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Number of items: 323.

A

Alessandri, E. and Eiholzer, H. and Williamon, A. (2014) Reviewing critical practice: An analysis of Gramophone's reviews of Beethoven's piano sonatas, 1923-2010. Musicae Scientiae, 18 (2). pp. 131-149. ISSN 1029-8649

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2015) Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism. Frontiers in Psychology, 6 (57). pp. 1-14. ISSN 1664-1078

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). pp. 1-17. ISSN 1664-1078

Antonini Philippe, R. and Kosirnik, C. and Vuichoud, N. and Williamon, A. and Crettaz von Roten, F. (2019) Understanding wellbeing among college music students and amateur musicians in Western Switzerland. Frontiers in Psychology, 10 (820). pp. 1-11. ISSN 1664-1078

Araújo, L. and Cruz, J. and Almeida, L. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27. pp. 1-19. ISSN 1359-8139 (Print) 1469-834X (Online)

Araújo, L. and Wasley, D. and Perkins, R. and Atkins, L. and Redding, E. and Ginsborg, J. and Williamon, A. (2017) Fit to perform: an investigation of higher education music students’ perceptions, attitudes, and behaviors toward health. Frontiers in Psychology, 8 (1558). pp. 1-19. ISSN 1664-1078

Ascenso, S. and Perkins, R. and Atkins, L. and Fancourt, D. and Williamon, A. (2018) Promoting well-being through group drumming with mental health service users and their carers. International Journal of Qualitative Studies on Health and Well-being, 13 (1). pp. 1-15. ISSN 1748-2631

Ascenso, S. and Perkins, R. and Williamon, A. (2018) Resounding meaning: a PERMA wellbeing profile of classical musicians. Frontiers in Psychology, 9 (1895). pp. 1-14. ISSN 1664-1078

Ascenso, S. and Williamon, A. and Perkins, R. (2016) Understanding the wellbeing of professional musicians through the lens of positive psychology. Psychology of Music, 45 (1). pp. 65-81. ISSN 0305-7356

Aufegger, L. and Perkins, R. and Wasley, D. and Williamon, A. (2016) Musicians’ perceptions and experiences of using simulation training to develop performance skills. Psychology of Music, 45 (3). pp. 417-431. ISSN 0305-7356

B

Barlow, H. and Herbert, T. (2019) Listeners in music history: studying the evidence. Nineteenth-Century Music Review. ISSN 2044-8414 (In Press)

Barry, A. M. (2019) An opera singer’s Gothic fiction: the autobiographies of Sims Reeves. Journal of Musicological Research. ISSN 0141-1896 (print) 1547-7304 (online)

Belina, A. (2018) Settling the score: celebrating the women erased from the musical canon. The Guardian Classical Music Blog.

Biasutti, M. and Concina, E. and Wasley, D. and Williamon, A. (2016) Music regulators in two string quartets: a comparison of communicative behaviors between low- and high-stress performance conditions. Frontiers in Psychology, 7 (1229). pp. 1-10. ISSN 1664-1078

Bowen, K. D. and Buys, K. and Dart, M. and Sharp, D. (2018) Assessing the sound of a woodwind instrument that cannot be played. Applied Acoustics, 143 (n/a). pp. 84-99. ISSN 0003-682X

Burrai, F. and Hasan, W. and Fancourt, D. and Luppi, M. and Di Somma, S. (2016) A randomized controlled trial of listening to recorded music for heart failure patients: study protocol. Holistic Nursing Practice, 30. pp. 102-115.

C

Camlin, D. A. (2015) ‘This is my truth, now tell me yours’: emphasizing dialogue within participatory music. International Journal of Community Music, 8 (3). pp. 233-257. ISSN 1752-6299 (print) 1752-6302 (online)

Camlin, D. A. (2014) Whose quality is it anyway? Inhabiting the creative tension between presentational and participatory music. Journal of Arts & Communities, 6 (2-3). pp. 99-118. ISSN 1757-1936 (print) 1757-1944 (online)

Camlin, D. A. and Caulfield, L. and Perkins, R. (2019) Capturing the magic: a three-way dialogue on the impact of music on people and society. International Journal of Community Music. ISSN 1752-6299 (print) 1752-6302 (online) (In Press)

Chanwimalueang, T. and Aufegger, L. and Adjei, T. and Wasley, D. and Cruder, C. and Mandic, D. P. and Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4). pp. 1-14. ISSN 1932-6203

Charlston, T. (2019) David Evans 1936–2018: an appreciation. Harpsichord & Fortepiano, 23 (1). pp. 13-18.

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and Johann Sebastian Bach’s E major Fugue from book two of the Well-Tempered Clavier, BWV 878/2. Part I. Clavichord International, 23 (2). pp. 39-48. ISSN 1387-0882

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 1387-0882

Charlston, T. (2009) An instrument in search of its repertoire? The Theewes claviorgan and its use in the performance of sixteenth- and seventeenth-century keyboard music. Journal of the Royal College of Organists, 3. pp. 24-41. ISSN 0969-1642

Clark, T. and Gupta, A. and Ho, C. H. (2014) Developing a dancer wellness program employing developmental evaluation. Frontiers in Psychology, 5 (731). pp. 1-9. ISSN 1664-1078

Clark, T. and Lisboa, T. (2013) Training for sustained performance: moving toward long-term musician development. Medical Problems of Performing Artists, 28. pp. 159-168. ISSN 0885-1158

Clark, T. and Lisboa, T. and Williamon, A. (2014) An investigation into musicians' thoughts and perceptions during performance. Research Studies in Music Education, 36 (1). pp. 19-37. ISSN 1321-103X (print) 1834-5530 (online)

Clark, T. and Williamon, A. (2011) Evaluation of a mental skills training program for musicians. Journal of Applied Sport Psychology, 23. pp. 342-359. ISSN 1041-3200 (print) 1533-1571 (online)

Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40. pp. 471-493. ISSN 0305-7356

Clark, T. and Williamon, A. and Redding, E. (2013) The value of health screening in music conservatoires. Clinical Rheumatology, 32. pp. 497-500. ISSN 0770-3198 (print) 1434-9949 (online)

Crowell, G. and Charlston, T. (2018) An interview with Terence Charlston. Clavichord International, 22 (2). pp. 38-44. ISSN 1387-0882

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2017) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice, 18 (1). pp. 53-66. ISSN 1533-2500

D

Daffern, H. and Camlin, D. A. and Egermann, H. and Gully, A. J. and Kearney, G. and Neale, C. and Rees-Jones, J. (2018) Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing. International Journal of Performance Arts and Digital Media, 15 (1). pp. 1-22.

