Items where Subject is "Music and society"

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Adlington, R. (2008) 1968 and new music in the Netherlands. In: Musikkulturen in der Revolte: Studien zu Rock, Avantgarde und Klassik im Umfeld von "1968" [Music Cultures in the Revolt: Studies on Rock, Avant-garde and Classical in the Context of "1968"]. Franz Steiner Verlag, Stuttgart, pp. 103-114. ISBN 978-3-515-09461-0

Adlington, R. (2008) Book review: 'Music of the twentieth century: a study of its elements and structure' by Ton de Leeuw. Music & Letters, 89 (3) pp. 460-462. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2013) Communisms, communist musics. In: Red Strains: Music and Communism Outside the Communist Bloc. British Academy/Oxford University Press, London, pp. 1-20. ISBN 9780197265390 (hardback) 9780191760440 (e-book)

Adlington, R. (2013) Composing dissent: avant-garde music in 1960s Amsterdam. Oxford University Press, Oxford. ISBN 9780199981014 (hardback) 9780199346202 (e-book)

Adlington, R. (2020) Curating difference. In: Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge. ISBN 9780367486921 (hardback) 9780367499457 (paperback) 9780367486938 (e-book)

Adlington, R. (2013) Expressive revolutions: '1968' and music in the Netherlands. In: Music and Protest in 1968. Music since 1900 . Cambridge University Press, Cambridge, pp. 12-28. ISBN 9781107007321 (hardback) 9781107504318 (paperback) 9781107240001 (e-book)

Adlington, R. (2009) Forms of opposition at the “Politiek‐Demonstratief Experimenteel” concert. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 56-77. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2009) Introduction: avant-garde music and the sixties. In: Sound Commitments: Avant-garde Music and the Sixties. Oxford University Press, Oxford, pp. 3-14. ISBN 9780195336658 (paperback) 9780199868551 (e-book)

Adlington, R. (2019) Introduction: why ‘new music theatre’ now? In: New Music Theatre in Europe: Transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R. (2005) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3) pp. 381-417. ISSN 0277-9269 (print) 1533-8347 (online)

Adlington, R. (2004) Louis Andriessen: De Staat. Routledge. ISBN 9781138400566 (hardback) 9780754609254 (paperback) 9781351218863 (e-book)

Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)

Adlington, R. (2005) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 223-243. ISBN 9780521780094 (hardback) 9780521783934 (paperback) 9781139797207 (e-book)

Adlington, R. (2019) Music together, music apart: on democratic communities. Journal of the Royal Musical Association, 144 (1) pp. 191-204. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2023) Musical models of democracy. Oxford University Press, Oxford. ISBN 9780197658819 (hardback) 9780197658840 (online)

Adlington, R. (2007) Organizing labor: composers, performers, and “the renewal of musical practice” in the Netherlands, 1969–72. The Musical Quarterly, 90 (3-4) pp. 539-577. ISSN 0027-4631 (print) 1741-8399 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2001) Taking soundings: music, non-music and Slave Pianos. In: Slave Pianos: A Diagnosis, 1998-2001. Revolver, Frankfurt, pp. 7-15. ISBN 978-3-934823-17-4

Adlington, R. (2009) Tuning in and dropping out: the disturbance of the Dutch premiere of Stockhausen's Stimmung. Music & Letters, 90 (1) pp. 94-112. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (2000) The music of Harrison Birtwistle. Music in the Twentieth Century . Cambridge University Press, Cambridge. ISBN 9780521630825 (hardback) 9780521027809 (paperback)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Aljabri, K. (2017) Exploring strategies for developing Western classical music education in the Sultanate of Oman. Doctoral thesis, Royal College of Music.

Asaba, Y. (2022) Demarcating status: tango music and dance in Japan, 1913-1940. In: Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910-40. Studies in Popular Culture . Manchester University Press, Manchester, pp. 154-176. ISBN 9781526156259 (hardback) 9781526156242 (e-book)

Asaba, Y. (2019) ‘Folds of the heart’: performing life-experience, emotion, and empathy in Japanese tango music culture. Ethnomusicology Forum, 28 (1) pp. 45-65. ISSN 1741-1912 (print) 1741-1920 (online)

Asaba, Y. (2017) Review of 'Tracing Tangueros: Argentine Tango Instrumental Music' by K Link, & K Wendland. Music & Letters, 98 (3) pp. 498-500. ISSN 0027-4224 (print) 1477-4631 (online)

Asaba, Y. (2018) The arrival of tango in Japan: allure, fear, and morality in early twentieth century Japan. The Japan Society Proceedings, 155 pp. 106-123. ISSN 0952-2050

Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24 pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)

Ascenso, S. and McCormick, J. and Perkins, R. (2019) Leadership in the transition from music student to professional musician: the Civic Orchestra of Chicago Fellowship. In: Leadership of Pedagogy and Curriculum in Higher Music Education. Routledge, pp. 18-38. ISBN 9780367077327 (hardback) 9780367077334 (paperback) 9780429022418 (e-book)

Ascenso, S. and Perkins, R. and Atkins, L. and Fancourt, D. and Williamon, A. (2018) Promoting well-being through group drumming with mental health service users and their carers. International Journal of Qualitative Studies on Health and Well-being, 13 (1) pp. 1-15. ISSN 1748-2631

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Barlow, H. and Herbert, T. (2021) Introduction: listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17 (3) pp. 343-357. ISSN 1479-4098 (print), 2044-8414 (online)

Barry, A. M. (2019) Lady sings the blues? Tragedy, autobiography and reassessment. In: Billie Holiday: essays on the artistry and legacy. McFarland, Jefferson, North Carolina, pp. 38-53. ISBN 978-1-4766-7469-8 (paperback) 978-1-4766-3708-2 (e-book)

Barry, A. M. (2019) An opera singer’s Gothic fiction: the autobiographies of Sims Reeves. Journal of Musicological Research ISSN 0141-1896 (print) 1547-7304 (online)

Betts, N. (2020) The personal and social impact of non-accredited music education in prison: a transformative mixed methods approach to research in custodial settings. Masters thesis, Royal College of Music.

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, London.

