Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 174.

A

Alessandri, E. and Eiholzer, H. and Williamon, A. (2014) Reviewing critical practice: An analysis of Gramophone's reviews of Beethoven's piano sonatas, 1923-2010. Musicae Scientiae, 18 (2). pp. 131-149. ISSN 1029-8649

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2015) Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism. Frontiers in Psychology, 6 (57). pp. 1-14. ISSN 1664-1078

Araújo, L. and Cruz, J. and Almeida, L. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27. pp. 1-19. ISSN ISSN: 1359-8139 (Print) 1469-834X (Online)

Ascenso, S. and Williamon, A. and Perkins, R. (2016) Understanding the wellbeing of professional musicians through the lens of positive psychology. Psychology of Music, 45 (1). pp. 65-81. ISSN 0305-7356

Aufegger, L. and Perkins, R. and Wasley, D. and Williamon, A. (2016) Musicians’ perceptions and experiences of using simulation training to develop performance skills. Psychology of Music, 45 (3). pp. 417-431. ISSN 0305-7356

B

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

C

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 978-90-73029-47-7

Charlston, T. and Solomon, A. (2019) Bach Cantatas 106 and 182, Amici Voices and Amici Baroque Players. [Audio]

Charlston, T. and Solomon, A. (2017) Handel – German Arias & Trio Sonatas. [Audio]

Charlston, T. and Solomon, A. (2019) Music for a King – Chamber works at the Court of Frederick the Great. [Audio]

Clark, T. and Lisboa, T. and Williamon, A. (2014) An investigation into musicians' thoughts and perceptions during performance. Research Studies in Music Education, 36 (1). pp. 19-37. ISSN 1321-103X (print) 1834-5530 (online)

Cohen, M. L. and Henley, J. (2018) Music-making behind bars: the many dimensions of community music in prisons. In: The Oxford Handbook of Community Music. Oxford University Press, Oxford, pp. 153-176. ISBN 9780190219505

Cole, J. (2017) 13 verses. [Composition] (Unpublished)

Cole, J. (2017) 50 Florentine breaths. [Composition] (Unpublished)

Cole, J. (2018) Ascending circles. [Composition] (Unpublished)

Cole, J. (2019) Hidden corners. [Composition] (Unpublished)

Cole, J. (2019) A passing moment. [Composition] (Unpublished)

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2017) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice, 18 (1). pp. 53-66. ISSN 1533-2500

D

Daffern, H. and Camlin, D. A. and Egermann, H. and Gully, A. J. and Kearney, G. and Neale, C. and Rees-Jones, J. (2018) Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing. International Journal of Performance Arts and Digital Media, 15 (1). pp. 1-22.

Driver, D. and Hanslip, C. (2017) Beethoven: Violin Sonatas Vol. 1. [Audio]

Driver, D. and Hanslip, C. (2018) Beethoven: Violin Sonatas Vol. 2. [Audio]

Driver, D. and Hanslip, C. (2018) Beethoven: Violin Sonatas Vol. 3. [Audio]

F

Fancourt, D. and Aufegger, L. and Williamon, A. (2015) Low-stress and high-stress singing have contrasting effects on glucocorticoid response. Frontiers in Psychology, 6. ISSN 1664-1078

Fancourt, D. and Joss, T. (2014) Aesop: a framework for developing and researching arts in health programmes. Arts & Health, 7 (1). pp. 1-13. ISSN 1753-3015

Fancourt, D. and Perkins, R. (2017) Associations between singing to babies and symptoms of postnatal depression, wellbeing, self-esteem and mother-infant bond. Public Health, 145. pp. 149-152. ISSN 0033-3506

Fancourt, D. and Perkins, R. (2017) Maternal engagement with music up to nine months post-birth: findings from a cross-sectional study in England. Psychology of Music, 46 (2). pp. 238-251. ISSN 0305-7356

Fancourt, D. and Perkins, R. and Ascenso, S. and Atkins, L. and Kilfeather, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2015) Group drumming modulates cytokine response in mental health services users: a preliminary study. Psychotherapy and Psychosomatics, 85 (1). pp. 53-55. ISSN 0033-3190

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132. pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631). pp. 1-13.

