Items where Subject is "M Music and Books on Music > M Music"

Article

Araújo, L. and Cruz, J. and Almeida, L. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27 pp. 1-19. ISSN 1359-8139 (Print) 1469-834X (Online)

Ascenso, S. and Williamon, A. and Perkins, R. (2017) Understanding the wellbeing of professional musicians through the lens of positive psychology. Psychology of Music, 45 (1) pp. 65-81. ISSN 0305-7356 (print) 1741-3087 (online)

Chanwimalueang, T. and Aufegger, L. and Adjei, T. and Wasley, D. and Cruder, C. and Mandic, D. P. and Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4) pp. 1-14. ISSN 1932-6203

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2018) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice, 18 (1) pp. 53-66. ISSN 1533-2500

Daffern, H. and Camlin, D. A. and Egermann, H. and Gully, A. J. and Kearney, G. and Neale, C. and Rees-Jones, J. (2018) Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing. International Journal of Performance Arts and Digital Media, 15 (1) pp. 1-22.

Ennis, P. and Driver, D. (2019) Excitement and danger: pianist Danny Driver in conversation. TheWholeNote.com

Fancourt, D. and Perkins, R. (2017) Associations between singing to babies and symptoms of postnatal depression, wellbeing, self-esteem and mother-infant bond. Public Health, 145 pp. 149-152. ISSN 0033-3506

Fancourt, D. and Perkins, R. and Ascenso, S. and Atkins, L. and Kilfeather, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2015) Group drumming modulates cytokine response in mental health services users: a preliminary study. Psychotherapy and Psychosomatics, 85 (1) pp. 53-55. ISSN 0033-3190

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132 pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631) pp. 1-13.

Henley, J. (2016) How musical are primary generalist student teachers? Music Education Research, 19 (4) pp. 470-484. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2014) Musical learning and desistance from crime: the case of a “Good Vibrations” Javanese gamelan project with young offenders. Music Education Research, 17 (1) pp. 103-120. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4) pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (1989) Sondheim's technique. Contemporary Music Review, 5 pp. 199-214. ISSN 0749-4467 (print) 1477-2256 (online)

Hewett, I. (2001) All too human? The Musical Times, 142 (1876) pp. 43-47. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) The Arts Council wants to 'measure' culture - but they might end up killing it. Daily Telegraph ISSN 0307-1235

Hewett, I. (1997) Closer encounters. The Musical Times, 138 (1855) pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Crossing the bar. The Musical Times, 137 (1842) pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2014) Heard the one about Debussy and the goldfish? Daily Telegraph ISSN 0307-1235

Hewett, I. (2016) How Western music conquered the world. Daily Telegraph ISSN 0307-1235

Hewett, I. (1998) Into the daylight. The Musical Times, 139 (1864) pp. 50-52. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) Notes from the edge/Thomas Adès: almost a great composer. Prospect Magazine pp. 71-73. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1997) Patently obvious. The Musical Times, 138 (1852) pp. 34-36. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. The Musical Times, 135 (1817) pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. The Musical Times, 136 (1823) pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1993) Terrors of the earth. The Musical Times, 134 (1806) pp. 438-440. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024

Hewett, I. (2020) What's the best way to hear Chopin? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2016) The path to total purity. Prospect Magazine pp. 76-79. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1998) A tract for the times. The Musical Times, 139 (1863) pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1) pp. 3-5. ISSN 0306-1078 (print) 1741-7260 (online)

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3) p. 9. ISSN 2627-6984

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3) pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11) pp. 1-17.