Demos, A. P. and Lisboa, T. and Begosh, K. T. and Logan, T. and Chaffin, R. (2018) A longitudinal study of the development of expressive timing. Psychology of Music. ISSN 0305-7356 (In Press)

Demos, A. P. and Lisboa, T. and Chaffin, R. (2016) Flexibility of expressive timing in repeated musical performances. Frontiers in Psychology, 7 (1490). pp. 1-9. ISSN 1664-1078

F

Fancourt, D. (2014) An introduction to the psychoneuroimmunology of music: history, future collaboration and a research agenda. Psychology of Music, 44. pp. 168-182. ISSN 0305-7356

Fancourt, D. and Aufegger, L. and Williamon, A. (2015) Low-stress and high-stress singing have contrasting effects on glucocorticoid response. Frontiers in Psychology, 6. ISSN 1664-1078

Fancourt, D. and Burton, T. M. W. and Williamon, A. (2016) The razor's edge: Australian rock music impairs men's performance when pretending to be a surgeon. Medical Journal of Australia, 205. pp. 515-518. ISSN 1326-5377

Fancourt, D. and Garnett, C. and Spiro, N. and West, R. and Müllensiefen, D. (2019) How do artistic creative activities regulate our emotions? Validation of the Emotion Regulation Strategies for Artistic Creative Activities Scale (ERS-ACA). PLOS ONE, 14 (2). pp. 1-22. ISSN 1932-6203 (online)

Fancourt, D. and Joss, T. (2014) Aesop: a framework for developing and researching arts in health programmes. Arts & Health, 7 (1). pp. 1-13. ISSN 1753-3015

Fancourt, D. and Perkins, R. (2017) Associations between singing to babies and symptoms of postnatal depression, wellbeing, self-esteem and mother-infant bond. Public Health, 145. pp. 149-152. ISSN 0033-3506

Fancourt, D. and Perkins, R. (2018) Could listening to music during pregnancy be protective against postnatal depression and poor wellbeing post birth? Longitudinal associations from a preliminary prospective cohort study. BMJ Open, 8 (7). pp. 1-8. ISSN 2044-6055

Fancourt, D. and Perkins, R. (2018) Creative interventions for symptoms of postnatal depression: a process evaluation of implementation. Arts & Health. ISSN 1753-3015

Fancourt, D. and Perkins, R. (2017) Does attending community music interventions lead to changes in wider musical behaviours? The effect of mother-infant singing classes on musical behaviours amongst mothers with symptoms of postnatal depression. Psychology of Music. ISSN 0305-7356

Fancourt, D. and Perkins, R. (2017) Maternal engagement with music up to nine months post-birth: findings from a cross-sectional study in England. Psychology of Music, 46 (2). pp. 238-251. ISSN 0305-7356

Fancourt, D. and Perkins, R. (2018) The effects of mother-infant singing on emotional closeness, affect, anxiety, and stress hormones. Music & Science, 1. pp. 1-10. ISSN 2059-2043

Fancourt, D. and Perkins, R. and Ascenso, S. and Atkins, L. and Kilfeather, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2015) Group drumming modulates cytokine response in mental health services users: a preliminary study. Psychotherapy and Psychosomatics, 85 (1). pp. 53-55. ISSN 0033-3190

Fancourt, D. and Perkins, R. and Ascenso, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2016) Effects of group drumming interventions on anxiety, depression, social resilience and inflammatory immune response among mental health service users. PLOS ONE, 11 (3). pp. 1-16. ISSN 1932-6203 (online)

Fancourt, D. and Tymoszuk, U. (2019) Cultural engagement and incident depression in older adults: evidence from the English Longitudinal Study of Ageing. The British Journal of Psychiatry, 214 (4). pp. 225-229. ISSN 0007-1250 (print) 1472-1465 (online)

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132. pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631). pp. 1-13.

Fioravanti, M. and Di Giulio, G. and Signorini, G. and Rossi Rognoni, G. and Sodini, N. and Tromba, G. and Zanini, F. (2017) Non-invasive wood identification of historical musical bows. IAWA Journal (International Association of Wood Anatomists), 38 (3). pp. 285-296. ISSN 0928-1541 (E-ISSN 2294-1932)

G

Gionfrida, L. and Roginska, A. (2017) A novel sonification approach to support the diagnosis of Alzheimer's dementia. Frontiers in Neurology, 8 (647). pp. 1-12. ISSN 1664-2295

Giraldo, S. and Waddell, G. and Nou, I. and Ortega, A. and Mayor, O. and Perez, A. and Williamon, A. and Ramirez, R. (2019) Automatic assessment of tone quality in violin music performance. Frontiers in Psychology, 10 (334). pp. 1-12. ISSN 1664-1078

Guillaumier, C. (2011) Ambiguous modernism: the early orchestral works of Sergei Prokofiev. Tempo, 65 (256). pp. 25-37. ISSN 0040-2982 (print) 1478-2286 (online)

Guillaumier, C. (2010) The Giant and other creatures: Prokofiev's childhood compositions. Three Oranges Journal, 20. pp. 29-35. ISSN 1472-9946

Guillaumier, C. (2010) Prokofiev, opera and theatre: a case study of The Gambler. Musicorum, 8. pp. 67-101.