Brooks, J. and Thormählen, W. (2021) Introduction: making music matter in historic houses. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

Burrai, F. and Hasan, W. and Fancourt, D. and Luppi, M. and Di Somma, S. (2016) A randomized controlled trial of listening to recorded music for heart failure patients: study protocol. Holistic Nursing Practice, 30 pp. 102-115. ISSN 0887-9311 (print) 1550-5138 (online)

Burt-Perkins, R. and Mills, J. (2009) Pitching it right? Selection and learning at a music conservatoire. British Educational Research Journal, 35 (6) pp. 817-835. ISSN 1469-3518 (online)

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Camlin, D. A. (2023) Community music and the civic imagination. In: Listen to your Neighbourhood: Musik als Medium kultureller und Sozialer Arbeit. Beltz Juventa, pp. 10-21. ISBN 978-3-7799-7012-5

Camlin, D. A. (2017) Dave Camlin: case study. In: Engaging in Community Music: An Introduction. Routledge, Abingdon. ISBN 9781138638167 (hardback) 9781138638174 (paperback) 9781315637952 (e-book)

Camlin, D. A. (2018) Dialogic space. In: The Freedom Room: Symposium on Socially Engaged Arts, 23-25 May 2018, University of Bergen, Norway. (Unpublished)

Camlin, D. A. (2022) Encounters with participatory music. In: The Chamber Musician in the Twenty-First Century. MDPI, Basel, pp. 43-72. ISBN 978-3-03897-562-5 (hardback) 978-3-03897-563-2 (PDF)

Camlin, D. A. (2017) Group singing and trauma recovery. In: Culture, Health and Wellbeing International Conference, 19-21 June 2017, Bristol, UK. (Unpublished)

Camlin, D. A. (2016) Libraries gave us power. In: International Centre for Community Music Student Research Conference, November 2016, York St. John University, York. (Unpublished)

Camlin, D. A. (2018) Making sense of group singing. In: Northumberland Tyne and Wear NHS Trust Research and Development Conference, May 2018, Newcastle. (Unpublished)

Camlin, D. A. (2021) Mind the gap! In: Community Music at the Boundaries. Wilfrid Laurier University Press, Waterloo, Ontario, Canada. ISBN 9781771124577 (paperback)

Camlin, D. A. (2017) Music in three dimensions: an integrative perspective on the aesthetic, praxial and social dimensions of music. In: International Society for Music Education World Conference, 25-29 July 2016, Glasgow.

Camlin, D. A. (2023) Music making and civic imagination: a holistic philosophy. Music, Community, and Education . Intellect, Bristol. ISBN 9781789388022 (hardback) 9781789388046 (e-pub) 9781789388039 (PDF)

Camlin, D. A. (2021) Organizational dynamics in community ensembles. In: Together in Music: Coordination, Expression, Participation. Oxford University Press, Oxford. ISBN 9780198860761 (hardback)

Camlin, D. A. (2021) Recovering our humanity - what’s love (and music) got to do with it? In: Authentic Connection: Music, Spirituality, and Wellbeing. Music and Spirituality (13). Peter Lang, Oxford. ISBN 9781800791596 (paperback)

Camlin, D. A. (2018) Songs on the summits 1918-2018. The National Trust, UK.

Camlin, D. A. (2017) Sustaining a ‘portfolio’ career in music. In: Walking the Boundaries, Bridging the Gaps: International Community Music Conference, 11-13 May 2017, Wilfrid Laurier University, Waterloo, Ontario, Canada. (Unpublished)

Camlin, D. A. (2024) What does it mean to sing with the Earth? Music Education Research, 26 (3) pp. 209-222. ISSN 1461-3808 (print) 1469-9893 (online)

Camlin, D. A. (2019) What's love got to do with it? [keynote presentation]. In: International Fjord Summer School 2019, 17-20 June 2019, Bergen. (Unpublished)

Camlin, D. A. (2017) Whatever you say I am, that’s what I’m not: developing dialogical and dissensual ways of conceiving of and talking about community music. In: International Seminar of the ISME Commission on Community Music Activity, 19-23 July 2016, Edinburgh.

Camlin, D. A. (2014) Whose quality is it anyway? Inhabiting the creative tension between presentational and participatory music. Journal of Arts & Communities, 6 (2-3) pp. 99-118. ISSN 1757-1936 (print) 1757-1944 (online)

Camlin, D. A. (2017) Wir singen von Rechten, die wir nicht haben Dissens und Dialog in der Community Music [Singing the rights we do not possess: the rights of community music]. In: Community Music: Beiträge zur Theorie und Praxis aus internationaler und deutscher Perspektive. Waxmann, Münster, Germany, pp. 137-147. ISBN 978-3-8309-3456-1 (paperback) 9783830984566 (e-book)

Camlin, D. A. (2019) The value of group singing: preliminary insights from a phenomenological approach to understanding a complex cultural activity. In: International Society for Music Education Community Music Activity Commission Pre-Conference Seminar, 10-14 July 2018, Tbilisi, Georgia.

Camlin, D. A. and Daffern, H. and Zeserson, K. (2020) Group singing as a resource for the development of a healthy public: a study of adult group singing. Humanities & Social Sciences Communications, 7 (60) ISSN 2662-9992 (online)

Camlin, D. A. and Reis, H. (2024) Music making as holistic praxis. In: Ethno Music Gatherings: Pedagogy, Experience, Impact. Intellect, pp. 43-75. ISBN 9781835950364 (hardback) 9781835950357 (paperback) 9781835950388 (e-book)

Camlin, D. A. and Willingham, L. (2018) Group singing as a ‘polyphonic truth’. In: International Society for Music Education Community Music Activity Commission Pre-Conference Seminar, 10-14 July 2018, Tbilisi, Georgia. (Unpublished)

Camlin, D. A. and Zeserson, K. (2018) Becoming a community musician: a situated approach to curriculum, content, and assessment. In: The Oxford Handbook of Community Music. Oxford Handbooks . Oxford University Press, Oxford, pp. 711-733. ISBN 9780190219505 (hardback) 9780190861483 (e-book)

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and J. S. Bach’s Fugue in E major BWV 878/2. Part I. Clavichord International, 23 (2) pp. 39-48. ISSN 1387-0882

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.

