By Item Type

Adlington, R. (1995) Arnold Whittall: a bibliography. Music Analysis, 14 (2/3) pp. 141-160. ISSN 0262-5245 (print) 1468-2249 (online)

Adlington, R. (2008) Book review: 'Music of the twentieth century: a study of its elements and structure' by Ton de Leeuw. Music & Letters, 89 (3) pp. 460-462. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2002) Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard. Music & Letters, 83 (2) pp. 319-321. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (1997) Book review: 'Shaping time: music, the brain, and performance' by David Epstein. Music Analysis, 16 (1) pp. 155-171. ISSN 0262-5245 (print) 1468-2249 (online)

Adlington, R. (2001) Book review: Singing Archaeology: Philip Glass's 'Akhnaten' by J Richardson; Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass by K Potter; Jonathan Harvey by A Whittall. Music & Letters, 82 (3) pp. 487-491. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2001) Counting time, countering time: Louis Andriessen’s De Tijd. Indiana Theory Review, 22 (1) pp. 1-35. ISSN 0271-8022 (print) 2474-7777 (online)

Adlington, R. (1996) Harrison Birtwistle's recent music. Tempo (196) pp. 2-8. ISSN 0040-2982 (print) 1478-2286 (online)

Adlington, R. (2005) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3) pp. 381-417. ISSN 0277-9269 (print) 1533-8347 (online)

Adlington, R. (2003) Moving beyond motion: metaphors for changing sound. Journal of the Royal Musical Association, 128 (2) pp. 297-318. ISSN 0269-0403 (print) 1471-6933 (online)

Adlington, R. (2019) Music together, music apart: on democratic communities. Journal of the Royal Musical Association, 144 (1) pp. 191-204. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (2007) Organizing labor: composers, performers, and “the renewal of musical practice” in the Netherlands, 1969–72. The Musical Quarterly, 90 (3-4) pp. 539-577. ISSN 0027-4631 (print) 1741-8399 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. (1994) Review: Brian Ferneyhough: Carceri d'Invenzione III, Terrain. The Musical Times, 135 (1817) pp. 450-451. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (2009) Tuning in and dropping out: the disturbance of the Dutch premiere of Stockhausen's Stimmung. Music & Letters, 90 (1) pp. 94-112. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Adlington, R. (1999) The music of Rebecca Saunders: into the sensuous world. The Musical Times, 140 (1868) pp. 48-56. ISSN 0027-4666 (print) 2397-5318 (online)

Adlington, R. (2007) ‘A sort of guerrilla’: Che at the opera. Cambridge Opera Journal, 19 (2) pp. 167-193. ISSN 0954-5867 (print) 1474-0621 (online)

Adlington, R. and Fuller, S. (2005) Editorial. Twentieth-Century Music, 2 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

Adlington, R. and Johnson, J. (2014) Editorial: twentieth-century music – ten years on. Twentieth-Century Music, 11 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

Alessandri, E. and Eiholzer, H. and Williamon, A. (2014) Reviewing critical practice: an analysis of Gramophone's reviews of Beethoven's piano sonatas, 1923-2010. Musicae Scientiae, 18 (2) pp. 131-149. ISSN 1029-8649 (print) 2045-4147 (online)

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2015) Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism. Frontiers in Psychology, 6 (57). ISSN 1664-1078

Alessandri, E. and Williamson, V. J. and Eiholzer, H. and Williamon, A. (2016) A critical ear: analysis of value judgments in reviews of Beethoven’s piano sonata recordings. Frontiers in Psychology, 7 (391). ISSN 1664-1078

Antonini Philippe, R. and Kosirnik, C. and Vuichoud, N. and Clark, T. and Williamon, A. and McPherson, G. E. (2020) Conservatory musicians’ temporal organization and self-regulation processes in preparing for a music exam. Frontiers in Psychology, 11 (89). ISSN 1664-1078

Antonini Philippe, R. and Kosirnik, C. and Vuichoud, N. and Williamon, A. and Crettaz von Roten, F. (2019) Understanding wellbeing among college music students and amateur musicians in Western Switzerland. Frontiers in Psychology, 10 (820). ISSN 1664-1078

Araújo, L. and Cruz, J. and Almeida, L. (2016) Achieving scientific excellence: an exploratory study of the role of emotional and motivational factors. High Ability Studies, 27 pp. 1-19. ISSN 1359-8139 (Print) 1469-834X (Online)

Araújo, L. and Wasley, D. and Perkins, R. and Atkins, L. and Redding, E. and Ginsborg, J. and Williamon, A. (2017) Fit to perform: an investigation of higher education music students’ perceptions, attitudes, and behaviors toward health. Frontiers in Psychology, 8 (1558). ISSN 1664-1078

Araújo, L. and Wasley, D. and Redding, E. and Atkins, L. and Perkins, R. and Ginsborg, J. and Williamon, A. (2020) Fit to perform: a profile of higher education music students’ physical fitness. Frontiers in Psychology, 11 (298). ISSN 1664-1078

Asaba, Y. (2019) ‘Folds of the heart’: performing life-experience, emotion, and empathy in Japanese tango music culture. Ethnomusicology Forum, 28 (1) pp. 45-65. ISSN 1741-1912 (print) 1741-1920 (online)

Asaba, Y. (2017) Review of 'Tracing Tangueros: Argentine Tango Instrumental Music' by K Link, & K Wendland. Music & Letters, 98 (3) pp. 498-500. ISSN 0027-4224 (print) 1477-4631 (online)

Asaba, Y. (2018) The arrival of tango in Japan: allure, fear, and morality in early twentieth century Japan. The Japan Society Proceedings, 155 pp. 106-123. ISSN 0952-2050

Asaba, Y. (2020) The reception of tango and the creation of its authenticity in twentieth century Japan: a study from the perspective of “Internalized Modernity”. Popular Music Studies, 24 pp. 3-15. ISSN 1343-9251 (print) 1883-5945 (online)

Ascenso, S. and Perkins, R. and Atkins, L. and Fancourt, D. and Williamon, A. (2018) Promoting well-being through group drumming with mental health service users and their carers. International Journal of Qualitative Studies on Health and Well-being, 13 (1) pp. 1-15. ISSN 1748-2631

Ascenso, S. and Perkins, R. and Williamon, A. (2018) Resounding meaning: a PERMA wellbeing profile of classical musicians. Frontiers in Psychology, 9 (1895). ISSN 1664-1078

Ascenso, S. and Williamon, A. and Perkins, R. (2017) Understanding the wellbeing of professional musicians through the lens of positive psychology. Psychology of Music, 45 (1) pp. 65-81. ISSN 0305-7356 (print) 1741-3087 (online)

Aufegger, L. and Perkins, R. and Wasley, D. and Williamon, A. (2017) Musicians’ perceptions and experiences of using simulation training to develop performance skills. Psychology of Music, 45 (3) pp. 417-431. ISSN 0305-7356 (print) 1741-3087 (online)

Barlow, H. and Herbert, T. (2021) Introduction: listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17 (3) pp. 343-357. ISSN 1479-4098 (print), 2044-8414 (online)

Barry, A. M. (2019) An opera singer’s Gothic fiction: the autobiographies of Sims Reeves. Journal of Musicological Research ISSN 0141-1896 (print) 1547-7304 (online)

Belina, A. (2018) Settling the score: celebrating the women erased from the musical canon. The Guardian Classical Music Blog

Bernabei, M. and Bontadi, J. and Rossi Rognoni, G. (2010) A dendrochronological investigation of stringed instruments from the collection of the Cherubini Conservatory in Florence, Italy. Journal of Archaeological Science, 37 (1) pp. 192-200. ISSN 0305-4403 (print) 1095-9238 (online)

Biasutti, M. and Concina, E. and Wasley, D. and Williamon, A. (2016) Music regulators in two string quartets: a comparison of communicative behaviors between low- and high-stress performance conditions. Frontiers in Psychology, 7 (1229). ISSN 1664-1078

Bind, R. H. and Estevao, C. and Fancourt, D. and Hazelgrove, K. and Sawyer, K. and Rebecchini, L. and Miller, C. and Dazzan, P. and Sevdalis, N. and Woods, A. and Crane, N. and Manoharan, M. and Burton, A. and Dye, H. and Osborn, T. and Greenwood, L. and Bakolis, I. and Baldellou Lopez, M. and Davis, R. and Perkins, R. and Pariante, C. (2022) Online singing interventions for postnatal depression in times of social isolation: a feasibility study protocol for the SHAPER-PNDO single-arm trial. Pilot and Feasibility Studies, 8 (148) ISSN 2055-5784

Bind, R. H. and Sawyer, K. and Hazelgrove, K. and Rebecchini, L. and Miller, C. and Ahmed, S. and Dazzan, P. and Sevdalis, N. and Bakolis, I. and Davis, R. and Baldellou Lopez, M. and Woods, A. and Crane, N. and Manoharan, M. and Burton, A. and Dye, H. and Osborn, T. and Greenwood, L. and Perkins, R. and Fancourt, D. and Pariante, C. M. and Estevao, C. (2023) Feasibility, clinical efficacy, and well-being outcomes of an online singing intervention for postnatal depression in the UK: SHAPER-PNDO, a single-arm clinical trial. Pilot and Feasibility Studies, 9 (131) ISSN 2055-5784

Bowen, D. K. and Buys, K. and Dart, M. and Sharp, D. (2018) Assessing the sound of a woodwind instrument that cannot be played. Applied Acoustics, 143 (n/a) pp. 84-99. ISSN 0003-682X

Burrai, F. and Hasan, W. and Fancourt, D. and Luppi, M. and Di Somma, S. (2016) A randomized controlled trial of listening to recorded music for heart failure patients: study protocol. Holistic Nursing Practice, 30 pp. 102-115. ISSN 0887-9311 (print) 1550-5138 (online)

Burt, R. and Mills, J. (2006) Taking the plunge: the hopes and fears of students as they begin music college. British Journal of Music Education, 23 (1) pp. 51-73. ISSN 0265-0517 (print) 1469-2104 (online)

Burt, R. and Oakes, L. and Mills, J. (2006) Working in music: the trombonist. Research Perspectives in Music Education, 10 (1) pp. 27-43. ISSN 1947-7457

Burt-Perkins, R. and Mills, J. (2009) Pitching it right? Selection and learning at a music conservatoire. British Educational Research Journal, 35 (6) pp. 817-835. ISSN 1469-3518 (online)

Burt-Perkins, R. and Mills, J. (2008) The role of chamber music in learning to perform: a case study. Music Performance Research, 2 pp. 26-35. ISSN 1755-9219 (online)

Camlin, D. A. (2015) ‘This is my truth, now tell me yours’: emphasizing dialogue within participatory music. International Journal of Community Music, 8 (3) pp. 233-257. ISSN 1752-6299 (print) 1752-6302 (online)

Camlin, D. A. (2024) What does it mean to sing with the earth? Music Education Research ISSN 1461-3808 (print) 1469-9893 (online) (In Press)

Camlin, D. A. (2014) Whose quality is it anyway? Inhabiting the creative tension between presentational and participatory music. Journal of Arts & Communities, 6 (2-3) pp. 99-118. ISSN 1757-1936 (print) 1757-1944 (online)

Camlin, D. A. and Caulfield, L. and Perkins, R. (2020) Capturing the magic: a three-way dialogue on the impact of music on people and society. International Journal of Community Music, 13 (2) pp. 157-172. ISSN 1752-6299 (print) 1752-6302 (online)

Camlin, D. A. and Daffern, H. and Zeserson, K. (2020) Group singing as a resource for the development of a healthy public: a study of adult group singing. Humanities & Social Sciences Communications, 7 (60) ISSN 2662-9992 (online)

Camlin, D. A. and Lisboa, T. (2021) The digital ‘turn’ in music education (editorial). Music Education Research, 23 (2) pp. 129-138. ISSN 1461-3808 (print) 1469-9893 (online)

Cartwright, P. A. and Küssner, M. B. and Williamon, A. (2021) Key performance dimensions of the 'well-tempered musician’: a framework for artist management. International Journal of Arts Management, 23 (2) pp. 18-29. ISSN 1480-8986 (print)

Chaffin, R. and Lisboa, T. (2009) Practicing perfection: how concert soloists prepare for performance. ICTUS Music Journal, 9 (2) pp. 115-142.

Chaffin, R. and Lisboa, T. and Logan, T. and Begosh, K. T. (2010) Preparing for memorized cello performance: the role of performance cues. Psychology of Music, 38 (1) pp. 3-30. ISSN 0305-7356 (print) 1741-3087 (online)

Chanwimalueang, T. and Aufegger, L. and Adjei, T. and Wasley, D. and Cruder, C. and Mandic, D. P. and Williamon, A. (2017) Stage call: cardiovascular reactivity to audition stress in musicians. PLOS ONE, 12 (4) pp. 1-14. ISSN 1932-6203

Charlston, T. (2011) The Barony Hall Organ and its wider context. The Organ, 90 (356) pp. 22-26. ISSN 0030-4883 (print)

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359) pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2019) Clavichord initiatives at the Royal College of Music, London. The British Clavichord Society Newsletter (74) pp. 41-42. ISSN 1359-5105 (print)

Charlston, T. (2010) Concealed within? Liturgical organ music in the Selosse manuscript. The Organ, 89 (353) pp. 15-20. ISSN 0030-4883 (print)

Charlston, T. (2019) David Evans 1936–2018: an appreciation. Harpsichord and Fortepiano, 23 (2) pp. 13-18.