Guillaumier, C. (2016) Reflection as creative process: perspectives, challenges and practice. Arts and Humanities in Higher Education, 15 (3-4). pp. 353-363. ISSN 1474-0222 (print) 1741-265X (online)

Guillaumier, C. (2014) Review of 'Composing for the red screen: Prokofiev and Soviet film' by Kevin Bartig. Slavic and East European Journal, 58 (2). pp. 357-359. ISSN 0037-6752

Guillaumier, C. (2014) Review of 'Contemplating Shostakovich: life, music and film' edited by Alexander Ivashkin and Andrew Kirkman. Slavic and East European Journal, 58 (1). pp. 177-179. ISSN 0037-6752

Guillaumier, C. (2009) Review of 'Prokofiev's piano sonatas' by Boris Berman. Music & Letters, 90 (4). pp. 717-719. ISSN 0027-4224 (print) 1477-4631 (online)

Guillaumier, C. (2011) War and Peace and Prokofiev's late operatic aesthetic. Three Oranges Journal, 21. pp. 20-25. ISSN 1472-9946

H

Hair, G. and Pearson, I. E. and Morrison, A. and Bailey, N. and McGilvray, D. and Parncutt, R. (2007) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1. pp. 99-126. ISSN 1755-4934 (online)

Henley, J. (2016) How musical are primary generalist student teachers? Music Education Research, 19 (4). pp. 470-484. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2008) Learn As You Play; Gloucestershire’s ensembles from scratch. National Association of Music Educators Magazine. pp. 31-35.

Henley, J. (2010) Learning gamelan: a teacher’s experience. National Association of Music Educators Magazine (30). pp. 7-10.

Henley, J. (2014) Musical learning and desistance from crime: the case of a “Good Vibrations” Javanese gamelan project with young offenders. Music Education Research, 17 (1). pp. 103-120. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2015) Prisons and primary schools: using CHAT to analyse the relationship between developing identity, developing musicianship and transformative processes. British Journal of Music Education, 32 (2). pp. 123-141. ISSN 0265-0517 (print), 1469-2104 (online)

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4). pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70. pp. 65-76. ISSN 0771-6788

Herbert, T. (2011) Brass instruments. Oxford Bibliographies Online.

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1. pp. 92-113.

Herbert, T. (2019) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review. ISSN 2044-8414 (In Press)

Herbert, T. (2001) Review of 'A biographical dictionary of English court musicians (1485–1714)' by Peter Holman, Fiona Kisby, Andrew Ashbee, and David Lasocki. Historic Brass Society Newsletter, 14. p. 57. ISSN 1045-4594

Herbert, T. (2011) Review of 'A history of the trombone' by David M. Guion. American Musical Instrument Society Newsletter, 40 (2). pp. 12-14. ISSN 0160-2365

Herbert, T. (2004) Review of 'Bands at the St. Louis World's Fair of 1904: information, photographs, and database' by Richard I. Schwartz and Iris J. Schwartz. Historic Brass Society Newsletter, 17. p. 25. ISSN 1045-4594

Herbert, T. (2005) Review of 'Berlioz's orchestration treatise: a translation and commentary' by Hugh MacDonald. Historic Brass Society Newsletter, 18. p. 23. ISSN 1045-4594

Herbert, T. (1997) Review of 'First philharmonic: a history of the Royal Philharmonic Society' by Cyril Erhlich. Historic Brass Society Newsletter, 10. pp. 34-35. ISSN 1045-4594

Herbert, T. (1995) Review of 'French music for low brass: an annotated bibliography' by J. Mark Thompson and Jeffrey Jon Lemke. Historic Brass Society Newsletter, 8. p. 86. ISSN 1045-4594

Herbert, T. (1995) Review of 'Hoffnung: his biography' by Annetta Hoffnung. Historic Brass Society Newsletter, 7. pp. 43-44. ISSN 1045-4594

Herbert, T. (2005) Review of 'Jazz in print (1856–1929): An anthology of selected early readings in jazz history' by Karl Koenig. Historic Brass Society Newsletter, 18. p. 22. ISSN 1045-4594

Herbert, T. (2003) Review of 'Military music & bandsmen of Adolf Hitler's Third Reich, 1933–1945' by Brian Matthews. Historic Brass Society Newsletter, 16. p. 23. ISSN 1045-4594

Herbert, T. (2013) Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012). Nineteenth-Century Music Review, 10 (2). pp. 323-356. ISSN 2044-8414

Herbert, T. (2005) Review of 'Musical instruments: history, technology, and performance of instruments of Western music' by Murray Campbell, Clive Greated, and Arnold Myers. Historic Brass Society Newsletter, 18. pp. 22-23. ISSN 1045-4594

Herbert, T. (1996) Review of 'Nicholas Lanier: Master of the King's Musick' by Michael I. Wilson. Historic Brass Society Journal, 8. p. 124. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1988) Review of 'Popular music in England 1840–1914: a social history' by Dave Russell, Manchester University Press, 1987. Popular Music, 7 (1). pp. 114-115. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1995) Review of 'Records of English court music volume VII (1485-1558)' by Andrew Ashbee. The Galpin Society Journal, 48. pp. 220-221. ISSN 0072-0127

Herbert, T. (1993) Review of 'Records of English court music: volumes III, IV and V' by Andrew Ashbee. The Galpin Society Journal, 46. pp. 175-177. ISSN 0072-0127

Herbert, T. (1997) Review of 'Records of English court music: volumes VIII (1485-1714), and IX (index)' by Andrew Ashbee. The Galpin Society Journal, 50. p. 244. ISSN 0072-0127

Herbert, T. (1997) Review of 'Talks with bandsmen: a popular handbook for brass instrumentalists' by Algernon S. Rose with a new introduction by Arnold Myers. Historic Brass Society Journal, 9. pp. 199-201. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9. pp. 64-65. ISSN 1045-4594

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7. pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2002) Review of 'The cheque books of the Chapel Royal' transcribed and edited by Andrew Ashbee and John Harley. Historic Brass Society Newsletter, 15. pp. 32-33. ISSN 1045-4594

Herbert, T. (1999) Review of 'The civic muse: music and musicians in Siena during the Middle Ages and the Renaissance' by Frank A. D'Accone. Historic Brass Society Journal, 11. pp. 195-196. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Review of 'The early horn: a practical guide' by John Humphries. Consort: The journal of The Dolmetsch Foundation, 56. pp. 70-71. ISSN 0268-9111 (print)

Herbert, T. (2003) Review of 'The musical society community bands of Valencia, Spain: A global study of their administration, instrumentation, repertoire, and performance activities' by Richard Scott Cohen. Historic Brass Society Newsletter, 16. pp. 23-24. ISSN 1045-4594

