Items where Subject is "M Music and Books on Music > Music"

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Number of items at this level: 112.

A

Alessandri, E. and Eiholzer, H. and Williamon, A. (2014) Reviewing critical practice: An analysis of Gramophone's reviews of Beethoven's piano sonatas, 1923-2010. Musicae Scientiae, 18 (2). pp. 131-149. ISSN 1029-8649

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2015) Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism. Frontiers in Psychology, 6 (57). pp. 1-14. ISSN 1664-1078

Araújo, Liliana S. and Cruz, José Fernando A. and Almeida, Leandro S. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27. pp. 1-19. ISSN ISSN: 1359-8139 (Print) 1469-834X (Online)

Ascenso, S. and Williamon, A. and Perkins, R. (2015) Understanding the wellbeing of professional musicians through the lens of Positive Psychology. Psychology of Music. ISSN 0305-7356 (In Press)

Aufegger, L. and Perkins, R. and Wasley, David and Williamon, A. (2016) Musicians’ perceptions and experiences of using simulation training to develop performance skills. Psychology of Music, 45 (3). pp. 417-431. ISSN 0305-7356

B

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

C

Charlston, T (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, Terence (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, Terence (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: Why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 978-90-73029-47-7

Clark, T. and Gupta, A. and Ho, C. H. (2014) Developing a dancer wellness program employing developmental evaluation. Frontiers in Psychology, 5. pp. 1-9. ISSN 1664-1078

Clark, T. and Lisboa, T. and Williamon, A. (2014) An investigation into musicians' thoughts and perceptions during performance. Research Studies in Music Education, 36 (1). pp. 19-37. ISSN 1321-103X

Cruder, Cinzia and Falla, Deborah and Mangili, Francesca and Azzimonti, Laura and Araújo, Liliana S. and Williamon, A. and Barbero, Marco (2017) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice. ISSN 1533-2500 (In Press)

F

Fancourt, D. and Aufegger, L. and Williamon, A. (2015) Low-stress and high-stress singing have contrasting effects on glucocorticoid response. Frontiers in Psychology, 6. ISSN 1664-1078

Fancourt, D. and Joss, T. (2014) Aesop: a framework for developing and researching arts in health programmes. Arts & Health, 7 (1). pp. 1-13. ISSN 1753-3015

Fancourt, D. and Perkins, R. (2017) Associations between singing to babies and symptoms of postnatal depression, wellbeing, self-esteem and mother-infant bond. Public Health, 145. pp. 149-152. ISSN 0033-3506

Fancourt, D. and Perkins, R. (2017) Maternal engagement with music up to nine months post-birth: Findings from a cross-sectional study in England. Psychology of Music. ISSN 0305-7356 (In Press)

Fancourt, D. and Perkins, R. and Ascenso, S. and Atkins, L. and Kilfeather, S. and Carvalho, L. and Steptoe, A. and Williamon, A. (2015) Group drumming modulates cytokine response in mental health services users: a preliminary study. Psychotherapy and Psychosomatics, 85 (1). pp. 53-55. ISSN 0033-3190

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132. pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631). pp. 1-13.

Fesharaki, Shiva and Hewett, Ivan (2016) Still Point: an unknown precursor of today's electronic music. In: AHEM (Alternative Histories of Electronic Music, 14-16 April 2016, Science Museum Research Centre, London SW7. (Unpublished)

Fujikura, Dai (2015) Deliquesce. [Composition]

Fujikura, Dai (2016) GO. [Composition]

Fujikura, Dai (2014) Infinite String. [Composition]

Fujikura, Dai OSM. [Composition]

Fujikura, Dai (2015) SOLARIS. [Composition]

Fujikura, Dai (2015) Uto. [Composition]

Fujikura, Dai (2016) my letter to the world (orchestral version). [Composition]

Fujikura, Dai (2014) neo (音緒). [Composition]

Fujikura, Dai (2016) pitter-patter. [Composition]

Fujikura, Dai (2017) yurayura. [Composition]

G

Gold, N. and Rognoni, G. R. (2014) The MiCLUES system: Dynamic, rich contextual support for museum visits. In: International Committee of Musical Instrument Museums and Collections of the International Council of Museums - Annual Meeting, 10 July 2014, Lausanne, Switzerland. (Unpublished)

H

Henley, J. and Cohen, M. L. (2014) Constructing Personal Narratives around Key Musical Events: Redefining Identities and Attitudes within and Outside of Prison Music. In: CMA XIV Listening to the world: Experiencing and Connecting the Knowledge from Community Music. Proceedings from the International Society for Music Education (ISME) 2014 Seminar of the Commission for Community Music Activity, 15-18 July 2014, School of Music of the Universidade Federal da Bahia, Salvador, Brazil.