Charlston, T. (2010) Edition review: Bach: Vier Zeugnisse für Präfekten des Thomanerchores (1743–1749): Faksimile und Transkription, ed. Andreas Glöckner. The Organ, 89 (351) p. 61. ISSN 0030-4883 (print)

Charlston, T. (2022) Ernst Wilhelm Wolf, ed. Ryan Layne Whitney, collected solo keyboard sonatas, 3 vols (2021), Lulu.com. Harpsichord & Fortepiano, 27 (1) pp. 31-32. ISSN 0953-0797 (print)

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2) pp. 30-35. ISSN 2049-1514

Charlston, T. (2018) Obituary: David Evans, harpsichord maker who paved the way for a revival in the instrument’s fortunes. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Charlston, T. (2022) The Orgelbüchlein as pedal clavichord music. Harpsichord & Fortepiano, 27 (1) pp. 11-15. ISSN 0953-0797 (print)

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and J. S. Bach’s Fugue in E major BWV 878/2. Part I. Clavichord International, 23 (2) pp. 39-48. ISSN 1387-0882

Charlston, T. (2020) Patterns of play: Orlando Gibbons, Simon Lohet, and J. S. Bach’s Fugue in E Major BWV 878/2. Part II. Clavichord International, 24 (1) pp. 7-14. ISSN 1387-0882

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2023) Playing the pedal clavichord. Organists' Review ISSN 0048-2161

Charlston, T. (2022) Re-editing the English virginalists: The Fitzwilliam Virginal Book, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2020. 3 volumes. My Lady Nevells Booke, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2021. Parthenia and Parthenia In-Violata, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2021. Journal of the Royal College of Organists ISSN 0969-1642

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

Charlston, T. (2009) An instrument in search of its repertoire? The Theewes claviorgan and its use in the performance of sixteenth- and seventeenth-century keyboard music. Journal of the Royal College of Organists, 3 pp. 24-41. ISSN 0969-1642

Charlston, T. (2006) An introduction to Restoration keyboard music I: Matthew Locke. Harpsichord & Fortepiano, 10 (2) pp. 26-36. ISSN 0953-0797 (print)

Charlston, T. (2006) An introduction to Restoration keyboard music II: Bryne, Roberts and Moss. Harpsichord & Fortepiano, 11 (1) pp. 14-27. ISSN 0953-0797 (print)

Charlston, T. (2023) A perspective on historical keyboard playing in the UK. Harpsichord & Fortepiano, 28 (1) ISSN 0953-0797 (print)

Charlston, T. (2019) The true art of not giving up the clavichord. The British Clavichord Society Newsletter (74) pp. 44-45. ISSN 1359-5105 (print)

Charlston, T. (2006) A visit to the GOArt project, Göteborg. The British Clavichord Society Newsletter (36) pp. 13-16. ISSN 1359-5105 (print)

Chomiak, T. and Pereira, F. V. and Clark, T. and Cihal, A. and Hu, B. (2015) Concurrent arm swing-stepping (CASS) can reveal gait start hesitation in Parkinson’s patients with low self-efficacy and fear of falling. Aging Clinical and Experimental Research, 27 pp. 457-463. ISSN 1594-0667 (print) 1720-8319 (online)

Clark, T. (2010) Review of The Biology of Musical Performance and Performance-related Injury (Scarecrow Press, 2009). British Journal of Music Education, 27 (3) pp. 326-329. ISSN 0265-0517 (print) 1469-2104 (online)

Clark, T. and Gupta, A. and Ho, C. H. (2014) Developing a dancer wellness program employing developmental evaluation. Frontiers in Psychology, 5 (731). ISSN 1664-1078

Clark, T. and Lisboa, T. (2013) Training for sustained performance: moving toward long-term musician development. Medical Problems of Performing Artists, 28 pp. 159-168. ISSN 0885-1158

Clark, T. and Lisboa, T. and Williamon, A. (2014) An investigation into musicians' thoughts and perceptions during performance. Research Studies in Music Education, 36 (1) pp. 19-37. ISSN 1321-103X (print) 1834-5530 (online)

Clark, T. and Redding, E. (2012) The relationship between postural stability and dancers' past and future lower-limb injuries. Medical Problems of Performing Artists, 27 (4) pp. 197-204. ISSN 0885-1158 (print) 1938-2766 (online)

Clark, T. and Williamon, A. (2011) Evaluation of a mental skills training program for musicians. Journal of Applied Sport Psychology, 23 pp. 342-359. ISSN 1041-3200 (print) 1533-1571 (online)

Clark, T. and Williamon, A. (2012) Imagining the music: methods for assessing musical imagery ability. Psychology of Music, 40 pp. 471-493. ISSN 0305-7356 (print) 1741-3087 (online)

Clark, T. and Williamon, A. and Redding, E. (2013) The value of health screening in music conservatoires. Clinical Rheumatology, 32 pp. 497-500. ISSN 0770-3198 (print) 1434-9949 (online)

Corcoran, C. and Spiro, N. (2021) Score-dependency: over-reliance on performing music from notation reduces aural pitch replication skills. Journal of Interdisciplinary Music Studies, 10 pp. 73-98.

Cross, I. and Satinder, G. and Knight, S. and Nash, C. and Rabinowitch, T. C. and Slobodian, L. and Spiro, N. and Woodruff, G. and Woolhouse, M. (2008) Commentary on ‘The perception and cognition of time in Balinese music’ by Andrew Clay McGraw. Empirical Musicology Review, 3 (2) pp. 55-58. ISSN 1559-5749

Crowell, G. and Charlston, T. (2018) An interview with Terence Charlston. Clavichord International, 22 (2) pp. 38-44. ISSN 1387-0882

Cruder, C. and Falla, D. and Mangili, F. and Azzimonti, L. and Araújo, L. and Williamon, A. and Barbero, M. (2018) Profiling the location and extent of musicians’ pain using digital pain drawings. Pain Practice, 18 (1) pp. 53-66. ISSN 1533-2500

Daffern, H. and Camlin, D. A. and Egermann, H. and Gully, A. J. and Kearney, G. and Neale, C. and Rees-Jones, J. (2018) Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing. International Journal of Performance Arts and Digital Media, 15 (1) pp. 1-22.

Dalmazzo, D. and Waddell, G. and Ramirez, R. (2021) Applying deep learning techniques to estimate patterns of musical gesture. Frontiers in Psychology, 11 (575971). ISSN 1664-1078

Demos, A. P. and Lisboa, T. and Begosh, K. T. and Logan, T. and Chaffin, R. (2020) A longitudinal study of the development of expressive timing. Psychology of Music, 48 (1) pp. 50-66. ISSN 0305-7356 (print) 1741-3087 (online)

Demos, A. P. and Lisboa, T. and Chaffin, R. (2016) Flexibility of expressive timing in repeated musical performances. Frontiers in Psychology, 7 (1490). ISSN 1664-1078

Détári, A. (2023) Treating the musician rather than the symptom: the holistic tools employed by current practices to attend to the non-motor problems of musicians with task-specific focal dystonia. Frontiers in Psychology, 13 (1038775). ISSN 1664-1078

Détári, A. and Clark, T. and Egermann, H. (2022) Musician’s focal dystonia: a mere neurological disorder? The role of non-organic factors in the onset of musician’s focal dystonia: an exploratory Grounded Theory study. Journal of Music, Health, and Wellbeing pp. 1-15. ISSN 2515-981X

Détári, A. and Egermann, H. (2022) Musicians focal dystonia: the practitioner’s perspective on psychological, psychosocial, and behavioural risk factors and non-motor symptoms. Medical Problems of Performing Artists, 37 (3) pp. 200-206. ISSN 0885-1158 (print) 1938-2766 (online)

Détári, A. and Egermann, H. (2022) Towards a holistic understanding of musician’s focal dystonia: educational factors and mistake rumination contribute to the risk of developing the disorder. Frontiers in Psychology, 13 (882966). ISSN 1664-1078

Détári, A. and Egermann, H. and Bjerkeset, O. and Vaag, J. (2020) Psychosocial work environment among musicians and in the general workforce in Norway. Frontiers in Psychology, 11 (1315). ISSN 1664-1078

Détári, A. and Nilssen, T. M. (2022) Exploring the impact of the somatic method ‘Timani’ on performance quality, performance-related pain and injury, and self-efficacy in music students in Norway: an intervention study. Frontiers in Psychology, 13 (834012). ISSN 1664-1078

Elwick, A. and Burnard, P. and Huhtinen-Hildén, L. and Osgood, J. and Pitt, J. (2019) Young children’s experiences of music and soundings in museum spaces: lessons, trends and turns from the literature. Journal of Early Childhood Research ISSN 1476-718X (print) 1741-2927 (online)

Ennis, P. and Driver, D. (2019) Excitement and danger: pianist Danny Driver in conversation. TheWholeNote.com

Estevao, C. and Bind, R. and Fancourt, D. and Sawyer, K. and Dazzan, P. and Sevdalis, N. and Woods, A. and Crane, N. and Rebecchini, L. and Hazelgrove, K. and Manoharan, M. and Burton, A. and Dye, H. and Osborn, T. and Davis, R. E. and Soukup, T. and Arias de la Torre, J. and Bakolis, I. and Healey, A. and Perkins, R. and Pariante, C. (2021) SHAPER-PND trial: clinical effectiveness protocol of a community singing intervention for postnatal depression. BMJ Open, 11 (e05213) ISSN 2044-6055

Fancourt, D. (2015) Birds, apes, and grandmothers: the personal side of music and health research [book review]. PsycCRITIQUES, 60 (18) ISSN 1554-0138 (online)

Fancourt, D. (2014) Book review: Raymond MacDonald, Gunter Kreutz & Laura Mitchell, Music, Health, and Wellbeing. Psychology of Music, 42 (2) pp. 299-303. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. (2014) An introduction to the psychoneuroimmunology of music: history, future collaboration and a research agenda. Psychology of Music, 44 pp. 168-182. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Aufegger, L. and Williamon, A. (2015) Low-stress and high-stress singing have contrasting effects on glucocorticoid response. Frontiers in Psychology, 6 (1242). ISSN 1664-1078

Fancourt, D. and Burton, T. M. W. and Williamon, A. (2016) The razor's edge: Australian rock music impairs men's performance when pretending to be a surgeon. Medical Journal of Australia, 205 pp. 515-518. ISSN 1326-5377

Fancourt, D. and Garnett, C. and Spiro, N. and West, R. and Müllensiefen, D. (2019) How do artistic creative activities regulate our emotions? Validation of the Emotion Regulation Strategies for Artistic Creative Activities Scale (ERS-ACA). PLOS ONE, 14 (2) pp. 1-22. ISSN 1932-6203 (online)

Fancourt, D. and Joss, T. (2014) Aesop: a framework for developing and researching arts in health programmes. Arts & Health, 7 (1) pp. 1-13. ISSN 1753-3015 (print) 1753-3023 (online)

Fancourt, D. and Ockelford, A. and Belai, A. (2014) The psychoneuroimmunological effects of music: a systematic review and a new model. Brain, Behavior, and Immunity, 36 pp. 15-26. ISSN 0889-1591 (print) 1090-2139 (online)

Fancourt, D. and Perkins, R. (2017) Associations between singing to babies and symptoms of postnatal depression, wellbeing, self-esteem and mother-infant bond. Public Health, 145 pp. 149-152. ISSN 0033-3506

Fancourt, D. and Perkins, R. (2018) Could listening to music during pregnancy be protective against postnatal depression and poor wellbeing post birth? Longitudinal associations from a preliminary prospective cohort study. BMJ Open, 8 (7) pp. 1-8. ISSN 2044-6055

Fancourt, D. and Perkins, R. (2019) Creative interventions for symptoms of postnatal depression: a process evaluation of implementation. Arts & Health, 11 (1) pp. 38-53. ISSN 1753-3015 (print) 1753-3023 (online)

Fancourt, D. and Perkins, R. (2017) Does attending community music interventions lead to changes in wider musical behaviours? The effect of mother-infant singing classes on musical behaviours amongst mothers with symptoms of postnatal depression. Psychology of Music, 47 (1) pp. 132-143. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Perkins, R. (2017) Maternal engagement with music up to nine months post-birth: findings from a cross-sectional study in England. Psychology of Music, 46 (2) pp. 238-251. ISSN 0305-7356 (print) 1741-3087 (online)

Fancourt, D. and Perkins, R. (2018) The effects of mother-infant singing on emotional closeness, affect, anxiety, and stress hormones. Music & Science, 1 pp. 1-10. ISSN 2059-2043

Fancourt, D. and Perkins, R. and Ascenso, S. and Atkins, L. and Kilfeather, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2015) Group drumming modulates cytokine response in mental health services users: a preliminary study. Psychotherapy and Psychosomatics, 85 (1) pp. 53-55. ISSN 0033-3190

Fancourt, D. and Perkins, R. and Ascenso, S. and Carvalho, L. A. and Steptoe, A. and Williamon, A. (2016) Effects of group drumming interventions on anxiety, depression, social resilience and inflammatory immune response among mental health service users. PLOS ONE, 11 (3) pp. 1-16. ISSN 1932-6203 (online)

Fancourt, D. and Poon, M. (2015) Validation of the Arts Observational Scale (ArtsObS) for the evaluation of performing arts activities in health care settings. Arts & Health, 8 (2) ISSN 1753-3015 (print) 1753-3023 (online)

Fancourt, D. and Tymoszuk, U. (2019) Cultural engagement and incident depression in older adults: evidence from the English Longitudinal Study of Ageing. The British Journal of Psychiatry, 214 (4) pp. 225-229. ISSN 0007-1250 (print) 1472-1465 (online)

Fancourt, D. and Williamon, A. (2016) Attending a concert reduces glucocorticoids, progesterone and the cortisol/DHEA ratio. Public Health, 132 pp. 101-104. ISSN 00333506

Fancourt, D. and Williamon, A. and Carvalho, L. A. and Steptoe, A. and Dow, R. and Lewis, I. (2016) Singing modulates mood, stress, cortisol, cytokine and neuropeptide activity in cancer patients and carers. e-Cancer Medical Science, 10 (631) pp. 1-13.

Fernandez de Canete, C. and Pineda, I. and Waddell, G. (2022) Music as a Medium of Instruction (MMI): a new pedagogical approach to English Language Teaching for students with and without music training. Language Teaching Research ISSN 1362-1688 (print) 1477-0954 (online)

Fioravanti, M. and Di Giulio, G. and Signorini, G. and Rossi Rognoni, G. and Sodini, N. and Tromba, G. and Zanini, F. (2017) Non-invasive wood identification of historical musical bows. IAWA Journal (International Association of Wood Anatomists), 38 (3) pp. 285-296. ISSN 0928-1541 (E-ISSN 2294-1932)

Fonte, V. and Pipa, L. and Williamon, A. and Lisboa, T. (2022) Memorising contemporary piano music as described by professional pianists. Music & Science, 5 pp. 1-15. ISSN 2059-2043

Fuchs, S. (2018) Animating antiquity in the Vision animée. Cambridge Opera Journal, 30 (2-3) pp. 115-137. ISSN 0954-5867 (print) 1474-0621 (online)

Fuchs, S. (2015) Book review: 'Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century' by Mary Simonson, Oxford University Press. Notes: Quarterly Journal of the Music Library Association, 71 (3) pp. 522-525. ISSN 0027-4380 (print) 1534-150X (online)

Fuchs, S. (2017) Book review: 'Giacomo Puccini and His World' eds. Arman Schwartz and Emanuele Senici, Princeton University Press. Music & Letters, 98 (4) pp. 683-685. ISSN 0027-4224 (print) 1477-4631 (online)

Fuchs, S. (2021) Seeing more clearly. Nineteenth-Century Music Review, 18 (1) pp. 109-120. ISSN 1479-4098 (print), 2044-8414 (online)

Garnham, A. M. (1998) Book review: 'Hans Keller: Essays on Music' by C. Wintle. Music Analysis, 17 (1) pp. 79-91. ISSN 0262-5245 (print) 1468-2249 (online)

Garnham, A. M. (2024) The Dartington Summer School of Music. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Garnham, A. M. (2017) The first international concert season of the European Broadcasting Union. The Musical Times, 158 (1940) pp. 7-17. ISSN 0027-4666 (print) 2397-5318 (online)

Ginsborg, J. and Kreutz, G. and Thomas, M. and Williamon, A. (2009) Healthy behaviours in music and non‐music performance students. Health Education, 109 (3) pp. 242-258. ISSN 0965-4283

Gionfrida, L. and Roginska, A. (2017) A novel sonification approach to support the diagnosis of Alzheimer's dementia. Frontiers in Neurology, 8 (647). ISSN 1664-2295

Giraldo, S. and Waddell, G. and Nou, I. and Ortega, A. and Mayor, O. and Perez, A. and Williamon, A. and Ramirez, R. (2019) Automatic assessment of tone quality in violin music performance. Frontiers in Psychology, 10 (334). ISSN 1664-1078

Gregg, M. J. and Clark, T. and Hall, C. R. (2008) Seeing the sound: an exploration of the use of mental imagery by classical musicians. Musicae Scientiae, 12 (2) pp. 231-247. ISSN 1029-8649 (print) 2045-4147 (online)

Guillaumier, C. (2011) Ambiguous modernism: the early orchestral works of Sergei Prokofiev. Tempo, 65 (256) pp. 25-37. ISSN 0040-2982 (print) 1478-2286 (online)

Guillaumier, C. (2010) The Giant and other creatures: Prokofiev's childhood compositions. Three Oranges Journal, 20 pp. 29-35. ISSN 1472-9946

Guillaumier, C. (2023) Le tsar en scène et hors scène. Avant Scène Opéra, 333

Guillaumier, C. (2010) Prokofiev, opera and theatre: a case study of The Gambler. Musicorum, 8 pp. 67-101.