Curran, T. and Meyn, N. (2017) Peter Gellhorn (1912-2004): Biography. RCM Editions, London.

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Darwin, C. (2024) Odaline de la Martinez – conductor, composer, entrepreneur, leader. In: The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions . Routledge, Abingdon. ISBN 9780367456764 (hardback) (In Press)

Delgado, I. (2020) How can musicians make music with people with dementia?: an investigation of musician-led musical practices for those living with dementia. Masters thesis, Royal College of Music.

Devaney, K. (2024) “How much are you willing to give up?” Investigating how socio-economic background influences undergraduate music students’ experiences and career aspirations within UK conservatoires. Project Report. Society for Research into Higher Education.

Devaney, K. and Lansdown, L. and Galbreath, D. (2021) ARCO South Africa: research report. Project Report. Birmingham City University.

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Falconer, E. (2022) The case for Casella: towards new methods of understanding and interpreting the Italian Modernist pianist-composer. Doctoral thesis, Royal College of Music.

Fancourt, D. (2017) Arts in health: designing and researching interventions. Oxford University Press, Oxford. ISBN 9780198792079 (paperback)

Fancourt, D. (2014) An introduction to the psychoneuroimmunology of music: history, future collaboration and a research agenda. Psychology of Music, 44 pp. 168-182. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Perkins, R. (2018) Could listening to music during pregnancy be protective against postnatal depression and poor wellbeing post birth? Longitudinal associations from a preliminary prospective cohort study. BMJ Open, 8 (7) pp. 1-8. ISSN 2044-6055

Fancourt, D. and Perkins, R. (2019) Creative interventions for symptoms of postnatal depression: a process evaluation of implementation. Arts & Health, 11 (1) pp. 38-53. ISSN 1753-3015 (print) 1753-3023 (online)

Fancourt, D. and Perkins, R. (2017) Does attending community music interventions lead to changes in wider musical behaviours? The effect of mother-infant singing classes on musical behaviours amongst mothers with symptoms of postnatal depression. Psychology of Music, 47 (1) pp. 132-143. ISSN 0305-7356 (print) 1741-3087 (online)

Fenlon, I. and Wistreich, R. (2019) Introduction. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 1-23. ISBN 9780511675874

Feshareki, S. (2019) A quest to find ‘real': September 2014 – February 2017. Doctoral thesis, Royal College of Music.

Fuchs, S. (2023) Emma Calvé: a diva’s campagne de propagande. In: Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great War. Routledge, New York. ISBN 9781032387352 (hardback) 9781003346517 (e-book)

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Garnham, A. M. (2007) The BBC in possession, 1945-59. In: The Proms: A New History. Thames and Hudson, pp. 130-167. ISBN 9780500513521

Garnham, A. M. (1998) Book review: 'Hans Keller: Essays on Music' by C. Wintle. Music Analysis, 17 (1) pp. 79-91. ISSN 0262-5245 (print) 1468-2249 (online)

Garnham, A. M. (2022) Britten and the radio. In: Benjamin Britten in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 78-85.

Garnham, A. M. (2024) The Dartington Summer School of Music. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Garnham, A. M. (2011) Hans Keller and internment: the development of an emigré musician 1938-48. Hans Keller Archive . Boydell & Brewer, Martlesham. ISBN 9780955608773 (hardback) 9780955608780 (paperback)

Garnham, A. M. (2003) Hans Keller and the BBC: the musical conscience of British broadcasting 1959-1979 [reissued 2017]. Routledge. ISBN 9781138721838 (hardback) 9781138721814 (paperback) 9781315194042 (e-book)

Garnham, A. M. (2017) The first international concert season of the European Broadcasting Union. The Musical Times, 158 (1940) pp. 7-17. ISSN 0027-4666 (print) 2397-5318 (online)

Garnham, A. M. and Woodhouse, S. (2019) Hans Keller 1919-1985: a musician in dialogue with his times. Routledge. ISBN 9780754608981 (hardback) 9781138391048 (paperback) 9781315586175 (e-book)

Gibbs, F. J. (2018) The Royal Albert Hall: a case study of an evolving cultural venue. Doctoral thesis, Royal College of Music.

Gouk, P. and Kennaway, J. and Prins, J. and Thormählen, W. (2018) Introduction: historical and contemporary perspectives on music, mind and well-being. In: The Routledge Companion to Music, Mind and Well-Being. Routledge Music Companions . Routledge, Abingdon. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Guillaume-Castel, F. (2024) 'Noble throughout': the transformations of the pedal harp in Paris and London, between 1749 and 1811. Doctoral thesis, Royal College of Music.

Guillaumier, C. and Slater, R. and Argondizza, P. (2016) Recontextualised learning through embedded creativity: developing a module that applies historically informed performance practice to Baroque music. In: Creative Teaching for Creative Learning in Higher Music Education. SEMPRE Studies in the Psychology of Music . Routledge, Abingdon, pp. 186-197. ISBN 9781472455918 (hardback) 9781138504998 (paperback) 9781315574714 (e-book)

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Hamilton, K. and Loges, N. (2014) Brahms in the home: an introduction. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 1-22. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Henley, J. (2015) Music: naturally inclusive, potentially exclusive? In: Inclusive Pedagogy Across the Curriculum. International Perspectives on Inclusive Education (7). Emerald, Bingley, UK, pp. 161-186. ISBN 978-1-78441-648-5

Henley, J. (2016) Young offenders. In: The Routledge Companion to Music, Technology, and Education. Routledge, Farnham, pp. 192-207. ISBN 9781138921382

Henley, J. (2018) A challenge to assumptions of the transformative power of music. Royal College of Music. (Unpublished)

Henley, J. and Cohen, M. L. (2014) Constructing personal narratives around key musical events: redefining identities and attitudes within and outside of prison music. In: CMA XIV Listening to the world: Experiencing and Connecting the Knowledge from Community Music, 15-18 July 2014, Salvador, Brazil.

