Items where Subject is "M Music and Books on Music > M Music"

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Araújo, L. and Cruz, J. and Almeida, L. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27 pp. 1-19. ISSN 1359-8139 (Print) 1469-834X (Online)

Ascenso, S. and Williamon, A. and Perkins, R. (2017) Understanding the wellbeing of professional musicians through the lens of positive psychology. Psychology of Music, 45 (1) pp. 65-81. ISSN 0305-7356 (print) 1741-3087 (online)

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Bowen, D. K. (2022) The bass clarinet in bassoon form: its history, repertoire and acoustics. Doctoral thesis, Royal College of Music.

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, London.

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Chanwimalueang, T. and Aufegger, L. and Adjei, T. and Wasley, D. and Cruder, C. and Mandic, D. P. and Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4) pp. 1-14. ISSN 1932-6203

Charlston, T. (2016) Adieu m'amour: music from the time of Agincourt. [Audio]

Charlston, T. (2007) Albertus Bryne: keyboard music. [Audio]

Charlston, T. (2009) Carlo Ignazio Monza: harpsichord music. [Audio]

Charlston, T. (2019) Hommage. [Composition] (Unpublished)

Charlston, T. (2015) J. S. Bach: Allegro, 2nd movement from Sonata in E, BWV 1016. Violin Exam Pieces 2016-2019, ABRSM Grade 7 . ABRSM, London.

Charlston, T. (2015) J. S. Bach: Andante, 3rd movement from Sonata in B minor BWV 1014. Violin Exam Pieces 2016–2019, ABRSM Grade 5 . ABRSM, London.

Charlston, T. (2010) La chasse royale: keyboard manuscript of Antoine Selosse. [Audio]

Charlston, T. (2003) Matthew Locke: complete keyboard works. [Audio]

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2008) William Byrd: for my Ladye Nevell. [Audio]

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

Charlston, T. and Solomon, A. (2019) Bach: Cantatas 106 and 182, Amici Voices and Amici Baroque Players. [Audio]

Charlston, T. and Solomon, A. (2017) Handel: German Arias & Trio Sonatas. [Audio]

Charlston, T. and Solomon, A. (2019) Music for a king: chamber works from the court of Frederick the Great. [Audio]

Cohen, M. L. and Henley, J. (2018) Music-making behind bars: the many dimensions of community music in prisons. In: The Oxford Handbook of Community Music. Oxford University Press, Oxford, pp. 153-176. ISBN 9780190219505

Cole, J. (2016) A book of melodies. [Composition] (Unpublished)

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2018) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice, 18 (1) pp. 53-66. ISSN 1533-2500

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Daffern, H. and Camlin, D. A. and Egermann, H. and Gully, A. J. and Kearney, G. and Neale, C. and Rees-Jones, J. (2018) Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing. International Journal of Performance Arts and Digital Media, 15 (1) pp. 1-22.

Driver, D. (2011) Balakirev: Piano Sonata & other works. [Audio]

Driver, D. (2017) Beach, Chaminade & Howell: Piano Concertos. [Audio]

Driver, D. (2008) Bowen: Piano Concertos. [Audio]

Driver, D. (2009) Bowen: Piano Sonatas. [Audio]

Driver, D. (2010) C. P. E. Bach: Keyboard Sonatas vol. 1. [Audio]

Driver, D. (2012) C. P. E. Bach: Keyboard Sonatas vol. 2. [Audio]

Driver, D. (2011) Dale: piano music. [Audio]

Driver, D. (2012) Erik Chisholm: Piano Concertos. [Audio]

Driver, D. (2014) Handel: the Eight Great Suites. [Audio]

Driver, D. (2018) Rachmaninoff Piano Concerto no 2 & Scherzo from Amy Beach Concerto. [Performance]

Driver, D. (2012) Saint-Saëns: Piano Concerto no. 5, op. 103. [Audio]

Driver, D. (2014) Schumann: Novelletten & Nachtstücke. [Audio]

Driver, D. and Hanslip, C. (2017) Beethoven: Violin Sonatas vol. 1. [Audio]

Driver, D. and Hanslip, C. (2018) Beethoven: Violin Sonatas vol. 2. [Audio]

Driver, D. and Hanslip, C. (2018) Beethoven: Violin Sonatas vol. 3. [Audio]

Driver, D. and Trusler, M. (2017) Erik Chisholm: Violin Concerto & Dance Suite. [Audio]

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Ennis, P. and Driver, D. (2019) Excitement and danger: pianist Danny Driver in conversation. TheWholeNote.com

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Fancourt, D. and Perkins, R. (2017) Associations between singing to babies and symptoms of postnatal depression, wellbeing, self-esteem and mother-infant bond. Public Health, 145 pp. 149-152. ISSN 0033-3506

Fancourt, D. and Perkins, R. and Ascenso, S. and Atkins, L. and Kilfeather, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2015) Group drumming modulates cytokine response in mental health services users: a preliminary study. Psychotherapy and Psychosomatics, 85 (1) pp. 53-55. ISSN 0033-3190

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132 pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631) pp. 1-13.