Guillaumier, C. (2016) Reflection as creative process: perspectives, challenges and practice. Arts and Humanities in Higher Education, 15 (3-4) pp. 353-363. ISSN 1474-0222 (print) 1741-265X (online)

Guillaumier, C. (2014) Review of 'Composing for the red screen: Prokofiev and Soviet film' by Kevin Bartig. Slavic and East European Journal, 58 (2) pp. 357-359. ISSN 0037-6752

Guillaumier, C. (2014) Review of 'Contemplating Shostakovich: life, music and film' edited by Alexander Ivashkin and Andrew Kirkman. Slavic and East European Journal, 58 (1) pp. 177-179. ISSN 0037-6752

Guillaumier, C. (2009) Review of 'Prokofiev's piano sonatas' by Boris Berman. Music & Letters, 90 (4) pp. 717-719. ISSN 0027-4224 (print) 1477-4631 (online)

Guillaumier, C. (2015) Review of ‘Multi-mediated Dostoevsky: transposing novels into opera, film, and drama' by Alexander Burry. Slavic and East European Journal, 59 (2) pp. 296-298. ISSN 0037-6752

Guillaumier, C. (2011) War and Peace and Prokofiev's late operatic aesthetic. Three Oranges Journal, 21 pp. 20-25. ISSN 1472-9946

Hair, G. and Pearson, I. E. and Morrison, A. and Bailey, N. and McGilvray, D. and Parncutt, R. (2007) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1 pp. 99-126. ISSN 1755-4934 (online)

Henley, J. (2016) How musical are primary generalist student teachers? Music Education Research, 19 (4) pp. 470-484. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2008) Learn As You Play; Gloucestershire’s ensembles from scratch. National Association of Music Educators Magazine pp. 31-35.

Henley, J. (2010) Learning gamelan: a teacher’s experience. National Association of Music Educators Magazine (30) pp. 7-10.

Henley, J. (2014) Musical learning and desistance from crime: the case of a “Good Vibrations” Javanese gamelan project with young offenders. Music Education Research, 17 (1) pp. 103-120. ISSN 1461-3808 (print) 1469-9893 (online)

Henley, J. (2015) Prisons and primary schools: using CHAT to analyse the relationship between developing identity, developing musicianship and transformative processes. British Journal of Music Education, 32 (2) pp. 123-141. ISSN 0265-0517 (print), 1469-2104 (online)

Henley, J. and Caulfield, L. and Wilkinson, D. and Wilson, D. (2012) Good Vibrations: positive change through social music-making. Music Education Research, 14 (4) pp. 499-520. ISSN 1461-3808 (print) 1469-9893 (online)

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 70 pp. 65-76. ISSN 0771-6788

Herbert, T. (2011) Brass instruments. Oxford Bibliographies Online

Herbert, T. (2018) Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46 (2) pp. 343-345. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1 pp. 92-113.

Herbert, T. (2021) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review, 17 (3) pp. 427-444. ISSN 1479-4098 (print), 2044-8414 (online)

Herbert, T. (2001) Review of 'A biographical dictionary of English court musicians (1485–1714)' by Peter Holman, Fiona Kisby, Andrew Ashbee, and David Lasocki. Historic Brass Society Newsletter, 14 p. 57. ISSN 1045-4594

Herbert, T. (2011) Review of 'A history of the trombone' by David M. Guion. American Musical Instrument Society Newsletter, 40 (2) pp. 12-14. ISSN 0160-2365

Herbert, T. (2004) Review of 'Bands at the St. Louis World's Fair of 1904: information, photographs, and database' by Richard I. Schwartz and Iris J. Schwartz. Historic Brass Society Newsletter, 17 p. 25. ISSN 1045-4594

Herbert, T. (2005) Review of 'Berlioz's orchestration treatise: a translation and commentary' by Hugh MacDonald. Historic Brass Society Newsletter, 18 p. 23. ISSN 1045-4594

Herbert, T. (1997) Review of 'First philharmonic: a history of the Royal Philharmonic Society' by Cyril Erhlich. Historic Brass Society Newsletter, 10 pp. 34-35. ISSN 1045-4594

Herbert, T. (1995) Review of 'French music for low brass: an annotated bibliography' by J. Mark Thompson and Jeffrey Jon Lemke. Historic Brass Society Newsletter, 8 p. 86. ISSN 1045-4594

Herbert, T. (1994) Review of 'Hoffnung: his biography' by Annetta Hoffnung. Historic Brass Society Newsletter, 7 pp. 43-44. ISSN 1045-4594

Herbert, T. (2005) Review of 'Jazz in print (1856–1929): An anthology of selected early readings in jazz history' by Karl Koenig. Historic Brass Society Newsletter, 18 p. 22. ISSN 1045-4594

Herbert, T. (2003) Review of 'Military music & bandsmen of Adolf Hitler's Third Reich, 1933–1945' by Brian Matthews. Historic Brass Society Newsletter, 16 p. 23. ISSN 1045-4594

Herbert, T. (2013) Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012). Nineteenth-Century Music Review, 10 (2) pp. 323-356. ISSN 1479-4098 (print), 2044-8414 (online)

Herbert, T. (2005) Review of 'Musical instruments: history, technology, and performance of instruments of Western music' by Murray Campbell, Clive Greated, and Arnold Myers. Historic Brass Society Newsletter, 18 pp. 22-23. ISSN 1045-4594

Herbert, T. (1996) Review of 'Nicholas Lanier: Master of the King's Musick' by Michael I. Wilson. Historic Brass Society Journal, 8 p. 124. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1988) Review of 'Popular music in England 1840–1914: a social history' by Dave Russell, Manchester University Press, 1987. Popular Music, 7 (1) pp. 114-115. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1995) Review of 'Records of English court music volume VII (1485-1558)' by Andrew Ashbee. The Galpin Society Journal, 48 pp. 220-221. ISSN 0072-0127

Herbert, T. (1993) Review of 'Records of English court music: volumes III, IV and V' by Andrew Ashbee. The Galpin Society Journal, 46 pp. 175-177. ISSN 0072-0127

Herbert, T. (1997) Review of 'Records of English court music: volumes VIII (1485-1714), and IX (index)' by Andrew Ashbee. The Galpin Society Journal, 50 p. 244. ISSN 0072-0127

Herbert, T. (1997) Review of 'Talks with bandsmen: a popular handbook for brass instrumentalists' by Algernon S. Rose with a new introduction by Arnold Myers. Historic Brass Society Journal, 9 pp. 199-201. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9 pp. 64-65. ISSN 1045-4594

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7 pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2002) Review of 'The cheque books of the Chapel Royal' transcribed and edited by Andrew Ashbee and John Harley. Historic Brass Society Newsletter, 15 pp. 32-33. ISSN 1045-4594

Herbert, T. (1999) Review of 'The civic muse: music and musicians in Siena during the Middle Ages and the Renaissance' by Frank A. D'Accone. Historic Brass Society Journal, 11 pp. 195-196. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Review of 'The early horn: a practical guide' by John Humphries. Consort: The Journal of The Dolmetsch Foundation, 56 pp. 70-71. ISSN 0268-9111 (print)

Herbert, T. (2003) Review of 'The musical society community bands of Valencia, Spain: A global study of their administration, instrumentation, repertoire, and performance activities' by Richard Scott Cohen. Historic Brass Society Newsletter, 16 pp. 23-24. ISSN 1045-4594

Herbert, T. (1996) Review of 'The tuba source book' compiled and edited by R. Winston Morris and Edward R. Goldstein. Historic Brass Society Journal, 8 pp. 124-125. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) Review of 'The wind ensemble and its repertoire: essays on the fortieth anniversary of the Eastman Wind Ensemble' edited by Frank J. Cipolla and Donald Hunsberger. Historic Brass Society Newsletter, 10 pp. 35-36. ISSN 1045-4594

Herbert, T. (2008) Reviews of 'Sigmund Romberg' by William A. Everett and 'Jerome Kern' by Stephen Banfield. Studies in Musical Theatre, 2 (3) pp. 295-297. ISSN 1750-3159 (print) 1750-3167 (online)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2) pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2019) Solo and ensemble brass instrument recordings. Early Music, 47 (2) pp. 277-280. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. (1989) Sondheim's technique. Contemporary Music Review, 5 pp. 199-214. ISSN 0749-4467 (print) 1477-2256 (online)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22 pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2) pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28 pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4 pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2007) William Waterhouse 1931–2007. Historic Brass Society Journal, 19 pp. 4-5. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1989) The history of the trombone [review article]. The Galpin Society Journal, 42 pp. 148-150.

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) The origin of the species/L'origine d'un genre/Ursprung einer Gattung. Brass Bulletin: Magazine International de Cuivres, 97 pp. 38-44. ISSN 0303-3848

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1) pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1993) The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146-158. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1990) The sackbut in England in the 17th and 18th centuries. Early Music, 18 (4) pp. 609-616. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Myers, A. (1988) Instruments of the Cyfarthfa band. The Galpin Society Journal, 41 pp. 2-10.

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4) pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12 pp. 13-17. ISSN 1045-4594

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2) pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Hesketh, K. (2011) The backbone of night: mechanisms of evolution in Henri Dutilleux's 'Ainsi la nuit'. Contemporary Music Review, 29 (5) pp. 463-483. ISSN 0749-4467 (print) 1477-2256 (online)

Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868) pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Adès Conducts Adès, review: a thrilling tour-de-force from Britain's weirdest composer. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2001) All too human? The Musical Times, 142 (1876) pp. 43-47. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) The Arts Council wants to 'measure' culture - but they might end up killing it. Daily Telegraph ISSN 0307-1235

Hewett, I. (2000) Behind the beard (review article). The Musical Times, 141 (1870) pp. 61-63. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Between Englishness and modernism: the critical reception of Tippett’s operas. Journal of Music Criticism, 4 pp. 1-28. ISSN 2532-9995 (online)

Hewett, I. (1996) Book review: 'American pioneers: Ives to Cage and beyond' by Alan Rich. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Anton von Webern' by Malcolm Hayes. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Arvo Pärt' by Paul Hillier. TLS: Times Literary Supplement (4934) p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Béla Bartók' by Kenneth Chalmers. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Classical music and postmodern knowledge' by Laurence Kramer. BBC Music Magazine, 4 (6) p. 23. ISSN 0966-7180 (print)

Hewett, I. (1998) Book review: 'Finding the key: selected writings of Alexander Goehr' ed. Derrick Puffet. BBC Music Magazine, 6 (7) p. 83. ISSN 0966-7180 (print)

Hewett, I. (2001) Book review: 'Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass' by Keith Potter. TLS: Times Literary Supplement (5104) p. 20. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'Górecki' by Adrian Thomas. TLS: Times Literary Supplement (4934) p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Hindemith, Hartmann and Henze' by Guy Rickards. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Book review: 'Poulenc' by Roger Nichols: why it's time to start taking this composer seriously. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11) p. 21. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1) p. 18. ISSN 0966-7180 (print)

Hewett, I. (2000) Book review: 'The music of silence: a composer's testament' by John Tavener (ed. Brian Keeble). TLS: Times Literary Supplement (5068) p. 21. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The practice of performance: studies in musical interpretation' ed. John Rink. TLS: Times Literary Supplement (4894) p. 8. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1997) Book review: 'The science of music' by Robin Maconie. BBC Music Magazine, 6 (2) p. 18. ISSN 0966-7180 (print)

Hewett, I. (1997) Closer encounters. The Musical Times, 138 (1855) pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2003) Composer in interview: Robin Holloway. Tempo, 57 (226) pp. 11-20. ISSN 0040-2982 (print) 1478-2286 (online)

Hewett, I. (1996) Crossing the bar. The Musical Times, 137 (1842) pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2001) Different strains (guest editorial). The Musical Times, 142 (1876) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1997) Different strains (recording review). The Musical Times, 138 (1848) pp. 20-23. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) ‘Frankly, the economics are horrendous’: what future for classical music after lockdown? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2014) Heard the one about Debussy and the goldfish? Daily Telegraph ISSN 0307-1235

Hewett, I. (2016) How Western music conquered the world. Daily Telegraph ISSN 0307-1235

Hewett, I. (1997) Interview: Jonathan Miller. BBC Music Magazine, Winter (1997) pp. 40-43. ISSN 0966-7180 (print)

Hewett, I. (1998) Into the daylight. The Musical Times, 139 (1864) pp. 50-52. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2007) Karlheinz Stockhausen (obituary). Guardian ISSN 0261-3077 (print) 1756-3224 (online)

Hewett, I. (2020) La Traviata was a 'fiasco' and Great Expectations flopped: the masterpieces that started as first-night disasters. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Manning the guns (recording review). The Musical Times, 137 (1835) pp. 38-39. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1998) Melodies for the lost domain. BBC Music Magazine pp. 54-57. ISSN 0966-7180 (print)

Hewett, I. (1999) Mistaken identity (guest editorial). The Musical Times, 140 (1866) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) Notes from the edge/Thomas Adès: almost a great composer. Prospect Magazine pp. 71-73. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1997) Patently obvious. The Musical Times, 138 (1852) pp. 34-36. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Pick up your bow and play. BBC Music Magazine, Summer (1996) pp. 60-61. ISSN 0966-7180 (print)

Hewett, I. (2020) Recording review: Kitgut: 'Tis too late to be wise': irresistible string quartets, from Purcell to Haydn. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. The Musical Times, 135 (1817) pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. The Musical Times, 136 (1823) pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Sorry, Remainers – Ode To Joy is not, and has never been, an EU anthem. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Strange meeting (recording review). The Musical Times, 137 (1836) pp. 27-28. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Taking the catastrophe out of Beethoven's most catastrophic concert, plus the best of March's classical concerts. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1993) Terrors of the earth. The Musical Times, 134 (1806) pp. 438-440. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024

Hewett, I. (2020) What's the best way to hear Chopin? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2018) Why young people have fallen in love with jazz. Daily Telegraph ISSN 0307-1235

Hewett, I. (2020) Yodelling, jokes and thrilling energy: how Haydn transformed the symphony. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1997) A musical bestiary. BBC Music Magazine, 6 (4) pp. 31-36. ISSN 0966-7180 (print)

Hewett, I. (2016) The path to total purity. Prospect Magazine pp. 76-79. ISSN 1359-5024 (print) 2059-6731 (online)

Hewett, I. (1998) A tract for the times. The Musical Times, 139 (1863) pp. 53-56. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2021) The vanishing discipline: the threat to musicology. Search: Journal for New Music and Culture, 12 pp. 1-17.