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 70 pp. 65-76. ISSN 0771-6788

Herbert, T. (2020) Bands as musical subcultures: cultures, practices, and influences. In: Practice in Context: Perspectives on Historically Informed Practices in Post-Classical Music. Oxford University Press, New York. (In Press)

Herbert, T. (2013) Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. SOAS Studies in Music Series . Ashgate, Farnham, UK. ISBN 9781409444220 (hardback) 9781138251212 (paperback) 9781315569895 (e-book)

Herbert, T. (1997) Brass bands and other vernacular brass traditions. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 177-192. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (2024) The Cyfarthfa Band in its period of grace. In: Cyfarthfa Castle 1825-2025: A People's History. Merthyr and District Historical Society, Merthyr Tydfil. (In Press)

Herbert, T. (2018) Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: The Routledge Companion to the Study of Local Musicking. Routledge Music Companions . Routledge, Abingdon, UK. ISBN 9781138920118 (hardback) 9781315687353 (e-book)

Herbert, T. (2000) God's perfect minstrels: the bands of the Salvation Army. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1 pp. 92-113.

Herbert, T. (2000) Nineteenth-century bands: making a movement. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Popular nationalism: Griffith Rhys Jones ('Caradog') and the Welsh choral tradition. In: Music and British Culture, 1785-1914: Essays in Honor of Cyril Ehrlich. Oxford University Press, Oxford, pp. 255-274. ISBN 9780198167303 (hardback)

Herbert, T. (2021) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review, 17 (3) pp. 427-444. ISSN 1479-4098 (print), 2044-8414 (online)

Herbert, T. (1994) Review of 'Hoffnung: his biography' by Annetta Hoffnung. Historic Brass Society Newsletter, 7 pp. 43-44. ISSN 1045-4594

Herbert, T. (2013) Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012). Nineteenth-Century Music Review, 10 (2) pp. 323-356. ISSN 1479-4098 (print), 2044-8414 (online)

Herbert, T. (1988) Review of 'Popular music in England 1840–1914: a social history' by Dave Russell, Manchester University Press, 1987. Popular Music, 7 (1) pp. 114-115. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9 pp. 64-65. ISSN 1045-4594

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7 pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2) pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2011) Social history and music history. In: The Cultural Study of Music: A Critical Introduction [2nd Edition]. Routledge, Abingdon. ISBN 9780415881906 (hardback) 9780415881913 (paperback) 9780203149454 (e-book)

Herbert, T. (2005) Susato's colleagues: the trombonists of the Tudor court. In: Tielman Susato and the Music of his Time: Print Culture, Compositional Technique, and Instrumental Music in the Renaissance. Bucina: The Historic Brass Society Series (5). Pendragon Press, New York, pp. 117-132. ISBN 978-1576471067 (hardback)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22 pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2) pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (1998) Victorian brass bands: class, taste, and space. In: The Place of Music. Guilford Press, New York, pp. 104-128. ISBN 9781572303140 (paperback)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4 pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-Century British Music Studies. Music in Nineteenth-Century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1) pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (2006) The trombone. The Yale Musical Instrument Series . Yale University Press, London. ISBN 9780300100952 (hardback) 9780300235753 (paperback)

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4) pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2) pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. and Wallace, J. (2000) Aspects of performance techniques: the brass band and its influence on other brass-playing. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Hewett, I. (2017) All in a chord I: Beethoven: the Eroica Symphony. [Broadcast]

Hewett, I. (2017) All in a chord II: Wagner: Tristan und Isolde. [Broadcast]

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Broadcast]

Hewett, I. (2017) All in a chord IV: Stravinsky: The Rite of Spring. [Broadcast]

Hewett, I. (2017) All in a chord V: Terry Riley: In C. [Broadcast]

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Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11) p. 21. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1) p. 18. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The science of music' by Robin Maconie. BBC Music Magazine, 6 (2) p. 18. ISSN 0966-7180 (print)

Hewett, I. (1997) Closer encounters. The Musical Times, 138 (1855) pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2019) Describing the indescribable: how people talk about new music. In: Royal Musical Association Music and Philosophy Study Group Conference, 11-12 July 2019, Kings College, London. (Unpublished)

Hewett, I. (2015) Europe. In: The Other Classical Musics: Fifteen Great Traditions. Boydell & Brewer, Martlesham, Suffolk, pp. 216-245. ISBN 9781843837268 (hardback) 9781782045359 (e-book)

Hewett, I. (2020) ‘Frankly, the economics are horrendous’: what future for classical music after lockdown? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2007) Joining the queue: audiences for the Proms. In: The Proms: A New History. Thames & Hudson, London, pp. 210-231. ISBN 978-0500513521

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. The Musical Times, 135 (1817) pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024

Hewett, I. (2018) Why young people have fallen in love with jazz. Daily Telegraph ISSN 0307-1235

Hewett, I. (1998) A tract for the times. The Musical Times, 139 (1863) pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2021) The vanishing discipline: the threat to musicology. Search: Journal for New Music and Culture, 12 pp. 1-17.

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Hexel, V. (2019) Johannes factotum: Jóhann Jóhannsson. In: Double Lives: Film Composers in the Concert Hall. Routledge, Abingdon. ISBN 9780367028879

Hexel, V. (2014) Understanding contextual agents and their impact on recent Hollywood film music practice. Doctoral thesis, Royal College of Music.

Hexel, V. (2018) The film and media creators' guide to music. Routledge, Abingdon. ISBN 9781138055728

Hlavacsek, T. (2024) The piano music of Carl Goldmark (1830–1915). Doctoral thesis, Royal College of Music.

Ho, A. (2024) Reflecting and reimagining transnational Chinese identity through composition. Doctoral thesis, Royal College of Music.