Fesharaki, S. and Hewett, I. (2016) Still Point: an unknown precursor of today's electronic music. In: Alternative Histories of Electronic Music, 14-16 April 2016, Science Museum Research Centre, London. (Unpublished)

Fujikura, D. (2015) Deliquesce. [Composition]

Fujikura, D. (2016) GO. [Composition]

Fujikura, D. (2014) Infinite String. [Composition]

Fujikura, D. OSM. [Composition]

Fujikura, D. (2015) SOLARIS. [Composition]

Fujikura, D. (2015) Uto. [Composition]

Fujikura, D. (2016) my letter to the world (orchestral version). [Composition]

Fujikura, D. (2014) neo (音緒). [Composition]

Fujikura, D. (2016) pitter-patter. [Composition]

Fujikura, D. (2017) yurayura. [Composition]

G

Garcia-Tomas, R. (2019) Interdisciplinarity: an expansion of my creative approach. Doctoral thesis, Royal College of Music.

Gold, N. and Rognoni, G. R. (2014) The MiCLUES system: Dynamic, rich contextual support for museum visits. In: International Committee of Musical Instrument Museums and Collections of the International Council of Museums - Annual Meeting, 10 July 2014, Lausanne, Switzerland. (Unpublished)

H

Hair, G. and Morrison, A. and Pearson, I. E. (2013) Ecstasy and Enlightenment. [Audio]

Henley, J. (2016) How musical are primary generalist student teachers? Music Education Research, 19 (4). pp. 470-484. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2014) Musical learning and desistance from crime: the case of a “Good Vibrations” Javanese gamelan project with young offenders. Music Education Research, 17 (1). pp. 103-120. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4). pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. and Cohen, M. L. (2014) Constructing personal narratives around key musical events: redefining identities and attitudes within and outside of prison music. In: CMA XIV Listening to the world: Experiencing and Connecting the Knowledge from Community Music, 15-18 July 2014, Salvador, Brazil.

Henley, J. and Cohen, M. L. and Mota, G. (2013) Musical development and positive identity change within criminal justice settings. In: Rethinking Education: Empowering individuals with the appropriate educational tools, skills and competencies, for their active cultural, political and economic participation in society in Europe and beyond. ACP, Brussels, pp. 129-149. ISBN 978-90-90-28437-8

Henley, J. and Hilton, C. (2015) Sound Symmetry for KS1. [Teaching Resource]

Herbert, T. (1989) Sondheim's technique. Contemporary Music Review, 5. pp. 199-214. ISSN 0749-4467 (print) 1477-2256 (online)

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Herbert, T. and Myers, A. and Wallace, J. (2018) The Cambridge encyclopedia of brass instruments. Cambridge University Press, Cambridge. ISBN 9781316841273

Hesketh, K. (2016) Concerto Salmigondis. [Composition]

Hesketh, K. (2006) Doctrine of affections. [Composition]

Hesketh, K. (2012) Forms entangled, shapes collided. [Composition]

Hesketh, K. (2016) Horae (pro Clara). [Composition]

Hesketh, K. (2015) Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts for piano and film. [Composition]

Hesketh, K. (2014) IMMH. [Composition]

Hesketh, K. (2018) In ictu oculi - three meditations for wind ensemble. [Composition]

Hesketh, K. (2015) Inscription-transformation. [Composition]

Hesketh, K. (2018) Inscrizione (derivata) (a lie to the dying). [Composition]

Hesketh, K. (2014) Knotted tongues. [Composition]

Hesketh, K. (2016) Oracles and chimeras. [Composition]

Hesketh, K. (2005) Threats and declamations. [Composition]

Hesketh, K. (2016) Three Japanese miniatures. [Composition]

Hesketh, K. (2016) Through magic casements. [Composition]

Hesketh, K. (2018) Uncoiling the river. [Composition]

Hesketh, K. (1999) The circling canopy of night. [Composition]

Hewett, E. and Corp, R. (2016) Brief instructions on how to upload items in RCM Online. Royal College of Music London. (Unpublished)

Hewett, I. (2001) All too human? Musical Times, 142 (1876). pp. 43-47. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) The Arts Council wants to 'measure' culture - but they might end up killing it. Daily Telegraph.

Hewett, I. (1997) Closer encounters. Musical Times, 138 (1855). pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Crossing the bar. Musical Times, 137 (1842). pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2014) Heard the one about Debussy and the goldfish? Daily Telegraph.

Hewett, I. (2016) How Western music conquered the world. Daily Telegraph.