Hewett, I. and Allison, J. (2019) A beautiful son et lumiere journey through the mind of Leonardo, plus the best of April’s classical concerts. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Heyman, L. and Perkins, R. and Araújo, L. (2019) Examining the health and well-being experiences of singers in popular music. Journal of Popular Music Education, 3 (2) pp. 173-201. ISSN 2397-6721 (print) 2397-673X (online)

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1) pp. 8-14.

Hoeprich, T. E. and Lawson, C. (1980) Chalumeau and clarinet. Early Music, 8 (3) pp. 366-368. ISSN 0306-1078 (print) 1741-7260 (online)

Holden, M. and Adey, P. and Snyder, B. and Meyn, N. and Grosch, N. (2024) Mapping musical mobilities: challenging musical nationalism through mobility and migration. GeoHumanities ISSN 2373-566X (print) 2373-5678 (online)

Kawabata, M. (2018) Book review: 'The music of Joseph Joachim' by Katharina Uhde. Studia Musicologica, 59 (3-4) pp. 453-459. ISSN 1788-6244

Kawabata, M. (2004) The Concerto that wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1 (1) pp. 67-114. ISSN 1479-4098 (print), 2044-8414 (online)

Kawabata, M. (2014) How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12 (1) ISSN 1535-1807 (online)

Kawabata, M. (2015) Playing the “unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34 (1) pp. 31-50. ISSN 0141-1896 (print) 1547-7304 (online)

Kawabata, M. (2013) Recording review: Pierre Rode (1774–1830): 12 Etudes for Violin Solo; Duos for 2 Violins, performed by Nicolas Koeckert, Rudolf Koeckert (violins). Eighteenth-Century Music, 10 (1) pp. 149-151. ISSN 1478-5706 (print) 1478-5714 (online)

Kawabata, M. (2010) Remembering an inspirational Russian violinist and pedagogue. Strings, 24 (12:183) pp. 19-20. ISSN 0888-3106

Kawabata, M. (2000) Schoenberg at UCLA: reminiscences from Leonard Stein [interview]. ECHO: A Music-Centered Journal, 2 (2) ISSN 1535-1807 (online)

Kawabata, M. (2007) Violinists 'singing': Paganini, operatic voices, and virtuosity. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 5 (9) pp. 7-39. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2006) Virtuosity transfigured: in the shadow of Paganini. Journal of the American Liszt Society, 57 pp. 31-34. ISSN 0147-4413

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83 pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2) pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue

Kawabata, M. (2011) What is to be made of these good-looking violinists? Male virtuosos with high cheekbones are vexing to some high-art traditionalists. Strings, 26 (5:200) p. 15. ISSN 0888-3106

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23) pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2000) The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music: A Journal of Gender and Culture, 4 pp. 18-39. ISSN 1090-7505 (print) 1553-0612 (online)

Knight, S. and Spiro, N. (2022) Tracing change during music therapy for depression: toward a markers-based understanding of communicative behaviors. Musicae Scientiae ISSN 1029-8649 (print) 2045-4147 (online)

Knight, S. and Spiro, N. and Cross, I. (2017) Look, listen and learn: exploring effects of passive entrainment on social judgements of observed others. Psychology of Music, 45 (1) pp. 99-115. ISSN 0305-7356 (print) 1741-3087 (online)

Kreutz, G. and Ginsborg, J. and Williamon, A. (2009) Health-promoting behaviours in conservatoire students. Psychology of Music, 37 (1) pp. 47-60. ISSN 0305-7356 (print) 1741-3087 (online)

Kreutz, G. and Ginsborg, J. and Williamon, A. (2008) Music students' health problems and health-promoting behaviours. Medical Problems of Performing Artists, 23 (1) pp. 3-11. ISSN 0885-1158 (print) 1938-2766 (online)

Lawson, C. (2008) "Attractively packaged but unripe fruit": the UK's commercialization of musical history in the 1980s. Performance Practice Review, 13 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2014) Book review: "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1) ISSN 2166-8205

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1) pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2017) Book review: 'Composers' intentions?: lost traditions of musical performance' by Andrew Parrott. Performance Practice Review, 21 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2) pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (1993) Book review: 'The Baroque clarinet' by Albert Rice. Music & Letters, 74 (1) pp. 73-75. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2008) Book review: 'The Clarinet' by Eric Hoeprich. Performance Practice Review, 13 (1) pp. 1-5. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2005) Book review: 'The birth of the orchestra: history of an institution, 1650–1815' by John Spitzer and Neal Zaslaw. Music & Letters, 86 (4) pp. 629-633. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2005) Book review: 'The clarinet in the classical period' by Albert R. Rice. Music & Letters, 86 (2) pp. 290-293. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2009) Book review: the Cambridge Mozart encyclopaedia, edited by Cliff Eisen and Simon P. Keefe. Journal for Eighteenth-Century Studies, 32 (1) pp. 128-131. ISSN 1754-0194 (print) 1754-0208 (online)

Lawson, C. (2017) Clarinet charms [review of Philipp Jakob Riotte, Clarinet Concerto in C minor, op.36, ed. Martin Harlow]. Early Music, 45 (3) pp. 480-481. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1980) Das Chalumeau-Repertoire: ein kurzer Uberblick [The chalumeau repertoire: a brief overview]. Tibia: Magazin für Freunde alter und neuer Bläsermusik, 5 (1) pp. 18-21.

Lawson, C. (2001) Die C-Klarinette [The clarinet in C]. Rohrblatt, 16 (3) pp. 116-118. ISSN 0944-0291

Lawson, C. (2015) Exploring Bach’s contemporaries: Fasch and Graupner [recording review]. Early Music, 43 (1) pp. 179-182. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) Graupner and the chalumeau. Early Music, 11 (2) pp. 209-216. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2013) Historical accuracy versus practical expediency: early instruments in the digital age. Early Music, 41 (1) pp. 27-29. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) J.C. Graupner: Bach's rival for the Thomaskantorat. The Musical Times, 124 (1679) pp. 17-19. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (2001) Playing early clarinets: the lure of history and the myth of authenticity. Musical Performance: An International Journal, 3 (1) pp. 23-29. ISSN 1026-2687

Lawson, C. (2007) Practising research – researching practice. Tijdschrift voor Muziektheorie/Dutch Journal of Music Theory, 12 (1) pp. 58-65. ISSN 1385-3066

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1) pp. 3-5. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1991) Single-reed instruments in the music of Vivaldi. Chigiana: Rassegna annuale di studi musicologici, 41 (21) pp. 185-196. ISSN 0069-3391 (print)

Lawson, C. (1981) Telemann and the chalumeau. Early Music, 9 (3) pp. 312-319. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) The authentic clarinet: tone and tonality. The Musical Times, 124 (1684) pp. 357-358. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (1987) The basset clarinet revived. Early Music, 15 (4) pp. 487-502. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1979) The chalumeau: independent voice or poor relation? Early Music, 7 (3) pp. 351-354. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1974) The early chalumeau duets. The Galpin Society Journal, 27 pp. 125-129. ISSN 0072-0127

Lawson, C. (1995) The early clarinet in theory and practice. Leading Notes: Journal of the National Early Music Association, 10 pp. 6-9.

Lawson, C. (1997) An indescribable sweetness of expression: Haydn and the clarinet. Haydn Society Journal of Great Britain, 17 pp. 2-10. ISSN 1350-1267 (print)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1) pp. 36-44. ISSN 0001-6233

Lebler, D. and Burt-Perkins, R. and Carey, G. (2009) What the students bring: examining the attributes of commencing conservatoire students. International Journal of Music Education, 27 (3) pp. 232-249. ISSN 0255-7614 (print) 1744-795X (online)

Lee, S. L. and Pearce, E. and Ajnakina, O. and Johnson, S. and Lewis, G. and Mann, F. and Pitman, A. and Solmi, F. and Sommerlad, A. and Steptoe, A. and Tymoszuk, U. and Lewis, G. (2020) The association between loneliness and depressive symptoms among adults aged 50 years and older: a 12-year population-based cohort study. The Lancet Psychiatry ISSN 2215-0366 (print) 2215-0374 (online)

Lindström, E. and Juslin, P. N. and Bresin, R. and Williamon, A. (2003) ‘Expressivity comes from within your soul’: a questionnaire study of music students’ perspectives on expressivity. Research Studies in Music Education, 20 (1) pp. 23-47. ISSN 1321-103X (print) 1834-5530 (online)

Lisboa, T. (2008) Action and thought in cello playing: an investigation of children’s practice and performance. International Journal of Music Education, 26 (3) pp. 243-267. ISSN 0255-7614 (print) 1744-795X (online)

Lisboa, T. (2008) Book review: 'Mastering the Art of Performance' by Stewart Gordon (OUP, 2006). British Journal of Music Education, 25 (1) pp. 103-115. ISSN 0265-0517 (print) 1469-2104 (online)

Lisboa, T. (2003) An overview of Villa-Lobos’ compositions for the violoncello. Música Hodie, 3 pp. 44-51. ISSN 1676-3939 (print) 2317-6776 (online)

Lisboa, T. and Chaffin, R. and Demos, A. P. (2015) Recording thoughts while memorizing music: a case study. Frontiers in Psychology, 5 (1561). ISSN 1664-1078

Lisboa, T. and Demos, A. P. and Chaffin, R. (2018) Training thought and action for virtuoso performance. Musicae Scientiae, 22 (4) pp. 519-538. ISSN 1029-8649 (print) 2045-4147 (online)

Lisboa, T. and Shaughnessy, C. and Voyajolu, A. and Ockelford, A. (2021) Promoting the musical engagement of autistic children in the early years through a program of parental support: an ecological research study. Music & Science, 4 ISSN 2059-2043 (online)

Lisboa, T. and Williamon, A. and Zicari, M. and Eiholzer, H. (2005) Mastery through imitation: a preliminary study. Musicae Scientiae, 9 (1) pp. 75-110. ISSN 1029-8649 (print) 2045-4147 (online)

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1) pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Buying and selling music in the (very) long nineteenth century [review article]. Journal of the Royal Musical Association, 144 (1) pp. 223-232. ISSN 0269-0403 (print) 1471-6933 (online)

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1) pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Epistemologische Zyklen durchbrechen: Geschichte, Theorie und Aufführung in Schuberts Winterreise [Breaking epistemological cycles: history, theory, and performance in Schubert’s Winterreise]. Zeitschrift der Gesellschaft für Musiktheorie, 18 pp. 309-326. ISSN 1862-6742 (online)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2) pp. 137-168. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3) pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Händels Musik und Programmgestaltung in Londons Kristallpalast, 1859–1874 [Programming Handel’s music at the Crystal Palace, 1859–1874]. Göttinger Händel-Beiträge, 20 pp. 61-76. ISSN 0177-7319 (print) 2197-330X (online)

Loges, N. (2018) Julius Stockhausen’s early performances of Franz Schubert’s Die schöne Müllerin. 19th-Century Music, 41 (3) pp. 206-224. ISSN 0148-2076 (print) 1533-8606 (online)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2) pp. 316-320. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2014) Review of 'Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions' by Robert Pascall (Routledge, 2013). Ad Parnassum, 12 (23)

Loges, N. (2005) Singing Lieder with a foreign accent: Brahms's Slavic Songs. Indiana Theory Review, 26 pp. 73-103.

Loges, N. and Clark, T. (2019) Thinking across disciplines: audience responses to Clara Schumann’s Dichterliebe at the Wigmore Hall. Participations: Journal of Audience and Reception studies, 16 (2) pp. 38-67. ISSN 1749-8716

Meyn, N. (2021) Between two worlds: discovering the music of Robert Kahn (1865-1951). Classical Music ISSN 0961-2696 (print) 2632-8208 (online)

Meyn, N. (2019) Discovering the music of Robert Kahn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2023) Encounters with the émigré experience: discovering the chamber music and songs of Peter Gellhorn. 'Music and Exile: from 1933 to the Present Day' Yearbook of the Research Centre for German and Austrian Exile Studies, 22 pp. 217-236. ISSN 1388-3720 (print) 1875-8118 (online)

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3) p. 9. ISSN 2627-6984

Meyn, N. (2023) Eric Sanders. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2021) ‘Music, Migration and Mobility’: an ongoing research project at the Royal College of Music. Music & Practice, 9 ISSN 1893-9562 (online)

Meyn, N. (2020) Prince Albert and Anglo-German connections in 19th-century music. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers, 13 (1) pp. 197-212. ISSN 1438-2091 (print) 1868-9426 (online)

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. and Grosch, N. and Adey, P. (2023) Foregrounding mobility rather than belonging: a conceptual framework for engaging with music shaped by transnational migration. Acta Musicologica, 95 (1) pp. 4-20. ISSN 0001-6241 (print) 2296-4339 (online)

Miller, R. and Hotton, M. and Williamon, A. and Kneebone, R. and Goodacre, T. and O'Leary, D. and Chan, J. K. K. (2022) Surgical performance anxiety and wellbeing among surgeons: a cross-sectional study in the United Kingdom. Annals of Surgery, 275 (4) pp. 632-639. ISSN 0003-4932 (print) 1528-1140 (online)

Mitchell, M. (2023) Russian music and Fabergé. East-West Review, 21 (3) pp. 7-8. ISSN 1759-863X

Mival, W. (1989) Der Meister und Margarita. Tempo (170) pp. 37-38. ISSN 0040-2982 (print) 1478-2286 (online)

Mival, W. (1998) Der gerettete Alberich. Tempo (205) p. 17. ISSN 0040-2982 (print) 1478-2286 (online)

Mival, W. (1995) Höller's 'Pensées'. Tempo (193) p. 43. ISSN 0040-2982 (print) 1478-2286 (online)

Morgan, R. and Charlston, T. and Rolton, A. (2007) An interview with Terence Charlston and Alexander Rolton. Music Teacher p. 17. ISSN 0027-4461 (print) 2632-8658 (online)

Paolantonio, P. and Cavalli, S. and Biasutti, M. and Eiholzer, H. and Williamon, A. (2023) Building community through higher music education: a training program for facilitating musical engagement among older adults. Frontiers in Psychology, 14 (1102446). ISSN 1664-1078

Paolantonio, P. and Cavalli, S. and Biasutti, M. and Pedrazzani, C. and Williamon, A. (2020) Art for ages: the effects of group music making on the wellbeing of nursing home residents. Frontiers in Psychology, 11 (575161). ISSN 1664-1078

Paolantonio, P. and Cavalli, S. and Biasutti, M. and Williamon, A. (2022) Group music making in nursing homes: investigating the experience of higher education music students. International Journal of Community Music, 15 (1) pp. 113-142. ISSN 1752-6299 (print) 1752-6302 (online)

Paolantonio, P. and Pedrazzani, C. and Cavalli, S. and Williamon, A. (2022) Music in the life of nursing home residents. Arts & Health, 14 (3) pp. 309-325. ISSN 1753-3015 (print) 1753-3023 (online)

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1) pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3) pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)

Pearson, I. E. (1998) Delicacy, sentimentality and intimacy: the chalumeau as 'signifier'. ClarinetFest 1998

Pearson, I. E. (2021) Discovering Robert Kahn. Clarinet & Saxophone, 46 (2) ISSN 0260-390X

Pearson, I. E. (2000) Eighteenth- and nineteenth-century iconographical representations of clarinet reed position. Music in Art: International Journal for Music Iconography,, 25 pp. 87-95. ISSN 1522-7464 (print) 2169-9488 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1) pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2007) Ferdinando Sebastiani, Gennaro Bosa and the clarinet in nineteenth-century Naples. The Galpin Society Journal, 60 pp. 203-214. ISSN 0072-0127

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3) pp. 56-59. ISSN 0361-5553

Pearson, I. E. (2002) Lefévre's sonatas for clarinet: a historical perspective. Clarinet & Saxophone, 27 (2) pp. 20-22. ISSN 0260-390X

Pearson, I. E. (2009) Review of 'The Clarinet' by Eric Hoeprich. The Galpin Society Journal, 62 pp. 292-293. ISSN 0072-0127

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part I. The Clarinet, 28 (3) pp. 48-52. ISSN 0361-5553

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part II. The Clarinet, 28 (4) pp. 66-69. ISSN 0361-5553

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4) pp. 605-611. ISSN 0176-6511

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2) pp. 8-13.