Feshareki, S. and Hewett, I. (2016) Still Point: an unknown precursor of today's electronic music. In: Alternative Histories of Electronic Music, 14-16 April 2016, Science Museum Research Centre, London. (Unpublished)

Fujikura, D. (2015) Deliquesce. [Composition]

Fujikura, D. (2016) GO. [Composition]

Fujikura, D. (2014) Infinite string. [Composition]

Fujikura, D. (2016) My letter to the world [orchestral version]. [Composition]

Fujikura, D. (2014) Neo (音緒). [Composition]

Fujikura, D. (2015) OSM. [Composition]

Fujikura, D. (2016) Pitter-patter. [Composition]

Fujikura, D. (2015) SOLARIS. [Composition]

Fujikura, D. (2015) Uto. [Composition]

Fujikura, D. (2017) Yurayura. [Composition]

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Garcia-Tomas, R. (2019) Interdisciplinarity: an expansion of my creative approach. Doctoral thesis, Royal College of Music.

Gold, N. and Rossi Rognoni, G. (2014) The MiCLUES system: dynamic, rich contextual support for museum visits. In: International Committee of Musical Instrument Museums and Collections of the International Council of Museums - Annual Meeting, 10 July 2014, Lausanne, Switzerland. (Unpublished)

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Hair, G. and Morrison, A. and Pearson, I. E. (2013) Ecstasy and enlightenment. [Audio]

Hanslip, C. and Driver, D. (2018) Beethoven and Prokofiev sonatas for violin and piano. [Performance]

Hanslip, C. and Driver, D. (2013) Bowen: the complete works for violin and piano. [Audio]

Henley, J. (2016) How musical are primary generalist student teachers? Music Education Research, 19 (4) pp. 470-484. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2014) Musical learning and desistance from crime: the case of a “Good Vibrations” Javanese gamelan project with young offenders. Music Education Research, 17 (1) pp. 103-120. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4) pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. and Cohen, M. L. and Mota, G. (2013) Musical development and positive identity change within criminal justice settings. In: Rethinking Education: Empowering individuals with the appropriate educational tools, skills and competencies, for their active cultural, political and economic participation in society in Europe and beyond. ACP, Brussels, pp. 129-149. ISBN 978-90-90-28437-8

Henley, J. and Hilton, C. (2015) Sound Symmetry for KS1. [Teaching Resource]

Herbert, T. (1989) Sondheim's technique. Contemporary Music Review, 5 pp. 199-214. ISSN 0749-4467 (print) 1477-2256 (online)

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Hesketh, K. (2008) Through magic casements. [Composition]

Hesketh, K. (1999) The circling canopy of night. [Composition]

Hewett, I. (2001) All too human? The Musical Times, 142 (1876) pp. 43-47. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) The Arts Council wants to 'measure' culture - but they might end up killing it. Daily Telegraph ISSN 0307-1235

Hewett, I. (1997) Closer encounters. The Musical Times, 138 (1855) pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Crossing the bar. The Musical Times, 137 (1842) pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2014) Heard the one about Debussy and the goldfish? Daily Telegraph ISSN 0307-1235

Hewett, I. (2016) How Western music conquered the world. Daily Telegraph ISSN 0307-1235

Hewett, I. (1998) Into the daylight. The Musical Times, 139 (1864) pp. 50-52. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2003) Music: healing the rift. Bloomsbury (originally Continuum), London. ISBN 9780826459398

Hewett, I. (2017) Notes from the edge/Thomas Adès: almost a great composer. Prospect Magazine pp. 71-73. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1997) Patently obvious. The Musical Times, 138 (1852) pp. 34-36. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. The Musical Times, 135 (1817) pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. The Musical Times, 136 (1823) pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1993) Terrors of the earth. The Musical Times, 134 (1806) pp. 438-440. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024

Hewett, I. (2020) What's the best way to hear Chopin? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2016) The path to total purity. Prospect Magazine pp. 76-79. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1998) A tract for the times. The Musical Times, 139 (1863) pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Hexel, V. (2014) Understanding contextual agents and their impact on recent Hollywood film music practice. Doctoral thesis, Royal College of Music.

Hilton, C. and Saunders, J. and Henley, J. and Henriksson-Macaulay, L. and Welch, G. F. (2015) European Music Portfolio (EMP)–Maths: sounding ways into mathematics: a review of literature. UCL Institute of Education, London.

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Illean Finnis, L. (2021) Vanishing points: a personal approach to non-tempered tuning. Doctoral thesis, Royal College of Music.