Herbert, T. (1996) Review of 'The tuba source book' compiled and edited by R. Winston Morris and Edward R. Goldstein. Historic Brass Society Journal, 8. pp. 124-125. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) Review of 'The wind ensemble and its repertoire: essays on the fortieth anniversary of the Eastman Wind Ensemble' edited by Frank J. Cipolla and Donald Hunsberger. Historic Brass Society Newsletter, 10. pp. 35-36. ISSN 1045-4594

Herbert, T. (2008) Reviews of 'Sigmund Romberg' by William A. Everett and 'Jerome Kern' by Stephen Banfield. Studies in Musical Theatre, 2 (3). pp. 295-297. ISSN 1750-3159 (print) 1750-3167 (online)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2). pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (1989) Sondheim's technique. Contemporary Music Review, 5. pp. 199-214. ISSN 0749-4467 (print) 1477-2256 (online)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22. pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2). pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28. pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4. pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2007) William Waterhouse 1931–2007. Historic Brass Society Journal, 19. pp. 4-5. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1989) The history of the trombone [review article]. The Galpin Society Journal, 42. pp. 148-150.

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23. pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) The origin of the species/L'origine d'un genre/Ursprung einer Gattung. Brass bulletin: Magazine international de cuivres, 97. pp. 38-44. ISSN 0303-3848

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1). pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1993) The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5. pp. 146-158. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1990) The sackbut in England in the 17th and 18th centuries. Early Music, 18 (4). pp. 609-616. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Myers, A. (1988) Instruments of the Cyfarthfa band. The Galpin Society Journal, 41. pp. 2-10.

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4). pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12. pp. 13-17. ISSN 1045-4594

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2). pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Hewett, I. (2001) All too human? Musical Times, 142 (1876). pp. 43-47. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) The Arts Council wants to 'measure' culture - but they might end up killing it. Daily Telegraph.

Hewett, I. (1997) Closer encounters. Musical Times, 138 (1855). pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Crossing the bar. Musical Times, 137 (1842). pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2014) Heard the one about Debussy and the goldfish? Daily Telegraph.

Hewett, I. (2016) How Western music conquered the world. Daily Telegraph.

Hewett, I. (1998) Into the daylight. Musical Times, 139 (1864). pp. 50-52. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) Notes from the edge/Thomas Adès: almost a great composer. Prospect Magazine. pp. 71-73. ISSN 1359-5024

Hewett, I. (1997) Patently obvious. Musical Times, 138 (1852). pp. 34-36. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. Musical Times, 135 (1817). pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. Musical Times, 136 (1823). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1993) Terrors of the earth. Musical Times, 134 (1806). pp. 438-440. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270. ISSN 1359-5024

Hewett, I. (2018) Why young people have fallen in love with jazz. Daily Telegraph.

Hewett, I. (2016) The path to total purity. Prospect Magazine. pp. 76-79. ISSN 1359-5024

Hewett, I. (1998) A tract for the times. Musical Times, 139 (1863). pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Heyman, L. and Perkins, R. and Araújo, L. (2019) Examining the health and well-being experiences of singers in popular music. Journal of Popular Music Education, 3 (2). pp. 173-201. ISSN 2397-6721 (print) 2397-673X (online)

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1). pp. 8-14.

Hoeprich, T. E. and Lawson, C. (1980) Chalumeau and clarinet. Early Music, 8 (3). pp. 366-368. ISSN 0306-1078 (print) 1741-7260 (online)

K

Kawabata, M. (2004) The Concerto that wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1 (1). pp. 67-114. ISSN 1479-4098 (print), 2044-8414 (online)

Kawabata, M. (2014) How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12 (1). ISSN 1535-1807 (online)

Kawabata, M. (2015) Playing the “unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34 (1). pp. 31-50. ISSN 0141-1896 (print) 1547-7304 (online)

Kawabata, M. (2013) Recording review: Pierre Rode (1774–1830): 12 Etudes for Violin Solo; Duos for 2 Violins, performed by Nicolas Koeckert, Rudolf Koeckert (violins). Eighteenth-Century Music, 10 (1). pp. 149-151. ISSN 1478-5706 (print) 1478-5714 (online)

Kawabata, M. (2010) Remembering an inspirational Russian violinist and pedagogue. Strings, 24 (12:183). pp. 19-20. ISSN 0888-3106

Kawabata, M. (2000) Schoenberg at UCLA: reminiscences from Leonard Stein [interview]. ECHO: A Music-Centered Journal, 2 (2). ISSN 1535-1807 (online)

Kawabata, M. (2007) Violinists 'singing': Paganini, operatic voices, and virtuosity. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 5 (9). pp. 7-39. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2006) Virtuosity transfigured: in the shadow of Paganini. Journal of the American Liszt Society, 57. pp. 31-34. ISSN 0147-4413

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83. pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2). pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue.

Kawabata, M. (2011) What is to be made of these good-looking violinists? Male virtuosos with high cheekbones are vexing to some high-art traditionalists. Strings, 26 (5:200). p. 15. ISSN 0888-3106

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23). pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2000) The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music: A Journal of Gender and Culture, 4. pp. 18-39. ISSN 1090-7505 (print) 1553-0612 (online)

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Lawson, C. (2008) "Attractively packaged but unripe fruit": the UK's commercialization of musical history in the 1980s. Performance Practice Review, 13 (1). ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1). pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2017) Book review: 'Composers' intentions?: lost traditions of musical performance' by Andrew Parrott. Performance Practice Review, 21 (1). ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (1993) Book review: 'The Baroque clarinet' by Albert Rice. Music & Letters, 74 (1). pp. 73-75. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2008) Book review: 'The Clarinet' by Eric Hoeprich. Performance Practice Review, 13 (1). pp. 1-5. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2005) Book review: 'The birth of the orchestra: history of an institution, 1650–1815' by John Spitzer and Neal Zaslaw. Music & Letters, 86 (4). pp. 629-633. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2005) Book review: 'The clarinet in the classical period' by Albert R. Rice. Music & Letters, 86 (2). pp. 290-293. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2009) Book review: the Cambridge Mozart encyclopaedia, edited by Cliff Eisen and Simon P. Keefe. Journal for Eighteenth-Century Studies, 32 (1). pp. 128-131. ISSN 1754-0194 (print) 1754-0208 (online)

Lawson, C. (2017) Clarinet charms [review of Philipp Jakob Riotte, Clarinet Concerto in C minor, op.36, ed. Martin Harlow]. Early Music, 45 (3). pp. 480-481. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1980) Das Chalumeau-Repertoire: ein kurzer Uberblick [The chalumeau repertoire: a brief overview]. Tibia: Magazin für Freunde alter und neuer Bläsermusik, 5 (1). pp. 18-21.

