lawson, C. (2003) The revival of historical instruments. In: The Cambridge companion to the orchestra. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 155-168. ISBN 9780521806589 (hardback) 9780521001328 (paperback) 9781139002066 (e-book)

Lawson, C. (2003) The string quartet as a foundation for larger ensembles. In: The Cambridge Companion to the String Quartet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 310-327. ISBN 9780521801942 (hardback) 9780521000420 (paperback) 9780511074790 (e-book)

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1). pp. 36-44. ISSN 0001-6233

Lawson, C. and Stowell, R. (2018) The Cambridge Encyclopedia of historical performance in music. [Edited book]

Lawson, C. and Stowell, R. (2005) La interpretación histórica de la música [The historical performance of music]. Alianza música, 97 . Alianza Editorial, Madrid. ISBN 978-84-206-8207-5

Lawson, C. and Stowell, R. (1999) The historical performance of music: an introduction. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge. ISBN 9780521621939 (hardback) 9780521627382 (paperback) 9780511481710 (e-book)

Lawson, C. and Tibbles, J. (2009) The art and science of historical performance. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

M

Mantovani, L. (2019) Ferdinand Rebay and the reinvention of guitar chamber music. Doctoral thesis, Royal College of Music.

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach Songs with Clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 13595105

N

Nuti, G. and Solomon, A. and Williamon, A. (2009) The Listening Gallery: integrating music with exhibitions and gallery displays. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

P

Pearson, I. E. (2006) 18、19世纪美术作品中黑管哨片的位置 [18th- and 19th-century iconographical representations of clarinet reed position]. In: Music in Art: International Journal for Music Iconography: special Chinese edition. Changjiang Wenyi Chubanshe, Wuhan, pp. 143-154. ISBN 7-5354-3155-0

Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3). pp. 1-3. ISSN 2044-8414

Pearson, I. E. (2011) Celebrating the past: treasures from the RCM collections (Gresham College lecture). [Video]

Pearson, I. E. (1998) Delicacy, sentimentality and intimacy: the chalumeau as 'signifier'. ClarinetFest 1998.

Pearson, I. E. (2000) Eighteenth- and nineteenth-century iconographical representations of clarinet reed position. Music in Art: International Journal for Music Iconography,, 25. pp. 87-95. ISSN 1522-7464 (print) 2169-9488 (online)

Pearson, I. E. (2007) Ferdinando Sebastiani, Gennaro Bosa and the clarinet in nineteenth-century Naples. The Galpin Society Journal, 60. pp. 203-214. ISSN 0072-0127

Pearson, I. E. (2018) Iconography. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 317-319. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3). pp. 56-59. ISSN 0361-5553

Pearson, I. E. (2002) Lefévre's sonatas for clarinet: a historical perspective. Clarinet & Saxophone, 27 (2). pp. 20-22. ISSN 0260-390X

Pearson, I. E. (2000) Playing historical clarinets. In: The early clarinet: a practical guide. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge, pp. 41-62. ISBN 9780521624596 (hardback) 9780521624664 (paperback) e-book (9780511059780)

Pearson, I. E. (2009) Review of 'The Clarinet' by Eric Hoeprich. The Galpin Society Journal, 62. pp. 292-293. ISSN 0072-0127

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part I. The Clarinet, 28 (3). pp. 48-52. ISSN 0361-5553

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part II. The Clarinet, 28 (4). pp. 66-69. ISSN 0361-5553

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4). pp. 605-611. ISSN 0176-6511

Pearson, I. E. (2018) Übersichblasen-Untersichblasen [reed above/below]. In: Lexikon der Holzblasinstrumente: Oboe, Klarinette, Saxophon und Fagott – Baugeschichte und Spielpraxis – Komponisten und ihre Werke – Interpreten. Laaber, Laaber, Germany, pp. 747-748. ISBN 978-3-89007-866-3

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2). pp. 8-13.

Pearson, I. E. (2007) The voice of heroic love: historical clarinets at the Royal College of Music, London. In: The Clarinet and Woodwind Colloquium 2007, 22-24 June 2007, Edinburgh University. (Unpublished)

Pitfield, S. and Pearson, I. E. (1998) An interview with Colin Lawson. The Clarinet, 25 (3). pp. 56-59. ISSN 0361-5553

R

Rees, C. (2014) Collaboration in practice: developing a repertoire of extended techniques for the Kingma System alto and bass flute. Doctoral thesis, Royal College of Music.

Rice, A. R. and Lawson, C. (1986) The clarinet and chalumeau revisited. Early Music, 14 (4). pp. 552-556. ISSN 0306-1078 (print) 1741-7260 (online)

Rossi Rognoni, G. (2015) Perspectives from a changing culture: one hundred years of debate on the role of musical instruments. In: Effects of playing on early and modern musical instruments. International Conference., 9-10 Sept 2015, Royal College of Music. (Unpublished)

Rossi Rognoni, G. (2019) Preserving functionality: keeping artefacts ‘alive’ in museums. Curator: The Museum Journal, 62 (3). pp. 403-413. ISSN print (0011-3069) online (2151-6952)

Rossi Rognoni, G. (2017) The descent of organology: cultural and methodological influences in the definition of organology in the 19th century. In: Vom Sammeln, Klassifizieren und Interpretieren: Die zerstörte Vielfalt des Curt Sachs. Sound and Idea . Schott Music, Mainz, pp. 199-208. ISBN 978-3-7957-1284-6

Rossi Rognoni, G. (2015) The virginals of Benedetto Floriani (Venice, fl.1568–1572) and a proposal for a new attribution. Galpin Society Journal, 68.

Rossi Rognoni, G. and Barry, A. M. (2017) Effects of playing on early and modern musical instruments: proceedings. [Edited book]

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Schneider, M. and Solomon, A. (2019) Michael Schneider im Gespräch mit Ashley Solomon [Michael Schneider in conversation with Ashley Solomon]. Tibia: Magazin für Holzbläser (4). pp. 579-583. ISSN 0176-6511

Smith, R. L. (2018) Casadesus, Henri. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 114-115. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Paris Conservatoire (Conservatoire de Paris). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 470-472. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

This list was generated on Mon Dec 9 03:04:01 2019 GMT.