Peistaraite, U. and Clark, T. (2020) Emotion regulation processes can benefit self-regulated learning in classical musicians. Frontiers in Psychology, 11 (568760). ISSN 1664-1078

Perkins, R. (2010) Exploring the one-to-one context at conservatoires through the lens of ‘learning cultures’: the role of student self-documentation. Scientia Paedagogica Experimentalis, 47 (2) pp. 437-462. ISSN 0582-2351

Perkins, R. (2021) Group singing to support women experiencing symptoms of postnatal depression. International Journal of Birth and Parent Education, 8 (4) ISSN 2054-0779 (print) 2054-0787 (online)

Perkins, R. (2013) Hierarchies and learning in the conservatoire: exploring what students learn through the lens of Bourdieu. Research Studies in Music Education, 35 (2) pp. 197-212. ISSN 1321-103X (print) 1834-5530 (online)

Perkins, R. (2013) Learning cultures and the conservatoire: an ethnographically-informed case study. Music Education Research, 15 (2) pp. 196-213. ISSN 1461-3808 (print) 1469-9893 (online)

Perkins, R. and Ascenso, S. and Atkins, L. and Fancourt, D. and Williamon, A. (2016) Making music for mental health: how group drumming mediates recovery. Psychology of Well-Being: Theory, Research and Practice, 6 (11) pp. 1-17.

Perkins, R. and Aufegger, L. and Williamon, A. (2015) Learning through teaching: exploring what conservatoire students learn from teaching beginner older adults. International Journal of Music Education, 33 (1) pp. 80-90. ISSN 0255-7614 (print) 1744-795X (online)

Perkins, R. and Fancourt, D. (2018) Effect of singing interventions on symptoms of postnatal depression: a three-arm randomised controlled trial. British Journal of Psychiatry, 212 (2) pp. 119-121. ISSN 0007-1250 (print) 1472-1465 (online)

Perkins, R. and Kaye, S. and Zammit, B. B. and Mason-Bertrand, A. and Spiro, N. and Williamon, A. (2022) How arts engagement supported social connectedness during the first year of the COVID-19 pandemic in the UK: findings from the HEartS Survey. Public Health, 207 pp. 1-6. ISSN 0033-3506

Perkins, R. and Mason-Bertrand, A. and Fancourt, D. and Baxter, L. and Williamon, A. (2020) How participatory music engagement supports mental wellbeing: a meta-ethnography. Qualitative Health Research, 30 (12) pp. 1924-1940. ISSN 1049-7323 (print) 1552-7557 (online)

Perkins, R. and Mason-Bertrand, A. and Tymoszuk, U. and Spiro, N. and Gee, K. and Williamon, A. (2021) Arts engagement supports social connectedness in adulthood: findings from the HEartS survey. BMC Public Health, 21 (1208) ISSN 1471-2458 (online)

Perkins, R. and Reid, H. and Araújo, L. and Clark, T. and Williamon, A. (2017) Perceived enablers and barriers to optimal health among music students: a qualitative study in the music conservatoire setting. Frontiers in Psychology, 8 (968). ISSN 1664-1078

Perkins, R. and Spiro, N. and Waddell, G. (2023) Online songwriting reduces loneliness and postnatal depression and enhances social connectedness in women with young babies: randomised controlled trial. Public Health, 220 pp. 72-79. ISSN 0033-3506

Perkins, R. and Williamon, A. (2014) Learning to make music in older adulthood: a mixed-methods exploration of impacts on wellbeing. Psychology of Music, 42 (4) pp. 550-567. ISSN 0305-7356 (print) 1741-3087 (online)

Perkins, R. and Yorke, S. and Fancourt, D. (2018) How group singing facilitates recovery from the symptoms of postnatal depression: a comparative qualitative study. BMC Psychology, 6 pp. 1-12. ISSN 2050-7283

Perkins, R. and Yorke, S. and Fancourt, D. (2018) Learning to facilitate arts-in-health programmes: a case study of musicians facilitating creative interventions for mothers with symptoms of postnatal depression. International Journal of Music Education, 36 (4) pp. 644-658. ISSN 0255-7614 (print) 1744-795X (online)

Pitfield, S. and Pearson, I. E. (1998) An interview with Colin Lawson. The Clarinet, 25 (3) pp. 56-59. ISSN 0361-5553

Pitt, J. (2018) Book review: 'Art, artists and pedagogy: philosophy and the arts in education' edited by Christopher Naughton, Gert Biesta, and David R. Cole. British Journal of Music Education, 35 (2) pp. 217-218. ISSN 0265-0517 (print), 1469-2104 (online)

Pitt, J. (2020) Communicating through musical play: combining speech and language therapy practices with those of early childhood music education – the SALTMusic approach. Music Education Research, 22 (1) pp. 68-86. ISSN 1461-3808 (print) 1469-9893 (online)

Pitt, J. (2014) Learning & development: music - part 3 - in tune. Nursery World, 2010 (11) ISSN 0029-6422 (print) 2059-9358 (online)

Pitt, J. (2021) Musicians from birth: early years. Music Teacher ISSN 0027-4461 (print) 2632-8658 (online)

Pitt, J. (2023) Research highlight: communicative musical play with young children. Froebel Trust Research Highlights (ISBN 978-1-7391277-3-2).

Pitt, J. and Hargreaves, D. J. (2016) Attitudes towards and perceptions of the rationale for parent–child group music making with young children. Music Education Research, 19 (3) pp. 292-308. ISSN 1461-3808 (print) 1469-9893 (online)

Pitt, J. and Hargreaves, D. J. (2017) Exploring the rationale for group music activities for parents and young children: parents’ and practitioners’ perspectives. Research Studies in Music Education, 39 (2) pp. 177-194. ISSN 1321-103X (print) 1834-5530 (online)

Pras, A. and Schober, M. F. and Spiro, N. (2017) What about their performance do free jazz improvisers agree upon? A case study. Frontiers in Psychology, 8 (966). ISSN 1664-1078

Rice, A. R. and Lawson, C. (1986) The clarinet and chalumeau revisited. Early Music, 14 (4) pp. 552-556. ISSN 0306-1078 (print) 1741-7260 (online)

Richards, J. and Wistreich, R. (2019) Introduction: voicing text 1500-1700. Huntington Library Quarterly (special issue), 82 (1) pp. 3-16. ISSN 1544-399X (online) 0018-7895 (print)

Ritchie, L. and Williamon, A. (2011) Measuring distinct types of musical self-efficacy. Psychology of Music, 39 (3) pp. 328-344. ISSN 0305-7356 (print) 1741-3087 (online)

Ritchie, L. and Williamon, A. (2013) Measuring musical self-regulation: linking processes, skills, and beliefs. Journal of Education and Training Studies, 1 (1) pp. 106-117. ISSN 2324-805X (print) 2324-8068 (online)

Ritchie, L. and Williamon, A. (2011) Primary school children’s self-efficacy for music learning. Journal of Research in Music Education, 59 (2) pp. 146-161. ISSN 0022-4294 (print) 1945-0095 (online)

Ritchie, L. and Williamon, A. (2012) Self-efficacy as a predictor of musical performance quality. Psychology of Aesthetics, Creativity, and the Arts, 6 (4) pp. 334-340. ISSN 1931-3896 (print) 1931-390X (online)

Robson, B. (2021) Howells revisited. Clarinet & Saxophone, 46 (3) pp. 22-25. ISSN 0260-390X

Roper, J. (2017) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (3-4) pp. 295-324. ISSN 1788-6244

Rosenkranz, K. and Butler, K. and Williamon, A. and Cordivari, C. and Lees, A. J. and Rothwell, J. C. (2008) Sensorimotor reorganization by proprioceptive training in musician’s dystonia and writer’s cramp. Neurology, 70 (4) pp. 304-315. ISSN 0028-3878 (print) 1526-632X (online)

Rosenkranz, K. and Butler, K. and Williamon, A. and Rothwell, J. C. (2009) Regaining motor control in musician’s dystonia by restoring sensorimotor organization. Journal of Neuroscience, 29 (46) pp. 14627-14636. ISSN 1529-2401 (online)

Rosenkranz, K. and Williamon, A. and Butler, K. and Cordivari, C. and Lees, A. J. and Rothwell, J. C. (2005) Pathophysiological differences between musician's dystonia and writer's cramp. Brain, 128 (4) pp. 918-931. ISSN 0006-8950 (print) 1460-2156 (online)

Rosenkranz, K. and Williamon, A. and Rothwell, J. C. (2007) Motorcortical excitability and synaptic plasticity is enhanced in professional musicians. Journal of Neuroscience, 27 (19) pp. 5200-5206. ISSN 1529-2401 (online)

Rossi Rognoni, G. (2011) Book review: 'Stradivari' by Stewart Pollens. Journal of the Americal Musical Instrument Society, 37 pp. 171-175. ISSN 0362-3300

Rossi Rognoni, G. (2004) Il Museo degli Strumenti Musicali della Galleria dell'Accademia di Firenze [The Museo degli Strumenti Musicali of the Galleria dell'Accademia in Florence]. Hortus Musicus, 5 (18) pp. 124-127.

Rossi Rognoni, G. (2009) Il sistema di catalogazione e documentazione degli strumenti musicali del Dipartimento degli Strumenti Musicali della Galleria dell’Accademia di Firenze con alcune considerazioni sull’elaborazione di una scheda di censimento nazionale [The cataloguing and documentation system of the Musical Instruments Department of the Galleria dell’Accademia in Florence; including comments on datasheet format development for the national census]. Philomusica on-line, 8 (3) pp. 97-117. ISSN 1826-9001 (online)

Rossi Rognoni, G. (2008) La definizione dell'organologia come disciplina attraverso i primi cataloghi museali (1866-1911) [The development of organology as a discipline through early museum catalogues]. Annali: Arte, musica e spettacolo, Università degli Studi di Firenze, 9 pp. 155-171.

Rossi Rognoni, G. (2002) La spinetta ovale di Bartolomeo Cristofori del 1690: un progetto di ricerca su uno strumento recentemente riscoperto [Bartolomeo Cristofori's oval spinet from 1690: a research project on a recently rediscovered instrument]. Hortus Musicus pp. 10-12.

Rossi Rognoni, G. (2009) Liutai, chitarrai e violinai nella Firenze del Cinque-Seicento [Luthiers, guitar makers, and violin makers in sixteenth- to seventeenth-century Florence]. Per archi : Rivista di storia e cultura degli strumenti ad arco, 3/4 pp. 33-46. ISSN 1825-9421 (print) 2421-096X (online)

Rossi Rognoni, G. (2019) Organology and the others: a political perspective. Journal of the American Musical Instrument Society, 44 pp. 7-17. ISSN 0362-3300

Rossi Rognoni, G. (2010) Per uno studio degli strumenti a corde nella Toscana del XVIII secolo [Towards a study of string instruments in Tuscany in the 18th century]. Per archi : Rivista di storia e cultura degli strumenti ad arco, 5 pp. 63-85. ISSN 1825-9421 (print) 2421-096X (online)

Rossi Rognoni, G. (2019) Preserving functionality: keeping artefacts ‘alive’ in museums. Curator: The Museum Journal, 62 (3) pp. 403-413. ISSN print (0011-3069) online (2151-6952)

Rossi Rognoni, G. (2015) The virginals of Benedetto Floriani (Venice, fl.1568–1572) and a proposal for a new attribution. Galpin Society Journal, 68 pp. 5-20. ISSN 0072-0127 (print) 2397-5369 (online)

Sanfilippo, K. R. M. and Spiro, N. (2016) Conference report: the Third Nordoff Robbins Plus conference ‘Exploring music in therapeutic and community settings’. Approaches: An Interdisciplinary Journal of Music Therapy, 9 (1) pp. 159-163. ISSN 2459-3338

Sanfilippo, K. R. M. and Spiro, N. and Molina-Solana, M. and Lamont, A. (2020) Do the shuffle: exploring reasons for music listening through shuffled play. PLOS ONE, 15 (2) ISSN 1932-6203 (online)

Schiavio, A. and Küssner, M. B. and Williamon, A. (2020) Music teachers’ perspectives and experiences of ensemble and learning skills. Frontiers in Psychology, 11 (291). ISSN 1664-1078

Schneider, M. and Solomon, A. (2019) Michael Schneider im Gespräch mit Ashley Solomon [Michael Schneider in conversation with Ashley Solomon]. Tibia: Magazin für Holzbläser (4) pp. 579-583. ISSN 0176-6511

Schober, M. F. and Spiro, N. (2014) Jazz improvisers' shared understanding: a case study. Frontiers in Psychology, 5 (808). ISSN 1664-1078

Schober, M. F. and Spiro, N. (2016) Listeners' and performers' shared understanding of jazz improvisations. Frontiers in Psychology, 7 (1629). ISSN 1664-1078

Shaikh, M. and Tymoszuk, U. and Williamon, A. and Miraldo, M. (2021) Socioeconomic inequalities in arts engagement and depression among older adults in the United Kingdom: evidence from the English Longitudinal Study of Ageing. Public Health, 198 pp. 307-314. ISSN 0033-3506