Lawson, C. (2001) Die C-Klarinette [The clarinet in C]. Rohrblatt, 16 (3). pp. 116-118. ISSN 0944-0291

Lawson, C. (2015) Exploring Bach’s contemporaries: Fasch and Graupner [recording review]. Early Music, 43 (1). pp. 179-182. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2013) Historical accuracy versus practical expediency: early instruments in the digital age. Early Music, 41 (1). pp. 27-29. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) J.C. Graupner: Bach's rival for the Thomaskantorat. Musical Times, 124 (1679). pp. 17-19. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (2014) "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1). ISSN 2166-8205

Lawson, C. (2001) Playing early clarinets: the lure of history and the myth of authenticity. Musical Performance: An International Journal, 3 (1). pp. 23-29. ISSN 1026-2687

Lawson, C. (2007) Practising research – researching practice. Tijdschrift voor Muziektheorie/Dutch Journal of Music Theory, 12 (1). pp. 58-65. ISSN 1385-3066

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1). pp. 3-5. ISSN 0306-1078

Lawson, C. (1989) Single-reed instruments in the music of Vivaldi. Chigiana: Rassegna annuale di studi musicologici, 41 (21). pp. 185-196. ISSN 0069-3391

Lawson, C. (1981) Telemann and the chalumeau. Early Music, 9 (3). pp. 312-319. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) The authentic clarinet: tone and tonality. Musical Times, 124 (1684). pp. 357-358. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (1987) The basset clarinet revived. Early Music, 15 (4). pp. 487-502. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1979) The chalumeau: independent voice or poor relation? Early Music, 7 (3). pp. 351-354. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1974) The early chalumeau duets. The Galpin Society Journal, 27. pp. 125-129. ISSN 0072-0127

Lawson, C. (1995) The early clarinet in theory and practice. Leading Notes: Journal of the National Early Music Association, 10. pp. 6-9.

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1). pp. 36-44. ISSN 0001-6233

Lisboa, T. and Chaffin, R. and Demos, A. P. (2015) Recording thoughts while memorizing music: a case study. Frontiers in Psychology. ISSN 1664-1078

Lisboa, T. and Demos, A. P. and Chaffin, R. (2018) Training thought and action for virtuoso performance. Musicae Scientiae, 22 (4). pp. 519-538. ISSN 1029-8649

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1). pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Buying and selling music in the (very) long nineteenth century [review article]. Journal of the Royal Musical Association, 144 (1). pp. 223-232. ISSN 0269-0403 (print) 1471-6933 (online)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2). pp. 137-168. ISSN 2044-8414

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3). pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2018) Julius Stockhausen’s early performances of Franz Schubert’s Die schöne Müllerin. 19th-Century Music, 41 (3). pp. 206-224. ISSN 0148-2076 (print) 1533-8606 (online)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2). pp. 316-320. ISSN 2044-8414

Loges, N. (2014) Review of 'Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions' by Robert Pascall (Routledge, 2013). Ad Parnassum, 12 (23).

Loges, N. (2005) Singing Lieder with a foreign accent: Brahms's Slavic Songs. Indiana Theory Review, 26. pp. 73-103.

M

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3). p. 9.

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach Songs with Clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 13595105

P

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1). pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3). pp. 1-3. ISSN 2044-8414

Pearson, I. E. (1998) Delicacy, sentimentality and intimacy: the chalumeau as 'signifier'. ClarinetFest 1998.

Pearson, I. E. (2000) Eighteenth- and nineteenth-century iconographical representations of clarinet reed position. Music in Art: International Journal for Music Iconography,, 25. pp. 87-95. ISSN 1522-7464 (print) 2169-9488 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1). pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2007) Ferdinando Sebastiani, Gennaro Bosa and the clarinet in nineteenth-century Naples. The Galpin Society Journal, 60. pp. 203-214. ISSN 0072-0127

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3). pp. 56-59. ISSN 0361-5553

Pearson, I. E. (2002) Lefévre's sonatas for clarinet: a historical perspective. Clarinet & Saxophone, 27 (2). pp. 20-22. ISSN 0260-390X

Pearson, I. E. (2009) Review of 'The Clarinet' by Eric Hoeprich. The Galpin Society Journal, 62. pp. 292-293. ISSN 0072-0127

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part I. The Clarinet, 28 (3). pp. 48-52. ISSN 0361-5553

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part II. The Clarinet, 28 (4). pp. 66-69. ISSN 0361-5553

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4). pp. 605-611. ISSN 0176-6511

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2). pp. 8-13.

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11). pp. 1-17.

Perkins, R. and Aufegger, L. and Williamon, A. (2014) Learning through teaching: exploring what conservatoire students learn from teaching beginner older adults. International Journal of Music Education, 33 (1). pp. 101-117.

Perkins, R. and Fancourt, D. (2018) The effect of singing interventions on symptoms of postnatal depression: a three-arm randomised controlled trial. The British Journal of Psychiatry, 212 (2).