Hewett, I. (1998) Into the daylight. Musical Times, 139 (1864). pp. 50-52. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2003) Music: healing the rift. Bloomsbury (originally Continuum), London. ISBN ISBN 0-8264-5939-0

Hewett, I. (2017) Notes from the edge/Thomas Adès: almost a great composer. Prospect Magazine. pp. 71-73. ISSN 1359-5024

Hewett, I. (1997) Patently obvious. Musical Times, 138 (1852). pp. 34-36. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. Musical Times, 135 (1817). pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. Musical Times, 136 (1823). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1993) Terrors of the earth. Musical Times, 134 (1806). pp. 438-440. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270. ISSN 1359-5024

Hewett, I. (2016) The essay: Brian Eno's Music for Airports [BBC Radio 3]. [Audio]

Hewett, I. (2016) The path to total purity. Prospect Magazine. pp. 76-79. ISSN 1359-5024

Hewett, I. (1998) A tract for the times. Musical Times, 139 (1863). pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Hexel, V. (2014) Understanding contextual agents and their impact on recent Hollywood film music practice. Doctoral thesis, Royal College of Music.

Hilton, C. and Saunders, J. and Henley, J. and Henriksson-Macaulay, L. and Welch, G. F. (2015) European Music Portfolio (EMP)–Maths: sounding ways into mathematics: a review of literature. UCL Institute of Education, London.

Holt, S. (2013) 3rd Quartet. [Composition]

Holt, S. (2017) Bagatelarañas. [Composition] (Unpublished)

Holt, S. (2015) Darling Eve in the evil garden. [Composition]

Holt, S. (2015) Fool is hurt (concerto for piccolo and ensemble). [Composition]

Holt, S. (2017) Joy beast. [Composition] (Unpublished)

Holt, S. (2017) Surcos. [Composition] (Unpublished)

Holt, S. (2015) all fall down. [Composition]

Holt, S. (2015) An icicle of moon. [Composition]

K

Kittos, H. (2016) ADRIFT. [Composition]

Kittos, H. (2010) Aberrant Growth. [Composition]

Kittos, H. (2015) Achranteia (2000, rev. 2015). [Composition]

Kittos, H. (2014) Aenaa. [Composition]

Kittos, H. (2001) Arthrós. [Composition]

Kittos, H. (2018) Athróa. [Composition]

Kittos, H. (2012) Dancechase (2011, rev. 2012). [Composition]

Kittos, H. (2016) Dyades. [Composition]

Kittos, H. (2001) Eisodion. [Composition]

Kittos, H. (2013) Hectic. [Composition]

Kittos, H. (2012) Intermezzo. [Composition]

Kittos, H. (2011) Omadón. [Composition]

Kittos, H. (2009) Organic Duo. [Composition]

Kittos, H. (2016) Prosforo (2001, rev. 2011 and 2016). [Composition]

Kittos, H. (2018) Thalatta. [Composition]

Kittos, H. (2015) re-creations (1999, rev. 2015). [Composition]

Kittos, H. (2004) Òrthros. [Composition]

Kittos, H. (2014) Ètude. [Composition]

L

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: Une Amitie Professionelle in 'Fortune de Francis Poulenc'. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lawson, C. (2018) The Cambridge Encyclopedia of historical performance in music. Cambridge Encyclopedias . Cambridge University Press, Cambridge. ISBN 9781316257678

Lawson, C. (2014) "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1). ISSN 2166-8205

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1). pp. 3-5. ISSN 0306-1078

Lisboa, T. and Chaffin, R. and Demos, A. P. (2015) Recording thoughts while memorizing music: a case study. Frontiers in Psychology. ISSN 1664-1078

Lisboa, T. and Demos, A. P. and Chaffin, R. (2015) Spontaneity in performance: effects of thinking on expressive variation in tempo. In: International Symposium on Performance Science, 205 September, 2015, Kyoto, Japan. (Submitted)

Liu, Y. (2019) An exploration towards the enrichment of a personal musical language in musical composition. Doctoral thesis, Royal College of Music.

Loges, N. (2017) BBC Radio 3 record review: building a library: Richard Wagner: Wesendonck Lieder. [Audio]

Loges, N. (2019) BBC Radio 3 record review: building a library: Schubert: Schwanengesang. [Audio]

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

M

Mannion, R. (2019) Mise en Abyme: immersive performance and composition practices through interdisciplinarity, collaboration and music technology. Doctoral thesis, Royal College of Music.

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3). p. 9.

Meyn, N. and Bower, B. (2019) Norman O'Neill (1875-1934) Drei Lieder (1896). [Composition]

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach Songs with Clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 13595105

Mival, W. Correntandemente. [Composition] (Unpublished)

Mival, W. (1996) On the Ringstreet. [Composition] (Unpublished)

Mival, W. (2018) Pluen (feather). [Composition] (Unpublished)

Mival, W. (2018) Rond. [Composition] (Unpublished)

O

Oliva, M. (2017) Passacaglia. [Composition] (Unpublished)

P

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3). pp. 1-3. ISSN 2044-8414

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to music: people, practices and experiences, 24-25 October 2015, Royal College of Music.