Shaughnessy, C. and Hall, A. and Perkins, R. (2023) Becoming the right musician for the job: versatility, connectedness, and professional identities during personalized, online music-making in hospital maternity wards. Musicae Scientiae ISSN 1029-8649 (print) 2045-4147 (online)

Shaughnessy, C. and Ockelford, A. and Bonneville-Roussy, A. and Mann, W. (2023) Building musical lives: the impact of supporting musical play in the everyday lives of autistic children and their families. Psychology of Music pp. 1-17. ISSN 0305-7356 (print) 1741-3087 (online)

Shaughnessy, C. and Perkins, R. and Spiro, N. and Waddell, G. and Campbell, A. and Williamon, A. (2022) The future of the cultural workforce: perspectives from early career arts professionals on the challenges and future of the cultural industries in the context of COVID-19. Social Sciences & Humanities Open, 6 (1) pp. 1-12. ISSN 2590-2911 (online)

Shaughnessy, C. and Perkins, R. and Spiro, N. and Waddell, G. and Williamon, A. (2023) Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom. Cultural Trends ISSN 0954-8963 (print) 1469-3690 (online)

Shoda, H. and Tabei, K. and Abe, M. and Nakahara, J. and Yasuda, S. and Williamon, A. and Isaka, T. (2023) Effects of choir singing on physiological stress in Japanese older adults: its relationship with cognitive functioning and subjective well-being. Arts & Health ISSN 1753-3015 (print) 1753-3023 (online)

Smith, R. L. (1992) Baroque Ballet: review of 'Le Ballet des Fâcheux: Beauchamp's music for Molière's comedy' edited by George Houle. The Musical Times, 133 (1789) p. 126. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Behind the veil: review of 'J. Massenet: itinéraires pour un théâtre musical⁠—essai' by Brigitte Olivier. The Musical Times, 139 (1861) pp. 31-32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Agostino Agazzari and music at Siena Cathedral 1597-1641' by Colleen Reardon. The Musical Times, 135 (1821) p. 714. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) Book review: 'Accompaniment on theorbo and harpsichord: Denis Delair's treatise of 1690' translation and commentary by Charlotte Mattax. The Musical Times, 133 (1797) p. 575. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Art and the everyday: popular entertainment and the circle of Erik Satie' by Nancy Perloff. The Musical Times, 132 (1782) p. 392. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Baroque music: a research and information guide' by John H. Baron. The Musical Times, 134 (1804) p. 332. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli' by Michael Talbot. The Musical Times, 135 (1821) p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes: Quarterly Journal of the Music Library Association, 73 (1) pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (1993) Book review: 'Catalogue raisonné de l'oeuvre de Albert Roussel' [Descriptive catalogue of Albert Roussel's works] by Nicole Labelle. Music & Letters, 74 (3) p. 461. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1976) Book review: 'Claude Debussy' by François Lesure. Music & Letters, 57 (2) pp. 189-190. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Claude Debussy: a guide to research' by James R. Briscoe. Music & Letters, 72 (3) pp. 469-470. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Collection musicale Francois Lang' by Denis Herlin. Music & Letters, 75 (4) p. 625. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1990) Book review: 'Darius Milhaud' by Paul Collaer, edited and translated by Jane Hohfeld Galante. Music & Letters, 71 (1) pp. 134-135. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (2017) Book review: 'Debussy’s Pelléas et Mélisande: the staging by Albert Carré' by Michela Niccolai, translated by Lesley Wright. H-France Review, 17 (169) ISSN 1553-9172

Smith, R. L. (1995) Book review: 'Déodat de Séverac: ecrits sur la musique' ed. Pierre Guillot. Music & Letters, 76 (1) pp. 120-121. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Early keyboard fingerings: a comprehensive guide' compiled and edited by Mark Lindley and Maria Boxall. The Musical Times, 134 (1803) p. 260. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Early recordings and musical style: changing tastes in instrumental performance' by Robert Philip. Early Music, 21 (3) pp. 473-474. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210) ISSN 1553-9172

Smith, R. L. (1981) Book review: 'Ernest Chausson: the man and his music' by Ralph Scott Grover. Music & Letters, 62 (1) pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1994) Book review: 'Francesco Geminiani' by Enrico Careri. The Musical Times, 135 (1815) p. 290. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book review: 'Francis Poulenc: echo and source: selected correspondence 1915–1963' translated and edited by Sidney Buckland. Music & Letters, 74 (1) pp. 126-128. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1995) Book review: 'Guillaume Lekeu: correspondance; introduction, chronologie et catalogue des oeuvres' ed. Luc Verdebout. Music & Letters, 76 (3) pp. 461-462. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Herbert Howells: a centenary celebration' by Christopher Palmer. The Musical Times, 134 (1800) pp. 90-91. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Book review: 'Images: the piano music of Claude Debussy' by Paul Roberts. BBC Music Magazine, 4 (9) p. 19. ISSN 0966-7180 (print)

Smith, R. L. (1995) Book review: 'J.S. Bach's precepts and principles for playing the thorough-bass or accompanying in four parts (Leipzig, 1738)' translated and edited by Pamela L. Poulin. The Musical Times, 136 (1831) pp. 486-487. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1987) Book review: 'Jean-Henry D'Anglebert and the seventeenth-century clavecin school' by Beverly Scheibert. Early Music, 15 (4) pp. 533-536. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1996) Book review: 'Massenet: a chronicle of his life and times' by Demar Irvine. Music & Letters, 77 (3) pp. 476-478. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1976) Book review: 'Messiaen' by Robert Sherlaw Johnson and 'Messiaen' by Roger Nichols. Music & Letters, 57 (1) pp. 67-68. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1992) Book review: 'Music in late Renaissance and early Baroque Italy' by Tim Carter. The Musical Times, 133 (1796) p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Book review: 'Musics, signs, images: liber amicorum François Lesure' edited by Joël-Marie Fauquet. Notes: Quarterly Journal of the Music Library Association, 48 (2) pp. 503-505. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (1993) Book review: 'Nadia Boulanger' by Jérôme Spycket, translated by M. M. Shriver. The Musical Times, 134 (1809) p. 648. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) Book review: 'Paris: the Musical Kaleidoscope 1870–1925' by Elaine Brody. Music & Letters, 70 (2) pp. 276-277. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'Performing Baroque music' by Mary Cyr. The Musical Times, 134 (1802) p. 210. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Saint-Saëns and the organ' by Rollin Smith. Music & Letters, 75 (3) pp. 475-477. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'Satie the Composer' by Robert Orledge. Music & Letters, 72 (3) pp. 470-472. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68) ISSN 1553-9172

Smith, R. L. (1990) Book review: 'The Music of Arthur Honegger' by Geoffrey K. Spratt. Music & Letters, 71 (2) pp. 281-282. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The musical language of Gabriel Fauré' by Robin Tait. Music & Letters, 72 (4) pp. 646-647. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1991) Book review: 'The operas of Charles Gounod' by Steven Huebner. Music & Letters, 72 (3) pp. 465-467. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1993) Book review: 'The oratorio in Modena' by Victor Crowther. The Musical Times, 134 (1799) p. 36. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: 'Vivaldi: voice of the Baroque' by H. C. Robbins Landon; 'The master musicians: Vivaldi' by Michael Talbot. The Musical Times, 135 (1812) p. 99. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Book review: Claude Debussy avant Pelléas, ou, les années symbolistes [Claude Debussy before Pelléas, or, the symbolist years]. Music & Letters, 75 (1) pp. 109-111. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (2023) Book review: Denis Herlin: Claude Debussy: Portraits et Études, George Olms Verlag (Hildesheim 2021). The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Book/edition review: 'The art of the unmeasured prelude for harpsichord' by Colin Tilney. Early Music, 21 (1) pp. 131-134. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (1995) Book/facsimile review: 'Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos' by Rebecca Harris-Warwick and Carol G. Marsh. The Musical Times, 136 (1831) pp. 487-489. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1989) DIY biography: review of 'Gabriel Fauré: a life in letters' by Barrie Jones. The Musical Times, 130 (1759) p. 543. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1981) Debussy and the Pre-Raphaelites. 19th-Century Music, 5 (2) pp. 95-109. ISSN 0148-2076 (print) 1533-8606 (online)

Smith, R. L. (1973) Debussy and the art of the cinema. Music & Letters, 54 (1) pp. 61-70. ISSN 0027-4224 (print) 1477-4631 (online)

Smith, R. L. (1992) Do-it-yourself editions: review of 'Canzoni da suonare a 4, 5, 6, 7, 8, 9, 10, 11, 12 & 13 (Italian instrumental music of the 16th and 17th centuries, vol. 26)' by Pietro Lappi, edited by James Ladewig. The Musical Times, 133 (1789) p. 124. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) Edition review: 'Henry Butler: collected works' by Elizabeth V. Phillips and Jack Ashworth. The Musical Times, 133 (1794) p. 398. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Edition review: French Baroque music. Early Music, 22 (2) pp. 333-334. ISSN 0306-1078 (print) 1741-7260 (online)

Smith, R. L. (2006) Elsewhere and erstwhile: review of 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser and 'Interpreting the musical past: early music in nineteenth-century France' by Katherine Ellis. The Musical Times, 147 (1896) pp. 93-101. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1997) Good, bad and...: review of 'Ambroise Thomas: un compositeur lyrique au XIXe siècle' by Georges Masson. The Musical Times, 138 (1857) p. 32. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1980) La genèse de La damoiselle élue. Cahiers Debussy, 4-5 pp. 2-18. ISSN 0395-1200

Smith, R. L. (1992) Licensed and unlicensed: Review of 'Continuo playing according to Handel: his figured bass exercises' edited by David Ledbetter, and 'A new treatise on accompaniment by Monsieur de Saint Lambert' edited and translated by John S. Powell. The Musical Times, 133 (1790) p. 183. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) Magic bells: review of 'Le jardin retrouvé: the music of Frédéric Mompou' by Wilfrid Mellers. The Musical Times, 133 (1788) p. 77. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) More Fauré than Ferneyhough. The Musical Times, 133 (1797) pp. 555-557. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) Notes for a book: review of 'Italian violin music of the seventeenth century' by Willi Apel, edited by Thomas Binkley. The Musical Times, 132 (1779) pp. 248-249. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2019) O Camponês cultivado em Paris. Chabrier: L’Étoile, Teatro Nacional de São Carlos, Lisbon pp. 17-25.

Smith, R. L. (1993) Ohana on Ohana: an English interview. Contemporary Music Review, 8 (1) pp. 123-129. ISSN 0749-4467 (print) 1477-2256 (online)

Smith, R. L. (1997) Penetrating tribute: review of 'Schubert, Müller and Die schöne Müllerin' by Susan Youens. The Musical Times, 138 (1850) pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1993) Recording review: Mouret: Les Amours de Ragonde, Les Musiciens du Louvre/Minkowski. The Musical Times, 134 (1799) p. 41. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1988) Rodrigue et Chimène: genèse, histoire, problèmes d'édition [Rodrigue et Chimène: genesis, history, and problems of editing]. Cahiers Debussy, 12-13 pp. 67-81. ISSN 0395-1200

Smith, R. L. (2023) Score review: new editions of piano music and songs by Fauré, Franck and Cras. Nineteenth-Century Music Review pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)

Smith, R. L. (1997) See, hear: review of 'L'impressionnisme et la musique' by Michel Fleury. The Musical Times, 138 (1856) pp. 26-29. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) Sister of perpetual indulgence. The Musical Times, 135 (1822) pp. 740-744. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1996) Stop press: review of 'Music criticism in 19th-century France: la Revue et Gazette musical de Paris, 1834-1880' by Katharine Ellis. The Musical Times, 137 (1837) pp. 23-24. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Typecasting: review of 'Inside early music: conversations with performers' by Bernard D. Sherman. The Musical Times, 139 (1863) pp. 60-62. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1998) Ways and means: review of 'Les voies de l'opéra français au XIXe siècle' by Hervé Lacombe. The Musical Times, 139 (1896) pp. 64-66. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) A fund of discoveries: review of 'Marc-Antoine Charpentier' (Oxford studies of composers) by H. Wiley Hitchcock. The Musical Times, 132 (1775) p. 711. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1994) The hole truth: review of 'The early Baroque era: from the 16th century to the 1660s' by Curtis Price; 'The late Baroque era: from the 1680s to 1740' by George J. Buelow; 'Baroque music from Monteverdi to Handel' by Nicholas Anderson. The Musical Times, 135 (1821) pp. 707-710. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) A rich vineyard: review of 'The Italian 'trio' sonata: from its origins until Corelli' by Peter Allsop. The Musical Times, 133 (1796) p. 526. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1992) The scenic route: review of 'François Couperin' by Philippe Beaussant, translated by Alexandra Land. The Musical Times, 133 (1796) p. 522. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1991) The serious Satie (review of several Satie recordings). The Musical Times, 132 (1782) p. 393. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (1990) The tunesmith: review of 'Tomaso Albinoni, the Venetian composer and his world' by Michael Talbot. The Musical Times, 131 (1774) p. 655. ISSN 0027-4666 (print) 2397-5318 (online)

Snyder, B. (2022) The Anglo-Austrian Music Society. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Snyder, B. (2021) Mátyás Seiber - traveller between worlds. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Solomon, A. (2017) Telemann: prolífico compositor, sagaz editor [Telemann: prolific composer, shrewd editor]. Scherzo (334) pp. 76-79. ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Telemann’s collection of instrumental works. Scherzo, 334 ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Twelve fantasias in 7 questions: Ashley Solomon’s new Telemann disc. Revoice Magazine (5)

Spiro, N. (2010) Music and dementia: observing effects and searching for underlying theories (editorial). Aging and Mental Health, 14 (8) pp. 891-899. ISSN 1360-7863 (print) 1364-6915 (online)

Spiro, N. and Farrant, C. and Pavlicevic, M. (2017) Between practice, policy and politics: music therapy and the Dementia Strategy, 2009. Dementia: The International Journal of Social Research and Practice, 16 (3) pp. 259-281. ISSN 1471-3012 (print) 1741-2684 (online)

Spiro, N. and Gold, N. and Rink, J. (2010) The form of performance: analyzing pattern distribution in select recordings of Chopin's Mazurka Op. 24 No. 2. Musicae Scientiae, 14 (2) pp. 23-55. ISSN 1029-8649 (print) 2045-4147 (online)

Spiro, N. and Himberg, T. (2016) Analysing change in music therapy interactions of children with communication difficulties. Philosophical Transactions of the Royal Society B: Biological Sciences, 371 (1693) pp. 1-11. ISSN 0962-8436

Spiro, N. and Perkins, R. and Kaye, S. and Tymoszuk, U. and Mason-Bertrand, A. and Cossette, I. and Glasser, S. and Williamon, A. (2021) The effects of COVID-19 lockdown 1.0 on working patterns, income, and wellbeing among performing arts professionals in the United Kingdom (April–June 2020). Frontiers in Psychology, 11 (594086). ISSN 1664-1078