Perkins, R. and Reid, H. and Araújo, L. and Clark, T. and Williamon, A. (2017) Perceived enablers and barriers to optimal health among music students: a qualitative study in the music conservatoire setting. Frontiers in Psychology, 8 (968). pp. 1-15. ISSN 1664-1078

Perkins, R. and Williamon, A. (2013) Learning to make music in older adulthood: a mixed-methods exploration of impacts on wellbeing. Psychology of Music, 42 (4). pp. 550-567. ISSN 0305-7356

Perkins, R. and Yorke, S. and Fancourt, D. (2018) How group singing facilitates recovery from the symptoms of postnatal depression: a comparative qualitative study. BMC Psychology, 6. pp. 1-12. ISSN 2050-7283

Perkins, R. and Yorke, S. and Fancourt, D. (2018) Learning to facilitate arts-in-health programmes: a case study of musicians facilitating creative interventions for mothers with symptoms of postnatal depression. International Journal of Music Education, 36 (4). pp. 644-658. ISSN 0255-7614

Pitfield, S. and Pearson, I. E. (1998) An interview with Colin Lawson. The Clarinet, 25 (3). pp. 56-59. ISSN 0361-5553

Pitt, J. (2018) Book review: 'Art, artists and pedagogy: philosophy and the arts in education' edited by Christopher Naughton, Gert Biesta, and David R. Cole. British Journal of Music Education, 35 (2). pp. 217-218. ISSN 0265-0517 (print), 1469-2104 (online)

Pras, A. and Schober, M. F. and Spiro, N. (2017) What about their performance do free jazz improvisers agree upon? A case study. Frontiers in Psychology, 8 (966). ISSN 1664-1078

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Rice, A. R. and Lawson, C. (1986) The clarinet and chalumeau revisited. Early Music, 14 (4). pp. 552-556. ISSN 0306-1078 (print) 1741-7260 (online)

Richards, J. and Wistreich, R. (2019) Introduction: voicing text 1500-1700. Huntington Library Quarterly (special issue), 82 (1). pp. 3-16. ISSN 1544-399X (online) 0018-7895 (print)

Roper, J. (2016) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (1-2). pp. 295-324. ISSN 1788-6244

Rossi Rognoni, G. (2019) Preserving functionality: keeping artefacts ‘alive’ in museums. Curator: The Museum Journal, 62 (3). pp. 403-413. ISSN print (0011-3069) online (2151-6952)

Rossi Rognoni, G. (2015) The virginals of Benedetto Floriani (Venice, fl.1568–1572) and a proposal for a new attribution. Galpin Society Journal, 68.

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Sanfilippo, K. R. and Spiro, N. (2016) Conference report: the Third Nordoff Robbins Plus conference ‘Exploring music in therapeutic and community settings’. Approaches: An Interdisciplinary Journal of Music Therapy, 9 (1). pp. 159-163. ISSN 2459-3338

Schneider, M. and Solomon, A. (2019) Michael Schneider im Gespräch mit Ashley Solomon [Michael Schneider in conversation with Ashley Solomon]. Tibia: Magazin für Holzbläser (4). pp. 579-583. ISSN 0176-6511

Schober, M. F. and Spiro, N. (2014) Jazz improvisers' shared understanding: a case study. Frontiers in Psychology, 5 (808). pp. 1-21. ISSN 1664-1078

Schober, M. F. and Spiro, N. (2016) Listeners' and performers' shared understanding of jazz improvisations. Frontiers in Psychology, 7 (1629). pp. 1-20. ISSN 1664-1078

Smith, R. L. (1992) Baroque Ballet: review of 'Le Ballet des Fâcheux: Beauchamp's music for Molière's comedy' edited by George Houle. Musical Times, 133 (1789). p. 126. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. Musical Times, 139 (1861). pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Agostino Agazzari and music at Siena Cathedral 1597-1641' by Colleen Reardon. Musical Times, 135 (1821). p. 714. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) Book review: 'Accompaniment on theorbo and harpsichord: Denis Delair's treatise of 1690' translation and commentary by Charlotte Mattax. Musical Times, 133 (1797). p. 575. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. Musical Times, 132 (1782). p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Baroque music: a research and information guide' by John H. Baron. Musical Times, 134 (1804). p. 332. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli' by Michael Talbot. Musical Times, 135 (1821). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes, 73 (1). pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (1993) Book review: 'Catalogue raisonné de l'oeuvre de Albert Roussel' [Descriptive catalogue of Albert Roussel's works] by Nicole Labelle. Music & Letters, 74 (3). p. 461. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1976) Book review: 'Claude Debussy' by François Lesure. Music & Letters, 57 (2). pp. 189-190. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Claude Debussy: a guide to research' by James R. Briscoe. Music & Letters, 72 (3). pp. 469-470. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Collection musicale Francois Lang' by Denis Herlin. Music & Letters, 75 (4). p. 625. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1990) Book review: 'Darius Milhaud' by Paul Collaer, edited and translated by Jane Hohfeld Galante. Music & Letters, 71 (1). pp. 134-135. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (2017) Book review: 'Debussy’s Pelléas et Mélisande: the staging by Albert Carré' by Michela Niccolai, translated by Lesley Wright. H-France Review, 17 (169). ISSN 1553-9172

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1). pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Early keyboard fingerings: a comprehensive guide' compiled and edited by Mark Lindley and Maria Boxall. Musical Times, 134 (1803). p. 260. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Early recordings and musical style: changing tastes in instrumental performance' by Robert Philip. Early Music, 21 (3). pp. 473-474. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210). ISSN 1553-9172

Smith, R. L. (1981) Book review: 'Ernest Chausson: the man and his music' by Ralph Scott Grover. Music & Letters, 62 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Francesco Geminiani' by Enrico Careri. Musical Times, 135 (1815). p. 290. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Francis Poulenc: echo and source: selected correspondence 1915–1963' translated and edited by Sidney Buckland. Music & Letters, 74 (1). pp. 126-128. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1995) Book review: 'Guillaume Lekeu: correspondance; introduction, chronologie et catalogue des oeuvres' ed. Luc Verdebout. Music & Letters, 76 (3). pp. 461-462. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Herbert Howells: a centenary celebration' by Christopher Palmer. Musical Times, 134 (1800). pp. 90-91. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Book review: 'Images: the piano music of Claude Debussy' by Paul Roberts. BBC Music Magazine, 4 (9). p. 19. ISSN 0966-7180 (print)