Henley, J. and Hilton, C. (2015) Sound Symmetry for KS1. [Teaching Resource]

Hesketh, Kenneth (1999) The Circling Canopy of Night. [Composition]

Hesketh, Kenneth (2016) Concerto Salmigondis. [Composition]

Hesketh, Kenneth (2006) Doctrine of Affections. [Composition]

Hesketh, Kenneth (2012) Forms Entangled, Shapes Collided. [Composition]

Hesketh, Kenneth (2016) Horae (pro Clara). [Composition]

Hesketh, Kenneth (2015) Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts for piano and film. [Composition]

Hesketh, Kenneth (2014) IMMH. [Composition]

Hesketh, Kenneth (2015) In ictu oculi - Three Meditations for Wind Ensemble. [Composition]

Hesketh, Kenneth (2015) Inscription-Transformation. [Composition]

Hesketh, Kenneth (2014) Knotted Tongues. [Composition]

Hesketh, Kenneth (2016) Oracles and Chimeras. [Composition]

Hesketh, Kenneth (2005) Threats and Declamations. [Composition]

Hesketh, Kenneth (2016) Three Japanese Miniatures. [Composition]

Hesketh, Kenneth (2016) Through Magic Casements. [Composition]

Hewett, E and Corp, R (2016) Brief instructions on How to Upload items in RCM Online. Royal College of Music London. (Unpublished)

Hewett, Ivan (2017) All in a Chord. BBC, London UK.

Hewett, Ivan (2001) All too Human? Musical Times, 142 (1876). pp. 43-47.

Hewett, Ivan (2017) The Arts Council wants to 'measure' culture - but they might end up killing it. Daily Telegraph.

Hewett, Ivan (1997) Closer Encounters. Musical Times, 138 (1855). pp. 34-35.

Hewett, Ivan (1996) Crossing the Bar. Musical Times, 137 (1842). pp. 27-29.

Hewett, Ivan (2016) The Essay: Brian Eno's Music for Airports (BBC Radio 3 'essay' on Brian Eno's seminal piece of minimalism). BBC, London UK.

Hewett, Ivan (2014) Heard the one about Debussy and the goldfish? Daily Telegraph.

Hewett, Ivan (2016) How Western Music conquered the World. Daily Telegraph.

Hewett, Ivan (1998) Into the Daylight. Musical Times, 139 (1864). pp. 50-52.

Hewett, Ivan (2003) Music: Healing the Rift. Bloomsbury (originally Continuum, London. ISBN ISBN 0-8264-5939-0

Hewett, Ivan (2017) Notes from the Edge. Prospect Magazine.

Hewett, Ivan (1997) Patently Obvious. Musical Times, 138 (1852). pp. 34-36.

Hewett, Ivan (2016) The Path to Total Purity. Prospect Magazine. pp. 76-79.

Hewett, Ivan (1994) Review of Music of the Spheres: Music, Science and the Natural Order of the Universe, published in Musical Times July 1994. Musical Times, 135 (1817). pp. 454-455.

Hewett, Ivan (1994) Review of Pyramids at the Louvre. Musical Times, 136 (1823). pp. 36-37.

Hewett, Ivan (1993) Terrors of the Earth. Musical Times, 134 (1806). pp. 438-440.

Hewett, Ivan (1998) A Tract for the Times. Musical Times, 139 (1863). pp. 53-56.

Hexel, V (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide. In: Hans Zimmer and James Newton Howard’s The Dark Knight. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Holt, Simon (2013) 3rd Quartet. [Composition]

Holt, Simon (2017) Bagatelarañas. [Composition] (Unpublished)

Holt, Simon (2015) Darling Eve in the evil garden. [Composition]

Holt, Simon (2015) Fool is hurt (concerto for piccolo and ensemble). [Composition]

Holt, Simon (2017) Joy Beast. [Composition] (Unpublished)

Holt, Simon (2017) Surcos. [Composition] (Unpublished)

Holt, Simon (2015) all fall down. [Composition]

Holt, Simon (2015) an icicle of moon. [Composition]

L

Lacombe, Herve and Southon, Nicolas and Smith, Richard Langham (2016) Poulenc et Edward Lockspeiser: Une Amitie Professionelle in 'Fortune de Francis Poulenc'. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lisboa, T and Chaffin, R. and Demos, A. P. (2015) Recording thoughts while memorizing music: a case study. Frontiers in Psychology. ISSN 1664-1078

Lisboa, T. and Demos, A. P. and Chaffin, R. (2015) Spontaneity in performance: effects of thinking on expressive variation in tempo. In: International Symposium on Performance Science, 205 September, 2015, Kyoto, Japan. (Submitted)

Loges, N. (2014) The limits of the lied: Brahms’s Magelone-Romanzen Op. 33 from 'Brahms in the Home and the Concert Hall Between Private and Public Performance'. In: Brahms in the Home and the Concert Hall Between Private and Public Performance. Cambridge University Press, Cambridge, UK, pp. 300-323. ISBN 9781107337404

M

Mival, William Correntandemente. [Composition] (Unpublished)

Mival, William (1996) On the Ringstreet. [Composition] (Unpublished)

P

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11). pp. 1-17.

