Items where Subject is "Music and society"

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Number of items at this level: 121.

A

Aljabri, K. (2017) Exploring strategies for developing Western classical music education in the Sultanate of Oman. Doctoral thesis, Royal College of Music.

Ascenso, S. and Perkins, R. and Atkins, L. and Fancourt, D. and Williamon, A. (2018) Promoting well-being through group drumming with mental health service users and their carers. International Journal of Qualitative Studies on Health and Well-being, 13 (1). pp. 1-15. ISSN 1748-2631

B

Barlow, H. and Herbert, T. (2019) Listeners in music history: studying the evidence. Nineteenth-Century Music Review. ISSN 2044-8414 (In Press)

Barry, A. M. (2019) Lady sings the blues? Tragedy, autobiography and reassessment. In: Billie Holiday: essays on the artistry and legacy. McFarland, Jefferson, North Carolina. (In Press)

Barry, A. M. (2019) An opera singer’s Gothic fiction: the autobiographies of Sims Reeves. Journal of Musicological Research. ISSN 0141-1896 (print) 1547-7304 (online)

Belina, A. and Scott, D. B. (2016) The business of opera. Ashgate Interdisciplinary Studies in Opera . Routledge, UK. ISBN 9781315614267

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

Burrai, F. and Hasan, W. and Fancourt, D. and Luppi, M. and Di Somma, S. (2016) A randomized controlled trial of listening to recorded music for heart failure patients: study protocol. Holistic Nursing Practice, 30. pp. 102-115.

C

Camlin, D. A. (2017) Dave Camlin: case study. In: Engaging in Community Music: An Introduction. Routledge, Abingdon. ISBN 9781138638167 (hardback) 9781138638174 (paperback) 9781315637952 (e-book)

Camlin, D. A. (2018) Songs on the summits 1918-2018. The National Trust, UK.

Camlin, D. A. (2019) What's love got to do with it? [keynote presentation]. In: International Fjord Summer School 2019, 17th - 20th June 2019, Bergen.

Camlin, D. A. (2014) Whose quality is it anyway? Inhabiting the creative tension between presentational and participatory music. Journal of Arts & Communities, 6 (2-3). pp. 99-118. ISSN 1757-1936 (print) 1757-1944 (online)

Camlin, D. A. (2017) Wir singen von Rechten, die wir nicht haben Dissens und Dialog in der Community Music [Singing the rights we do not possess: the rights of community music]. In: Community Music: Beiträge zur Theorie und Praxis aus internationaler und deutscher Perspektive. Waxmann, Münster, Germany, pp. 137-147. ISBN 978-3-8309-3456-1 (paperback) 9783830984566 (e-book)

Camlin, D. A. and Zeserson, K. (2018) Becoming a community musician: a situated approach to curriculum, content, and assessment. In: The Oxford Handbook of Community Music. Oxford Handbooks . Oxford University Press, Oxford, pp. 711-733. ISBN 9780190219505 (hardback) 9780190861483 (e-book)

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.

F

Fancourt, D. (2017) Arts in Health: Designing and Researching Interventions. In: Arts in Health: Designing and Researching Interventions. Oxford University Press, Oxford, UK. ISBN 9780198792079

Fancourt, D. (2014) An introduction to the psychoneuroimmunology of music: history, future collaboration and a research agenda. Psychology of Music, 44. pp. 168-182. ISSN 0305-7356

Fancourt, D. and Perkins, R. (2018) Could listening to music during pregnancy be protective against postnatal depression and poor wellbeing post birth? Longitudinal associations from a preliminary prospective cohort study. BMJ Open, 8 (7). pp. 1-8. ISSN 2044-6055

Fancourt, D. and Perkins, R. (2018) Creative interventions for symptoms of postnatal depression: a process evaluation of implementation. Arts & Health. ISSN 1753-3015