Smith, R. L. (1995) Book review: 'J.S. Bach's precepts and principles for playing the thorough-bass or accompanying in four parts (Leipzig, 1738)' translated and edited by Pamela L. Poulin. Musical Times, 136 (1831). pp. 486-487. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1987) Book review: 'Jean-Henry D'Anglebert and the seventeenth-century clavecin school' by Beverly Scheibert. Early Music, 15 (4). pp. 533-536. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1996) Book review: 'Massenet: a chronicle of his life and times' by Demar Irvine. Music & Letters, 77 (3). pp. 476-478. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1976) Book review: 'Messiaen' by Robert Sherlaw Johnson and 'Messiaen' by Roger Nichols. Music & Letters, 57 (1). pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1992) Book review: 'Music in late Renaissance and early Baroque Italy' by Tim Carter. Musical Times, 133 (1796). p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Musics, signs, images: liber amicorum François Lesure' edited by Joël-Marie Fauquet. Notes, 48 (2). pp. 503-505. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (1993) Book review: 'Nadia Boulanger' by Jérôme Spycket, translated by M. M. Shriver. Musical Times, 134 (1809). p. 648. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Book review: 'Paris: the Musical Kaleidoscope 1870–1925' by Elaine Brody. Music & Letters, 70 (2). pp. 276-277. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Performing Baroque music' by Mary Cyr. Musical Times, 134 (1802). p. 210. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Saint-Saëns and the organ' by Rollin Smith. Music & Letters, 75 (3). pp. 475-477. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Satie the Composer' by Robert Orledge. Music & Letters, 72 (3). pp. 470-472. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68). ISSN 1553-9172

Smith, R. L. (1990) Book review: 'The Music of Arthur Honegger' by Geoffrey K. Spratt. Music & Letters, 71 (2). pp. 281-282. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The musical language of Gabriel Fauré' by Robin Tait. Music & Letters, 72 (4). pp. 646-647. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The operas of Charles Gounod' by Steven Huebner. Music & Letters, 72 (3). pp. 465-467. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. Musical Times, 134 (1799). p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Vivaldi: voice of the Baroque' by H. C. Robbins Landon; 'The master musicians: Vivaldi' by Michael Talbot. Musical Times, 135 (1812). p. 99. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: Claude Debussy avant Pelléas, ou, les années symbolistes [Claude Debussy before Pelléas, or, the symbolist years]. Music & Letters, 75 (1). pp. 109-111. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book/edition review: 'The art of the unmeasured prelude for harpsichord' by Colin Tilney. Early Music, 21 (1). pp. 131-134. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. Musical Times, 136 (1831). pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) DIY biography: review of 'Gabriel Fauré: a life in letters' by Barrie Jones. Musical Times, 130 (1759). p. 543. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1981) Debussy and the Pre-Raphaelites. 19th-Century Music, 5 (2). pp. 95-109. ISSN 0148-2076 (print) 1533-8606 (online)

Smith, R. L. (1973) Debussy and the art of the cinema. Music & Letters, 54 (1). pp. 61-70. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1992) Do-it-yourself editions: review of 'Canzoni da suonare a 4, 5, 6, 7, 8, 9, 10, 11, 12 & 13 (Italian instrumental music of the 16th and 17th centuries, vol. 26)' by Pietro Lappi, edited by James Ladewig. Musical Times, 133 (1789). p. 124. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) Edition review: 'Henry Butler: collected works' by Elizabeth V. Phillips and Jack Ashworth. Musical Times, 133 (1794). p. 398. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Edition review: French Baroque music. Early Music, 22 (2). pp. 333-334. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (2006) Elsewhere and erstwhile: review of 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser and 'Interpreting the musical past: early music in nineteenth-century France' by Katherine Ellis. Musical Times, 147 (1896). pp. 93-101.

Smith, R. L. (1997) Good, bad and...: review of 'Ambroise Thomas: un compositeur lyrique au XIXe siècle' by Georges Masson. Musical Times, 138 (1857). p. 32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5. pp. 2-18. ISSN 0395-1200

Smith, R. L. (1992) Licensed and unlicensed: Review of 'Continuo playing according to Handel: his figured bass exercises' edited by David Ledbetter, and 'A new treatise on accompaniment by Monsieur de Saint Lambert' edited and translated by John S. Powell. Musical Times, 133 (1790). p. 183. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) Magic bells: review of 'Le jardin retrouvé: the music of Frédéric Mompou' by Wilfrid Mellers. Musical Times, 133 (1788). p. 77. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) More Fauré than Ferneyhough. Musical Times, 133 (1797). pp. 555-557. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Notes for a book: review of 'Italian violin music of the seventeenth century' by Willi Apel, edited by Thomas Binkley. Musical Times, 132 (1779). pp. 248-249. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Ohana on Ohana: an English interview. Contemporary Music Review, 8 (1). pp. 123-129. ISSN 0749-4467 (print) 1477-2256 (online)

Smith, R. L. (1997) Penetrating tribute: review of 'Schubert, Müller and Die schöne Müllerin' by Susan Youens. Musical Times, 138 (1850). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Recording review: Mouret: Les Amours de Ragonde, Les Musiciens du Louvre/Minkowski. Musical Times, 134 (1799). p. 41. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1988) Rodrigue et Chimène: genèse, histoire, problèmes d'édition [Rodrigue et Chimène: genesis, history, and problems of editing]. Cahiers Debussy, 12-13. pp. 67-81. ISSN 0395-1200

Smith, R. L. (1997) See, hear: review of 'L'impressionnisme et la musique' by Michel Fleury. Musical Times, 138 (1856). pp. 26-29. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Sister of perpetual indulgence. Musical Times, 135 (1822). pp. 740-744. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Stop press: review of 'Music criticism in 19th-century France: la Revue et Gazette musical de Paris, 1834-1880' by Katharine Ellis. Musical Times, 137 (1837). pp. 23-24. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. Musical Times, 139 (1863). pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. Musical Times, 139 (1896). pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) A fund of discoveries: review of 'Marc-Antoine Charpentier' (Oxford studies of composers) by H. Wiley Hitchcock. Musical Times, 132 (1775). p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) The hole truth: review of 'The early Baroque era: from the 16th century to the 1660s' by Curtis Price; 'The late Baroque era: from the 1680s to 1740' by George J. Buelow; 'Baroque music from Monteverdi to Handel' by Nicholas Anderson. Musical Times, 135 (1821). pp. 707-710. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) A rich vineyard: review of 'The Italian 'trio' sonata: from its origins until Corelli' by Peter Allsop. Musical Times, 133 (1796). p. 526. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) The scenic route: review of 'François Couperin' by Philippe Beaussant, translated by Alexandra Land. Musical Times, 133 (1796). p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) The serious Satie (review of several Satie recordings). Musical Times, 132 (1782). p. 393. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1990) The tunesmith: review of 'Tomaso Albinoni, the Venetian composer and his world' by Michael Talbot. Musical Times, 131 (1774). p. 655. ISSN 0027-4666 (print) 2397-5318 (online)