Immler, C. and Stephany, A. and Berner, C. and Driver, D. and Fraser, S. (2018) Swan songs: Schubert, Brahms, Barber, and Bernstein. [Audio]

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Johns, S. (2016) Bach: Sonatas & Partitas (Kyung Wha Chung). [Audio]

Johns, S. (2019) Beethoven: Piano Sonatas Opp. 109, 110 & 111 (Steven Osborne). [Audio]

Johns, S. (2018) Bernstein: the 3 symphonies (Antonio Pappano). [Audio]

Johns, S. (2016) C. P. E. Bach: Flute Concertos (Emmanuel Pahud). [Audio]

Johns, S. (2017) Debussy: piano music (Steven Osbourne). [Audio]

Johns, S. (2017) John Blow: An ode on the death of Mr Henry Purcell & other works (Arcangelo/Jonathan Cohen). [Audio]

Johns, S. (2015) Joyce and Tony live at Wigmore Hall (Joyce DiDonato and Antonio Pappano). [Audio]

Johns, S. (2018) Late Chopin works (Kevin Kenner). [Audio]

Johns, S. (2019) Love and death (Martin James Bartlett). [Audio]

Johns, S. (2014) Love duets (Ailyn Pérez and Stephen Costello). [Audio]

Johns, S. (2018) Mahler: Symphony No. 9 (Gianandrea Noseda). [Audio]

Johns, S. (2014) Medtner & Rachmaninov Piano Sonatas (Steven Osbourne). [Audio]

Johns, S. (2015) Mozart: Violin Concertos nos. 1, 5 & Sinfonia Concertante (Vilde Frang). [Audio]

Johns, S. (2020) Prokofiev: Piano Sonatas 6, 7, and 8 (Steven Osborne). [Audio]

Johns, S. (2018) Requiem: The Pity of War, Ian Bostridge, Antonio Pappano produced by Stephen Johns. [Audio]

Johns, S. (2015) Revolution: flute concertos (Emmanuel Pahud). [Audio]

Johns, S. (2018) Symphonic psalms and prayers: Bernstein, Schoenberg, Stravinsky, Zemlinsky (Tenebrae/Nigel Short). [Audio]

Johns, S. (2015) Verdi: Aida (Antonio Pappano). [Audio]

Johns, S. (2017) Violin Concertos by Paganini & Wolf-Ferrari (Francesca Dego). [Audio]

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Kay, A. Waving not drowning. [Composition]

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Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1) pp. 3-5. ISSN 0306-1078 (print) 1741-7260 (online)

Liu, Y. (2019) An exploration towards the enrichment of a personal musical language in musical composition. Doctoral thesis, Royal College of Music.

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

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Mannion, R. (2019) Mise en Abyme: immersive performance and composition practices through interdisciplinarity, collaboration and music technology. Doctoral thesis, Royal College of Music.

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3) p. 9. ISSN 2627-6984

Meyn, N. (2010) Erwin and Elmire. [Video]

Meyn, N. and Bower, B. (2019) Norman O'Neill (1875-1934): Drei Lieder (1896). RCM Editions, London.

Meyn, N. and Charlston, T. (2014) C. P. E. Bach: spiritual songs. [Audio]

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Mival, W. Gleamt beseethe. [Composition] (Unpublished)

Morrish, N. (2021) Braiding time: in search of sounds from within. Doctoral thesis, Royal College of Music.

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Nelsen, R. and Immler, C. and Driver, D. (2011) Walter Arlen: Es Geht Wohl Anders. [Audio]

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Oliva, M. (2017) Passacaglia. [Composition] (Unpublished)

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Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3) pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to Music: People, Practices and Experiences, 24-25 October 2015, Royal College of Music.

Pearson, I. E. (2014) Research degrees in the conservatoire context: reconciling practice and theory. In: Research and Research Education in Music Performance and Pedagogy. Landscapes: the Arts, Aesthetics, and Education, 11 . Springer, Switzerland, pp. 65-76. ISBN 9789400774353

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11) pp. 1-17.

Perkins, R. and Fancourt, D. (2018) Effect of singing interventions on symptoms of postnatal depression: a three-arm randomised controlled trial. British Journal of Psychiatry, 212 (2) pp. 119-121. ISSN 0007-1250 (print) 1472-1465 (online)

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Rossi Rognoni, G. (2015) Il salterio italiano: apogeo e declino. In: Invited lecture, 28 March 2015, Museo di S. Colombano, Collezione Luigi Ferdinando Tagliavini, Bologna. (Unpublished)

Rossi Rognoni, G. (2015) Perspectives from a changing culture: one hundred years of debate on the role of musical instruments. In: Effects of Playing on Early and Modern Musical Instruments. International Conference., 9-10 September 2015, Royal College of Music. (Unpublished)