Spiro, N. and Sanfilippo, K. R. M. and McConnell, B. B. and Pike-Rowney, G. and Bonini Baraldi, F. and Brabec, B. and Van Buren, K. and Camlin, D. A. and Cardoso, T. M. and Çifdalöz, B. U. and Cross, I. and Dumbauld, B. and Ettenberger, M. and Falkenberg, K. and Fouché, S. and Frid, E. and Gosine, J. and graham-jackson, a. l. and Grahn, J. A. and Harrison, K. and Ilari, B. and Mollison, S. and Morrison, S. J. and Pérez-Acosta, G. and Perkins, R. and Pitt, J. and Rabinowitch, T. C. and Robledo, J. P. and Roginsky, E. and Shaughnessy, C. and Sunderland, N. and Talmage, A. and Tsiris, G. and de Wit, K. (2023) Perspectives on musical care throughout the life course: introducing the Musical Care International Network. Music & Science, 6 pp. 1-18. ISSN 2059-2043 (online)

Spiro, N. and Schober, M. F. (2021) Discrepancies and disagreements in classical chamber musicians’ characterisations of a performance. Music & Science, 4 ISSN 2059-2043

Spiro, N. and Schober, M. F. (2014) Perspectives on music and communication: an introduction. Psychology of Music, 42 pp. 771-775. ISSN 0305-7356 (print) 1741-3087 (online)

Spiro, N. and Shaughnessy, C. and Waddell, G. and Perkins, R. and Campbell, A. and Williamon, A. (2023) Modelling arts professionals’ wellbeing and career intentions within the context of COVID-19. PLOS One, 18 (10) (e0292722). ISSN 1932-6203 (online)

Spiro, N. and Tsiris, G. and Cripps, C. (2018) “Sounds good, but… what is it?” an introduction to outcome measurement from a music therapy perspective. Approaches: An Interdisciplinary Journal of Music Therapy ISSN 2459-3338

Spiro, N. and Tsiris, G. and Cripps, C. (2017) A systematic review of outcome measures in music therapy. Music Therapy Perspectives, 36 (1) pp. 67-78. ISSN 0734-6875 (print) 2053-7387 (online)

Spiro, N. and Yang, J. and Shaughnessy, C. and Luo, C. and Perkins, R. and Waddell, G. and Williamon, A. (2023) Work and wellbeing among arts professionals in China during COVID-19 (August 2020 and October 2021). Social Sciences & Humanities Open, 8 (100691). ISSN 2590-2911 (online)

Stahl, G. and Burnard, P. and Perkins, R. (2017) Critical reflections on the use of Bourdieu's tools 'in concert' to understand the practices of learning in three musical sites. Sociological Research Online, 22 (3) pp. 57-77. ISSN 1360-7804

Stakelum, M. (2013) Book review: 'Music and the mind: essays in honour of John Sloboda' ed. Irène Deliège and Jane Davidson. Music Education Research, 15 (1) pp. 125-128. ISSN 1461-3808 (print) 1469-9893 (online)

Stakelum, M. (2013) Book review: 'Music education in England, 1950-2010: the child-centred progressive tradition' by John Finney. Journal of the Society for Musicology in Ireland, 8 pp. 105-108. ISSN 1649-7341 (online)

Stakelum, M. (2013) Book review: 'Musical understandings and other essays on the philosophy of music' by Stephen Davies. Psychology of Music, 41 (1) pp. 133-135. ISSN 0305-7356 (print) 1741-3087 (online)

Stakelum, M. (2009) Book review: 'Ways into music: making every child's music matter' ed. Helen Coll and John Finney. Music Education Research, 11 (1) pp. 125-127. ISSN 1461-3808 (print) 1469-9893 (online)

Stakelum, M. (2014) Boundaries and bridges: the influence of James Cooksey Culwick on the development of the teaching and learning of music in 19th-century Ireland. International Journal of Music Education, 32 (4) pp. 409-421. ISSN 0255-7614 (print) 1744-795X (online)

Stakelum, M. (2008) Creating a musical world in the classroom: application of a Bourdieuan approach towards understanding teacher practice. British Journal of Music Education, 25 (1) pp. 91-102. ISSN 0265-0517 (print), 1469-2104 (online)

Stakelum, M. (2024) Music literacy and the instrumental teacher. Music Education Research ISSN 1461-3808 (print) 1469-9893 (online)

Stakelum, M. (2008) Primary music education: the misrepresentation of the ideals of curricula in research. Irish Educational Studies, 27 (3) pp. 281-293. ISSN 0332-3315 (print) 1747-4965 (online)

Stakelum, M. (2011) An analysis of verbal responses to music in a group of adult non-specialists. Music Education Research, 13 (2) pp. 173-197. ISSN 1461-3808 (print) 1469-9893 (online)

Stewart, L. and Williamon, A. (2008) What are the implications of neuroscience for musical education? Educational Research, 50 (2) pp. 177-186. ISSN 0013-1881 (print) 1469-5847 (online)

Stirling, C. (2016) ‘Beyond the dance floor’? Gendered publics and creative practices in electronic dance music. Contemporary Music Review, 35 (1) pp. 130-149. ISSN 0749-4467 (print) 1477-2256 (online)

Stirling, C. (2021) Night cubes: revisiting UK sound art’s popular and club histories. Flash Art

Stirling, C. (2016) Sound art/street life: tracing the social and political effects of sound installations in London. Journal of Sonic Studies, 11 ISSN 2212–6252

Thompson, S. and Williamon, A. (2003) Evaluating evaluation: musical performance assessment as a research tool. Music Perception, 21 (1) pp. 21-41. ISSN 1533-8312

Thompson, S. and Williamon, A. and Valentine, E. (2007) Time-dependent characteristics of performance evaluation. Music Perception, 25 (1) pp. 13-29. ISSN 1533-8312

Thomson, L. J. M. and Spiro, N. and Williamon, A. and Chatterjee, H. J. (2023) The impact of culture-, health-, and nature-based engagement on mitigating the adverse effects of public health restrictions on wellbeing, social connectedness, and loneliness during COVID-19: quantitative evidence from a smaller- and larger-scale UK survey. International Journal of Environmental Research and Public Health, 20 (6943). ISSN 1660-4601 (online)

Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4) pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2008) Edition review: C. P. E. Bach: the complete works series V, vol. 5.1, works for special occasions I ed. Ulrich Leisinger. Eighteenth-Century Music, 5 (1) pp. 123-125. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2008) Edition review: Franz Clement: Violin Concerto in D major (1805) ed. Clive Brown. Eighteenth-Century Music, 5 (2) pp. 255-257. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1) pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2003) Georg Muffat—a document for the French manner? Early Music, 31 (1) pp. 110-116. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2003) Konvention als Kritik? Mozarts 'klavier sonate mit begleitung einer Violin' KV 526 [Convention as criticism? Mozart’s piano sonata with violin accompaniment K.526]. Acta Mozartiana, 50 (1-2) pp. 23-36. ISSN 0001-6233

Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. Göttingen Händel-Beiträge, 15 pp. 144-160. ISSN 0177-7319 (print) 2197-330X (online)

Thormählen, W. (2010) Playing with art: musical arrangements as educational tools in van Swieten's Vienna. Journal of Musicology, 27 (3) pp. 342-376. ISSN 0277-9269 (print) 1533-8347 (online)

Thormählen, W. (2011) Recording review article: ‘Kleinmeister’ music—a conflict of interests? Early Music, 39 (4) pp. 655-658. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2022) Recording review: 'Heritage: the music of Madrid in the time of Goya' Cuarteto Quiroga (Cobra 0067). Eighteenth-Century Music, 19 (1) pp. 79-81. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2015) Review of Joseph Riepel, Violin Concertos, ed. Stefan Eckert (Madison: A-R Editions, 2013). Eighteenth-Century Music, 12 (1) pp. 106-108. ISSN 1478-5706 (print) 1478-5714 (online)

Tregear, P. and Johansen, G. and Jorgensen, H. and Sloboda, J. and Tulve, H. and Wistreich, R. (2016) Conservatoires in society: institutional challenges and possibilities for change. Arts & Humanities in Higher Education, 15 (3-4) pp. 276-292. ISSN 14740222

Tsiris, G. and Spiro, N. and Coggins, O. and Zubala, A. (2020) The Impact Areas Questionnaire (IAQ): a music therapy service evaluation tool. Voices: A World Forum for Music Therapy, 20 (2) ISSN 1504-1611 (online)

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2017) Re-positioning music therapy service evaluation: a case of five Nordoff-Robbins music therapy service evaluations in neuro-rehabilitation. Nordic Journal of Music Therapy, 27 (1) pp. 3-27. ISSN Print: 0809-8131 Online: 1944-8260

Tsiris, G. and Spiro, N. and Pavlicevic, M. (2014) What does the past tell us? A content analysis of the first quarter century of the British Journal of Music Therapy. British Journal of Music Therapy, 28 (1) pp. 4-24. ISSN 1359-4575 (print) 2059-9773 (online)

Tymoszuk, U. and Perkins, R. and Fancourt, D. and Williamon, A. (2020) Cross‑sectional and longitudinal associations between receptive arts engagement and loneliness among older adults. Social Psychiatry and Psychiatric Epidemiology, 55 (7) pp. 891-900. ISSN 0933-7954 (print) 1433-9285 (online)

Tymoszuk, U. and Perkins, R. and Spiro, N. and Williamon, A. and Fancourt, D. (2020) Longitudinal associations between short-term, repeated, and sustained arts engagement and well-being outcomes in older adults. The Journals of Gerontology: Series B, 75 (7) pp. 1609-1619. ISSN 1079-5014 (print) 1758-5368 (online)

Tymoszuk, U. and Spiro, N. and Perkins, R. and Mason-Bertrand, A. and Gee, K. and Williamon, A. (2021) Arts engagement trends in the UK and their mental and social wellbeing implications: HEartS survey. PLOS One, 16 e0246078. ISSN 1932-6203

Volioti, G. and Williamon, A. (2021) Performers’ discourses on listening to recordings. Research Studies in Music Education, 43 (3) pp. 481-497. ISSN 1321-103X (print) 1834-5530 (online)

Volioti, G. and Williamon, A. (2017) Recordings as learning and practising resources for performance: exploring attitudes and behaviours of music students and professionals. Musicae Scientiae, 21 (4) pp. 499-523. ISSN 1029-8649 (print) 2045-4147 (online)

Waddell, G. (2015) Book review: 'Expressiveness in music performance: empirical approaches across styles and cultures' ed. D. Fabian, R. Timmers, & E. Schubert. Psychology of Music, 43 pp. 909-912. ISSN 0305-7356 (print) 1741-3087 (online)

Waddell, G. (2022) The end of the music competition? Arco, 48 (4) pp. 16-20.

Waddell, G. and Perkins, R. and Williamon, A. (2019) The Evaluation Simulator: a new approach to training music performance assessment. Frontiers in Psychology, 10 (557). ISSN 1664-1078

Waddell, G. and Perkins, R. and Williamon, A. (2018) Making an impression: error location and repertoire features affect performance quality rating processes. Music Perception, 36 (1) pp. 60-76. ISSN 1533-8312

Waddell, G. and Williamon, A. (2017) Eye of the beholder: stage entrance behavior and facial expression affect continuous quality ratings in music performance. Frontiers in Psychology, 8 (513). ISSN 1664-1078

Waddell, G. and Williamon, A. (2019) Technology use and attitudes in music learning. Frontiers in ICT, 6 (11). ISSN 2297-198X

Warran, K. and Fancourt, D. and Perkins, R. (2019) The experience and perceived impact of group singing for men living with cancer: a phenomenological study. Psychology of Music, 47 (6) pp. 874-889. ISSN 0305-7356 (print) 1741-3087 (online)

Wasley, D. and Taylor, A. and Backx, K. and Williamon, A. (2012) Influence of fitness and physical activity on cardiovascular reactivity to musical performance. Work: A Journal of Prevention, Assessment & Rehabilitation, 41 (1) pp. 27-32. ISSN 1051-9815 (print) 1875-9270 (online)

Welch, G. F. and Henley, J. (2014) Addressing the challenges of teaching music by generalist primary school teachers. Revista da ABEM, 22 (32) pp. 12-38. ISSN 1518-2630 (print), 2358-033X (online)

Whitfield, S. K. (2018) Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017). New Theatre Quarterly, 34 (2) pp. 196-197. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2018) Book review: Marc Edward Shaw and Holly Welker (eds.), Singing and dancing to The Book of Mormon: critical essays on the Broadway musical (Rowman & Littlefield, 2016). Studies in Theatre and Performance, 38 (3) pp. 350-352. ISSN 1468-2761 (print) 2040-0616 (online)

Whitfield, S. K. (2017) Book review: Robert Gordon, Olaf Jubin, and Millie Taylor: British Musical Theatre since 1950 (London: Bloomsbury Methuen Drama, 2016). New Theatre Quarterly, 33 (2) p. 200. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2020) Disrupting heteronormative temporality through Queer dramaturgies: Fun Home, Hadestown and A Strange Loop. Arts, 9 (2) (69). ISSN 2076-0752 (online)

Whitfield, S. K. (2023) Líza Fuchsová. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Musical migrants at Wigmore Hall in the 1940s. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2016) ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices. Studies in Musical Theatre, 10 (2) pp. 163-176. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2023) Oda Slobodskaya. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2012) Two different roads to new musicals in 2011 London: London Road and Road Show. Studies in Musical Theatre, 5 (3) pp. 305-314. ISSN 1750-3159 (print) 1750-3167 (online)

Whitfield, S. K. (2024) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Royal Musical Association Research Chronicle pp. 1-15. ISSN 1472-3808 (print), 2167-4027 (online)

Whitfield, S. K. (2020) A space has been made: bisexual+ stories in musical theatre. Theatre Topics, 30 (2) E5-E12. ISSN 1054-8378 (print) 1086-3346 (online)

Williamon, A. (2007) The art of musical memory. Studien zur Wertungsforschung, 47 pp. 30-41.