Holden, M. and Adey, P. and Snyder, B. and Meyn, N. and Grosch, N. (2024) Mapping musical mobilities: challenging musical nationalism through mobility and migration. GeoHumanities ISSN 2373-566X (print) 2373-5678 (online)

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Kawabata, M. (2013) Paganini: the 'demonic' virtuoso. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781843837565 (hardback)

Kawabata, M. (2010) Paganini’s legacy. In: Nicolò Paganini: Diabolus in Musica. Studies on Italian Music History (5). Brepols, Turnhout, pp. 353-358. ISBN 978-2-503-53533-3 (hardback)

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83 pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2) pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue

Kawabata, M. (2011) What is to be made of these good-looking violinists? Male virtuosos with high cheekbones are vexing to some high-art traditionalists. Strings, 26 (5:200) p. 15. ISSN 0888-3106

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23) pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2023) The new "Yellow Peril" in "Western" European symphony orchestras. In: Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions. Oxford University Press, Oxford. ISBN 9780197601211 (hardback) 9780197601228 (paperback) 9780197601259 (e-book)

Korte, M. and Perkins, R. and Williamon, A. (2013) Learning to perform in older adulthood: implications for physical and mental wellbeing. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

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Lam, C. Y. (2023) In the process of becoming: an ethnographic case study of the development of community music practice in Hong Kong. Doctoral thesis, Royal College of Music.

Lawson, C. (2011) Nourishment, body and soul: modern performers, diverse tastes. In: Educated Tastes: Food, Drink, and Connoisseur Culture. At Table . University of Nebraska Press, Lincoln, Nebraska, pp. 215-236. ISBN 978-0-8032-1935-9 (paperback) 978-0-8032-3813-8 (e-book)

Lawson, C. (2002) Performing through history. In: Musical Performance: A Guide to Understanding. Cambridge University Press, Cambridge, pp. 3-16. ISBN 9780521783002 (hardback) 9780521788625 (paperback) 9780511074691 (e-book)

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1) pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Buying and selling music in the (very) long nineteenth century [review article]. Journal of the Royal Musical Association, 144 (1) pp. 223-232. ISSN 0269-0403 (print) 1471-6933 (online)

Loges, N. (2021) Clara Schumann’s legacy as a teacher. In: Clara Schumann Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, pp. 271-291. ISBN 9781108489843 (hardback) 9781108779531 (e-book)

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1) pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2) pp. 137-168. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2019) Femininity, fragments, and fingers: reconstructing Brahms's intellectual world. In: The Intellectual Worlds of Johannes Brahms, 1-3 February 2019, University of California, Irvine, USA.

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. (2019) Literature. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 269-276. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

Loges, N. (2019) Reading, singing, becoming: the Mädchenlieder of Paul Heyse and Johannes Brahms. In: Musical Salon Culture in the Long Nineteenth Century. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783273904 (hardback) 9781787445345 (e-book)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2) pp. 316-320. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Loges, N. and Clark, T. (2019) Thinking across disciplines: audience responses to Clara Schumann’s Dichterliebe at the Wigmore Hall. Participations: Journal of Audience and Reception studies, 16 (2) pp. 38-67. ISSN 1749-8716

Loges, N. and Hamilton, K. (2019) Mythmaking. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 384-392. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

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Mantovani, L. (2019) Ferdinand Rebay and the reinvention of guitar chamber music. Doctoral thesis, Royal College of Music.

Mather, B. and Camlin, D. A. (2017) Situational pedagogy in community music: developing a pedagogical approach which accounts for and responds to the changing needs of music learners and music learning situations. In: International Seminar of the ISME Commission on Community Music Activity, 19-23 July 2016, Edinburgh.

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.

Meyn, N. (2021) Between two worlds: discovering the music of Robert Kahn (1865-1951). Classical Music ISSN 0961-2696 (print) 2632-8208 (online)

Meyn, N. (2019) Discovering the music of Robert Kahn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2023) Eric Sanders. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2018) Love of song: from Mendelssohn to Brahms [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Meyn, N. (2021) Marginalised in our cultural memory: migrant musicians from Nazi-occupied Europe in Britain. In: First Annual Midlands Music Research Network Conference, 19-20 April 2021, Online. (Unpublished)

Meyn, N. (2018) Music for 'Through Lotte's Lens' directed by Tony Britten. Capriol Films.

Meyn, N. (2023) Music, migration and mobility: émigré musicians from Nazi Europe. [Website]

Meyn, N. (2013) Singing a song in a foreign land. [Website]

Meyn, N. (2018) Singing a song in a foreign land. In: Association of Anglican Musicians Conference, 11-14 June 2018, San Antonio, Texas. (Unpublished)

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Meyn, N. (2019) The legacy of Jewish musicians who emigrated to the UK from Nazi-Europe. In: Musica Judaica Symposium: Jewish Music Between Oral and Written Traditions, 14-15 July 2019, Clarendon Institute, Oxford. (Unpublished)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. and Grosch, N. and Adey, P. (2023) Foregrounding mobility rather than belonging: a conceptual framework for engaging with music shaped by transnational migration. Acta Musicologica, 95 (1) pp. 4-20. ISSN 0001-6241 (print) 2296-4339 (online)

Meyn, N. and Heher, H. (2020) Egon Wellesz: Drei Lieder Op. 24. RCM Editions, London.

Meyn, N. and Heller-Jones, C. (2018) Love of Lieder: tracing the Jewish journey through 19th and 20th century German song [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Meyn, N. and Holden, M. (2023) Music, migration, and mobility: the story of émigré musicians from Nazi Europe in Britain. [Show/Exhibition]

Morgan, F. (2020) Common cents: the experiences of low-income students in high-profile conservatoires. Masters thesis, Royal College of Music.

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Nardacci, F. (2024) New perspectives on the Italian instrumental music renaissance over the long nineteenth century. Doctoral thesis, Royal College of Music.

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Paolantonio, P. and Cavalli, S. and Biasutti, M. and Williamon, A. (2022) Group music making in nursing homes: investigating the experience of higher education music students. International Journal of Community Music, 15 (1) pp. 113-142. ISSN 1752-6299 (print) 1752-6302 (online)

Perkins, R. Learning cultures, creativities and higher music education institutions. In: Developing Creativities in Higher Music Education: International Perspectives and Practices. Routledge Research in Higher Education . Routledge, pp. 223-233. ISBN 9780415709941 (hardback) 9781138669819 (paperback) 9781315885223 (e-book)

Perkins, R. (2012) Rethinking ‘career’ for music students: identity and vision. In: Life in the Real World: How to Make Music Graduates Employable. New Directions in the Humanities . Common Ground Research Networks, pp. 11-26. ISBN 978-1-61229-078-2 (paperback) 978-1-61229-079-9 (PDF)

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11) pp. 1-17.