Spiro, N. and Farrant, C. and Pavlicevic, M. (2017) Between practice, policy and politics: music therapy and the Dementia Strategy, 2009. Dementia: The International Journal of Social Research and Practice, 16 (3). pp. 259-281. ISSN 1471-3012 (print), 1741-2684 (online)

Spiro, N. and Himberg, T. (2016) Analysing change in music therapy interactions of children with communication difficulties. Philosophical Transactions of the Royal Society B: Biological Sciences, 371 (1693). pp. 1-11. ISSN 0962-8436

Spiro, N. and Tsiris, G. and Cripps, C. (2018) “Sounds good, but… what is it?” an introduction to outcome measurement from a music therapy perspective. Approaches: An Interdisciplinary Journal of Music Therapy. ISSN 2459-3338

Stahl, G. and Burnard, P. and Perkins, R. (2017) Critical reflections on the use of Bourdieu's tools 'in concert' to understand the practices of learning in three musical sites. Sociological Research Online, 22 (3). pp. 57-77. ISSN 1360-7804

T

Thormählen, W. (2010) Playing with art: musical arrangements as educational tools in van Swieten's Vienna. Journal of Musicology, 27 (3). pp. 342-376. ISSN 0277-9269

Thormählen, W. (2015) Review of Joseph Riepel, Violin Concertos, ed. Stefan Eckert (Madison: A-R Editions, 2013). Eighteenth Century Music, 12 (1). pp. 106-108. ISSN 1478-5706

Tregear, P. and Johansen, G. and Jorgensen, H. and Sloboda, J. and Tulve, H. and Wistreich, R. (2016) Conservatoires in society: institutional challenges and possibilities for change. Arts & Humanities in Higher Education, 15 (3-4). pp. 276-292. ISSN 14740222

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2017) Re-positioning music therapy service evaluation: a case of five Nordoff-Robbins music therapy service evaluations in neuro-rehabilitation. Nordic Journal of Music Therapy, 27 (1). pp. 3-27. ISSN Print: 0809-8131 Online: 1944-8260

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2014) What does the past tell us? A content analysis of the first quarter century of the British Journal of Music Therapy. British Journal of Music Therapy, 28 (1). pp. 4-24. ISSN 1359-4575 (print) 2059-9773 (online)

Tymoszuk, U. and Perkins, R. and Fancourt, D. and Williamon, A. (2019) Cross‑sectional and longitudinal associations between receptive arts engagement and loneliness among older adults. Social Psychiatry and Psychiatric Epidemiology. pp. 1-10. ISSN 0933-7954 (print) 1433-9285 (online)

Tymoszuk, U. and Perkins, R. and Spiro, N. and Williamon, A. and Fancourt, D. (2019) Longitudinal associations between short-term, repeated, and sustained arts engagement and well-being outcomes in older adults. The Journals of Gerontology: Series B. pp. 1-32. ISSN 1079-5014 (print) 1758-5368 (online)

V

Volioti, G. and Williamon, A. (2016) Recordings as learning and practising resources for performance: exploring attitudes and behaviours of music students and professionals. Musicae Scientiae, 21 (4). pp. 499-523. ISSN 1029-8649

W

Waddell, G. (2015) Review of Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures (OUP, 2014). Psychology of Music, 43. pp. 909-912. ISSN 0305-7356

Waddell, G. and Perkins, R. and Williamon, A. (2019) The Evaluation Simulator: a new approach to training music performance assessment. Frontiers in Psychology, 10 (557). pp. 1-17. ISSN 1664-1078

Waddell, G. and Perkins, R. and Williamon, A. (2018) Making an impression: error location and repertoire features affect performance quality rating processes. Music Perception, 36 (1). pp. 60-76. ISSN 1533-8312

Waddell, G. and Williamon, A. (2017) Eye of the beholder: stage entrance behavior and facial expression affect continuous quality ratings in music performance. Frontiers in Psychology, 8 (513). pp. 1-14. ISSN 1664-1078

Waddell, G. and Williamon, A. (2019) Technology use and attitudes in music learning. Frontiers in ICT, 6 (11). pp. 1-14. ISSN 2297-198X

Warran, K. and Fancourt, D. and Perkins, R. (2019) The experience and perceived impact of group singing for men living with cancer: a phenomenological study. Psychology of Music, 47 (6). pp. 874-889. ISSN 0305-7356 (print) 1741 3087 (online)

Welch, G. F. and Henley, J. (2014) Addressing the challenges of teaching music by generalist primary school teachers. Revista da ABEM, 22 (32). pp. 12-38. ISSN 1518-2630 (print), 2358-033X (online)

Williamon, A. and Aufegger, L. and Eiholzer, H. (2014) Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance. Frontiers in Psychology, 5 (25). ISSN 1664-1078

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4). pp. 515-528. ISSN 0306-1078

Wistreich, R. (2002) Das Ausführen und Lehren historisch informierten Singens - wen kümmert es? [Teaching and practising historically informed singing: who cares?]. Basler Jahrbuch für Historische Musikpraxis, 26. pp. 17-29.

Wistreich, R. (2017) ‘Inclosed in this tabernacle of flesh’: body, soul, and the singing voice. Journal of the Northern Renaissance, 9 (8). n/a. ISSN 1759-3085

Wistreich, R. (1994) "La voce è grata assai, ma…”: Monteverdi on singing. Early Music, 22 (1). pp. 7-20. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2011) Music books and sociability. Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18. pp. 230-246. ISSN 1123-8615 (print) 2035-6706 (online)

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1). pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Wistreich, R. (2006) Philippe De Monte: new autobiographical documents. Early Music History, 25. pp. 257-308. ISSN 0261-1279 (print) 1474-0559 (online)

Wistreich, R. (2019) Singing Handel, then and now. Handel News, 76. pp. 5-8. ISSN 2517-7656

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1). pp. 22-26. ISSN 0306-1078 (print) 1741-7260 (online)

This list was generated on Tue Dec 10 03:05:23 2019 GMT.