Fancourt, D. and Perkins, R. (2017) Does attending community music interventions lead to changes in wider musical behaviours? The effect of mother-infant singing classes on musical behaviours amongst mothers with symptoms of postnatal depression. Psychology of Music. ISSN 0305-7356

Fancourt, D. and Perkins, R. (2017) Maternal engagement with music up to nine months post-birth: findings from a cross-sectional study in England. Psychology of Music, 46 (2). pp. 238-251. ISSN 0305-7356

Fenlon, I. and Wistreich, R. (2019) Introduction. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 1-23. ISBN 9780511675874

Feshareki, S. (2019) A quest to find ‘real': September 2014 – February 2017. Doctoral thesis, Royal College of Music.

G

Gibbs, F. J. (2018) The Royal Albert Hall: a case study of an evolving cultural venue. Doctoral thesis, Royal College of Music.

Guillaumier, C. and Slater, R. and Argondizza, P. (2016) Recontextualised learning through embedded creativity: developing a module that applies historically informed performance practice to Baroque music. In: Creative teaching for creative learning in higher music education. SEMPRE studies in the psychology of music . Routledge, Abingdon, pp. 186-197. ISBN 9781472455918 (hardback) 9781138504998 (paperback) 9781315574714 (e-book)

H

Hamilton, K. and Loges, N. (2014) Brahms in the home: an introduction. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 1-22. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Henley, J. (2015) Music: naturally inclusive, potentially exclusive? In: Inclusive Pedagogy Across the Curriculum. International Perspectives on Inclusive Education (7). Emerald, Bingley, UK, pp. 161-186. ISBN ISSN: 1479-3636

Henley, J. (2016) Young offenders. In: The Routledge Companion to Music, Technology, and Education. Routledge, Farnham, pp. 192-207. ISBN 9781138921382

Henley, J. (2018) A challenge to assumptions of the transformative power of music. Royal College of Music. (Unpublished)

Henley, J. and Cohen, M. L. (2014) Constructing personal narratives around key musical events: redefining identities and attitudes within and outside of prison music. In: CMA XIV Listening to the world: Experiencing and Connecting the Knowledge from Community Music, 15-18 July 2014, Salvador, Brazil.

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70. pp. 65-76. ISSN 0771-6788

Herbert, T. (2013) Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. SOAS Studies in Music Series . Ashgate, Farnham, UK. ISBN 9781409444220 (hardback) 9781138251212 (paperback) 9781315569895 (e-book)

Herbert, T. (1997) Brass bands and other vernacular brass traditions. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 177-192. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (2018) Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: The Routledge Companion to the Study of Local Musicking. Routledge Music Companions . Routledge, Abingdon, UK. ISBN 9781138920118 (hardback) 9781315687353 (e-book)

Herbert, T. (2000) God's perfect minstrels: the bands of the Salvation Army. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1. pp. 92-113.

Herbert, T. (2000) Nineteenth-century bands: making a movement. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Popular nationalism: Griffith Rhys Jones ('Caradog') and the Welsh choral tradition. In: Music and British culture, 1785-1914: essays in honor of Cyril Ehrlich. Oxford University Press, Oxford, pp. 255-274. ISBN 9780198167303 (hardback)

Herbert, T. (2019) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review. ISSN 2044-8414 (In Press)

Herbert, T. (1995) Review of 'Hoffnung: his biography' by Annetta Hoffnung. Historic Brass Society Newsletter, 7. pp. 43-44. ISSN 1045-4594

Herbert, T. (2013) Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012). Nineteenth-Century Music Review, 10 (2). pp. 323-356. ISSN 2044-8414

Herbert, T. (1988) Review of 'Popular music in England 1840–1914: a social history' by Dave Russell, Manchester University Press, 1987. Popular Music, 7 (1). pp. 114-115. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9. pp. 64-65. ISSN 1045-4594