Perkins, R. and Yorke, S. and Fancourt, D. (2018) Learning to facilitate arts-in-health programmes: a case study of musicians facilitating creative interventions for mothers with symptoms of postnatal depression. International Journal of Music Education, 36 (4) pp. 644-658. ISSN 0255-7614 (print) 1744-795X (online)

Pitt, J. (2018) Tri-borough Early Years Music Consortium (Tri-Music Together) Evaluation Report. Project Report. Youth Music, London.

Pitts, S. E. and Peters, P. F. and Burland, K. and Devaney, K. and Dons, K. and Doolittle, E. and Hogg, L. and Molina, K. and Porton, J. J. and Price, S. and Wimmer, C. (2024) Networked innovation in classical music: collaborative ecologies for classical music. Project Report. Sheffield Performer & Audience Research Centre.

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Rossi Rognoni, G. (2019) Organology and the others: a political perspective. Journal of the American Musical Instrument Society, 44 pp. 7-17. ISSN 0362-3300

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See, N. H. (2024) How pianists programme lesser-known solo repertoire: an autoethnography through Clara Schumann’s Sonata and interviews with four pianists. Doctoral thesis, Royal College of Music.

Sekar, S. P. (2024) Liveness, Liveliness, aLiveness: an empirical study on audience experience in Film-with-Live-Orchestra concerts. Doctoral thesis, Royal College of Music.

Shaughnessy, C. and Hall, A. and Perkins, R. (2023) Becoming the right musician for the job: versatility, connectedness, and professional identities during personalized, online music-making in hospital maternity wards. Musicae Scientiae ISSN 1029-8649 (print) 2045-4147 (online)

Smith, R. L. (2015) Behind Ravel’s Boléro: the repercussions of Wellington’s Victory. In: City of Light: Paris 1900-1950: International Conference, 27-29 May 2015, French Cultural Institute, London. (Unpublished)

Smith, R. L. (2021) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) 9781800100466 (e-book)

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68) ISSN 1553-9172

Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's Resonance. Eastman Studies in Music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)

Smith, R. L. (2020) Marketing Madame Chaminade: soap, smells and sheet music. In: Conference: Musical Women in Europe in the Long Nineteenth Century, 24-26 February 2020, Royal Northern College of Music, Manchester. (Unpublished)

Smith, R. L. (2019) O Camponês cultivado em Paris. Chabrier: L’Étoile, Teatro Nacional de São Carlos, Lisbon pp. 17-25.

Smith, R. L. (2024) Review: Parody, promotion, Paris. The Musical Times, 165 (1966) pp. 103-108. ISSN 0027-4666 (print) 2397-5318 (online)

Snyder, B. (2022) The Anglo-Austrian Music Society. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Snyder, B. (2021) Mátyás Seiber - traveller between worlds. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Solomon, A. (2015) Rediscovering Bolivian Baroque music. University of Sidney, Sidney, Australia.

Spiro, N. and Farrant, C. and Pavlicevic, M. (2017) Between practice, policy and politics: music therapy and the Dementia Strategy, 2009. Dementia: The International Journal of Social Research and Practice, 16 (3) pp. 259-281. ISSN 1471-3012 (print) 1741-2684 (online)

Spiro, N. and Sanfilippo, K. R. M. and McConnell, B. B. and Pike-Rowney, G. and Bonini Baraldi, F. and Brabec, B. and Van Buren, K. and Camlin, D. A. and Cardoso, T. M. and Çifdalöz, B. U. and Cross, I. and Dumbauld, B. and Ettenberger, M. and Falkenberg, K. and Fouché, S. and Frid, E. and Gosine, J. and graham-jackson, a. l. and Grahn, J. A. and Harrison, K. and Ilari, B. and Mollison, S. and Morrison, S. J. and Pérez-Acosta, G. and Perkins, R. and Pitt, J. and Rabinowitch, T. C. and Robledo, J. P. and Roginsky, E. and Shaughnessy, C. and Sunderland, N. and Talmage, A. and Tsiris, G. and de Wit, K. (2023) Perspectives on musical care throughout the life course: introducing the Musical Care International Network. Music & Science, 6 pp. 1-18. ISSN 2059-2043 (online)

Stirling, C. (2016) ‘Beyond the dance floor’? Gendered publics and creative practices in electronic dance music. Contemporary Music Review, 35 (1) pp. 130-149. ISSN 0749-4467 (print) 1477-2256 (online)

Stirling, C. (2017) Crowds, cordons, and computers: rethinking density through London’s grime scene. In: Re-thinking Density: Art, Culture and Urban Practices. Publication Series of the Academy of Fine Arts Vienna . Sternberg Press, London, pp. 212-231. ISBN 978-3-95679-362-2 (paperback)

Stirling, C. (2021) Night cubes: revisiting UK sound art’s popular and club histories. Flash Art

Stirling, C. (2020) Sonic methodologies in urban studies. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, London, pp. 115-139. ISBN 9781501338755 (hardback)

Stirling, C. (2016) Sound art/street life: tracing the social and political effects of sound installations in London. Journal of Sonic Studies, 11 ISSN 2212–6252

Stirling, C. (2018) Sound, affect, politics. In: The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions . Routledge, Abingdon, pp. 54-67. ISBN 9781138854253 (hardback) 9780367659745 (paperback) 9781315722191 (e-book)

Stirling, C. (2019) Voice memos from the dancefloor. [Audio]

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Thormählen, W. (2020) Feel-good tunes: music aesthetics, performance and well-being in the eighteenth century. In: Lifestyle and Medicine in the Enlightenment: The Six Non-Naturals in the Long Eighteenth Century. Routledge Studies in the History of Science, Technology and Medicine . Routledge, Abingdon. ISBN 9781138610705 (hardback) 9780429465642 (e-book)

Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge Companion to Music, Mind, and Well-Being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London Voices, 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. Göttingen Händel-Beiträge, 15 pp. 144-160. ISSN 0177-7319 (print) 2197-330X (online)

Thormählen, W. (2022) Music and emotions. In: The Routledge History of Emotions in the Modern World. Routledge Histories . Routledge, Abingdon, pp. 345-359. ISBN 9780367902438 (hardback) 9781003023326 (e-book)