Williamon, A. (1999) The value of performing from memory. Psychology of Music, 27 (1) pp. 84-95. ISSN 0305-7356 (print) 1741-3087 (online)

Williamon, A. and Antonini Philippe, R. (2020) Wellbeing in and through performance: perspectives from sports and music. Frontiers in Psychology, 11 (399). ISSN 1664-1078

Williamon, A. and Aufegger, L. and Eiholzer, H. (2014) Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance. Frontiers in Psychology, 5 (25). ISSN 1664-1078

Williamon, A. and Aufegger, L. and Wasley, D. and Looney, D. and Mandic, D. P. (2013) Complexity of physiological responses decreases in high-stress musical performance. Journal of the Royal Society Interface, 10 (89) ISSN 1742-5689 (print) 1742-5662 (online)

Williamon, A. and Davidson, J. W. (2002) Exploring co-performer communication. Musicae Scientiae, 6 (1) pp. 53-72. ISSN 1029-8649 (print) 2045-4147 (online)

Williamon, A. and Egner, T. (2004) Memory structures for encoding and retrieving a piece of music: an ERP investigation. Cognitive Brain Research, 22 (1) pp. 36-44. ISSN 0926-6410 (print) 1872-6348 (online)

Williamon, A. and Thompson, S. (2006) Awareness and incidence of health problems among conservatoire students. Psychology of Music, 34 (4) pp. 411-430. ISSN 0305-7356 (print) 1741-3087 (online)

Williamon, A. and Valentine, E. (2000) Quantity and quality of musical practice as predictors of performance quality. British Journal of Psychology, 91 (3) pp. 353-376. ISSN 0007-1269 (print) 2044-8295 (online)

Williamon, A. and Valentine, E. (2002) The role of retrieval structures in memorizing music. Cognitive Psychology, 44 (1) pp. 1-32. ISSN 0010-0285 (print) 1095-5623 (online)

Williamon, A. and Valentine, E. and Valentine, J. (2002) Shifting the focus of attention between levels of musical structure. European Journal of Cognitive Psychology, 14 (4) pp. 493-520. ISSN 2044-5911 (print) 2044-592X (online)

Williams, E. and Glew, S. and Newman, H. and Kapka, A. and Shaughnessy, N. and Herbert, R. and Walduck, J. and Foster, A. and Cooke, P. and Pethybridge, R. and Shaughnessy, C. and Hugh-Jones, S. (2023) Practitioner Review: effectiveness and mechanisms of change in participatory arts-based programmes for promoting youth mental health and well-being – a systematic review. Journal of Child Psychology and Psychiatry ISSN 0021-9630 (print) 1469-7610 (online)

Windram, H. F. and Charlston, T. and Howe, C. J. (2014) A phylogenetic analysis of Orlando Gibbons's Prelude in G. Early Music, 42 (4) pp. 515-528. ISSN 0306-1078 (print) 1741-7260 (online)

Windram, H. F. and Charlston, T. and Tomita, Y. and Howe, C. J. (2022) A phylogenetic analysis of two Preludes from J. S. Bach’s Well-Tempered Clavier II. Early Music, 50 (3) pp. 373-393. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2023) Book review: 'Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800', ed. Kate van Orden. Journal of the American Musicological Society, 76 (2) pp. 513-518. ISSN 0003-0139 (print) 1547-3848 (online)

Wistreich, R. (2017) ‘Inclosed in this tabernacle of flesh’: body, soul, and the singing voice. Journal of the Northern Renaissance, 8 ISSN 1759-3085

Wistreich, R. (1994) "La voce è grata assai, ma…”: Monteverdi on singing. Early Music, 22 (1) pp. 7-20. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2011) Music books and sociability. Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18 pp. 230-246. ISSN 1123-8615 (print) 2035-6706 (online)

Wistreich, R. (2012) Musical materials and cultural spaces. Renaissance Studies, 26 (1) pp. 1-12. ISSN 0269-1213 (print) 1477-4658 (online)

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. Analecta Musicologica, 49 pp. 138-150. ISSN 0569-9827

Wistreich, R. (2006) Philippe De Monte: new autobiographical documents. Early Music History, 25 pp. 257-308. ISSN 0261-1279 (print) 1474-0559 (online)

Wistreich, R. (2002) Practising and teaching historically informed singing - who cares? Basler Jahrbuch für Historische Musikpraxis, 26 pp. 17-29.

Wistreich, R. (2002) Real basses, real men: virtù and virtuosity in the construction of noble male identity in late sixteenth-century Italy. TroJa. Jahrbuch für Renaissancemusik, 2 pp. 59-77. ISSN 2513-1028

Wistreich, R. (2019) Singing Handel, then and now. Handel News, 76 pp. 5-8. ISSN 2517-7656

Wistreich, R. (2010) Using the music: musical materials and expert singers’ practices in Monteverdi’s time. Basler Jahrbuch für Historische Musikpraxis, 34 pp. 61-72.

Wistreich, R. (2011) Who sings the cantus? Children as performers of secular music in the early modern period. TroJa. Jahrbuch für Renaissancemusik, 10 pp. 157-176. ISSN 2513-1028

Wistreich, R. and Potter, J. (2013) Singing early music: a conversation. Early Music, 41 (1) pp. 22-26. ISSN 0306-1078 (print) 1741-7260 (online)

Wright, D. C. H. (1992) 1992 Prom premières. Tempo (183) pp. 33-34. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2001) Altered states: review of 'Making music modern: New York in the 1920s' by Carol J. Oja; 'America's musical life: a history' by Richard Crawford. The Musical Times, 142 (1877) pp. 62-63. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) At the threshold of eternity: Robert Saxton on disc. The Musical Times, 131 (1769) pp. 363-364. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Autonomy: review of 'Stravinsky: the music box and the nightingale' by Daniel Albright. The Musical Times, 131 (1773) p. 601. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Book review: 'Charles Ives: my father's song' by Stuart Feder. The Musical Times, 133 (1798) p. 628. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Charles Seeger: a life in American music' by Ann M. Pescatello. The Musical Times, 134 (1803) p. 270. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2023) Book review: 'Child composers in the old conservatories: how orphans became elite musicians' by Robert O. Gjerdingen (OUP 2020). The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Creative sources for the music of Toru Takemitsu' by Noriko Ohtake. The Musical Times, 134 (1805) p. 399. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2023) Book review: 'Debating English Music in the Long Nineteenth Century' by John Ling (Boydell & Brewer, 2021). NABMSA Reviews, 10 (2) pp. 8-11. ISSN 2377-2573

Wright, D. C. H. (1994) Book review: 'Francis Poulenc' by Wilfrid Mellers. Tempo (189) pp. 33-35. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book review: 'Harvard composers: Walter Piston and his students, from Elliott Carter to Frederic Rzewski' by Howard Pollack. The Musical Times, 134 (1804) p. 340. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2020) Book review: 'Mary Gladstone and the Victorian salon: music, literature, liberalism' by Phyllis Weliver. Journal of the American Musicological Society, 73 (2) pp. 420-425. ISSN 0003-0139 (print) 1547-3848 (online)

Wright, D. C. H. (1995) Book review: 'Max: the life and music of Peter Maxwell Davies' by Mike Seabrook. The Musical Times, 136 (1824) pp. 97-99. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Book review: 'Music and performance culture in nineteenth-century Britain: essays in honour of Nicholas Temperley' by Bennett Zon; 'Music and theology in nineteenth-century Britain' by Martin V. Clarke. Victorian Studies, 57 (1) pp. 173-176. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2010) Book review: 'Music and the making of middle-class culture: a comparative history of nineteenth-century Leipzig and Birmingham' by Antje Pieper; 'Thomas Tallis and his music in Victorian England' by Suzanne Cole. Victorian Studies, 52 (2) pp. 329-332. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2024) Book review: 'Music in Twentieth-Century Oxford: New Directions' edited by Robin Darwall-Smith and Susan Wollenberg (Boydell Press, 2023). Music & Letters ISSN 0027-4224 (print) 1477-4631 (online)

Wright, D. C. H. (2020) Book review: 'Music in their time: the memoirs and letters of Dora and Hubert Foss' ed. Stephen Lloyd, Diana Sparkes, & Brian Sparkes. The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Book review: 'New music 89' ed. Michael Finnissy and Roger Wright. The Musical Times, 131 (1789) p. 367. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Samuel Barber: the composer and his music' by Barbara B. Heyman. The Musical Times, 134 (1800) p. 91. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2021) Book review: 'Sir Henry Wood: champion of J. S. Bach' by Hannah French. Bach: Journal of the Riemenschneider Bach Institute, 52 (1) pp. 104-109. ISSN 0005-3600 (print) 2767-4843 (online)

Wright, D. C. H. (1993) Book review: 'Sorabji: a critical celebration' ed. Paul Rapoport. The Musical Times, 134 (1805) p. 397. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Book review: 'The art of stealing time' by Louis Andriessen, ed. Mirjam Zegers, trans. Clare Yates, and 'The music of Louis Andriessen' ed. Maja Trochimczyk. Tempo, 57 (225) pp. 60-61. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1992) Book review: 'The correspondence of Roger Sessions' ed. Andrea Olmstead. The Musical Times, 133 (1798) p. 635. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book reviews: 'New tonality' ed. Paul Moravec and 'What's the matter with today's experimental music? Organized sound too rarely heard' by Leigh Landy. Tempo (185) pp. 36-37. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2015) Business studies: review of 'Michael Costa: England's first conductor: the revolution in musical performance in England, 1830–1880' by John Goulden. The Musical Times, 156 (1932) pp. 107-109. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1995) CD reviews: music by Colin Matthews and John Lambert. The Musical Times, 136 (1833) p. 607. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2019) Canterbury males: review of ‘The Canterbury Catch Club 1826: music in the frame’ by Chris Price. The Musical Times, 160 (1948) pp. 117-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2009) Catalyst for change: review of 'The triumph of music: composers, musicians and their audiences, 1700 to the present' by Tim Blanning. The Musical Times, 150 (1909) pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Clicks, clocks & claques. The Musical Times, 135 (1817) pp. 426-431. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Concerts for coteries, or music for all? Glock's Proms reconsidered. The Musical Times, 149 (1904) pp. 3-34. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. The Musical Times, 135 (1813) pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Covalent bond: review of 'Sir George Dyson: his life and music' by Paul Spicer. The Musical Times, 155 (1929) pp. 91-97. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Critical challenge: review of 'Stocktakings from an apprenticeship' by Pierre Boulez, translated by Stephen Walsh. The Musical Times, 133 (1795) pp. 464-465. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Cry of the earth. The Musical Times, 133 (1793) pp. 339-341. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Dead and gone? Review of 'The music of John Ireland' by Fiona Richards. The Musical Times, 142 (1874) pp. 58-59. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882) pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Expanding covers. The Musical Times, 133 (1795) pp. 452-453. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Ferneyhough at fifty. The Musical Times, 134 (1801) pp. 125-128. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879) pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2017) Hailing Hurlstone: review of ‘William Hurlstone: Croydon’s forgotten musical genius’ by Christopher Redwood. The Musical Times, 158 (1938) pp. 112-113. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) In memoriam: Susan Bradshaw. The Musical Times, 146 (1890) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) In the doll's house: review of 'Sviatoslav Richter: notebooks and conversations' by Bruno Monsaingeon, translated by Stewart Spencer. The Musical Times, 142 (1875) pp. 77-78. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Individually enterprising. The Musical Times, 133 (1790) pp. 162-165. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) John Woolrich: expanding continuities. The Musical Times, 131 (1772) pp. 540-541. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The London Sinfonietta 1968–2004: a perspective. Twentieth-Century Music, 2 (1) pp. 109-136. ISSN 1478-5722 (print) 1478-5730 (online)

Wright, D. C. H. (1993) Looking for Barbara Kolb. The Musical Times, 134 (1799) pp. 9-12. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Louis Andriessen: polity, time, speed, substance. Tempo (187) pp. 7-14. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939) pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Maxims past and present (music review). The Musical Times, 134 (1810) pp. 693-695. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) 'Middle-classing' the music profession in Victorian Britain. Journal of the Royal College of Organists, 8 pp. 31-39. ISSN 0969-1642

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923) pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Networking: review article. The Musical Times, 144 (1883) pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1988) New British. The Musical Times, 129 (1750) p. 671. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Opening windows: review of 'American experimental music, 1890-1940' by David Nicholls. The Musical Times, 133 (1789) p. 130. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Pay check: review of 'Elgar's earnings' by John Drysdale. The Musical Times, 154 (1925) pp. 91-99. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Portraits (review article). The Musical Times, 131 (1771) pp. 485-486. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Post factum: review of 'The collected letters of Peter Warlock (Philip Heseltine)' edited by Barry Smith. The Musical Times, 147 (1895) pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1997) Praxis makes perfect: review of 'Analytical strategies and musical interpretation' ed. Craig Ayrey and Mark Everist. The Musical Times, 138 (1853) p. 35. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1991) Proms 2: Peter Paul Nash. Tempo (179) pp. 55-56. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2000) Proms: Louis Andriessen's 'Trilogy of the Last Day'. Tempo (211) pp. 30-31. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2009) Reaping Tom: review of 'Thomas Beecham: an obsession with music' by John Lucas. The Musical Times, 150 (1907) pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2019) Review article: Inventing how we sing it now: Oxbridge choirs and the ‘tradition’ of modern Cathedral music. Journal of the Royal College of Organists, 13 ISSN 0969-1642

Wright, D. C. H. (2022) Review article: People power: 'The art of appreciation: music and middlebrow culture in modern Britain' by Kate Guthrie. The Musical Times, 163 (1960) pp. 87-102. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2018) Review of 'Players’ work time: a history of the British Musicians’ Union, 1893–2013' by John Williamson and Martin Cloonan. Popular Music, 37 (1) pp. 134-136. ISSN 0261-1430 (print) 1474-0095 (online)

Wright, D. C. H. (2001) Robert Saxton in the 1990s. Tempo (215) pp. 2-6. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1991) Russian spring. Tempo (177) pp. 45-46. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (2008) Sacred and profane: review of 'Edmund Rubbra: symphonist' by Leo Black and 'The innumerable dance: the life and work of William Alwyn' by Adrian Wright. The Musical Times, 149 (1905) pp. 103-106. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Situating Stainer: review of 'John Stainer: a life in music' by Jeremy Dibble. The Musical Times, 149 (1903) pp. 95-103. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The South Kensington music schools and the development of the British conservatoire in the late nineteenth century. Journal of the Royal Musical Association, 130 (2) pp. 236-282. ISSN 0269-0403 (print) 1471-6933 (online)

Wright, D. C. H. (2004) Take two: review of 'Performing music in the age of recording' by Robert Philip. The Musical Times, 145 (1889) pp. 98-100. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Turgid encounters: review of 'American composers: dialogues on contemporary music' by Edward Strickland. The Musical Times, 133 (1795) p. 462. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1996) Unscrambling myths: review of 'Shostakovitch studies' ed. David Fanning. The Musical Times, 137 (1846) p. 29. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Uttered music: review of 'Britten's musical language' by Philip Rupprecht. The Musical Times, 143 (1880) pp. 66-67. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1990) Virgin music: review of 'New sounds: the Virgin guide to new music' by John Schaefer. The Musical Times, 131 (1772) pp. 547-548. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Weir to now? The Musical Times, 134 (1806) pp. 432-437. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) A style too far? (Recording review). The Musical Times, 134 (1802) pp. 215-217. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. and Ritterman, J. (1994) Degrees of choice. The Musical Times, 135 (1818) pp. 522-525. ISSN 0027-4666 (print) 2397-5318 (online)

Wöllner, C. and Ginsborg, J. and Williamon, A. (2011) Music researchers’ musical engagement. Psychology of Music, 39 (3) pp. 364-382. ISSN 0305-7356 (print) 1741-3087 (online)

Wöllner, C. and Williamon, A. (2007) An exploratory study of the role of performance feedback and musical imagery in piano playing. Research Studies in Music Education, 29 (1) pp. 39-54. ISSN 1321-103X (print) 1834-5530 (online)