Perkins, R. and Fancourt, D. (2018) Effect of singing interventions on symptoms of postnatal depression: a three-arm randomised controlled trial. British Journal of Psychiatry, 212 (2) pp. 119-121. ISSN 0007-1250 (print) 1472-1465 (online)

Thormählen, W. (2015) Review of Joseph Riepel, Violin Concertos, ed. Stefan Eckert (Madison: A-R Editions, 2013). Eighteenth-Century Music, 12 (1) pp. 106-108. ISSN 1478-5706 (print) 1478-5714 (online)

Waddell, G. (2015) Book review: 'Expressiveness in music performance: empirical approaches across styles and cultures' ed. D. Fabian, R. Timmers, & E. Schubert. Psychology of Music, 43 pp. 909-912. ISSN 0305-7356 (print) 1741-3087 (online)

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4) pp. 515-528. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1) pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1) pp. 22-26. ISSN 0306-1078 (print) 1741-7260 (online)

Book Section

Cohen, M. L. and Henley, J. (2018) Music-making behind bars: the many dimensions of community music in prisons. In: The Oxford Handbook of Community Music. Oxford University Press, Oxford, pp. 153-176. ISBN 9780190219505

Henley, J. and Cohen, M. L. and Mota, G. (2013) Musical development and positive identity change within criminal justice settings. In: Rethinking Education: Empowering individuals with the appropriate educational tools, skills and competencies, for their active cultural, political and economic participation in society in Europe and beyond. ACP, Brussels, pp. 129-149. ISBN 978-90-90-28437-8

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Pearson, I. E. (2014) Research degrees in the conservatoire context: reconciling practice and theory. In: Research and Research Education in Music Performance and Pedagogy. Landscapes: the Arts, Aesthetics, and Education, 11 . Springer, Switzerland, pp. 65-76. ISBN 9789400774353

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Waddell, G. and Williamon, A. (2017) Measuring the audience. In: Scholarly Research for Musicians. Routledge, Abingdon, pp. 148-155. ISBN 978-1138208896

Report

Whittaker, A. and Kinsella, V. and Fautley, M. Geographical and social demographic trends of A-level music students. Discussion Paper. Royal College of Music, London.

Yorke, S. and Perkins, R. (2017) Music and motherhood: facilitating interventions for mothers and their babies. Manual. Royal College of Music, London.

Conference or Workshop Item

Feshareki, S. and Hewett, I. (2016) Still Point: an unknown precursor of today's electronic music. In: Alternative Histories of Electronic Music, 14-16 April 2016, Science Museum Research Centre, London. (Unpublished)

Gold, N. and Rossi Rognoni, G. (2014) The MiCLUES system: dynamic, rich contextual support for museum visits. In: International Committee of Musical Instrument Museums and Collections of the International Council of Museums - Annual Meeting, 10 July 2014, Lausanne, Switzerland. (Unpublished)

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to Music: People, Practices and Experiences, 24-25 October 2015, Royal College of Music.

Rossi Rognoni, G. (2015) Il salterio italiano: apogeo e declino. In: Invited lecture, 28 March 2015, Museo di S. Colombano, Collezione Luigi Ferdinando Tagliavini, Bologna. (Unpublished)

Rossi Rognoni, G. (2015) Perspectives from a changing culture: one hundred years of debate on the role of musical instruments. In: Effects of Playing on Early and Modern Musical Instruments. International Conference., 9-10 September 2015, Royal College of Music. (Unpublished)

Rossi Rognoni, G. and Falletti, F. (2015) Gli strumenti musicali del Conservatorio Cherubini alla Galleria dell’Accademia di Firenze: un esempio di collaborazione tra istituzioni. In: National Conference 'Musica Conservata', 17-19 April 2015, Florence. (Unpublished)

Rossi Rognoni, G. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2014) The application of x-ray CT scan to the documentation of early musical instruments. In: New Approaches to the Indentification of Musical Instruments. International Conference, Cremona, Museum of the Violin, September 2014, Cremona, Museum of the Violin. (Unpublished)

Rossi Rognoni, G. and Fioravanti, M. and Biagiotti, P. and Gallerini, P. and Menchi, I. and Ricci, R. (2015) The use of CT scanning for bowed stringed instrument identification and comparison. In: International Workshop on Musical Instrument CT scanning, May 2015, Germanisches Nationalmuseum Nuremberg. (Unpublished)