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Thormählen, W. (2011) Recording review article: ‘Kleinmeister’ music—a conflict of interests? Early Music, 39 (4) pp. 655-658. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2021) Telling stories, sounding faith: exhibiting religion in historic house museums. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge, Abingdon and New York. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

Thormählen, W. (2015) Vom Hören und Singen: Musik als Medium der Sensibilisierung. In: Emotionen, Wissen und Aufklärung: Gefühlskulturen im Großbritannien des 18. Jahrhunderts. Deutsche Gesellschaft für die Erforschung des Achtzehnten Jahrhunderts (39 (2)). Wallstein Verlag, Göttingen, pp. 221-232. ISBN 978-3-8353-1697-3

Thormählen, W. (2015) The muse as hero(ine): gender and creative process in Hildegard von Hohenthal. In: Musikalisches Denken im Labyrinth der Aufklarung: Wilhelm Heinses Hildegard von Hohenthal [Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's Hildegard von Hohenthal]. Southampton-Würzburg Studies in Eighteenth Century Musical Culture . Are Musik Verlag, Mainz, pp. 187-206. ISBN 978-3-924522-50-6

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2014) What does the past tell us? A content analysis of the first quarter century of the British Journal of Music Therapy. British Journal of Music Therapy, 28 (1) pp. 4-24. ISSN 1359-4575 (print) 2059-9773 (online)

Tymoszuk, U. and Perkins, R. and Spiro, N. and Williamon, A. and Fancourt, D. (2020) Longitudinal associations between short-term, repeated, and sustained arts engagement and well-being outcomes in older adults. The Journals of Gerontology: Series B, 75 (7) pp. 1609-1619. ISSN 1079-5014 (print) 1758-5368 (online)

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Vaughan, W. and Loges, N. (2019) Visual arts. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 286-295. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

van Allen-Russell, A. (2023) ‘Not like Pyrates’: borrowing, copyright and creativity in the eighteenth century. In: Music Borrowing and Copyright Law: A Genre-by-Genre Analysis. Bloomsbury, London, pp. 191-206. ISBN 9781509949380 (hardback) 9781509949397 (Epub & Mobi) 9781509949403 (PDF)

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Whitfield, S. K. (2019) Black performance practice as British musical theatre 1900–1950: digitising and recovering a lost timeline. In: IFTR, Digital Humanities Working Group, 2019, New York Public Library. (Unpublished)

Whitfield, S. K. (2018) Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017). New Theatre Quarterly, 34 (2) pp. 196-197. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2018) Book review: Marc Edward Shaw and Holly Welker (eds.), Singing and dancing to The Book of Mormon: critical essays on the Broadway musical (Rowman & Littlefield, 2016). Studies in Theatre and Performance, 38 (3) pp. 350-352. ISSN 1468-2761 (print) 2040-0616 (online)

Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2018) Boublil and Schönberg’s Les Misérables. The Fourth Wall . Routledge. ISBN 9781138094383 (paperback) 9781315106090 (e-book)

Whitfield, S. K. (2020) Disrupting heteronormative temporality through Queer dramaturgies: Fun Home, Hadestown and A Strange Loop. Arts, 9 (2) (69). ISSN 2076-0752 (online)

Whitfield, S. K. (2024) Flowers for Mrs Harris: Covid-19, women's work, and the musical's 'some kind of bliss'. In: Contemporary British Musicals: ‘Out of the Darkness’. Bloomsbury: Methuen Drama, London. ISBN 9781350268050 (hardback) 9781350268036 (paperback) 9781350268043 (e-book)

Whitfield, S. K. (2017) 'For the first time in forever': locating Frozen as a feminist Disney musical. In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen Drama (Bloomsbury), London. ISBN 9781474234177 (hardback) 9781474234160 (paperback) 9781474234191 (e-book)

Whitfield, S. K. (2023) Líza Fuchsová. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Musical migrants at Wigmore Hall in the 1940s. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2016) ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices. Studies in Musical Theatre, 10 (2) pp. 163-176. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2023) Oda Slobodskaya. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2024) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Royal Musical Association Research Chronicle pp. 1-15. ISSN 1472-3808 (print), 2167-4027 (online)

Whitfield, S. K. (2023) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities: the Hamburger-Lidka-Fuchsová Database and Datasets. [Dataset]

Whitfield, S. K. (2017) ‘You wanna hear the real story?’ (Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys. In: Twenty-First Century Musicals: From Stage to Screen. Routledge, London. ISBN 9781138648906 (hardback) 9781138648890 (paperback) 9781315626123 (e-book)

Whitfield, S. K. (2020) A space has been made: bisexual+ stories in musical theatre. Theatre Topics, 30 (2) E5-E12. ISSN 1054-8378 (print) 1086-3346 (online)

Williamon, A. and Cossette, I. (2021) Program of the International Symposium on Performance Science 2021. In: International Symposium on Performance Science 2021, 27-30 October 2021, Montréal, Canada.

Williamon, A. and Glasser, S. and McPherson, G. E. (2019) Program of the International Symposium on Performance Science 2019. In: International Symposium on Performance Science 2019, 16 - 20 July 2019, Australia.

Wistreich, R. (2021) Colonialism, capitalism, and the invention of Early Music. In: Forum für Aufführungspraxis, 1 December 2021, Staatliche Hochschule für Musik, Trossingen, Germany. (Unpublished)

Wistreich, R. (2023) Colonialism, late capitalism, and the invention of Early Music. In: ‘The Revival of Heritage’: in memoriam Richard Taruskin (1945–2022), 28–29 August 2023, STIMU Symposium, Utrecht Festival Oude Muziek. (Unpublished)

Wistreich, R. (2021) ‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe. In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University). (Unpublished)

Wistreich, R. (2019) Music and war. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 176-205. ISBN 9780511675874

Wistreich, R. (2011) Music books and sociability. Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18 pp. 230-246. ISSN 1123-8615 (print) 2035-6706 (online)

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. Analecta Musicologica, 49 pp. 138-150. ISSN 0569-9827