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7. pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2). pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2011) Social history and music history. In: The cultural study of music: a critical introduction [2nd Edition]. Routledge, Abingdon. ISBN 9780415881906 (hardback) 9780415881913 (paperback) 9780203149454 (e-book)

Herbert, T. (2005) Susato's colleagues: the trombonists of the Tudor court. In: Tielman Susato and the music of his time: Print culture, compositional technique, and instrumental music in the Renaissance. Bucina: the historic brass society series (5). Pendragon Press, New York, pp. 117-132. ISBN 978-1576471067 (hardback)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22. pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2). pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (1998) Victorian brass bands: class, taste, and space. In: The place of music. Guilford Press, New York, pp. 104-128. ISBN 9781572303140 (paperback)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4. pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23. pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-century British music studies. Music in nineteenth-century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1). pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (2006) The trombone. The Yale Musical Instrument Series . Yale University Press, London. ISBN 9780300100952 (hardback) 9780300235753 (paperback)

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4). pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2). pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. and Wallace, J. (2000) Aspects of performance techniques: the brass band and its influence on other brass-playing. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Hewett, I. (2017) All in a chord I: Beethoven: the Eroica Symphony. [Audio]

Hewett, I. (2017) All in a chord II: Wagner: Tristan und Isolde. [Audio]

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Audio]

Hewett, I. (2017) All in a chord IV: Stravinsky: The Rite of Spring. [Audio]

Hewett, I. (2017) All in a chord V: Terry Riley: In C. [Audio]

Hewett, I. (1997) Closer encounters. Musical Times, 138 (1855). pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2015) Europe. In: The other classical musics: fifteen great traditions. Boydell & Brewer, Martlesham, Suffolk, pp. 216-245. ISBN 9781843837268 (hardback) 9781782045359 (e-book)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. Musical Times, 135 (1817). pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270. ISSN 1359-5024

Hewett, I. (2018) Why young people have fallen in love with jazz. Daily Telegraph.

Hewett, I. (1998) A tract for the times. Musical Times, 139 (1863). pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hexel, V. (2016) Hans Zimmer and James Newton Howard’s The Dark Knight: a film score guide. Film Score Guide, 8 (18). Rowman & Littlefield, United States of America, pp. 1-4. ISBN 9781442266735

Hexel, V. (2019) Johannes factotum: Jóhann Jóhannsson. In: Double Lives: Film Composers in the Concert Hall. Routledge, Abingdon. ISBN 9780367028879

Hexel, V. (2014) Understanding contextual agents and their impact on recent Hollywood film music practice. Doctoral thesis, Royal College of Music.

Hexel, V. (2018) The film and media creators' guide to music. Routledge, Abingdon. ISBN 9781138055728

K

Kawabata, M. (2013) Paganini: the 'demonic' virtuoso. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781843837565 (hardback)

Kawabata, M. (2010) Paganini’s legacy. In: Nicolò Paganini: diabolus in musica. Studies on Italian Music History (5). Brepols, Turnhout, pp. 353-358. ISBN 978-2-503-53533-3 (hardback)

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83. pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2). pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue.

Kawabata, M. (2011) What is to be made of these good-looking violinists? Male virtuosos with high cheekbones are vexing to some high-art traditionalists. Strings, 26 (5:200). p. 15. ISSN 0888-3106

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23). pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

Korte, M. and Perkins, R. and Williamon, A. (2013) Learning to perform in older adulthood: implications for physical and mental wellbeing. In: International Symposium on Performance Science 2013, 23-31 August 2013, Austria.