Perkins, R. and Aufegger, L. and Williamon, A. (2014) Learning through teaching: exploring what conservatoire students learn from teaching beginner older adults. International Journal of Music Education, 33 (1). pp. 101-117.

Perkins, R. and Williamon, A. (2013) Learning to make music in older adulthood: A mixed-methods exploration of impacts on wellbeing. Psychology of Music, 42 (4). pp. 550-567. ISSN 0305-7356

R

Rognoni, G. R. (2015) Il salterio italiano: apogeo e declino. In: Invited lecture, 28 March 2015, Museo di S. Colombano, Collezione Luigi Ferdinando Tagliavini, Bologna. (Unpublished)

Rognoni, G. R. (2015) Perspectives from a changing culture: one hundred years of debate on the role of musical instruments. In: Effects of playing on early and modern musical instruments. International Conference., 9-10 Sept 2015, Royal College of Music. (Unpublished)

Rognoni, G. R. and Falletti, F. (2015) Gli strumenti musicali del Conservatorio Cherubini alla Galleria dell’Accademia di Firenze: un esempio di collaborazione tra istituzioni. In: National Conference 'Musica Conservata', 17-19 April 2015, Florence. (Unpublished)

Rognoni, G. R. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2014) The application of x-ray ct scan to the documentation of early musical instruments. In: New approaches to the indentification of musical instruments. International Conference, Cremona, Museum of the Violin, September 2014, Cremona, Museum of the Violin. (Unpublished)

Rognoni, G. R. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2015) The use of CT scanning for bowed stringed instrument identification and comparison. In: International Workshop on Musical Instrument CT scanning, May 2015, Germanisches Nationalmuseum Nuremberg. (Unpublished)

S

Smith, Richard Langham (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante, in 'Historical Interplay in French Music' edited by Deborah Mawer, Routledge, forthcoming. In: Historical Interplay in French Music. Routledge, UK. ISBN 9781472474759 (In Press)

T

Turnage, Mark-Anthony (2013) Contusion. [Composition]

Turnage, Mark-Anthony (2017) Coraline. [Composition] (Unpublished)

Turnage, Mark-Anthony (2015) "Duetti d'Amore". [Composition]

Turnage, Mark-Anthony (2013) Erskine. [Composition]

Turnage, Mark-Anthony Eulogy. [Composition]

Turnage, Mark-Anthony (2014) Håkan. [Composition]

Turnage, Mark-Anthony (2015) Martland Memorial. [Composition]

Turnage, Mark-Anthony (2013) Piano Concerto. [Composition]

Turnage, Mark-Anthony (2014) PowerPlay. [Composition]

Turnage, Mark-Anthony (2017) Remembering. [Composition]

Turnage, Mark-Anthony (2016) Shroud. [Composition]

Turnage, Mark-Anthony (2012) Speranza. [Composition]

W

Waddell, G. (2015) Review of Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures (OUP, 2014). Psychology of Music, 43. pp. 909-912. ISSN 0305-7356

Waddell, G. and Williamon, A. (2017) Measuring the Audience. In: Scholarly Research for Musicians. Routledge, Abingdon, pp. 148-155. ISBN 978-1138208896

Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4). pp. 1-14. ISSN 1932-6203

Williamon, A. and Aufegger, L. and Eiholzer, H. (2014) Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance. Frontiers in Psychology, 5. ISSN 1664-1078

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4). pp. 515-528. ISSN 0306-1078

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1). pp. 1-12. ISSN 02691213

Wistreich, R. (2016) ‘Reconstructing Historical Singing: Reality or Fantasy?’. In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. (2013) „nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen”: The Trillo and the Migration of Italian Noble Singing. In: Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte. Analecta Musicologica (49). Bärenreiter, Kassel, pp. 138-150. ISBN 978-3-7618-2135-0

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1). pp. 22-26. ISSN 0306-1078

Y

Yorke, Sarah and Perkins, R. (2017) Music and Motherhood - Facilitating Interventions for Mothers and their Babies. Manual. Royal College of Music, London.

This list was generated on Thu Oct 19 03:03:21 2017 BST.