Pearson, I. E. (2014) Research degrees in the conservatoire context: reconciling practice and theory. In: Research and Research Education in Music Performance and Pedagogy. Landscapes: the Arts, Aesthetics, and Education, 11 . Springer, Switzerland, pp. 65-76. ISBN 9789400774353

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11). pp. 1-17.

Perkins, R. and Aufegger, L. and Williamon, A. (2014) Learning through teaching: exploring what conservatoire students learn from teaching beginner older adults. International Journal of Music Education, 33 (1). pp. 101-117.

Perkins, R. and Fancourt, D. (2018) The effect of singing interventions on symptoms of postnatal depression: a three-arm randomised controlled trial. The British Journal of Psychiatry, 212 (2).

Perkins, R. and Williamon, A. (2013) Learning to make music in older adulthood: a mixed-methods exploration of impacts on wellbeing. Psychology of Music, 42 (4). pp. 550-567. ISSN 0305-7356

R

Rognoni, G. R. (2015) Il salterio italiano: apogeo e declino. In: Invited lecture, 28 March 2015, Museo di S. Colombano, Collezione Luigi Ferdinando Tagliavini, Bologna. (Unpublished)

Rognoni, G. R. (2015) Perspectives from a changing culture: one hundred years of debate on the role of musical instruments. In: Effects of playing on early and modern musical instruments. International Conference., 9-10 Sept 2015, Royal College of Music. (Unpublished)

Rognoni, G. R. and Falletti, F. (2015) Gli strumenti musicali del Conservatorio Cherubini alla Galleria dell’Accademia di Firenze: un esempio di collaborazione tra istituzioni. In: National Conference 'Musica Conservata', 17-19 April 2015, Florence. (Unpublished)

Rognoni, G. R. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2014) The application of x-ray ct scan to the documentation of early musical instruments. In: New approaches to the indentification of musical instruments. International Conference, Cremona, Museum of the Violin, September 2014, Cremona, Museum of the Violin. (Unpublished)

Rognoni, G. R. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2015) The use of CT scanning for bowed stringed instrument identification and comparison. In: International Workshop on Musical Instrument CT scanning, May 2015, Germanisches Nationalmuseum Nuremberg. (Unpublished)

S

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

T

Thormählen, W. (2015) Review of Joseph Riepel, Violin Concertos, ed. Stefan Eckert (Madison: A-R Editions, 2013). Eighteenth Century Music, 12 (1). pp. 106-108. ISSN 1478-5706

Turnage, M.-A. (2013) Contusion. [Composition]

Turnage, M.-A. (2017) Coraline. [Composition] (Unpublished)

Turnage, M.-A. (2015) "Duetti d'Amore". [Composition]

Turnage, M.-A. (2013) Erskine. [Composition]

Turnage, M.-A. Eulogy. [Composition]

Turnage, M.-A. (2014) Håkan. [Composition]

Turnage, M.-A. (2015) Martland Memorial. [Composition]

Turnage, M.-A. (2013) Piano Concerto. [Composition]

Turnage, M.-A. (2014) PowerPlay. [Composition]

Turnage, M.-A. (2017) Remembering. [Composition]

Turnage, M.-A. (2016) Shroud. [Composition]

Turnage, M.-A. (2012) Speranza. [Composition]

W

Waddell, G. (2015) Review of Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures (OUP, 2014). Psychology of Music, 43. pp. 909-912. ISSN 0305-7356

Waddell, G. and Williamon, A. (2017) Measuring the Audience. In: Scholarly Research for Musicians. Routledge, Abingdon, pp. 148-155. ISBN 978-1138208896

Whittaker, A. and Kinsella, V. and Fautley, M. Geographical and social demographic trends of A-level music students. Discussion Paper. Royal College of Music, London.

Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4). pp. 1-14. ISSN 1932-6203

Williamon, A. and Aufegger, L. and Eiholzer, H. (2014) Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance. Frontiers in Psychology, 5. ISSN 1664-1078

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4). pp. 515-528. ISSN 0306-1078

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1). pp. 1-12. ISSN 02691213

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. In: Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte. Analecta Musicologica (49). Bärenreiter, Kassel, pp. 138-150. ISBN 978-3-7618-2135-0

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1). pp. 22-26. ISSN 0306-1078

Y

Yorke, S. and Perkins, R. (2017) Music and motherhood: facilitating interventions for mothers and their babies. Manual. Royal College of Music, London.

This list was generated on Thu Oct 17 03:03:48 2019 BST.