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Book

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Hewett, I. (2003) Music: healing the rift. Bloomsbury (originally Continuum), London. ISBN 9780826459398

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Edited book

Lawson, C. and Stowell, R., eds. (2018) The Cambridge Encyclopedia of historical performance in music. Cambridge Encyclopedias . Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. and Myers, A. and Wallace, J., eds. (2018) The Cambridge encyclopedia of brass instruments. Cambridge University Press, Cambridge. ISBN 9781107180000 (hardback) 9781316631850 (paperback) 9781316852941 (e-book)

Thesis

Bowen, D. K. (2022) The bass clarinet in bassoon form: its history, repertoire and acoustics. Doctoral thesis, Royal College of Music.

Garcia-Tomas, R. (2019) Interdisciplinarity: an expansion of my creative approach. Doctoral thesis, Royal College of Music.

Hexel, V. (2014) Understanding contextual agents and their impact on recent Hollywood film music practice. Doctoral thesis, Royal College of Music.

Illean Finnis, L. (2021) Vanishing points: a personal approach to non-tempered tuning. Doctoral thesis, Royal College of Music.

Liu, Y. (2019) An exploration towards the enrichment of a personal musical language in musical composition. Doctoral thesis, Royal College of Music.

Mannion, R. (2019) Mise en Abyme: immersive performance and composition practices through interdisciplinarity, collaboration and music technology. Doctoral thesis, Royal College of Music.

Morrish, N. (2021) Braiding time: in search of sounds from within. Doctoral thesis, Royal College of Music.

Composition

Charlston, T. (2019) Hommage. [Composition] (Unpublished)

Cole, J. (2016) A book of melodies. [Composition] (Unpublished)

Fujikura, D. (2015) Deliquesce. [Composition]

Fujikura, D. (2016) GO. [Composition]

Fujikura, D. (2014) Infinite string. [Composition]

Fujikura, D. (2016) My letter to the world [orchestral version]. [Composition]

Fujikura, D. (2014) Neo (音緒). [Composition]

Fujikura, D. (2015) OSM. [Composition]

Fujikura, D. (2016) Pitter-patter. [Composition]

Fujikura, D. (2015) SOLARIS. [Composition]

Fujikura, D. (2015) Uto. [Composition]

Fujikura, D. (2017) Yurayura. [Composition]

Hesketh, K. (2008) Through magic casements. [Composition]

Hesketh, K. (1999) The circling canopy of night. [Composition]

Kay, A. Waving not drowning. [Composition]

Mival, W. Gleamt beseethe. [Composition] (Unpublished)

Oliva, M. (2017) Passacaglia. [Composition] (Unpublished)

Scarlato, D. (2011) Phaedra. [Composition] (Unpublished)

Scarlato, D. (2003) Piaf…l’hymne à l’amour. [Composition] (Unpublished)

Turnage, M.-A. (2013) Contusion. [Composition]

Turnage, M.-A. (2017) Remembering: in memoriam Evan Scofield. [Composition]

Performance

Driver, D. (2018) Rachmaninoff Piano Concerto no 2 & Scherzo from Amy Beach Concerto. [Performance]

Hanslip, C. and Driver, D. (2018) Beethoven and Prokofiev sonatas for violin and piano. [Performance]

Video

Meyn, N. (2010) Erwin and Elmire. [Video]

Audio

Charlston, T. (2016) Adieu m'amour: music from the time of Agincourt. [Audio]

Charlston, T. (2007) Albertus Bryne: keyboard music. [Audio]

Charlston, T. (2009) Carlo Ignazio Monza: harpsichord music. [Audio]

Charlston, T. (2010) La chasse royale: keyboard manuscript of Antoine Selosse. [Audio]

Charlston, T. (2003) Matthew Locke: complete keyboard works. [Audio]

Charlston, T. (2008) William Byrd: for my Ladye Nevell. [Audio]

Charlston, T. and Solomon, A. (2019) Bach: Cantatas 106 and 182, Amici Voices and Amici Baroque Players. [Audio]