L

Lawson, C. (2002) Performing through history. In: Musical Performance: A Guide to Understanding. Cambridge University Press, Cambridge, pp. 3-16. ISBN 9780521783002 (hardback) 9780521788625 (paperback) 9780511074691 (e-book)

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. (2018) BBC Radio 3: Music Matters: Natasha Loges & Stephan Loges on 'Brahms and his Poets' book. [Audio]

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1). pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Buying and selling music in the (very) long nineteenth century [review article]. Journal of the Royal Musical Association, 144 (1). pp. 223-232. ISSN 0269-0403 (print) 1471-6933 (online)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2). pp. 137-168. ISSN 2044-8414

Loges, N. (2019) Femininity, fragments, and fingers: reconstructing Brahms's intellectual world. In: The Intellectual Worlds of Johannes Brahms, 1-3 February 2019, University of California, Irvine, USA.

Loges, N. (2019) Literature. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 269-276. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. (2019) Reading, singing, becoming: the Mädchenlieder of Paul Heyse and Johannes Brahms. In: Musical Salon Culture in the Long Nineteenth Century. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783273904 (print) 9781787445345 (e-book)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2). pp. 316-320. ISSN 2044-8414

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Loges, N. and Hamilton, K. (2019) Mythmaking. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 384-392. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

M

Mantovani, L. (2019) Ferdinand Rebay and the reinvention of guitar chamber music. Doctoral thesis, Royal College of Music.

McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.

P

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11). pp. 1-17.

Perkins, R. and Yorke, S. and Fancourt, D. (2018) Learning to facilitate arts-in-health programmes: a case study of musicians facilitating creative interventions for mothers with symptoms of postnatal depression. International Journal of Music Education. ISSN 0255-7614 (In Press)

Pitt, J. (2018) Tri-borough Early Years Music Consortium (Tri-Music Together) Evaluation Report. Project Report. Youth Music, London.

S

Smith, R. L. (2016) Book review: The Cambridge Companion to French music, edited by Simon Trezise, CUP, 2014. H-France Review, 16 (68). ISSN 1553-9172

Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's resonance. Eastman studies in music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)

Spiro, N. and Farrant, C. and Pavlicevic, M. (2017) Between practice, policy and politics: music therapy and the Dementia Strategy, 2009. Dementia: The International Journal of Social Research and Practice, 16 (3). pp. 259-281. ISSN 1471-3012 (print), 1741-2684 (online)

T

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2014) What does the past tell us? A content analysis of the first quarter century of the British Journal of Music Therapy. British Journal of Music Therapy, 28 (1). pp. 4-24. ISSN 1359-4575 (print) 2059-9773 (online)

Tymoszuk, U. and Perkins, R. and Spiro, N. and Williamon, A. and Fancourt, D. (2019) Longitudinal associations between short-term, repeated, and sustained arts engagement and well-being outcomes in older adults. The Journals of Gerontology: Series B. pp. 1-32. ISSN 1079-5014 (print) 1758-5368 (online)

V

Vaughan, W. and Loges, N. (2019) Visual arts. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 286-295. ISBN 9781107163416 (print) 9781316681374 (online)

W

Williamon, A. and Glasser, S. and McPherson, G. E. (2019) Program of the International Symposium on Performance Science 2019. In: International Symposium on Performance Science 2019, 16 - 20 July 2019, Australia.

Williamon, A. and Jónasson, P. (2017) Abstracts of the International Symposium on Performance Science 2017. In: International Symposium on Performance Science 2017, 30 August - 2 September, Iceland.

Wistreich, R. (2019) Music and war. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 176-205. ISBN 9780511675874

Wistreich, R. (2011) Music books and sociability. Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18. pp. 230-246. ISSN 1123-8615 (print) 2035-6706 (online)

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. In: Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte. Analecta Musicologica (49). Bärenreiter, Kassel, pp. 138-150. ISBN 978-3-7618-2135-0

Wistreich, R. (2016) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Other. Routledge, Abingdon and New York.

Wistreich, R. (2019) The lives of musicians. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 288-334. ISBN 9780511675874

Y

Yorke, S. and Perkins, R. (2017) Music and motherhood: facilitating interventions for mothers and their babies. Manual. Royal College of Music, London.

This list was generated on Thu Oct 17 03:03:43 2019 BST.