Wistreich, R. (2023) Performing social relationships: the materialism of collective music-making. In: University of Birmingham Centre for Reformation and Early Modern Studies, 25 October 2023, Shakespeare Institute, Stratford-upon-Avon. (Unpublished)

Wistreich, R. (2007) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Routledge, Abingdon. ISBN 9780754654148 (hardback) 9781138263000 (paperback) 9781315547657 (e-book)

Wistreich, R. (2019) The lives of musicians. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 288-334. ISBN 9780511675874

Wistreich, R. (2022) The materiality of Early Modern ensemble music making. In: Royal Musical Association Annual Conference, 7-10 September 2022, Durham. (Unpublished)

Wistreich, R. and Rossi Rognoni, G. (2024) Expanding perspectives: materialising musical instruments. Journal of Musicological Research pp. 1-19. ISSN 0141-1896 (print) 1547-7304 (online)

Wolf, S. and Asare, M. and Berman, R. and Eng, R. and Glover, E. M. and Savran, D. and Stitt, G. and Webster, B. and Whitfield, S. K. (2021) What do we do with the musical theater canon? In: Troubling Traditions: Canonicity, Theatre, and Performance in the US. Routledge. ISBN 9780367468323 (hardback) 9780367468309 (paperback) 9781003031413 (e-book)

Wright, D. C. H. (2001) Altered states: review of 'Making music modern: New York in the 1920s' by Carol J. Oja; 'America's musical life: a history' by Richard Crawford. The Musical Times, 142 (1877) pp. 62-63. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) The Associated Board of the Royal Schools of Music: a social and cultural history. Associated Board of the Royal Schools of Music, London. ISBN 9781848495791

Wright, D. C. H. (2020) Book review: 'Mary Gladstone and the Victorian salon: music, literature, liberalism' by Phyllis Weliver. Journal of the American Musicological Society, 73 (2) pp. 420-425. ISSN 0003-0139 (print) 1547-3848 (online)

Wright, D. C. H. (2014) Book review: 'Music and performance culture in nineteenth-century Britain: essays in honour of Nicholas Temperley' by Bennett Zon; 'Music and theology in nineteenth-century Britain' by Martin V. Clarke. Victorian Studies, 57 (1) pp. 173-176. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2010) Book review: 'Music and the making of middle-class culture: a comparative history of nineteenth-century Leipzig and Birmingham' by Antje Pieper; 'Thomas Tallis and his music in Victorian England' by Suzanne Cole. Victorian Studies, 52 (2) pp. 329-332. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2024) Book review: 'Music in Twentieth-Century Oxford: New Directions' edited by Robin Darwall-Smith and Susan Wollenberg (Boydell Press, 2023). Music & Letters ISSN 0027-4224 (print) 1477-4631 (online)

Wright, D. C. H. (2019) Canterbury males: review of ‘The Canterbury Catch Club 1826: music in the frame’ by Chris Price. The Musical Times, 160 (1948) pp. 117-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2009) Catalyst for change: review of 'The triumph of music: composers, musicians and their audiences, 1700 to the present' by Tim Blanning. The Musical Times, 150 (1909) pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Concerts for coteries, or music for all? Glock's Proms reconsidered. The Musical Times, 149 (1904) pp. 3-34. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. The Musical Times, 135 (1813) pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882) pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879) pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Grove Music Online article: London (i) VII: Musical life since 1945: 1. Introduction; 3. Concert life: (i) Postwar consolidation 1945–60, (ii) New repertories, 1960–mid-1980s, (iii) Diversity and marketing initiatives from the mid-1980s; 4: Contemporary music. Oxford University Press, Oxford.

Wright, D. C. H. (2005) The London Sinfonietta 1968–2004: a perspective. Twentieth-Century Music, 2 (1) pp. 109-136. ISSN 1478-5722 (print) 1478-5730 (online)

Wright, D. C. H. (2018) Mechanized music and the new market for musical journalism. In: French Renaissance Music and Beyond: Studies in Memory of Frank Dobbins. Brepols, Turnhout, pp. 677-687. ISBN 978-2-503-57960-3

Wright, D. C. H. (2014) 'Middle-classing' the music profession in Victorian Britain. Journal of the Royal College of Organists, 8 pp. 31-39. ISSN 0969-1642

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2003) Networking: review article. The Musical Times, 144 (1883) pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2016) Novello, John Stainer and commercial opportunities in the nineteenth-century British amateur music market. In: The Idea of Art Music in a Commercial World, 1800-1930. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783270651

Wright, D. C. H. (2006) Post factum: review of 'The collected letters of Peter Warlock (Philip Heseltine)' edited by Barry Smith. The Musical Times, 147 (1895) pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2007) Reinventing the Proms: the Glock and Ponsonby eras, 1959-85. In: The Proms: A New History. Thames & Hudson, London, pp. 168-209. ISBN 9780500513521

Wright, D. C. H. (2022) Review article: People power: 'The art of appreciation: music and middlebrow culture in modern Britain' by Kate Guthrie. The Musical Times, 163 (1960) pp. 87-102. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2018) Review of 'Players’ work time: a history of the British Musicians’ Union, 1893–2013' by John Williamson and Martin Cloonan. Popular Music, 37 (1) pp. 134-136. ISSN 0261-1430 (print) 1474-0095 (online)

Wright, D. C. H. (2006) Sir Frederick Bridge and the musical furtherance of the 1902 imperial project. In: Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 115-130. ISBN 9780754652083 (hardback) 9781315094281 (e-book)

Wright, D. C. H. (2008) Situating Stainer: review of 'John Stainer: a life in music' by Jeremy Dibble. The Musical Times, 149 (1903) pp. 95-103. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The South Kensington music schools and the development of the British conservatoire in the late nineteenth century. Journal of the Royal Musical Association, 130 (2) pp. 236-282. ISSN 0269-0403 (print) 1471-6933 (online)

Wright, D. C. H. (2004) Take two: review of 'Performing music in the age of recording' by Robert Philip. The Musical Times, 145 (1889) pp. 98-100. ISSN 0027-4666 (print) 2397-5318 (online)

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Yorke, S. and Perkins, R. (2017) Music and motherhood: facilitating interventions for mothers and their babies. Manual. Royal College of Music, London.