Charlston, T. and Solomon, A. (2017) Handel: German Arias & Trio Sonatas. [Audio]

Charlston, T. and Solomon, A. (2019) Music for a king: chamber works from the court of Frederick the Great. [Audio]

Driver, D. (2011) Balakirev: Piano Sonata & other works. [Audio]

Driver, D. (2017) Beach, Chaminade & Howell: Piano Concertos. [Audio]

Driver, D. (2008) Bowen: Piano Concertos. [Audio]

Driver, D. (2009) Bowen: Piano Sonatas. [Audio]

Driver, D. (2010) C. P. E. Bach: Keyboard Sonatas vol. 1. [Audio]

Driver, D. (2012) C. P. E. Bach: Keyboard Sonatas vol. 2. [Audio]

Driver, D. (2011) Dale: piano music. [Audio]

Driver, D. (2012) Erik Chisholm: Piano Concertos. [Audio]

Driver, D. (2014) Handel: the Eight Great Suites. [Audio]

Driver, D. (2012) Saint-Saëns: Piano Concerto no. 5, op. 103. [Audio]

Driver, D. (2014) Schumann: Novelletten & Nachtstücke. [Audio]

Driver, D. and Hanslip, C. (2017) Beethoven: Violin Sonatas vol. 1. [Audio]

Driver, D. and Hanslip, C. (2018) Beethoven: Violin Sonatas vol. 2. [Audio]

Driver, D. and Hanslip, C. (2018) Beethoven: Violin Sonatas vol. 3. [Audio]

Driver, D. and Trusler, M. (2017) Erik Chisholm: Violin Concerto & Dance Suite. [Audio]

Hair, G. and Morrison, A. and Pearson, I. E. (2013) Ecstasy and enlightenment. [Audio]

Hanslip, C. and Driver, D. (2013) Bowen: the complete works for violin and piano. [Audio]

Immler, C. and Stephany, A. and Berner, C. and Driver, D. and Fraser, S. (2018) Swan songs: Schubert, Brahms, Barber, and Bernstein. [Audio]

Johns, S. (2016) Bach: Sonatas & Partitas (Kyung Wha Chung). [Audio]

Johns, S. (2019) Beethoven: Piano Sonatas Opp. 109, 110 & 111 (Steven Osborne). [Audio]

Johns, S. (2018) Bernstein: the 3 symphonies (Antonio Pappano). [Audio]

Johns, S. (2016) C. P. E. Bach: Flute Concertos (Emmanuel Pahud). [Audio]

Johns, S. (2017) Debussy: piano music (Steven Osbourne). [Audio]

Johns, S. (2017) John Blow: An ode on the death of Mr Henry Purcell & other works (Arcangelo/Jonathan Cohen). [Audio]

Johns, S. (2015) Joyce and Tony live at Wigmore Hall (Joyce DiDonato and Antonio Pappano). [Audio]

Johns, S. (2018) Late Chopin works (Kevin Kenner). [Audio]

Johns, S. (2019) Love and death (Martin James Bartlett). [Audio]

Johns, S. (2014) Love duets (Ailyn Pérez and Stephen Costello). [Audio]

Johns, S. (2018) Mahler: Symphony No. 9 (Gianandrea Noseda). [Audio]

Johns, S. (2014) Medtner & Rachmaninov Piano Sonatas (Steven Osbourne). [Audio]

Johns, S. (2015) Mozart: Violin Concertos nos. 1, 5 & Sinfonia Concertante (Vilde Frang). [Audio]

Johns, S. (2020) Prokofiev: Piano Sonatas 6, 7, and 8 (Steven Osborne). [Audio]

Johns, S. (2018) Requiem: The Pity of War, Ian Bostridge, Antonio Pappano produced by Stephen Johns. [Audio]

Johns, S. (2015) Revolution: flute concertos (Emmanuel Pahud). [Audio]