Rossi Rognoni, G. and Falletti, F. (2015) Gli strumenti musicali del Conservatorio Cherubini alla Galleria dell’Accademia di Firenze: un esempio di collaborazione tra istituzioni. In: National Conference 'Musica Conservata', 17-19 April 2015, Florence. (Unpublished)

Rossi Rognoni, G. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2014) The application of x-ray CT scan to the documentation of early musical instruments. In: New Approaches to the Indentification of Musical Instruments. International Conference, Cremona, Museum of the Violin, September 2014, Cremona, Museum of the Violin. (Unpublished)

Rossi Rognoni, G. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2015) The use of CT scanning for bowed stringed instrument identification and comparison. In: International Workshop on Musical Instrument CT scanning, May 2015, Germanisches Nationalmuseum Nuremberg. (Unpublished)

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Scarlato, D. (2011) Phaedra. [Composition] (Unpublished)

Scarlato, D. (2003) Piaf…l’hymne à l’amour. [Composition] (Unpublished)

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Solomon, A. (2007) Bach Cantatas. [Audio]

Solomon, A. (2008) Bach: Cantata 'Non Sa Che Sia Dolore', Triple Concerto in A minor, and Telemann: Concerto in A major. [Audio]

Solomon, A. (2012) Bach: Organ Trio Sonatas (arranged for multiple instruments). [Audio]

Solomon, A. (1998) Bach: a musical offering: the complete instrumental Trio Sonatas. [Audio]

Solomon, A. (2005) Bolivian Baroque. [Audio]

Solomon, A. (2006) Bolivian Baroque vol. 2. [Audio]

Solomon, A. (2009) Bolivian Baroque vol. 3. [Audio]

Solomon, A. (2000) Fatale flame: music from 18th century France. [Audio]

Solomon, A. (1995) Haydn Cello Concertos in C and D. [Audio]

Solomon, A. (2003) Haydn: London Symphonies arr. Salomon. [Audio]

Solomon, A. (1996) In the name of Bach. [Audio]

Solomon, A. (1995) Le Roi s'amuse: music for the King's pleasure. [Audio]

Solomon, A. (2010) Pergolesi: Stabat Mater. [Audio]

Solomon, A. (1997) Sanguineus & melancholicus: C. P. E. Bach Sonatas. [Audio]

Solomon, A. (1993) Telemann: Concerti da Camera. [Audio]

Solomon, A. (2018) Telemann: Essercizii Musici. [Audio]

Solomon, A. (1999) Telemann: Paris Quartets. [Audio]

Solomon, A. (2004) Telemann: Paris Quartets vol. 2. [Audio]

Solomon, A. (2005) Telemann: Paris Quartets vol. 3. [Audio]

Solomon, A. (2002) Telemann: Tafelmusik. [Audio]

Solomon, A. (2017) Telemann: twelve Fantasias for solo flute. [Audio]

Solomon, A. (1997) Vivaldi Concerti. [Audio]

Solomon, A. (1995) Vivaldi Concerti. [Audio]

Solomon, A. (2011) Vivaldi: sacred works for soprano and concertos. [Audio]

Solomon, A. and Charlston, T. (2000) Bach: Flute Sonatas vol. 1. [Audio]

Solomon, A. and Charlston, T. (2003) Bach: Flute and Harpsichord Sonatas vol. 2. [Audio]

Solomon, A. and Charlston, T. (2013) Couperin: Les Nations and Rebel: Caractères de la Danse. [Audio]

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Thormählen, W. (2015) Review of Joseph Riepel, Violin Concertos, ed. Stefan Eckert (Madison: A-R Editions, 2013). Eighteenth-Century Music, 12 (1) pp. 106-108. ISSN 1478-5706 (print) 1478-5714 (online)

Turnage, M.-A. (2013) Contusion. [Composition]

Turnage, M.-A. (2017) Remembering: in memoriam Evan Scofield. [Composition]

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Waddell, G. (2015) Book review: 'Expressiveness in music performance: empirical approaches across styles and cultures' ed. D. Fabian, R. Timmers, & E. Schubert. Psychology of Music, 43 pp. 909-912. ISSN 0305-7356 (print) 1741-3087 (online)

Waddell, G. and Williamon, A. (2017) Measuring the audience. In: Scholarly Research for Musicians. Routledge, Abingdon, pp. 148-155. ISBN 978-1138208896

Whittaker, A. and Kinsella, V. and Fautley, M. Geographical and social demographic trends of A-level music students. Discussion Paper. Royal College of Music, London.

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4) pp. 515-528. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1) pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1) pp. 22-26. ISSN 0306-1078 (print) 1741-7260 (online)

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Yorke, S. and Perkins, R. (2017) Music and motherhood: facilitating interventions for mothers and their babies. Manual. Royal College of Music, London.