Johns, S. (2018) Symphonic psalms and prayers: Bernstein, Schoenberg, Stravinsky, Zemlinsky (Tenebrae/Nigel Short). [Audio]

Johns, S. (2015) Verdi: Aida (Antonio Pappano). [Audio]

Johns, S. (2017) Violin Concertos by Paganini & Wolf-Ferrari (Francesca Dego). [Audio]

Meyn, N. and Charlston, T. (2014) C. P. E. Bach: spiritual songs. [Audio]

Nelsen, R. and Immler, C. and Driver, D. (2011) Walter Arlen: Es Geht Wohl Anders. [Audio]

Solomon, A. (2007) Bach Cantatas. [Audio]

Solomon, A. (2008) Bach: Cantata 'Non Sa Che Sia Dolore', Triple Concerto in A minor, and Telemann: Concerto in A major. [Audio]

Solomon, A. (2012) Bach: Organ Trio Sonatas (arranged for multiple instruments). [Audio]

Solomon, A. (1998) Bach: a musical offering: the complete instrumental Trio Sonatas. [Audio]

Solomon, A. (2005) Bolivian Baroque. [Audio]

Solomon, A. (2006) Bolivian Baroque vol. 2. [Audio]

Solomon, A. (2009) Bolivian Baroque vol. 3. [Audio]

Solomon, A. (2000) Fatale flame: music from 18th century France. [Audio]

Solomon, A. (1995) Haydn Cello Concertos in C and D. [Audio]

Solomon, A. (2003) Haydn: London Symphonies arr. Salomon. [Audio]

Solomon, A. (1996) In the name of Bach. [Audio]

Solomon, A. (1995) Le Roi s'amuse: music for the King's pleasure. [Audio]

Solomon, A. (2010) Pergolesi: Stabat Mater. [Audio]

Solomon, A. (1997) Sanguineus & melancholicus: C. P. E. Bach Sonatas. [Audio]

Solomon, A. (1993) Telemann: Concerti da Camera. [Audio]

Solomon, A. (2018) Telemann: Essercizii Musici. [Audio]

Solomon, A. (1999) Telemann: Paris Quartets. [Audio]

Solomon, A. (2004) Telemann: Paris Quartets vol. 2. [Audio]

Solomon, A. (2005) Telemann: Paris Quartets vol. 3. [Audio]

Solomon, A. (2002) Telemann: Tafelmusik. [Audio]

Solomon, A. (2017) Telemann: twelve Fantasias for solo flute. [Audio]

Solomon, A. (1997) Vivaldi Concerti. [Audio]

Solomon, A. (1995) Vivaldi Concerti. [Audio]

Solomon, A. (2011) Vivaldi: sacred works for soprano and concertos. [Audio]

Solomon, A. and Charlston, T. (2000) Bach: Flute Sonatas vol. 1. [Audio]

Solomon, A. and Charlston, T. (2003) Bach: Flute and Harpsichord Sonatas vol. 2. [Audio]

Solomon, A. and Charlston, T. (2013) Couperin: Les Nations and Rebel: Caractères de la Danse. [Audio]

Edition

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, London.

Charlston, T. (2015) J. S. Bach: Allegro, 2nd movement from Sonata in E, BWV 1016. Violin Exam Pieces 2016-2019, ABRSM Grade 7 . ABRSM, London.

Charlston, T. (2015) J. S. Bach: Andante, 3rd movement from Sonata in B minor BWV 1014. Violin Exam Pieces 2016–2019, ABRSM Grade 5 . ABRSM, London.

Meyn, N. and Bower, B. (2019) Norman O'Neill (1875-1934): Drei Lieder (1896). RCM Editions, London.

Teaching Resource

Henley, J. and Hilton, C. (2015) Sound Symmetry for KS1. [Teaching Resource]

Other

Hilton, C. and Saunders, J. and Henley, J. and Henriksson-Macaulay, L. and Welch, G. F. (2015) European Music Portfolio (EMP)–Maths: sounding ways into mathematics: a review of literature. UCL Institute of Education, London.